Steve Buscemi's Dreamy Eyes have released the new single 'Forever' a few weeks ahead of their 'Sweetie' album release. Comprising of twelve tracks the album is awash with great indie songs, we have already featured 'Moon' and 'Change Of Heart' and I have to say the rest are at the least on a par with these three tracks, it's an album to look out for! === Russian based duo Sobranie 8 18 have just released the dramatic and imaginative song 'Angels Fight', a genre defying and play again piece. === Since coming into our world in August 2017 Lauran Hibberd has become a firm favourite of Beehive Candy and the new single 'BANG BANG BANG' only confirms even more that the attention she has gained has been earned through delivering fabulous music. === It's been a while since we last featured Sophie Morgan however she has returned with the gentle, melodic and beautiful new song 'Marmalade' accompanied by a wonderfully matched video. === Lev Snowe has released an E.P. entitled 'Someday Soon' and although the Canadian artist music is broadly described as dream pop, he manages to add a layer or two of experimental and creative elements to some songs that add so much more to the material. === Ahead of her new album, fourth generation Irish musician Siobhán O'Brien has a new single 'The Kings Fool'. This song is no traditional Irish affair, in fact it's more Americana with some rock vibes, whatever the case it's crammed full of enticing hooks.
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Steve Buscemi's Dreamy Eyes - Forever.
Behind the odd name Steve Buscemi’s Dreamy Eyes you’ll find one of the most promising bands on the Scandinavian indie scene. The band are now set to release their highly anticipated debut album 'Sweetie' on February 14th and will tour both Scandinavia and UK to coincide with it. Today, new single 'Forever' is released via Rama Lama Records.
The band - consisting of Siri Sjöberg, Tilde Hansen, Elias Mahfoud and Edvin Arleskär - formed in 2015 after bassist/vocalist Tilde tweeted out "Does anyone/anybody know someone who wants to play in a band together with a bassist and a singer that haven’t played in a band for a year and are dying of boredom?". Debut single Desire was released early 2016 and was followed by three more singles 2016-17, all receiving attention from both Sweden’s biggest music sites and influential international sources such as DIY, Billboard and CLASH - all hailing their dynamic and dreamy indie pop that constantly have been developing during the band's career.
The band made their festival debut at Umeå Open in 2017, a show which Swedish magazine HYMN hailed the show as "the festival's most energetic". Debut EP Four Waters with four brand new tracks was released on November 24th 2017, being described as “an illustration of the sonic genius of the little band with the great name, who in less than a year continue to leave us speechless with their music” by The Revue. After following their debut EP with two packed London shows and their biggest Stockholm show to this day, the band took some time off to write new material. In 2019, the quartet returned better than ever with the shimmering new tracks Change of Heart and Moon which is now followed by Forever, all taken from Steve Buscemi's Dreamy Eyes' long-awaited and just announced debut album Sweetie that will be released on February 14th via Rama Lama Records both digitally and on crystal transparent vinyl - pre-order here.
Steve Buscemi's Dreamy Eyes on the album: "It feels impossible to not portray the future. The album is a concoction of stories from our lives - what it means to be young today, with the challenges and dreams we have ahead of us. The songs are collections and fragments of thoughts about our future, what we can, should and want to do. We have written simple and we have written challenging. And we have finally landed in a collection of songs that formed our album. Our first. Sweetie."
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Sobranie 8 18 - Angels Fight.
Sobranie 8 18 is a union of two unique artists, Nastya and Kirill, who share personal and artistic interests - though based in Russia, they could just as easily have created their music on the surface of Jupiter, so strangely unearthly is their sound.
Formed in 2015, their early releases offered only a tantalising glimpse at their current prowess, the low-fi pop sound morphing into their current world of dark electronic whispers and ultraviolet screams. Their forthcoming self-titled album features ten tracks of transcendental melody; avant garde experimentation; retro pop and eternal truths – it is released on 3rd February 2020.
Sobranie in Russian means “meet together”, an appropriate word for the coming together of music, verse and minds of Nastya and Kirill, the masterminds behind Sobranie 8 18. Following in the wake of Sobranie 7 17 a now extinct dark electronics project and alongside Nastya’s solo project, Sobranie 9 19, Sobranie 8 18 has become the main effort of the duo. The figures 7 and 17 are sacred numbers - the other figures represent the artist’s intuitive associations with the variety of music genres. Influenced by dark techno, new euro pop, field recordings and experimental sounds, Sobranie 8 18 is the clearest manifestation of their musical manifesto.
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Lauran Hibberd - BANG BANG BANG.
