Allie & Ivy - Slothrust - The Ramona Flowers - Rips

Allie & Ivy - Money.

Background - Money is the latest indie jam from Sydney electropop singer-songwriter, Aleisha (Allie) Conlay who goes by the musical pseudonym, Allie & Ivy. This three minute pop gem boasts Allie & Ivy’s signature summer vibes, with sunshine-bright melodies, shimmering synths and chant-like vocals.

But what might initially seem to be a shallow money-loving anthem actually has a deeper meaning once you realise it is, in fact, Allie’s tongue-in-cheek way of getting the opposite point across: “Money is a sarcastic commentary on the consumeristic, money-centric society we live in right now, and the idea that we spend well beyond our means when it comes to material possessions,” Allie explains. “Greed is now normal and acceptable in our society. This song is an attempt to ridicule the status quo.”

Allie & Ivy’s fresh sound and penchant for catchy hooks and infectious melodies have gained accolades both in Australia and internationally with success in the International Songwriting Competition (2016 & 2014) and the Unsigned Only Music Competition (2016 & 2015). With new songs scheduled for release throughout 2017 and a debut EP underway the year is already shaping up to be a busy and exciting one for Allie & Ivy. Website here, Facebook here.

I had great pleasure in featuring Allie & Ivy a couple of times last year and the new song 'Money' is just as fabulous as the previous tunes. Top quality pop music with a pertinent message, this really does stand out from the crowd!

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Slothrust - Pigpen.

Background - There is a new video for Slothrust's single "Pigpen", the final track off their 2016 album 'Everyone Else'. When talking about the video, lead singer Leah Wellbaum said, “We wanted to make a music video that stands on its own as a piece of art. Everyone who worked on this had an extreme focus on compelling, surreal imagery and concepts. Our intention was to make a type of music video that we haven’t made before, and don’t see very often.”

Slothrust is Leah Wellbaum (Vocals,Guitars), Kyle Bann (bass), and Will Gorin (drums). The trio first staked out their unique strain of jazz- and blues-afflicted rock as students at Sarah Lawrence College. The band’s 2012 debut Feels Your Pain, and its successor 2014’s Of Course You Do, established the band as a breed apart, serving up deceptively clever epics that veer satisfyingly between incandescent riffing and pop hooks, winsome anxiety and powerful heft.

“People have always had trouble comparing us to other bands, but someone recently described us as Nirvana meets Wynton Marsalis, and I loved that,” says Wellbaum. Even the band’s name inspires a beat of thoughtful consideration as the eyes take in the letters and the brain makes its snap judgement: Slo Thrust? Slot Rust? Slo Trust?  Sloth-Rust.

We all studied jazz and blues, so I often use chords and voicings that aren’t quite as conventional for contemporary rock,” she continues. “Certain harmonic movement can get stale, so I try to incorporate colorful notes to give it more depth. The improvisational spirit of blues music is also something we try to always keep with us, even in more composed playing. I am drawn to musicians a bit further outside of the rock tradition, such as John Fahey, Elizabeth Cotten, D'Angelo, and Portishead. Growing up I listened to a lot of R&B and classical music. And musicals."

Slothrust will tour North America this summer including a performance at Lollapalooza on 8/4, dates can be found on Beehive Candy's tour news page. Facebook here, Bandcamp here.

Last years 'Everyone Else' album remains worthy of a full listen at the very least. So the new video for the excellent song 'Pigpen' gives me another chance to recommend Slothrust, something I do, without any hesitation. The video is a fine creative work, if you like the song, then please checkout the album.


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The Ramona Flowers - If You Remember.

Background in Q&A form - Why The Ramona Flowers. “We named our group after the female lead (Ramona Flowers) played by the American actress Mary Elizabeth Winstead in the movie 'Scott Pilgrim vs the World’. Ramona Flowers is capable of traveling through sub-space and has 7 evil ex-boyfriends (The League Of Evil Exes), We’re big fans of Canadian cartoonist Brian Lee O’Malley’s work. “Other contenders before we decided on a name were- Winter Wolf, Wolf of Millions. For some reason we had a wolf fetish going on”.

Proud to be from Bristol. “It's just a seriously cool city to live in. It has it's own unique vibe and undercurrent, a soul that gets under your skin. Bristol is a vibrant, multicultural city with a thriving music and arts scene, amazing nightlife. It was voted the best city in Britain to live in. Not to mention, it also won EU's European Green Capital Award.

"If You Remember" (the new single). It's about two lifelong friends and one of them has hit complete rock bottom. The one friend reminds the other of better times to try to help pick him back up emotionally. The main melodic hook of the song was written in the garage. “We were playing around with operatic voices on the computer. Skipping past Pavarotti, we found a less dramatic female lead and the song progressed from there.”

When a song is played live for the first time in front of an audience. “It's exciting to release a new song into the world and to see the reaction, but it can also be a bit terrifying! When you play a song for the first time, we have a lot of stuff going on onstage - you’re trying to remember all the parts, while trying to perform and this is all mixed with adrenaline rushes and a little trepidation. Something can always go wrong.” Website here, Facebook here.

I was seriously considering moving to Bristol about fifteen years ago (for work rather than pleasure) so there's a tenuous link to The Ramona Flowers, if ever there was one. 'If You Remember' is a very catchy indie pop/rock type of song, that clearly demonstrates some of Bristol's vibrant music scene belongs to this band.

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Rips – Delay.

Background - Brooklyn based Rips have quickly built a reputation amongst NYC showgoers, winning them over with their virtuous melodies and sheer ferocity amidst an endless flurry of shows. 

Their songs may channel late ’70s New York City bands like Television and The Feelies, but Rips propels these references into something new. Their self-titled debut, produced by Austin Brown of Parquet Courts, is eleven tracks of buzzing guitar riffs driven by a charged rhythm section, all set under lyrics that are actually worth a damn.

Rips (the record) takes cues from the moonlighting era of rock, while delivering a set of songs distinctly fit for the modern age. Once described as a “hyperreal rock n’ roll group,” the phrase “borne forward ceaselessly into the future” is more what they’re going for here.

So break an old habit. Let your hair down (or up). Rips will take you there. Website here, Facebook here.

We featured Rips just over a month ago, stating at the time that their album was on my want list. 'Delay' is our second opportunity to feature the band, and I am pleased to say, the album is now in my possession and all ten tracks, are as solid and good, as the two we have been able to share.

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Karl Walsh & The Happy Future - FELIN - Silas Hite - Dan Raza

Karl Walsh & The Happy Future - Wonderful.

