Showing posts with label Sam Paige. Show all posts
Showing posts with label Sam Paige. Show all posts

Sunday, 16 August 2026

Just Jody Project - Forget Them Wendy - Sam Paige - Efro - Niki Kennedy - Jasmin Stone

Just Jody Project - No Need To Sing The Blues (Album).

For more than 55 years, Just Jody Project has lived at the intersection of craftsmanship and creativity, shaping a distinctive multi‑genre sound through a lifetime immersed in music. His work is defined by an extraordinary collection of custom‑built guitars and handcrafted stringed instruments—each one a reflection of the curiosity, skill, and artistic devotion that fuel his signature style.

That sonic identity reaches new heights on No Need to Sing the Blues, the debut 10‑track independent album that blends smooth melodies with rich musical textures and expressive performances. The project is elevated by close collaborations with world‑renowned producer and multi‑instrumentalist Chris Birkett, whose classical arrangements add cinematic depth, and acclaimed pianist/keyboardist Bill King, whose Hammond B3 performances infuse several tracks with soulful warmth and vintage character.

Drawing inspiration from heavy metal, hard rock, blues, reggae, jazz, and folk rock, Just Jody Project channels decades of experience into a sound that is both eclectic and deeply personal. The album’s layered arrangements, handcrafted instrumentation, and genre‑spanning influences create a warm, immersive listening experience that celebrates authenticity, exceptional musicianship, and the enduring power of live performance.

Based in Mississauga, Ontario, Just Jody Project continues to expand his musical world—one handcrafted instrument, one collaboration, and one heartfelt composition at a time. 


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Forget Them Wendy - Apple Pie.

Forget Them Wendy are an indie pop/grunge duo made up of Newcastle-based songwriter Laura James, and Edinburgh-born producer and guitarist Oliver Price, now living in London. The band take their name from a line in J.M. Barrie’s Peter Pan: “Forget them, Wendy. Forget them all. Come with me where you'll never, never have to worry about grown up things again.” Shaped by their shared love of 90s records from bands including The Cranberries, Smashing Pumpkins and The Breeders, the pair combine indie pop melodies with grunge influences and playful, self-aware songwriting.

Their latest single, “Apple Pie”, sees Forget Them Wendy showing a softer side, with acoustic guitar taking centre stage. Written in the height of summer, the track is inspired by those hazy, lazy days that seem to stretch on forever. Laura sings, “‘Life’s an apple pie, let it float on by’”, a line she admits she doesn’t really know the meaning of, but somehow knows is important.

In true Forget Them Wendy fashion, “Apple Pie” doesn’t stay quite as laid-back as it first appears. Towards the end, the track takes an unexpected turn, becoming more psychedelic before coming to an abrupt stop. The final moments reference Paul Bowles’ novel The Sheltering Sky and its themes of death and impermanence, bringing a darker thought into a song initially inspired by endless summer days. Maybe the summer won’t last forever after all. The duo’s chemistry runs throughout both their music and creative process. Laura describes the project as “about owning who you are, even if you’re not entirely sure who that is,” as well as “liking someone so much you forget who you are.” “You mean me?” asks Olly. “No,” Laura replies.


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Sam Paige - I Am Sam (Album).

Sam Paige’s debut full-length album, I Am Sam, is an intimate introduction to an artist who has never been afraid to put her most honest thoughts into words. Across nine tracks, Paige delivers her most personal and fully realized work to date, blending the heart of country storytelling with modern pop sensibilities — memorable melodies — and unfiltered honesty. Rather than hiding behind perfection, I Am Sam embraces the complicated, messy, and sometimes uncomfortable parts of growing into yourself.

At the center of the album is the standout track “Anxiety,” a deeply candid exploration of the invisible battles that can exist beneath an otherwise composed exterior. Paige captures the contrast between how someone appears to the outside world and what is happening internally, turning anxious thoughts into something listeners can immediately recognize. “There's a pounding in my chest / There's an aching kind of stress / Thoughts spinning / But at least I'm awake / Mirror says I'm doing fine / But it's a little different in my mind.” The song becomes one of the album’s most vulnerable moments, allowing Paige to transform a deeply personal experience into something listeners can see themselves in.