Positioning herself at the forefront of the emerging indie landscape, slacker pop queen Lauran Hibberd kicks off 2020 with pulsating new single ‘Bang Bang Bang’, set to drop January 17th. Primed to capitalise on a whirlwind twelve months, the hotly-tipped Isle Of Wight native delves further into her indie rock cannon, producing her boldest release to date in ‘Bang Bang Bang’, a charisma-fuelled, sing-along-inducing anthem designed for bigger audiences and bigger stages.
With relentless acclaim across the BBC Radio 1 airwaves (Annie Mac, Huw Stephens, Jack Saunders) and loyal support amongst key tastemakers The Line Of Best Fit, Clash, Dork and Gigwise, the newcomer’s amplified potential has certainly ramped up expectations, sparking comparisons to contemporaries including Phoebe Bridgers and Weezer.
Having spent the majority of 2019 on the road, notching up extensive UK/EU support tours alongside US heavyweights Hippo Campus and The Regrettes, in addition to her debut appearance on Glastonbury’s BBC Introducing stage, Hibberd’s dazzling live show continues to woo audiences, and with a second UK headline tour lined up next month, her remarkable rise shows no sign of slowing anytime soon.
Discussing her first release of the year, Hibberd explained: “‘Bang Bang Bang’ is my ode to the teenage girl. It’s built for the prom scene in ’10 Things I Hate About You’. It’s the cycle of going back to the same person even when you know you shouldn’t and I guess the fallout of all of that”. Produced by Boe Weaver and mastered by Vlado Meller (Weezer, Rage Against The Machine, Oasis), Lauran Hibberd’s ‘Bang Bang Bang’ is out January 17th and will be available via all digital platforms.
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Sophie Morgan - Marmalade.
Sophie Morgan has announced brand new single Marmalade, which is out now and taken from the EP of the same name out on 20th March.
Singer-songwriter Sophie Morgan has established a loyal following for her gloriously spellbinding alternative folk sound over the past few years, through the release of two EPs Sons & Daughters and Annie and stand-out tracks Above You and Hey Annie. Over the past year, Sophie has been refining her sound and her new 4-track EP Marmalade was produced at Urchin Studios in London with Matt Ingham (Laura Marling) and features co-writes with Benjamin Francis Leftwich and long-term collaborator Simon Jones (The Verve).
Born and raised in Cheshire, 22-year-old Sophie began playing piano and songwriting at an early age, after being brought up on a musical education of Nick Drake and Van Morrison and later introduced to Joni Mitchell and Carole King. The influence of her father’s record collection led to recent covers of The Waterboy’s The Whole Of The Moon and The National’s Bloodbuzz Ohio, which is accompanied by a video inspired by the original.
New single Marmalade is the first introduction to Sophie’s forthcoming EP of the same name and it immediately transports you forwards to summer, with the aura of idyllic romance setting a vivid scene with delicate guitars, tender lyrics and Sophie’s warm honey-soaked vocal. It’s a song to make you pause, curl up and take in every word. The video is filmed in Provence in the South of France and echoes the meaning behind the song perfectly. She says;
"Marmalade is a romantic dream of this sumptuous life like you see in the old films. The title came from, when I think of luxury, I think of those little pots of jam and marmalade you get in fancy hotel breakfasts. Every time I sing the song, I imagine a big old house in the South of France with an abundance of fruit and pastries and wine. So, we flew to Provence to shoot the video and a handsome French neighbour named Vincent drove me around the village in his cool old orange Renault."
Following shows in Cheshire and London and support dates across the UK and Europe with The Waterboys, Sophie has announced a headline show at Liverpool’s LEAF on Thursday 9th April and will be announcing further live dates soon.
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Lev Snowe - Someday Soon (E.P).
Canadian dreampop artist Lev Snowe shares his sophomore EP Someday Soon. Through lush, hazy production that emerged from the confines of limited technology, Lev's voice swirls in and out of focus creating a surreal, dreamlike state for the listener. His lyrics are a foreign fantasy about needing to travel beyond his home in order to find traces of the next him as he juggles with memories that pull him backwards.
Lev Snowe on Someday Soon: "The whole EP is my study on how I evaluated time in the past and the new idea of living 'for the moment' that resulted. It was the summer of 2018, and as I had localized the mad freedom to live & experience, I in turn took a look through my past writing and inspired a creation to abolish all old insecurities. 'Someday Soon' is meant to cut to the chase — as if saying 'forget where you've been, you are done with it. It is time to be boldly you — the very person that songwriting has helped you discover!"
Lev Snowe spends his days tinkering away in his bedroom studio building up his psychedelic Xanadu. Raised on the warm hiss of '70s soul jazz recordings, the slack chill of the L.A. beat scene, and the nostalgic synth swaying of Boards of Canada, this Canadian songwriter/producer creates an atmosphere that is both washed out and danceable — pensive, yet uplifting. Like a wandering mind spent cooped up all winter, Snowe's music never sits still for too long. Lush electronics bloom around shimmering guitars and the wonky grit of '90s era hip hop grooves, all while Snowe's wistful lyricism drifts hypnotically in and out of focus—a carefree soundtrack fit for either chaotic house parties or those endless summer nights spent escaping reality.