Background - Karl Walsh & The Happy Future stunning album 'Birds' is set to be released on June 30th. The Happy Future was formed in Manchester in 2015 by Karl Walsh who was originally signed to Factory Records by Tony Wilson. Walsh, also a founder member of acoustic trio To Hell With Burgundy, played all over the world with Bob Geldof, The Pogues, Barclay James Harvest and Graham Parker before relocating to France where he wrote three novels. Returning to the UK in 2012 Walsh formed The Visitors with Mike Crook and Frederick Apps, releasing their debut album ‘Above You’ on Earliest Records.

The Happy Future’s first gigs were played as a trio with Frederick Apps on drums and Philip John on Bass. John, a multi-instrumentalist had previously fronted his own bands and enjoyed the challenge of utilising his vast musical knowledge to add a sophistication to Walsh’s catchy tunes. Frederick Apps cut his teeth playing with bands in venues all over the country. He is also an accomplished photographer and his work can be seen regularly in online magazine ‘Manchester Rocks’.

An open mic night in Didsbury called The Art of Tea led to Karl Walsh meeting Karl Markham, an extremely talented solo guitarist who was blowing audiences away with his renditions of original tapping style acoustic tunes. Having played in several bands in his hometown of Sheffield, Markham came to Manchester (where else?) to finish a music degree and took the role of lead guitarist in The Happy Future. Website here, Facebook here.

The new album 'Birds' comprises of eleven tracks of which 'Wonderful' is a fine example of the (dare I say) wonderful music to be found across the collection. Expect melodic and refined musical arrangements alongside the very pleasing vocals and harmonies, all of which has been produced to a very high standard.


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FELIN - Destruction Therapy.

Background - FELIN is a Swedish audiovisual duo consisting of songwriter/ artist Elin Blom and photographer/ director Fredrik Etoall (the “F” in F E L I N). Having worked with the likes of Icona Pop, Tove Lo, The Rolling Stones and Adam Lambert, FELIN are all about the highest quality of sound as well as image, by making the two inter-dimensional and expansive of one another. 

Being championed by Sony Music on their upcoming releases, as well as JC Jeans Company choosing their record for their national jeans ad, all eyes are on this Scandi duo as they reveal their much-anticipated material to the world.  

The upcoming new single Destruction Therapy begins with a cranked up and distorted drumbeat, which pounces out of the speakers onto the listener’s ears in an instant. Together with Elin’s cool’n’powerful lead vocal, the track rekindles the energy infused vibe of the industrialised alternative version of Gossip, early The Ting Tings and Yeah Yeah Yeahs. The song is produced in a Rangleklods-esque manner by Elin herself (yep, a female producer- still not enough of them out there) who has managed to craft this sonic hybrid of power, energy with a twinge of angst-filled apocalypse in the foreground. Website here, Facebook here.

'Destruction Therapy' is a potent mix of delicious drum beats way up in the musical mix, angry synths and the fiery and passionate vocals of Elin Blom.


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Silas Hite - Other Side.

Background - Emmy-winning composer, Silas Hite (Chef's Table, Scooby-Doo) just released a new cover song, "Other Side", originally performed by acclaimed indie-rock group, Metric from their latest album Pagans in Vegas. 

Hite has re-imagined this song as a beautifully aching indie-americana song, all while adding an 80's electronic pop flare. This new version features some of Hollywood's finest session string players including cellist, Timothy Loo, and violinist Nancy Kuo

Silas Hite is an Emmy-winning composer with music in his DNA. He began his career co-scoring blockbuster and independent films such as Nick & Norah’s Infinite Playlist and Cloudy With a Chance of Meatballs with his uncle, noted composer Mark Mothersbaugh (DEVO). His music plays in television shows around the world, from kids shows like Shaggy & Scooby-Doo Get A Clue!and Disney’s Dance-A- Lot Robot, to adult shows such as Blue Mountain State, Eureka, and Chef's Table. 

He has scored hundreds of commercials for clients such as Apple, McDonalds, and Chevy, earning him an Emmy, Adweek's Campaign of the Decade, and most recently a Titanium Grand Prix from Cannes. He’s contributed memorable music to some of the top selling video games of the past ten years such as The Sims 2, Skate 3 and The Simpsons. His music has played in such venerable institutions as the San Francisco Museum of Modern Art, the Los Angeles Museum of Contemporary Art, the New York Museum of Modern Art, and The Whitney Museum. Website here.

If your going to do a cover version then 'Other Side' is an exceptional example of how to make it work. Taking the song into another genre and totally different arrangement, then adding in superb musicians, pretty much seals the deal, Silas Hite's vocals ensure it.

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Dan Raza - Pay Day.

Background - In the wake of the Iraq war, Neil Young featured a stirring song called ‘Every Little Dog’ on his ‘Living With War’ website. The track was by Indian / British singer-songwriter Dan Raza, a writer who, like Young, creates music that whilst rooted in immediate genres transcends them by being able to touch on universal feelings and concepts. His songs have a strong sense of place and an enigmatic, wistful, restless quality at their heart.

The release of Dan Raza’s critically acclaimed debut album in 2012, alongside dates with Joan Armatrading, Badly Drawn Boy, Cara Dillon, Bellowhead, Mary Gauthier, Slaid Cleaves and more, cemented his place in the UK folk and roots scene and led BBC documentary maker, James Ashley Smith, to create ‘Can’t Go Back’, a short feature film about Raza’s sacrifices and struggles for his musical dreams. 

Now with the release of his second album simply titled ‘Two’, it should be time that Raza is recognized as one of the UK’s most exciting and authentic new homegrown independent singer-songwriters with an outstanding new album of deeply written songs that every real music lover should lend their ears to.

The album features some great legendary talents backing Raza including BJ Cole (Dolly Parton, Bert Jansch), Frank Mead (Albert King, Paul McCartney), and members of Slim Chance, Geraint Watkins (Van Morrison, Nick Lowe), Steve Simpson (Eric Bibb, Ronnie Lane) and Charlie Hart (Ian Dury, Eric Clapton). The result is a finely produced album that is warm and immediate, yet has a depth and textural range that rewards repeat listening. 

Moments like ‘Shadowlands’ have a Tom Waits or Nick Cave feel with dark moody landscapes, classic sounding guitars and haunting folk instrumentation; others, like ‘Where The Rivers Divide’, suggest bittersweet blue atmospheres that ebb and flow with confidence and mastery whilst ‘Pay Day’ is a straight up gutsy folk-rock belter. The tracks are full of stories influenced by and reflecting all aspects of Raza’s travelling and personal life and the production oozes with quality. ‘Two’ is a special collection of songs which have been honed and lovingly created and should be cherished at home on nights alone or with friends. Release date 7th July. Website here, Facebook here.

'Pay Day' is natural and a little rough around the edges, the way a song like this should be. Passionate and forceful folk rock, delivered with class.

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Jason Loewenstein - Dan Wilson

Jason Loewenstein - Machinery.