That honesty carries throughout I Am Sam. Paige’s songwriting has a conversational quality that allows deeply personal experiences to feel universal. Her lyrics explore self-doubt, identity, relationships, growing up, and the pressure to understand yourself before you necessarily have all the answers. The album becomes less about having everything figured out and more about giving yourself permission to be a work in progress.

On “My Tattoos,” Paige turns physical self-expression into a reflection on emotional identity. The song examines the relationship between confidence and insecurity, suggesting that the things we choose to put on our bodies can also represent the experiences we carry within us. “I find a little more truth every time the ink dries on my tattoos.” The tattoos become more than decoration — they represent memories, choices, growth, and the freedom to claim every part of yourself.


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Photo - Adrien Bossa
Efro - Lipstick Stains.

Rising solo artist Efro returns with her new single ‘Lipstick Stains’, a heat-hazed ode to Summer, which arrived 14th August. Another example of Efro's stylistic, instantly recognisable sound, 'Lipstick Stains' pairs psychedelic textures with gritty, vintage-inspired production and lo-fi charm, settling into an effortlessly laid-back groove.

Built around fuzzy bass, biting guitars, distorted keys, boxy drums and subtle washes of synth, the track fuses hazy indie-rock with an alternative edge, shifting between psychedelic flourishes and understated lo-fi aesthetics. The result recalls artists such as PJ Harvey, Sun Room and Dope Lemon, while echoing the timeless cool of Lou Reed and The Strokes. Evoking the warmth of summer, 'Lipstick Stains' reflects on fleeting romance and the memories that linger long after the season has passed, wrapping its wistful nostalgia in a sun-faded glow.

Speaking about the single, Efro explains: “Lipstick Stains began as a visualisation of a perfect endless idealistic summer. I first started writing the lyrics by having in mind the things that make summer what it is, long days at the beach, listening to the waves crashing, summer love. Then I came up with the bassline keeping the song moving no matter what and later came the bridge with the song reaching its climax there, kind of portraying those more spontaneous summer moments we all know and love. It’s a love song about summer.”

Originally from Athens, before studying in Brighton (UK) and now based in Berlin, Efro has developed a distinctive sound that fuses indie garage rock energy with sun-soaked, surf-leaning textures. Efro’s debut EP ‘Year of Yearning’ established an early identity rooted in indie rock nostalgia and emotional directness, acting as a foundation for a growing catalogue shaped by introspection and melodic instinct.


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Ezra Tsai Photography

Niki Kennedy - Gardenias.

On her soaring new single "Gardenias" Toronto singer-songwriter Niki Kennedy begins a new chapter in her musical story, offering hope in the face of grief, a message complemented by a gorgeous, string-laden arrangement. “Gardenias” is a preview of Niki's full-length debut album The Space In Between, out Oct. 2, and is an example of the open-hearted approach she has applied to her music since beginning to work on the album. Niki explains, "I wrote 'Gardenias' to honour my grandmother, and it took a long time as I wanted it to convey joy rather than grief. It finally became a celebration of her life and I hope it can help others who have lost loved ones find some peace."

Finishing "Gardenias" has been part of Niki's transformation over the past few years. Like many emerging young artists, she realized she had fallen into the trap of chasing expectations set by others as she established herself through a handful of independent singles.

Niki ultimately decided to try something different—ignore what she “should” be doing, and simply start writing songs that drew from her life experiences, often in a vulnerable manner she had never attempted before that unmasked and confronted her insecurities, frustrations and fears. Niki has channelled all of it into The Space In Between, which showcases her entrancing voice in inventive arrangements rooted in modern adult pop with hints of country, R&B and reggae.

She says, “I didn’t go into this process trying to ‘write an album,’ but to capture the messy human journey of figuring it all out. At the end of it, I had a collection of songs that felt true to this chapter of my life and artistry. I chose 12 of them for this album, and it was at that point that I went into the studio with long-time friend and collaborator Shane Stephenson, who mixed the record and helped me bring it to the finish line.”


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Jasmin Stone - Faceless.

Available this weekend on streaming platforms worldwide, Jasmin Stone’s “Faceless” is the latest offering from Jessicat Records. The new single arrived after the video clip for the track.