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Siobhán O'Brien - The Kings Fool.
Conveying honesty and vulnerability, contemporary singer-songwriter Siobhán O'Brien releases new single "The King's Fool", off her new album You Can’t Run Out of Love. With heartfelt lyrics, O'Brien brings a compelling track about her assimilation into the US and combines it with the feelings of frustration in trying 'make it' as a musician.
Inspired by great American singer-songwriters such as Joni Mitchell, Bob Dylan, Neil Young, Leonard Cohen, Brandi Carlile, Sheryl Crow, and Joan Baez, O’Brien creates emotive tracks inspired by changes throughout her life. "The King's Fool" is this introduction into her artistry and a bit of a tease for what is to come on her third full-length record, You Can't Run Out of Love, out late February 2020. Recorded in Austin, Texas, at Cicada Moon Studios, O’Brien worked alongside John Bush (percussionist for Edie Brickell & New Bohemians) and Matt Hubbard (keyboardist for Edie Brickell & New Bohemians). Together they brought to life 10 original songs, each documenting important moments in her life since she left Ireland for the US in 2016.
Her new single "The King's Fool" is the first step for O'Brien to show off her unique blend of rock and folk. Be sure to check out Siobhán O'Brien's latest single and follow her on social media for music updates.
As a fourth-generation Irish musician, music has always been an important part of Siobhan O’Brien’s life. At the age of 16, she threw aside the piano and fiddle, dedicating herself to the guitar. Her musical ambitions grew as she released her original music to the world. Her debut album Mumbo Jumbo Bla Bla, released in 1996, went on to garner praise and national airplay throughout Ireland. In 2008, Siobhan released her album I Grew Up To, which featured famed Irish musician Paddy Moloney of The Chieftans and led to a performance at the Boston Symphony Hall with them the same year. In 2016, Siobhan O’Brien made the move to America, deciding that was where she wanted to lay down her musical roots.
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Saturday, 18 January 2020
Friday, 17 January 2020
HANYA - Ani Glass - Humanoids - The Chris White Experience - Secret Treehouse - Walter Martin - Mechanimal
HANYA share 'I'll Do It Tomorrow' ahead of their forthcoming E.P and follows on from 'Dream Wife' which we featured last November, this time we have a fabulous dream pop song that raises expectation even further. === Ani Glass has just released 'Mirores' accompanied with a video, and it's a gorgeous song, her vocals are splendid and the track just brims with good vibes. === From Switzerland we have Humanoids and 'The shadow you make isn‘t yours', there first new material in five years, where a mixture of alt rock and electronic instrumentation combine into a rhythmic rocker. === We have the full album from The Chris White Experience called 'Volume Three', it unsurprisingly follows on from Volume 1 and 2, from somebody that rightly might be considered a musical legend. === Today Secret Treehouse released 'At Sunrise' and the Nordic indie pop band are in cracking form with this powerfully pleasing song. === Walter Martin returns here for a fourth time (over four years) with 'First Thing I Remember' taken from the album 'The World At Night' due out at the end of the month, the songwriter sharing a gifted and imaginative piece. === There is something a little international about to days music selection and to keep that going, from Greece we have Mechanimal and 'Stolen Flesh'. The vocals are oh so deep and mesmerising, the music a perfect accompaniment on this original and remarkable song.
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HANYA - I'll Do It Tomorrow.
Making their ascent from Brighton’s thriving talent pool, indie newcomers HANYA share ethereal new offering ‘I’ll Do It Tomorrow’, the second track lifted from forthcoming EP ‘Seas Shoes’ out this spring.
Arriving hot on the heels of lead single ‘Dream Wife’, the band have already experienced a real surge in momentum, with their heady concoction of 90s-esque dream pop and shoegaze extravaganza attracting plentiful support among the key taste makers.
Plans continue to take shape on the live front, with previous shows alongside Honeyblood, Lazy Day and Tess Parks succeeding in growing their profile, not to mention their first trip Stateside for New Colossus Festival lined up in March.
Speaking ahead of their upcoming release, the quartet explained: “I’ll Do It Tomorrow was the result of realising that rarely does anyone take the advice we ask for, we love to procrastinate and wait until things change around us, it’s the magic of the human psyche. The song is pretty much advice to an old friend…be every version of yourself, let go, do it now, don’t wait until tomorrow”.
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Ani Glass - Mirores.