Background - Jason Loewenstein shares "Machinery" video with 'Spooky Action' out 6/16 on Joyful Noise Recordings.

Jason Loewenstein has been a major force behind lo-fi pioneers Sebadoh ever since their pivotal 1991 record, “III”. Along with fellow partner in crime Lou Barlow, Loewenstein has co-created some of the most influential releases in indie-rock, including the pivotal 90's albums “Smash Your Head on the Punk Rock”, “Bubble & Scrape”, and “Bakesale”.

Way back in 2002 Jason Loewenstein released his first solo album “At Sixes And Sevens” via Sub Pop. Now 15 years later, the follow-up has finally arrived. “Spooky Action” contains 13 new songs of unwavering rock. The self-recorded, self-produced album is as solidly engaging as anything in Loewenstein's formative lineage. Bandcamp here.

Straight down the line rock, that just cuts to the chase, ensures 'Machinery' stands out. Vocals are notable despite being immersed in the mix, and the musicianship relies on skill, rather than reverb and noise.


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Dan Wilson - "Someone Like You" (ft. Kronos Quartet).

Background - On August 4, Dan Wilson will return with Re-Covered, a unique album that finds the Grammy-winning songwriter reinterpreting songs from his storied career that he wrote for and with other artists. 

Since his days in seminal ‘90s rock band Semisonic, Wilson has been an in-demand songwriter, producer and arranger for some of the biggest acts in pop and rock music like Phantogram, Weezer, Preservation Hall Jazz Band, Halsey and My Morning Jacket. For his latest 13-track album, Wilson has taken songs he’s co-written with other artists and made them his own - his own arrangements, his voice, his guitar. The result is an eclectic spin on some of the biggest songs in pop music over the last 15 years as well as some gems that never quite made it big. 

“I’m hoping there are some songs on the record that everyone will recognize and think of as part of the landscape,” he says. “But then there are other songs that maybe people haven’t heard at all or they’ve only heard in passing.”

Most of the songs on the album were recorded live and mixed in an intensive week-long session at United Studios in Los Angeles, with longtime collaborators Mike Viola producing and Rock and Roll Hall of Famer Pete Thomas on drums. Wilson credits Thomas, best known for his decades of work with Elvis Costello, with being central to the crafting of the arrangements. Website here, Facebook here.

'Someone Like You' is a beautiful song and this version is simply fabulous. The vocals, musicianship and arrangement are top of their class, simple as that!


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Frøkedal - So Below - Alexa Dark

Frøkedal - Stranger.

Background - Acclaimed Oslo, Norway based artist Frøkedal is now sharing her new single ‘Stranger’. Celebrated by the likes of The New Yorker, The Sunday Times, The Independent and Q Magazine; new single ‘Stranger’ is a worthy successor to her Norwegian Grammy-nominated debut LP of 2016, ‘Hold On Dreamer’.

The track explores the promise of new beginnings – both in a lyrical and more literal sense – with ‘Stranger’ signalling the first in a series of standalone singles this year for Norwegian singer/songwriter/producer Anne Lise Frøkedal. 

“I was working with my own dogma on the last album,” Frøkedal explains, “the fact that I wanted everything to sound very simple and ‘less is more’ in terms of instrumentation. This time round, I wanted to work song-by-song for a little while, just to liberate myself I guess. We just followed the track and did what we thought was best for each individual song, and somehow they ended up sounding quite natural and organic – dry vocals, not a lot of effects, but probably more textured and detailed in a way.”

Despite track-by-track production, Frøkedal’s lyrical output took a much more thematic approach: “When I started writing this new material, I was picturing different ages or stages in our lives when our vision gets a little blurred. I wanted the songs (and the characters) to channel these critical moments when decisions are dominated by emotion and not necessarily by logic,” she says.

Though the new tracks are not written, or presented, in clear chronology, ‘Stranger’ does feel like a natural place to start – written from the perspective of a young person, leaving behind their childhood and stepping out into the unknown. “It’s an adventurous song, and looks upon the future positively, but in a sense of leaving behind all you know in hope of what’s around the corner. It looks back on that urge to leave with a certain nostalgia; how being a young dreamer is both a beautiful and naive thing.” Facebook here.

Last years 'Hold On Dreamer' album, was one of my favourites for 2016 and with new song 'Stranger' Frøkedal continues the momentum. It's fresh and understated musical arrangement makes a fine backdrop for her melodic and purposeful vocals. With more singles to follow this year, I hope we can share some of them in due course.

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So Below - Ruin.

Background - Following on from the success of single 'Hard', released late last year, New Zealand born goth-pop artist So Below has returned with a brand new single, 'Ruin'. Co-written with Sombear of Now, Now and Chelsea Jade - with additional production from The Naked and Famous' Aaron Short - the track takes cues from the darker reaches of electronica while readapting the modern dance format for a midnight-hued take on pop music.

Set to a tapestry of pulsing bass and heavy duty kicks, ‘Ruin’ acts as an ode to disappointment, emphasizing the emptiness after placing your trust in those who do not deserve it.  Using the more electronic hints of Trent Reznor’s work in Nine Inch Nails as a reference point, So Below’s vocals glide over the track’s steadily enveloping instrumental, applying pressure and intensity leading into the track’s crescendo, a wash of full bodied synths and emotionally wrought lyricism.

Teaming up in the UK for the first time with London based label Limited Health (S4U/Raveena), ‘Ruin’ is a realization of So Below’s full potential as one of pop music’s most impactful and innovative artists. Bringing together shades of modern electronica’s darker side as well as a maturity of songwriting beyond her years, So Below’s latest single is a masterful take on pop’s tried and true formula - leaving a track that’s as subtle as it is intense, engaging existing fans while surely inspiring a wave of new ones. Facebook here.

This is the forth appearance of So Below on Beehive Candy, this time with the new single 'Ruin'. It's true to say that it's a little less goth, with some fine dance orientated electronica adding a different dimension. Overall So Below remains consistent in delivering some superb hook laden material, so much so, that a fifth appearance seems pretty likely!

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Alexa Dark - Empty Drinks.

Background - Alternative rock songwriter and guitarist, Alexa Dark, announces her debut EP, Empty Drinks/Empty Hearts, due out August 2017. The album was produced by Angelo "Doc" Velasquez (The Weeknd's Trilogy, The Fray, Christina Perri) and mixed by Patrick Kelly. Alexa Dark also debuts her new single and music video, "Empty Drinks.

Raised between Spain, London and Germany, now based in New York City and London, the songs are inspired by Alexa Dark's transient lifestyle. The songs were written in bedrooms, planes, between drinks outside East London clubs during early  morning hours and on the concrete of various metropolitan cities. Conceived in heartbreak, in transit and from boundless nostalgia, these tracks intertwine cultural and personal narratives, influenced by the Spanish singer songwriters played in her childhood kitchen, in addition to female rock legends such as Patti Smith, Debbie Harry and Kim Gordon.