Exploring the lack of humanity demonstrated in recent times, "Faceless" reflects on the feelings of isolation and being trapped behind a screen, and how this impacted society in various ways. The music video for “Faceless” helps bring this to life, by showcasing various characters in everyday life, engaging in parallel realities. Although all of the characters seen in the video appear to be coexisting, there is an ever growing feeling of distance that can be felt throughout. 

Sonically, "Faceless" shares a clear inspiration to 80s soundscapes. Jasmin Stone perfectly bridges the gap between futurism with more “ancient” styles, creating an ethereal world that’s all her own. A cross between Air or Goldfrapp, the single’s ties to dream pop could not be more clearer.

Jasmin Stone is an acclaimed multi award winning songwriter composer and multimedia artist renowned for her distinct cinematic approach to indie pop. With an extensive experience in the film and television industry, she has established herself by weaving deep narrative elements and striking visual storytelling into her musical creations.


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Sunday, 8 February 2026

Alice Costelloe - Sam Paige - Violent Vickie - Izzi Stone - Odd Marshall

Alice Costelloe - Move On With The Year (Album).

London singer-songwriter Alice Costelloe releases her debut album 'Move On With The Year' via Moshi Moshi Records. With the album release comes the announcement of a new autumn headline tour, with new dates in Manchester, Edinburgh, Leeds, London and Bristol. To mark the album's release, Alice plays a stripped back in-store set at Rough Trade Denmark Street on 11th February, before headline shows in Huddersfield, Sheffield, Sidney and Sunderland later this month - and two sold-out London shows on 3rd and 4th March. 

Over the past year, Alice Costelloe has emerged as one of the UK’s most quietly commanding new songwriters. With endorsements from BBC 6 Music's Steve Lamacq, Craig Charles, Lauren Laverne, Nick Grimshaw, Nemone and Iggy Pop plus sustained praise from press tastemakers including The Guardian ("Riveting"), MOJO Magazine ("Moving solo debut of dark, surreal art-pop"), Loud And Quiet ("Remarkable"), DIY ("Fizzing with nostalgic warmth"), Wonderland, NME, CLASH, Dork, The Line of Best Fit and many more. Her growing profile has been mirrored on the road, with extensive UK and European touring that has seen her support Gengahr and Lael Neale on dates across the UK as well as joining Future Islands in Europe, alongside sold-out London headline shows of her own and appearances at key tastemaker festivals such as The Great Escape and Live At Leeds.

Rooted in the long shadow of her estranged father’s addiction, debut album 'Move On With The Year' captures the quiet work of unlearning and repair. Produced by Mike Lindsay (one half of LUMP with Laura Marling) in his Margate studio, the album is a fragile, fearless act of creative detangling - art-pop that listens closely to the noise left by parental addiction and emotional absence, then patiently rebuilds something strange and beautifully self-assured.

Moving beyond the cool precision of her indie-rock roots fronting Big Deal, she and Lindsay shaped a world of mellotron drones, fluttering flutes, warped synths and stumbling pianos, with sonic references sitting somewhere between Julia Jacklin, Cate Le Bon, Weyes Blood, Julia Holter, Joni Mitchell and Andy Shauf.


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Sam Paige - Growing Pains.

Sam Paige returns with “Growing Pains,” a raw and relatable country pop track that captures the overwhelming feeling of trying to keep up with life as it speeds forward. The song centers on the emotional whiplash of growing up, building a future, searching for direction, and realizing that life doesn’t always come with clear answers.

The chorus encapsulates this tension with vivid imagery, comparing growing pains to forces that are impossible to ignore: “Like a storm that won’t let you sleep / like a fire that burns all you see / like a match with that gasoline / growing pains, yeah they cut so deep."  These metaphors feel familiar yet effective, grounding the song in emotions many listeners will recognize. It’s a hook that lingers because it’s honest.

Musically, “Growing Pains” leans into a fresh sound with a hopeful, polished production that contrasts the weight of its lyrics. Paige’s vocal delivery carries a quiet vulnerability, allowing the lyrics to take center stage. There’s a sense that she’s letting listeners in on thoughts usually kept to herself, and that intimacy is one of the song’s greatest strengths.