Ani Glass releases her new single ‘Mirores’ this new year ahead of her forthcoming album of the same name. With infectious harmonies and a pulsing dance floor beat, ‘Mirores’ depicts the journey from dark desperation to motivation and inspiration, showing how we quickly build barriers in reaction to experiences but often forget to lower them. The song represents the liberating feeling of opening up to the world; the alignment of ideas, motivation and energy and that rare but illuminating experience of feeling inspired.
On 6th March 2020, Ani Glass's debut album MIRORES finally sees the light of day; the culmination of four years developing her own sound and visionary artistry. With its tapestry of electronic sounds, elliptical melodies and samples threaded into a song cycle, MIRORES is based around the idea of movement and progress - one which takes us on a journey around her hometown of Cardiff. The title is taken from Ani’s bardic name - created when she joined the Cornish Gorsedh in 2013. The Gorsedh itself is a celebration of the Celtic spirit of Cornwall and Bardship is awarded to people who contribute to its cultural and linguistic heritage. MIRORES is a play on words which incorporates the name of one of her favourite artists – Joan Miró – along with the Cornish word for “to look”, which is miras. Therefore, MIRORES essentially translates as ‘Observer’ thus presenting the album as Ani’s observation of the city in which she was born and now lives.
MIRORES also represents Ani’s first foray into production. Having been inspired by her experience of working with Martin Rushent during her time as a member of indie-pop group The Pipettes, Glass has spent the past few years teaching herself the art of recording and production. Her sound is inspired by many leading electronic and avant-garde artists and producers of the 1980s including Martin Rushent, Giorgio Moroder, Vangelis, Jean-Michel Jarre and Arthur Russell whilst the wider themes are inspired in part by the works of abstract painter Agnes Martin and the renowned author and activist Jane Jacobs. Despite some of the album’s heavier themes, Ani maintains a strong pop sensibility throughout, most certainly cemented during her time as a member of R&B pop group Genie Queen – managed by OMD’s Andy McCluskey.
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Humanoids - The shadow you make isn‘t yours.
No way have they lost it! Humanoids from Zug/Switzerland just kept us waiting a little while. Erm, five years, to be precise. But they haven't been lazy since. In this period they've played a bunch of concerts, mesmerizing their audiences. Finally, «the coolest pigs in Swiss », as Media once called them, are back with new thrilling track.
'The shadow you make isn't yours' they claim in their new single. From a musical point of view, this number will leave your mouths wide open: above all with its airy but intense modern sound, which is carried by a springy groove and in which elements of stoner and alternative rock can be heard. In the same time «The shadow you make isn't yours» is a promise: There are a handful of new tracks yet to come from the four-piece in 2020!
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The Chris White Experience - Volume Three (Album).
Last year (2019) The Zombies were inducted into the Rock and Roll Hall of Fame in a British invasion alongside Radiohead and The Cure. On stage with the rest of the band was Chris White; the man who co-produced and wrote more than half of the seminal Odessey & Oracle album, who composed (the now standard) This Will Be Our Year and who penned and co-produced the worldwide hit Hold Your Head Up for Argent.
His acceptance speech from the night, widely quoted in Rolling Stone, beautifully summarised the golden age of recording: “Music and songs are the bookmarks in all our lives, it’s the language that binds us all together”. The Chris White Experience is an incredible collection of unreleased recordings from the last 50 years.
Most of these songs have never been heard, with Volume Three spanning half a century from an unreleased 1969 Zombies demo, right up to an October 2019 recording from Et Tu Brucé. With collaborations featuring Rod Argent and Colin Blunstone (Unhappy Girl) and London band Et Tu Brucé (Can’t Seem To Fall In Love) as well as performances from Joe Lee Wilson (Archie Shepp) Russ Ballard (Argent) Stuart Elliott (Cockney Rebel, Kate Bush) and many more. Following on from the much-celebrated Volumes One and Two, it is a brilliant and vital document in the history of British music and analogue recording.
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Secret Treehouse - At Sunrise.
Nordic indie pop band, Secret Treehouse, is now back with their new single, "At Sunrise"; a warm an catchy song that will make you wanna smile and dance.
They released their debut album in August 2019, and have already moved on to develop their sound even further from their more darker and melancholic debut album. Cover art by Achilleas Gatsopoulos.
"At Sunrise" is the first single from the upcoming second album, following the upraised "The Big Rewind", and will be released Jan 17. It's produced by Stamos Koliousis.
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Walter Martin - First Thing I Remember.
Renowned songwriter and Walkmen co-founder Walter Martin will release his new album The World At Night on January 31st via Ile Flottante Music. Produced by multi-instrumentalist Josh Kaufman (The National, Hiss Golden Messenger, The War On Drugs), the album is Martin's most richly orchestrated and grandly cinematic collection to date, as well as his most poignant. Today he shared his new song "First Thing I Remember" which features Jonathan Fire*Eater/Walkmen drummer Matt Barrick.