Empty Drinks/Empty Hearts is a collection of songs cultivated in the brief moment when the party is over, when the sobriety comes just before the morning does. "Blur" is one of the first songs Alexa wrote and has evolved to cater to many different relationships and situations throughout her life. "Nothing More" is an "anti-love" song, about loving but in an untraditional sense. Referring to the EP's title, "Empty Drinks" is a party anthem that encapsulates the sober realization and reflection on the emptiness felt at the end of the night. Website here, Facebook here.

We featured 'Blur' just last month and the latest track shared 'Empty Drinks' deserves our attention as well. We stated in our previous article that her "vocals are well suited to alt rock, tuneful with just a little rock'n'roll edge". That seems a fair assessment in light of this fine new song. Alexa Dark is a natural alt rock artist with some quality musicians alongside, adding some alt rock power.


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Singer Soldier - Gilbert Neal - The Hentchmen - Livingmore

Singer Soldier - Bones To Ashes.

Background - Inspired by organic instrumentation, Singer Soldier is an alternative country band from Metro Detroit that is founded by Nick Marko on vocals/guitar and Darrell Bazian mandolin/guitar. 

Influenced by Mazzy Star and Johnny Cash, Singer Soldier takes eclectic instruments like bassoon, cello, violin, synth, glockenspiel, banjo and guitars creating a folk, classical sound. The albums ambient interludes craft an absorbing texture to the songs and fluidity to the records.

Nick Marko tells us "I was produced by Michael Ivins of The Flaming Lips, released two national records under Sony and Greyday and have recently completed the second album, Illusions Of Stability, under my solo project called Singer Soldier. It has elements of alternative rock, alt folk, classical and electronic". Website here, Bandcamp here.

'Bones To Ashes' is the first of six songs on 'Illusions Of Stability'. This is a fabulous collection of songs packed full of variety. The consistent elements are the high quality of musicianship, and the melodic vocals. After that Singer Soldier explore different styles and musical instruments, doing so with attention to detail throughout.


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Gilbert Neal - Drop of You.

Background - Gilbert Neal is to release a new single 'Drop of You' from his latest album 'The Mayor of Estes Park'. Gadabout, raconteur, ne’er-do-well-er. Gregarious and fecund. An artist who has said his dream is to be the American Susan Boyle with an album title (Dirty Red Pagan) suggested by Andy Partridge of XTC. Gilbert Neal is a multi-instrumentalist and songwriter with a uniquely imaginative multi-genre style that’s refreshingly difficult to categorize. In addition to his contributions as an indie rock solo artist, his adventurous, exploratory spirit has even found him performing in a Genesis tribute and a country music line-dance band.

Born in Buffalo, NY and currently based in North Carolina, Gilbert Neal has performed in various bands, jazz ensembles and theater productions throughout the years. However, at the heart of it, Gilbert is first and foremost a songwriter, with most of his lyrics being quite personal, telling a specific story or referring to a particular incident. Thematically, Gilbert is inspired by religion, politics, sex, loss and parental love. His sometimes quirky songs can be tongue-in-cheek, theatrical and somewhat socialist, frequently weaving in sexual, and godless messages in the lyrics. Gilbert says he strives to make each album 1) a cohesive piece of work and 2) guaranteed to possibly make a fantastic musical!

Gilbert has been inspired by an eclectic mix of musicians ranging from XTC and Stevie Wonder to Steely Dan, Radiohead and the Les Humphries Singers. His current band features Gilbert on vocals, piano, guitar and bass, Steve Camilleri on drums, Darrelll Nutt on percussion, Marko Marisic on additional guitar, and Pamela Henderson on backing vocals.

His fifth album, 'Mayor of Estes Park' was released in Summer 2016. His previous four albums include 'Drink The Beast With Me' (2006), 'Our Deepest Apathy…' (2008), 'Vultures and Diamonds' (2010) and 'Dirty Red Pagan' (2013). Website here, Facebook here.

Fifteen tracks make up 'The Mayor of Estes Park' from which 'Drop of You' is now a single release. It also makes a very good introduction to last years album, if it passed you by, like it did me. Anyhow having now played catch up, I'm glad I have, Gilbert Neal is one imaginative and creative person, his musical back catalogue will take a little longer to work through!

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The Hentchmen - Worry Converter.

Background - This week Dirty Water Records goes back in time to spotlight our catalogue on notorious Detroit rockers, The Hentchmen. Their origin dates back to October 1992, when founding members John and Tim, bored with commercial radio, set out to play stripped down, primitive Rock 'n' Roll. 

Using the same blunt and essential instruments (organ, guitar and minimal drum kit) as their Sixties Garage Punk heroes, the boys rebirthed a savage "hit and run" sound that would soon prove to drive the young at heart into a feeding frenzy of countless brood to drive 'Detroit Rock City' all over the music map again.

The Hentchmen were one of the most popular live acts in lower Michigan throughout the '90s. Featuring organist/vocalist John Szymanski, Guitarist Tim Purrier, and drummer Chris Handyside. The band played its first proper show at Paycheck’s Lounge more than two decades ago (Feb. 20, 1993, to be precise) They began performing around Ann Arbor and Detroit, gaining a small but rabid fanbase. They released their eponymous debut and produced several indie singles, eventually scoring a contract with Norton Records in New York City.  

"The Hentch" began touring nationally, keeping their home base in Michigan while seeing the rest of the country. They released another album before Handyside was gone, replaced by drummer Mike Audi. With Audi on board they recorded Broad Appeal and Motorvatin', both popular local hits that never quite branched out into larger exposure. 

Still, one didn't need to pity the Hentchmen. They'd been at it for almost a decade, and had toured ten times more than your average garage rock slickers. In other words, those in the know already knew. In 2003, Norton issued the Three Times Infinity LP to critical and local acclaim; a year later, the band debuted on the Times Beach imprint with Form Follows Function. Italy released Hentch.Forth.Five, a collection of early works, in 2007. The band sometimes featured Jack White onstage and on record prior to him forming the White Stripes. 

The Hentch-Forth album and Some Other Guy single released in 1998 on Italy Records are now much sought after by collectors. In 2010, Dirty Water Records released a collection of rare singles as a series (forming a jigsaw puzzle that is the album's cover art) onto a composite LP. You can get your filthy mitts on them right here. Website here.

That's a young looking Jack White above, a part time contributor to The Henchmen. 'Worry Converter' might not be new, it is however a blast of totally natural rock'n'roll, and as Dirty Water Records are in the mood to remind us of them, why should I even consider arguing..


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Livingmore - Cocoon.