The track closes on a particularly poignant note: “It ain’t any easier / with all the time that’s passing / in fact I got less answers now / and more questions I’m asking.” Rather than offering resolution, Paige embraces uncertainty. With “Growing Pains,” Sam Paige continues to prove she isn’t afraid to confront the uncomfortable parts of life.


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Violent Vickie - High.

"If Gary Numan, John Maus, and Fiona Apple had a baby, it might sound like Violent Vickie's HIGH—poppy synths and driving beats beneath sultry, commanding vocals. “HIGH” is a darkly seductive track celebrating human touch". It's been a while since we last featured Vickie, and High makes it a very welcome return to the riot grrrrl's gorgeous style of music!

Violent Vickie is a West Palm Beach, FL-based producer, synth player, and singer.  Formerly based out of Los Angeles, Violent Vickie blends the sounds of darkwave, synth-pop, post-punk, witch house, and riot grrrrl to create a spooky, grungy, danceable and epic sound with ethereal and tongue ’n cheek vocals that is all her own.  

Violent Vickie’s influences range from Crystal Castles and Grimes to Bjork and Bikini Kill to Siouxsie and The Banshees and Aphex Twin.  Violent Vickie’s songs have been remixed by Fragrance, Kontravoid  and she recently shared the stage with Stabbing Westward, Forever Grey, Assemblage 23, and Aurelio Voltaire and played Absolution Fest along with Glass Spells. Violent Vickie has also toured with Hanin Elias of Atari Teenage Riot and shared the stage with Pastel Ghost, Trans X, and Missing Persons.

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Izzi Stone - 9 Camels.

avantgarde pop artist Izzi Stone proudly presents her new single, “9 Camels”. Rooted in themes of love, resilience, and transformation, the new single is now available on all major streaming platforms.

Existing at the intersection of neo-soul, jazz-inflected R & B, and avantgarde music, Izzi Stone’s sound is defined less by genre than by atmosphere and intent. Adopting theatrical influences from predecessors such as David Bowie, Fiona Apple, and St. Vincent, Izzi’s songwriting casts unique and immersive experiences upon its audiences. Her new single, “9 Camels” focuses on the importance of connecting with yourself and others, in order to effectively navigate through periods of uncertainty and hardships. Rooted in jazz and avant-garde influences, Stone blends sultry restraint with forward optimism—creating an intimate, timeless, and powerful world.

Paired with the single’s release on digital platforms comes an exciting video set in the desert, featuring psychedelic visuals and computer-generated camels. As Izzi Stone serenades us throughout this landscape, we get a further taste of the power her creative psyche holds. Creating a simple, yet memorable scene, the imagery in the video helps mirror the overall motifs and themes that the track stands for.


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Odd Marshall - On My Way.

Odd Marshall shares “On My Way,” the latest preview of his sophomore album Seconds, out March 6. A laid-back, melodic rocker, "On My Way" provides a counterpoint to Odd Marshall's previous hard-driving single "Outta Here" by leaning into longing, distance, and the quiet ache of unfinished love.

Seconds expands Marshall’s sonic palette, blending indie rock, folk-rock, and alt-country while leaning into a distinctly ’90s-influenced sound. The album features Blind Melon guitarists Rogers Stevens and Christopher Thorn—who also produced and mixed the record—along with contributions from Foo Fighters keyboardist Rami Jaffee and Mathias Schneeberger of The Afghan Whigs.

Built around an unhurried groove, “On My Way” draws from real experience. While living in New York, Marshall entered into a relationship that was tested when he took a job aboard a ship traveling through the Panama Canal. A re-route around South America extended the journey by months, ultimately unraveling the relationship.

Still, Odd Marshall is happy with how "On My Way" commemorates the first meeting with the soon-to-be love of his life on a hot summer night in Brooklyn. "I begged her to have a drink with me and we popped into The Manhattan Inn for a pint of Guinness with a scoop of VanLeeuwen ice cream. I changed that to wine in the song for poetic license, but it's true that I believe she paid for it." He adds, "This is a part of my newer, simpler style of writing which came out of playing crowded bars where people really make you work for their attention. There's no better way to do that than a mid-tempo song with big fat cowboy chords."