With sweeping strings and lavish horns fleshing out his spare, understated vocal delivery, The World At Night calls to mind everything from Leonard Cohen and Tom Waits to Randy Newman and Harry Nilsson. Dedicated to his dear friend and late Jonathan Fire*Eater bandmate Stewart Lupton, it balances soul-baring intimacy with sophisticated arrangements as they walk a delicate tightrope between despair and hope, faith and doubt, security and uncertainty. In addition to Kaufman, the album features an all-star cast of musicians including Sam Kassirer and Zach Hickman (Josh Ritter), Stuart Bogie (Arcade Fire, The Hold Steady), Rob Moose (Bon Iver, The National), and pianist Thomas Bartlett (Glen Hansard, Norah Jones). Vogue Magazine raved "The World at Night might just be his masterpiece."
Lupton's memory looms large on this record and his spirit informs the music in ways both explicit and implicit. Album opener "October" sets the tone from the outset, pairing exuberant music and ominous lyrics about fate and mortality. It's followed by the title track "The World At Night (For Stew)" which grapples with the confusion of loss and draws much of its imagery from a collage that Stewart made that now hangs above Walter's writing desk. In a recent interview with Billboard, he stated, "I'm not really a religious person, but I do believe in ghosts and in magic and in plenty of beautiful stuff that I can't see. Writing this album - and especially this song - was an effort to get closer to that stuff. And to Stew."
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Mechanimal - Stolen Flesh.
Mechanimal's new addictive and deeply personal tune, has deep toned vocals, lyrics and the simplicity of the video. Mechanimal turns sadness into something beautiful. The song's lyrics are incredibly powerful, Freddie Faulkenberry's evocative vocals melding perfectly with it's searing electronic noise and repetitious synths.
Greece's "synth punk" act Mechanimal (Giannis Papaioanou, Freddie Faulkenberry) unveil the first taste from their forthcoming album, Crux. "Stolen Flesh" arrives with an emotional clip shot and directed by Christos Karalias. Mechanimal's 4th album is out January 27 via Inner Ear.
Giannis P. says about the song: "Stolen Flesh" is dedicated to the loving memory of a dear friend we lost. It's about how it feels when you lose a dear person: all the love unveils in its magnitude in a very painful procedure. But we remain here to keep this love and all memories alive by beautifying every little crack and detail in our everyday life."
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HANYA - I'll Do It Tomorrow.
Making their ascent from Brighton’s thriving talent pool, indie newcomers HANYA share ethereal new offering ‘I’ll Do It Tomorrow’, the second track lifted from forthcoming EP ‘Seas Shoes’ out this spring.
Arriving hot on the heels of lead single ‘Dream Wife’, the band have already experienced a real surge in momentum, with their heady concoction of 90s-esque dream pop and shoegaze extravaganza attracting plentiful support among the key taste makers.
Plans continue to take shape on the live front, with previous shows alongside Honeyblood, Lazy Day and Tess Parks succeeding in growing their profile, not to mention their first trip Stateside for New Colossus Festival lined up in March.
Speaking ahead of their upcoming release, the quartet explained: “I’ll Do It Tomorrow was the result of realising that rarely does anyone take the advice we ask for, we love to procrastinate and wait until things change around us, it’s the magic of the human psyche. The song is pretty much advice to an old friend…be every version of yourself, let go, do it now, don’t wait until tomorrow”.
------------------------------------------------------------------------------------------
Ani Glass - Mirores.
Ani Glass releases her new single ‘Mirores’ this new year ahead of her forthcoming album of the same name. With infectious harmonies and a pulsing dance floor beat, ‘Mirores’ depicts the journey from dark desperation to motivation and inspiration, showing how we quickly build barriers in reaction to experiences but often forget to lower them. The song represents the liberating feeling of opening up to the world; the alignment of ideas, motivation and energy and that rare but illuminating experience of feeling inspired.
On 6th March 2020, Ani Glass's debut album MIRORES finally sees the light of day; the culmination of four years developing her own sound and visionary artistry. With its tapestry of electronic sounds, elliptical melodies and samples threaded into a song cycle, MIRORES is based around the idea of movement and progress - one which takes us on a journey around her hometown of Cardiff. The title is taken from Ani’s bardic name - created when she joined the Cornish Gorsedh in 2013. The Gorsedh itself is a celebration of the Celtic spirit of Cornwall and Bardship is awarded to people who contribute to its cultural and linguistic heritage. MIRORES is a play on words which incorporates the name of one of her favourite artists – Joan Miró – along with the Cornish word for “to look”, which is miras. Therefore, MIRORES essentially translates as ‘Observer’ thus presenting the album as Ani’s observation of the city in which she was born and now lives.