Background - Los Angeles duo, Livingmore are ready to emerge from their cocoon with their debut record, Ok To Land. Taking cues from acts like Rilo Kiley, Mitski and Jenny Lewis, and adding their own eccentric and optimistic touch, the indie two-piece have channeled the ultimate feel good album, Ok To Land, just in time for summer.

The band, comprised of songwriters Alex Moore and Spencer Livingston, who met in Los Angeles in 2014, have already begun to generate buzz from the HypeM blogosphere with the release of their self-titled EP in 2015. Drawing inspiration across several genres and from acts such as Garbage and The Kinks to Belle and Sebastian, Moore and Livingston write dreamy, optimistic songs that sound like, in their own words - “a mixture of Blondie and The Everly Brothers.”

From the childlike essence of trying to decide what to do when you grow up in ‘Cocoon,’ to the upbeat and straightforward ‘Never Slow Down,’ to the slow and dreamy ‘Transition,’ Livingmore’s first full length record is a lush collection of indie pop tracks with an underlying theme of optimism.

Their first single from their new record, “Cocoon,” is slow-burning, guitar heavy track, with flourishes of western-tinged riffs layers over Moore’s crooning melodies. On the inspiration behind the track, Moore notes: “You realize growing up isn’t just like, you’re a kid and then you’re an adult. There’s all these things in the middle, and it’s easy to get stuck in a phase in your life where you feel cocooned, in a way.”

The record’s anthemic title track, ‘Really Mean It’ is accompanied by an animated stop motion video created by Moore’s brother, Dillon. “We really just wanted to make a video that was totally organic and back to basics but at the same time unique and fresh. That’s kind of what this band is really about when you get down to it,” he explains.

“We never really plan when we’re going to write, we just wait for it to happen,” Livingston notes, while explaining the band’s songwriting process. Each song has a totally organic approach - sometimes born from Livingston playing a melody and Moore composing accompanying lyrics on the spot; other times with both of them writing songs separately and meeting in the middle.

“We can be reborn in all kinds of different ways, where now we feel like butterflies again. We’ve regained confidence in ourselves and are ready to move to the next chapter, whatever that may be,” Moore explains defiantly. Livingmore are certainly ready to emerge from their own cocoon - look out for Ok To Land, coming this summer. Website here, Facebook here.

'Cocoon' is a bright and breezy indie song, where melodic vocals and subtle harmonies are accompanied by a refined musical arrangement. It's very catchy and at just over two minutes long, is also a tease and a half for the debut record.

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Avalanche Party - Ruby Cikada - Ratboys - Cool Ghouls - Surfer Blood

Avalanche Party - I’m So Wet.

Background - Avalanche Party frontman Jordan Bell says; “This is a song born from staring at the Irish Sea, in all its frothing, rolling, flirtatious glory, battered and broken by the gale and rock to which it is eternally bound. A tempting, trembling, perilous Vista which, direct to our brain, shouted ‘Yes! …I’m So Wet’. Add to that a few verses inspired by our tour manager’s Army background and we were ready to go. With water comes life - and we are alive indeed.”

Released via Leeds’ Clue Records (Allusondrugs, NARCS, Team Picture), ‘I’m So Wet’ follows the band’s previous R1 and 6Music supported single ‘Solid Gold’. Having previously toured with the likes of The Amazing Snakeheads, VANT and Public Enemy, Avalanche Party are currently on an extensive UK & EU run - taking in a set at this year’s Camden Rocks, June 3 (5pm at Be At One, Camden High St).

Avalanche Party’s sound and energy brings an intensity and immediacy reserved for only the most compelling of artists. Brimming with vigour, lyrics are spat through gritted teeth and notes are played through white knuckled fists – their raucous sound pendulums between the likes of The Stooges, Fat White Family and The Amazing Snakeheads. The reputation the band has earned in recent times has gained them main support slots with the likes of Public Enemy and VANT, praise from Huw Stephens, Steve Lamacq and Vic Galloway alongside a 6 Music session and slots at the Leeds and Reading Weekend. Facebook here.

A slower paced, yet thumping rhythm makes 'I’m So Wet' stand out pretty much straight away. The vocals are edgy and passionate, and collectively the song is both potent and pleasing.


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Ruby Cikada - All You Pretty Girls.

Background - Formed in 2012, Ruby Cikada is a-five piece alternative/psyche-rock band based out of Toronto, ON. 

Suiting a range of tastes, the band has taken a 'variety' approach to live music in its 'psyche pop' oriented songwriting and progressive arrangements, harvested from a diverse range of stylistic traits and disparate genres that range from folk to funk and grunge to jazz.

Since their inception, Ruby Cikada have been performing almost exclusively within the Toronto underground, however consistently putting out albums which include Magicikada (2014), EP (2015), and finally, Ep II in June 2017.

The band released the album online yesterday June 1st, and this will be followed by a release show in Toronto at the Piston on June 8th. Facebook here, Bandcamp here.

The second of six songs on EPII 'All You Pretty Girls' gives just a glimpse of the whole. Ruby Cikada are a band that fit skillfully into a number of genres, and a keen sense for melody and arrangements is another clear strength, as their second EP comfortably demonstrates.

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Ratboys - Westside.

Background - Chicago's Ratboys, led by singer/guitarist Julia Steiner and guitarist Dave Sagan, will release its sophomore album entitled "GN" on June 30th (Topshelf Records). Drawing influence from the down-to-earth sincerity and confessional confidence of Kim Deal and Jenny Lewis, the songs on "GN" (aka ‘goodnight’) “largely detail experiences of saying goodbye, finding your way home, and then figuring out what the hell to do once you’re back.” says Steiner.

Steiner and Sagan felt the impulse to make music together from the get-go – they first met as university students, quickly put out an EP together, and started performing as an acoustic two-piece in dorm rooms and backyards. During the next few years, the friends travelled separately, eventually reunited, and recorded what would become the first Ratboys record, AOID, which the folks at GoldFlakePaint describe as ‘a gleaming, joyous, raucous display of melodic indie-rock.’

After a year and a half of touring the US and Europe as a plugged-in full band (featuring the additions of drums, bass, and trumpet), the members of Ratboys returned to Chicago and holed up at Atlas Studios for two weeks to record with engineer Mikey Crotty (who had previously worked with the group on the songs 'Not Again' and 'Light Pollution'). ‘This time around, we were lucky enough to feature the talents of friends who play the pedal steel, accordion, cello and violin to give the songs an extra something,’ says Steiner. ‘Dave finally got to show off his ridiculous skills on the pocket piano, and the whole thing felt like one big loving experiment.’

Those good times and long days yielded the 10 songs that make up GN, which Evan Hall of Pinegrove calls "a delectable chapter in the Ratboys story." Bandcamp here, Facebook here.