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Sunday, 14 December 2025

Sam Paige - Tinlicker - Tsunami Bombs - Hammerbombs

Photography by Fischy Media
Sam Paige - SKIN.

Sam Paige begins a powerful new chapter with her beautifully vulnerable single, “SKIN.” Combining subtle country textures with polished pop influences, the song explores the ongoing, raw journey of learning to love yourself in a world that often makes it feel impossible.

It opens with a swirling guitar line that feels like a thought taking shape, quickly pulling listeners into its diary-like honesty. Lines such as, “I’ve put on a couple faces, but none that felt like mine,” capture the quiet ache of trying to fit into expectations that were never meant for you. Paige’s tender yet unflinching delivery makes the song feel deeply personal, as if reading straight from her journal.

When the chorus hits, it lands with emotional weight and universal relatability as Paige asks herself the same question so many struggle with daily: “What’s it gonna take to love me as I am?” It’s a moment of self-interrogation that feels brave, necessary, and deeply human. Fresh yet familiar, “SKIN” is modern country-pop wrapped in nostalgia and self-reflection — a reminder that self-love isn’t instant, but it’s worth fighting for.

A former poet-turned-performer, Paige draws inspiration from Taylor Swift and Kelly Clarkson, crafting lyrics that are emotional, accessible, and deeply personal. She has trained with The Voice vocal coach Coreen Sheehan, performed at Carnegie Hall, and appeared on NBC’s Macy’s Thanksgiving Day Parade with Corbin Bleu. Her past releases have been featured on major media outlets and on several editorial playlists. With “SKIN,” Paige continues to assert her identity and invites listeners to do the same.


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Photo - Meesterwerk
Tinlicker - Reborn.

Electronic/live band Tinlicker, now a NL/UK trio with Hero Baldwin joining Jordi and Micha, dish out a third foretaste of their forthcoming fourth album due early 2026. A high-energy homage to their teen music faves, single "Reborn" is out now on Remember the Future/[PIAS] Électronique.  

"Music can be a reflection of the era you grow up in. You fall in love with the soundscape of your teens and drag that feeling with you, because during this period you experience so many new adventures. 'Reborn' is an homage to the early sounds that shaped us as teenagers, as it is an era in music we hold close to our hearts." – Tinlicker 

Tinlicker’s signature music vocabulary includes melodic elements, live instruments, soulful vocals, evocative lyrics, heart-felt indie guitar and orchestral strands, beautifully crafted into music both danceable and emotional, adorded worldwide via live performances to thousands and over a billion streams.  

New instrumental single "Reborn" focuses on celebrating late 90s/early 00s trance with rippling arps, melodic synth chords, and staccato stuttering stab patterns as main theme, along with fast, uncompromising beats and urgent swoops and sirens. Ideal for warming dance floors, along with the euphoric nostalgia of ‘those’ long heart-felt synth chords. 


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Tsunami Bombs - Things Aren't Going Well. / Hammerbombs - Phases.

Rad Girlfriend Records releases a split between Tsunami Bombs and Hammerbombs, titled Bombs Away!, on December 26. 

"This split 7" brings together East Bay veterans Tsunami Bomb and Oakland’s The Hammerbombs," says Josh Goldman of Rad Girlfriend Records. "Side A features Tsunami Bomb delivering the tight, hook-driven sound that helped cement their place in the East Bay punk scene. Their tracks highlight the melodic edge and direct songwriting that made them a key part of California’s punk rock explosion in the '90s and the broader wave of Bay Area punk.

"Side B shifts to The Hammerbombs, representing Oakland’s strong DIY spirit," Goldman adds. "Their contribution is straightforward, energetic, and rooted in the self-made approach that defines the band. Their tracks capture the raw, honest style that has made The Hammerbombs a reliable force in the local underground. This split EP pairs two bands connected by geography, community, and a shared commitment to accessible, grassroots punk. it stands as a concise document of East Bay tradition meeting Oakland DIY momentum."

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Agnes Obel - Rachel Bochner - Willem James Cowan - Oh Louise

Photo - Alex Brüel Flagstad Agnes Obel - Laymelli. Singer-songwriter, multi-instrumentalist and producer Agnes Obel announces her new studi...