MIRORES also represents Ani’s first foray into production. Having been inspired by her experience of working with Martin Rushent during her time as a member of indie-pop group The Pipettes, Glass has spent the past few years teaching herself the art of recording and production. Her sound is inspired by many leading electronic and avant-garde artists and producers of the 1980s including Martin Rushent, Giorgio Moroder, Vangelis, Jean-Michel Jarre and Arthur Russell whilst the wider themes are inspired in part by the works of abstract painter Agnes Martin and the renowned author and activist Jane Jacobs. Despite some of the album’s heavier themes, Ani maintains a strong pop sensibility throughout, most certainly cemented during her time as a member of R&B pop group Genie Queen – managed by OMD’s Andy McCluskey.
------------------------------------------------------------------------------------------
Humanoids - The shadow you make isn‘t yours.
No way have they lost it! Humanoids from Zug/Switzerland just kept us waiting a little while. Erm, five years, to be precise. But they haven't been lazy since. In this period they've played a bunch of concerts, mesmerizing their audiences. Finally, «the coolest pigs in Swiss », as Media once called them, are back with new thrilling track.
'The shadow you make isn't yours' they claim in their new single. From a musical point of view, this number will leave your mouths wide open: above all with its airy but intense modern sound, which is carried by a springy groove and in which elements of stoner and alternative rock can be heard. In the same time «The shadow you make isn't yours» is a promise: There are a handful of new tracks yet to come from the four-piece in 2020!
------------------------------------------------------------------------------------------
The Chris White Experience - Volume Three (Album).
Last year (2019) The Zombies were inducted into the Rock and Roll Hall of Fame in a British invasion alongside Radiohead and The Cure. On stage with the rest of the band was Chris White; the man who co-produced and wrote more than half of the seminal Odessey & Oracle album, who composed (the now standard) This Will Be Our Year and who penned and co-produced the worldwide hit Hold Your Head Up for Argent.
His acceptance speech from the night, widely quoted in Rolling Stone, beautifully summarised the golden age of recording: “Music and songs are the bookmarks in all our lives, it’s the language that binds us all together”. The Chris White Experience is an incredible collection of unreleased recordings from the last 50 years.
Most of these songs have never been heard, with Volume Three spanning half a century from an unreleased 1969 Zombies demo, right up to an October 2019 recording from Et Tu Brucé. With collaborations featuring Rod Argent and Colin Blunstone (Unhappy Girl) and London band Et Tu Brucé (Can’t Seem To Fall In Love) as well as performances from Joe Lee Wilson (Archie Shepp) Russ Ballard (Argent) Stuart Elliott (Cockney Rebel, Kate Bush) and many more. Following on from the much-celebrated Volumes One and Two, it is a brilliant and vital document in the history of British music and analogue recording.
------------------------------------------------------------------------------------------
Secret Treehouse - At Sunrise.
Nordic indie pop band, Secret Treehouse, is now back with their new single, "At Sunrise"; a warm an catchy song that will make you wanna smile and dance.
They released their debut album in August 2019, and have already moved on to develop their sound even further from their more darker and melancholic debut album. Cover art by Achilleas Gatsopoulos.
"At Sunrise" is the first single from the upcoming second album, following the upraised "The Big Rewind", and will be released Jan 17. It's produced by Stamos Koliousis.
------------------------------------------------------------------------------------------
Walter Martin - First Thing I Remember.
Renowned songwriter and Walkmen co-founder Walter Martin will release his new album The World At Night on January 31st via Ile Flottante Music. Produced by multi-instrumentalist Josh Kaufman (The National, Hiss Golden Messenger, The War On Drugs), the album is Martin's most richly orchestrated and grandly cinematic collection to date, as well as his most poignant. Today he shared his new song "First Thing I Remember" which features Jonathan Fire*Eater/Walkmen drummer Matt Barrick.
With sweeping strings and lavish horns fleshing out his spare, understated vocal delivery, The World At Night calls to mind everything from Leonard Cohen and Tom Waits to Randy Newman and Harry Nilsson. Dedicated to his dear friend and late Jonathan Fire*Eater bandmate Stewart Lupton, it balances soul-baring intimacy with sophisticated arrangements as they walk a delicate tightrope between despair and hope, faith and doubt, security and uncertainty. In addition to Kaufman, the album features an all-star cast of musicians including Sam Kassirer and Zach Hickman (Josh Ritter), Stuart Bogie (Arcade Fire, The Hold Steady), Rob Moose (Bon Iver, The National), and pianist Thomas Bartlett (Glen Hansard, Norah Jones). Vogue Magazine raved "The World at Night might just be his masterpiece."