Our second feature for Ratboys following 'Control' which we shared back in April. New song 'Westside' can be described as an alt rock song that features melodic hooks throughout, which was exactly what we said about the last track. So I thinks it's fair that we add consistently fine music, this time around.

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Cool Ghouls - (If I Can't Be) The Man.

Background - San Francisco's Cool Ghouls have shared the video for their single "(If I Can't Be) The Man", which was featured on their 2016 album 'Animal Races'. 

Cool Ghouls is a rock'n'roll band from San Francisco on Empty Cellar Records. A band for playing rock'n'roll - that electric American folk art - without pretense. Think of rock'n'roll less as a genre and more as an action. A ritual performed with electric guitars and a drum kit to conjure a certain youthful spirit.

Inevitably, when listening to Cool Ghouls, you may recall performers of the past, other summoners of this same spirit, whose fingers were also channels through which rock'n'roll was made physical. But this band's purpose is not to reference, fetishize, or even celebrate these incarnations of rock'n'roll that came before them. Their intention is to animate their medium - bring to life the inanimate framework that is rock'n'roll. Get the kids dancing. Get the floor at the house party to cave in. Not to sound like a rock'n'roll band, but to do what a rock'n'roll band does. A band for playing rock'n'roll.

They have toured the world and released 3 full-length albums: Cool Ghouls, A Swirling Fire Burning Through The Rye, and Animal Races. Facebook here.

'(If I Can't Be) The Man' is now accompanied by a music video. Last years creepy clown epidemic has hopefully passed by, allowing Cool Ghouls to bring back a level of daftness, precisely where clowns belong. As a side point the song is absolutely fabulous.


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Surfer Blood - Taking Care Of Eddy.

Background - Surfer Blood has released the video for their single "Taking Care Of Eddy".

When talking about the video co-director Niko Guardia said, "The main idea with the Taking Care of Eddy video was to match the intense energy in parts of the song, juxtaposed with the pretty and soothing melodies. 

We wanted the world within music video to be full of strange pretty lights and ominous settings, yet our main characters are not deterred from roaming and squashing the creatures known as 'Eddys'." 

US & Canada Tour Includes Dates With The Shins can be found on Beehive Candy's tour news page, Facebook here.

Manic guitars and a feisty rhythm, compete with melodic vocals, indeed, it's not clear which direction the song might take next. 'Taking Care Of Eddy' is full of hooks, the video adds too, rather than distract from the music, overall it's one blast of great music.


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Spaceface - Hollow Everdaze - Head North - Kim Free

Spaceface - Spread Your Head.

Background - Spaceface’s music video for their single “Spread Your Head” is a hallucinatory, head-first dive into the pysch-rock band’s Merry Prankster-esque adventures. It offers a visually fantastical, mind-bending glimpse of the band’s live performance, while featuring a mysteriously bizarre character called Glowworm, dancing throughout. Led by frontman Jake Ingalls (guitarist/keyboardist of The Flaming Lips), Spaceface's “Spread Your Head” comes off the band’s recent album Sun Kids and is the perfect catalyst for their upcoming tour.

The music video was shot in conjunction with scenes for the film Extremeophilia, in which the band is featured. It offers an even further look into the touring life of Spaceface, as it follows the journey of Glowworm, played by G’nat. Frontman Jake Ingalls, who also is a member of The Flaming Lips, explained, “Our video is sort of a little glimpse into what it’s like on the road with us. It was shot as a much smaller part in our friends’ movie about an interplanetary glow-worm that withstands brutal conditions and has come to Earth to keep the fabric of spacetime together. Somehow, she crosses paths with Spaceface for about two weeks and engages in endless partying.”

Spaceface hits the road this summer, with a Digital Tour Bus sponsored tour in support of the video and their latest album, Sun Kids, released this April. “We booked the tour ourselves a while ago,” Ingalls shared. “I’m hyped because we’ve upped the ante with a bunch of new sound reactive LED’s, and new tunes like the one featured in the video! We’re touring in support of our new record, Sun Kids, which came out just last month. We also get to play with a lot of really great bands such as Broncho, Sugar Candy Mountain, Flaural, and tons of others.” Live dates on Beehive Candy's tour news page. Website here, Facebook here.

'Spread Your Head' is already getting noticed. An expansive psych rock song that gently allows the power to unfold, the video adds some of the bands live capability and the many hooks do the rest.


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Hollow Everdaze - Cartoons.

Background - "Cartoons" is the latest single from the upcoming album Cartoons, due June 23 via Deaf Ambitions. Hollow Everdaze capture the urgency of a band who have traced their own weird, divergent path through the haunted backwoods of songwriting.  

It shows through in their stunning debut EP, released in 2013 which received rave reviews from Australia’s most highly respected journalists and earned them support spots for international artists including The War On Drugs (US), Unknown Mortal Orchestra (NZ), and Wavves (US), plus saw them join American Football (US) on their East Coast tour of Australia in 2015.

Having spent the last year working on the release of their debut full length album, recorded by rising Melbourne producer, John Lee (known for his work with Beaches, Lost Animal, The Ocean Party), mastered by David Walker (NUN, Beaches, GOAT, Jen Cloher) at Stepford Audio, and with video and art collaborations from James Thomson, Niv Bavarsky and Micheal Olivo, the band are set to unveil their newest work to the world. Facebook here.

The second time on  Beehive Candy this year for Hollow Everdaze and this time with the title track 'Cartoons' from the album due for release later this month. It's another psychedelic pop/rock song, we mentioned last time that the band clearly have the knack for this type of music, the latest share kind of confirms that massively!


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Head North - Pulse.

Background - Buffalo, NY-based, cosmic rock band Head North announce their debut LP, The Last Living Man Alive Ever In The History Of The World, due out on June 2nd. The album was produced and mixed by Brett Romnes (I Am the Avalanche) and mastered by Jesse Cannon (Animal Collective, Man Overboard) at Barbershop Studios in Lake Hopatcong, NJ. Head North is currently gearing up for the release of their full body of work and accompanying tour.

The concept album revolves around an alternate world where both God and love are forbidden. The personal narratives are told through the perspectives of principal songwriters Brent Martone, Ben Lieber and Alex Matos, whose driving force can be heard through their transition from harder, louder rock driven tracks to the more atmospheric and dreamy second half of the record. 

Martone's gritty lyricism and the accompanying instrumentals reflect the groups evolution, as they reflect on their previous release and more forward with an air of wisdom and continued understanding of the band's place in the world, and the alternate universe they've created. Live dates on Beehive Candy's tour news page. Website here, Facebook here.

The bands music is described as cosmic rock and a listen to 'Pulse' explains that. It also happens to be deliciously original, the energy and passion really does make the song noticeable, at the very least and a second listen was quite compulsive.


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Kim Free - Goth Blues.