Lupton's memory looms large on this record and his spirit informs the music in ways both explicit and implicit. Album opener "October" sets the tone from the outset, pairing exuberant music and ominous lyrics about fate and mortality. It's followed by the title track "The World At Night (For Stew)" which grapples with the confusion of loss and draws much of its imagery from a collage that Stewart made that now hangs above Walter's writing desk. In a recent interview with Billboard, he stated, "I'm not really a religious person, but I do believe in ghosts and in magic and in plenty of beautiful stuff that I can't see. Writing this album - and especially this song - was an effort to get closer to that stuff. And to Stew."
------------------------------------------------------------------------------------------
Mechanimal - Stolen Flesh.
Mechanimal's new addictive and deeply personal tune, has deep toned vocals, lyrics and the simplicity of the video. Mechanimal turns sadness into something beautiful. The song's lyrics are incredibly powerful, Freddie Faulkenberry's evocative vocals melding perfectly with it's searing electronic noise and repetitious synths.
Greece's "synth punk" act Mechanimal (Giannis Papaioanou, Freddie Faulkenberry) unveil the first taste from their forthcoming album, Crux. "Stolen Flesh" arrives with an emotional clip shot and directed by Christos Karalias. Mechanimal's 4th album is out January 27 via Inner Ear.
Giannis P. says about the song: "Stolen Flesh" is dedicated to the loving memory of a dear friend we lost. It's about how it feels when you lose a dear person: all the love unveils in its magnitude in a very painful procedure. But we remain here to keep this love and all memories alive by beautifying every little crack and detail in our everyday life."
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Thursday, 16 January 2020
Louie & The Wolf Gang - Jess Knights - Kacy & Clayton
Louie & The Wolf Gang have kicked the new year off with 'The Race' where the Neo Rockabillies are on splendid form with this tightly performed and vibrant song. === Calgary singer-songwriter Jess Knights has just released 'Leave Me For The Last Time' a soulful song with all the essential passion and emotion to make it stand out. === We featured Kacy & Clayton three times last year and were very impressed so the live video for 'That Sweet Orchestra Sound' is a pleasure to share just ahead of their European tour.
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Louie & The Wolf Gang - The Race.
Louie & The Wolf Gang welcome the new year with a thrilling and fast single: 'The Race' reflects their current state. Last year started running fast for the new rockabilly heroes from Baden/Switzerland: Their debut EP earned enthusiastic reviews, was heard on various international radios-show and brought the band their first concerts, full house.
In 2020, it's time to speed up the tempo: A club tour through Switzerland is going on until summer, including a performance at the legendary «Tiki Bash»-festival in Erlinsbach AG, the hippest Swiss rockabilly-festival on the scene.
'The Race' is a cool introduction to the gigs, with reminiscences of the legendary Stray Cats, the celebrated Neo-Rockabillies Restless and a bow to country legend Johnny Cash.
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Jess Knights - Leave Me For The Last Time.
For all of love's agonies, Calgary soul-roots singer-songwriter Jess Knights isn't sulking over old wounds. On her debut full-length, Best Kind of Light, due out on May 20, 2020, Knights comes out on the other side of love and loss without all the bitterness, but rather a sense of self-assuredness knowing that she'll be just fine on her own.
It's this triumphant reclamation that frames the albums title track, about a graceful end to a relationship. When you get older your priorities change, and what was once catastrophic is no longer a big deal, Knights says. "You choose where to put your energy and how to spend your time. 'Best Kind of Light' is about choosing to move on with grace and integrity, and not feeling the need to burn your ex's clothes on the front lawn anymore."
Of the 11 songs contained on Best Kind of Light, there are traces of the blues that have always informed her sound. Case in point: the gloriously sultry 'Try a Little Harder', where she offers the best clapback to lazy courtship. "I know your kind/You come around here saying Damn girl, you're fine But I ain't the type to fall flat and cold to a man with a line/You gotta try a little harder, she sings to an eruption of scorching blues licks."
All the while, some lap steel and country strains find their way into a few songs. The most welcome surprise, though, is the sparkling dub beats heard on Halfway.
To achieve the revivalist vibe she was after, Knights headed to Toronto in 2019 and assembled the crème de la crème of song-smiths and sidemen, including award-winning producer Joshua Van Tassel, Donovan Woods, Joey Landreth, and others. The lineup adds dimension to Knights songs while bringing into focus the moody, dimly-lit spectrum of her classically-trained voice, which has drawn comparisons to U.K. luminaries Amy Winehouse and Eliza Doolittle.
------------------------------------------------------------------------------------------
Kacy & Clayton - That Sweet Orchestra Sound (Live Video).