Background - Kim Free has a new EP 'Goth Blues and Other Hues' which was just released on Spotify and iTunes. It also features a gorgeous remix from Andorkappen.

To recap, she’s a classically trained violinist whose love of popular music has compelled her to compose, record and perform the enchanting bewitching music that’s uniquely her sound. Toward the end of the first decade of the new millennium, she embarked on a her first recording project, under the name ‘Black Church’. These avant-goth cassette-only releases and the performances that went with them gave her a small but dedicated cult following.

In 2012, she shed her pseudonym and released Angel Shadow as Kim Free. It was followed a year later by Nevermind the Blue Skies, a 14-song collection of dreamy pop. Kim continues her evolution with her most ambitious project yet - Slips. Slips sees Kim reunited with producer Alex De Groot, who she first worked with while playing violin for the Zola Jesus world tour. 

For Slips, Kim has recorded several songs with a full rock band - a first for her. She navigates the delicate balance between these songs and her more familiar violin-based numbers with aplomb. The Slips project will initially be presented to the public through a series of digital EPs. The first, Make Me Yours, was released in December 2016. The second, Malibu, was released March 2017. Bandcamp here.

Kim Free has impressed me twice this year and 'Goth Blues' makes it three. Her superb musicianship and gorgeous vocals, combine to provide a gently melodic and atmospheric song. I do urge you to check out her other material!

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Orchestral Manoeuvres in the Dark - INHEAVEN - Vivienne Chi

Orchestral Manoeuvres in the Dark - Isotype.

Background - Written, recorded, produced and mixed by OMD – Andy McCluskey and Paul Humphreys – ‘Isotype’ is taken from the duo’s brilliant new album ‘The Punishment Of Luxury’; a daring collection of stylish synth pop and masterful song writing that will rank alongside their very best.  

Boasting an infectious synth line and soaring melody ‘Isotype’ sees the band address the issues of communication and technology within the 21st century.  Speaking of the track Andy said ‘"It’s about the modern world where our communication value systems are so reduced that you wonder if we’re actually getting any clear point across’.   

Having played a triumphant sold out show at the Royal Albert Hall in May last year, OMD head back out on the road again this autumn for a string of must-see shows, including a show at The Roundhouse November 13th.

The album takes its name from an 1891 painting by the Italian Giovani Segantini and contains everything from the Kraftwerkian ‘Isotype’ and ‘Robot Man’ to the blue eyed soul ballads of ‘One More Time’ and ‘The View From Here’ as well as more traditional OMD songs like ‘Kiss Kiss Kiss Bang Bang Bang’ and the synth heavy title track. Website here, Facebook here.

I am glad I have kept most of my original vinyl albums, of which OMD remain a valued member. It does not seem like thirty seven years ago that I first got so excited by the band. Their new material including the featured song 'Isotype' is just as fresh and pleasing, why say more!

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INHEAVEN - Vultures.

Background - Fresh from a set at The Great Escape that inspired The Guardian to state, “Inheaven leave Brighton's new music shindig shaking”, INHEAVEN’s growing cult of devotees looks set to expand exponentially when they release their self-titled debut album on September 1st. To coincide with the announcement, the band have also shared a new video for their recent track ‘Vultures’ which compiles footage from their adrenaline-fuelled live experience.

Produced by Tom Dalgety (Royal Blood, Pixies, The Maccabees) and recorded at Rockfield Studios, INHEAVEN’s debut is the sound of a band who are set to change the lives of teenagers the length and breadth of the nation, and beyond. The life-affirming energy of their music combined with their individualistic ethos combine to make a band worth investing in beyond simply adding a few tracks to your Spotify playlist.

The album kicks off with ‘Baby’s Alright’, in which a prominent bassline that evokes the arresting openings of bands like The Ramones and The Damned merges into a rabble-rousing melody to make for a rallying call to arms. Although INHEAVEN are best known for evoking Slowdive and My Blood Valentine by layering dreamy vocals on vast waves of distorted guitars on tracks such as ‘Regeneration’, ‘Vultures’ is a very different beast. Its doomy, metallic opening riff erupts into life before Chloe Little’s urgently enunciated vocals provoke a radical change of pace. Not to be outdone, James Taylor’s stream-of-consciousness hook is delivered in a feral rush of punk ‘n’ roll.

Having already confirmed a variety of summer festivals which include the NME / BBC Radio 1 Stage at the Reading and Leeds Festivals, INHEAVEN can now also announce details of an autumn headline tour in support of the album. Live dates can be found on Beehive Candy's tour page. Facebook here.

'Vultures' is a forceful and vigorous, no nonsense rocker that pretty much explains the love this band are currently receiving. Another band where rock'n'rolls legacy is in safe hands.


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Vivienne Chi - Vivienne.

Background - The powerful alt-pop debut ‘Vivienne’ hones in on lo-fi grittiness from The White Stripes while unifying her classic British influences including Massive Attack and Bat For Lashes. Fronted with a distorted, driving bassline that strikes like a marching parade. 

The melodies and lyrics are delicate yet powerful & the songs tell tales of escapism. First single 'Vivienne' is a track with a distinctly British edge. 

Vivienne Chi comments “I wrote 'Vivienne' about getting through the aftermath of a break-up and that little voice in your head that persuades you to do something stupid. It's about losing control and letting your other, less dignified self take over for a moment.”

Sculpting lyrics and melodies into a catalogue of songs touching on belonging, heartache & the darker sides of London’s excessive lifestyle. This exciting debut is the first of many works from Vivienne Chi. Website here.

There is a beautiful divide between the vocals and the powerful, yet understated musical arrangement on 'Vivienne'. Refrains rather than choruses, seem to break the song up, as debut's go this is one ear catching piece.

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Walrus - The Luxembourg Signal - BUHU - The School Book Depository - ARGRPH - Tomten

Walrus - In Timely Fashion.

Background - Halifax's Walrus announce tour in support of Family Hangover. Walrus will release their debut LP, Family Hangover, on June 9th via Dan Mangan's Madic Records. 

Currently available for pre-order, it features a soulful, fuzzed-out mix of swirling vocals, wailing guitar riffs, and Spacemen 3-style drone, all with a laid-back, '60s-infused vibe. 

"...just because Walrus doesn’t seem to take itself terribly seriously doesn’t mean Walrus shouldn’t be taken seriously. These lads can do pretty much anything." - Toronto Star.

Today, the band has detailed their tour in support of the album. The Halifax-based band offered a first taste of the album with lead single "Regular Face" and followed it up with the psych-tinged "In Timely Fashion". Live dates are over on Beehive Candy's tour page, website here, Facebook here.

'In Timely Fashion' is a whirlpool of psychedelic vibes where melodic vocals and rich sounding guitars, create four minutes of aural delight.

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The Luxembourg Signal - Laura Palmer.

Background - With the release of their first single and debut album on Shelflife in 2014, The Luxembourg Signal quickly found a loyal following among fans of dream pop/indie pop music, and received enthusiastic reviews for their pop sensibilities, angelic vocals and lush soundscapes.

Since the debut release, the band's lineup of Beth Arzy & Betsy Moyer (vocals), Johnny Joyner (guitars), Brian Espinosa (drums) and Ginny Pitchford (keyboards) has been expanded with the addition of Kelly Davis (guitars) and Daniel Kumiega (bass). 

The seven-piece played a handful of shows in the UK and Europe in the summer of 2015 to promote their debut album, including a Sunday evening performance at Indietracks that many cited as one of the highlights of the weekend. 2015 also saw the release of a split 7” single with Soft Science (Test Pattern Records), which featured a remix of Dying Star by Robert Hampson (Loop/Main).

The band returned to the studio in 2016 to complete their second full length Blue Field coming out this fall on Shelflife and Kleine Untergrund Schallplatten. "Laura Palmer" is the first single from the album and one of our favorite tracks of the year. The b-side is a special cover version of "Let's Make Some Plans" by the Close Lobsters. 

For their follow-up LP, Blue Field (Shelflife), The Luxembourg Signal returned to the studio with engineer Mark Rains and produced an album that reveals a bolder, more developed sound with a darker undertone. The new LP also features guest vocals by Bobby Wratten (Field Mice, Trembling Blue Stars) on the reflective track "Fall Feeling."

The Luxembourg Signal will be playing various dates in Germany (TBA) in September 2017 as well as The Paris Pop Fest on Friday September 22, 2017. Website here, Facebook here.

With a pleasing melody and dreamy vocals 'Laura Palmer' is a gorgeous indie pop song, that just builds and builds to a crescendo of musical power.

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BUHU - La Truth.

Background - 'La Truth' is the first single released by BUHU that was solely written, produced, recorded and mixed by frontman Jeremy Rogers. The song is a retrospective of Jeremy's guilt in being dishonest with his wife and the strains that keeping secrets can cause on a loving relationship. 

La Truth was recorded on a 1990's Korg 8 track multi track recorder. Inspired by the lo-fi recording techniques of Sufjan Steven's Michigan album, Jeremy set out to record a whole new set of "Bedroom Pop" songs that reflect the emotional and complicated relationships he shares with his loved ones and the world around him. 'La Truth' released May 15th on FMF Records

BUHU has also announced the summer 2017 'Love and the Wild' tour in partnership with The National Parks Service. The 'Love and the Wild' tour will take BUHU through Canada, the West Coast and nine national parks. BUHU is doing the tour in advocacy for environmentalism, musicians mental health and the conservation of North America's greatest natural treasures. Live dates are over on Beehive Candy's tour page, Facebook here.

Dominant bass sounds, swirling synths and haunting, distant vocals ensure 'La Truth' is a memorable musical piece. Lo-fi electronic music with an under current of potent power.

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The School Book Depository - A Fork In The Road For Behavioural Science.

Background - The School Book Depository - "A Fork In The Road For Behavioural Science" With this year’s possibly most complicated title The School Book Depository is following up it’s last single ”Salvation” with a both strange and inspiring pop-cocktail. This catchy tune is a psychedelic trip to the outskirts of sanity where groovy, Motown-flavored hip hop meets catchy pop melodies in an awkward universe where absurdity clashes with geniality. 

An odd pop gem in a lo-fi outfit that bring both Beck and Eels to mind. When it comes to the lyrics it would probably require a masters degree in both psychoanalysis and behavioural science to figure this one out. The initial line pretty much sets the tone for the lyrical content: “I’m duct taping pork chops under my feet, the comfort it brings, it is stress release for my knees”. If norm criticism is the popular term for this decade, this song sure would be the perfect theme song, bringing the term yet another dimension. Bandcamp here.

'A Fork In The Road For Behavioural Science' deserves to be heard for the song title alone. Our second feature this year for The School Book Depository and it's another superb piece, where the hypnotic rhythm supports a genre defying mixture of vocals and musicianship.

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ARGRPH - Cymorth.

Background - Cymorth (meaning Support/Help) is ARGRPH's follow-up single to the majestic melancholy that was 'Tywod' from late 2016. Spending studio time again with producer Llyr Parry (Y Niwl, Palenco, Cowbois Rhos Botwnnog), songwriter, guitarist and vocalist Emyr Sion was joined by Caradog Davies (drums+vocals) and Gwyn Rosser (guitar+vocals). 

Together they have created a song that musically brings a darker hue to their already distinctive dreamy, surf pop. Emyr is fastly developing to be one of the bravest and singular new creative voices from Wales. 

Cymorth is a song "Dealing with the inadequate and destructive advice given to those suffering from mental health". "Mocking the sentences that I (Emyr) have heard time after time during the darkest points of my life" Cymorth is a poetic and emotionally bruising song. There lies the magic of ARGRPH sound, making the universal personal and the personal universal with music that is always emotionally stirring and beautifully uplifting. Facebook here.

Singing from the language of your heart always seems to add an additional layer of feeling as, I would suggest, is clearly the case with 'Cymorth'. The song is somewhere between surf pop and shoegaze, a strange combination on paper and a beautiful one in reality.

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Tomten - Limbo's Daughter.

Background -  Cremation Songs is the forthcoming album from Seattle baroque dreampop trio Tomten, known for their dreamy organ tones, analogue synths and enchanting three part harmonies. Cremation Songs, a bittersweet collection of 13 sparkling and singed beauties, will be released on CD, vinyl and digital formats on Plume Records on July 7th.

'Limbo's Daughter' is one of the album's more poppy upbeat numbers, and it came together in an unexpected way, cause half the keyboard on the Wurlitzer was out of tune, so I had to play the Wurlitzer and Rhodes set up next to each other -- higher octave on Rhodes. The happy accident moments like this made recording this LP a more exciting experience...One of my favorite things about this song is the little dueling guitar part in the middle that was played by Jake Brady and Jason Quever: Jake's guitar going direct to get that curdled milk tone, and Jason's FDA approved melody line.

"Cremation Songs features just about everyone we've ever worked with and more, which makes me happiest," says Noyes-Watkins. "We have past band members Gregg Belisle-Chi and Lena Simon on it, as well as Jason Quever who recorded The Farewell Party." Andy Meyer engineered and mixed the album at The Unknown in Anacortes, WA, and Carl Saff, based in Chicago, mastered the record. Facebook here.

'Limbo's Daughter' is an engaging and quite timeless sounding song. At the heart of the song are some most agreeable vocals and harmonies, however the musical arrangement and fine musicianship nudge the song up, making the forthcoming album a very interesting prospect.

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