Canadian psych-folk second-cousins Kacy & Clayton head to the UK for tour dates in Jan/Feb, including a slot at the prestigeous Celtic Connections Festival in Glasgow and a headline show at London's The Victoria courtesey of Shindig Magazine. Their recent Jeff Tweedy (Wilco) produced album Carrying On came out in October via New West to critical acclaim, with Mojo saying,"The duo shine as a beacon of warm and quirky outsiderdom in a rising tide of cookie-cutter Nashville Americana" and Uncut calling it; "a warm, beguiling set that tips its hat to roots music interpreters as disperate as Hoyt Axton, Fairport Convention, Dolly Parton, The Byrds and Bobby Gentry, while also tapping Cajun fiddle music."
They also share a live video for "That Sweet Orchestra Sound". The session was recorded at Trinity St. Paul's United Church in Toronto and captured by Southern Souls, who has been creating top-notch videos of mostly Canadian artists for more than ten years. It was filmed in September just as Kacy & Clayton performed on presitgeous Canadian TV programme CBC's Q then headed to Nashville for Americanafest.
The band also shared other videos from the album, including “High Holiday”, "Carrying On" and "The Forty-Ninth Parallel".
Kacy & Clayton's sound is equal parts homespun, coming from a family and community where playing music is an ever present part of social gatherings, and the rare country, blues, and English folk rock they obsess over and collect. It’s an arresting amalgamation of psychedelic folk, English folk revival and the ancestral music of Southern Appalachia. For Carrying On, Clayton cites as influences: Bobbie Gentry’s Delta Sweete, Hoyt Axton’s My Griffin Is Gone, Cajun fiddle music, and the steel guitar of Ralph Mooney, who played on many of the records that defined the Bakersfield country music scene of the 1950s. Sixties psych has also woven its way into these new songs; Kacy enjoys telling people that they live 250km from the mental hospital that coined the term “psychedelic.”
Of Carrying On, Jeff Tweedy said "When I first heard Kacy and Clayton, I was struck by how much detail and nuance they had absorbed from what sounded like a large swath of my record collection. When I told them that they were as good as the artists they were drawing from, I’m not sure they believed me. On this record I don’t hear those influences as much as I hear them taking the things they love so intimately and telling their own story. I think they’re a truly great band.”
Having toured almost nonstop for the last two years, Carrying On was conceived and honed on the road and recorded immediately after a jaunt across Western Canada, mostly as live takes with the minimum of overdubs. The songs having been tried and tested before audiences each night with Kacy & Clayton offering, “This album has, by far, the most intense and confident performances we’ve ever done on record and I hope that intensity will be felt by the listener.”
They have just returned from the road supporting Ray LaMontagne in North America in the Autumn with an appearance at the Pilgrimage Music & Cultural Festival in September alongside Foo Fighters, The Killers, and more.
Carrying On was released 4 October 2019 on compact disc, across digital retailers, Standard Black Vinyl, Pink Marbled Vinyl exclusively available at Independent Retailers, and hand-poured colored vinyl with every copy unique available now for order directly from New West Records.
EU/UK Tour Dates:
January 23 - Trondheim, NO - Bar Moskus
January 24 - Oslo, NO - Vulkan Arena for Interstate 20 - Oslo Americana Weekend
Jan 25 Falkenberg, SWE - Tryckhallen
Jan 26 Stockholm, SWE - Twang
February 2 - Forest Row - Hop Yard Brewing Co.
February 13 - Recklinghausen, DE - Creative Outlaws Club
January 30 - Glasgow, CCA - Celtic Connections
January 31- Low Mill, UK - The Band Room
February 1- Gateshead, UK - The Sage
February 4 - Winchester, UK - The Railway Inn
February 5 - Bristol, UK - The Mother's Ruin
February 6 - Witney, UK - Fat Lil's
February 7 - St. Davids, UK - City Hall
February 8 - Coventry, UK - The Tin Music and Arts
February 9 - Whitstable, UK - Whitstable Sessions Music Club
February 10 - London, UK - The Victoria
February 12 - Eindhoven, NL - Rozenknopje
February 14 - Nijmegen, NL - Merleyn
February 15 - Groningen, NL - Lutherse Kerk
February 16 - Utrecht, NL - TivoliVredenburg
February 20 - Barcelona, ESP - Sala Rocksound
February 21 - Madrid, ESP - Cafe Berlin
February 22 - San Sebastian, ESP - Altxerri Jazz Bar
February 23 - Santander, ESP - Little Bobby
------------------------------------------------------------------------------------------
------------------------------------------------------------------------------------------

Louie & The Wolf Gang welcome the new year with a thrilling and fast single: 'The Race' reflects their current state. Last year started running fast for the new rockabilly heroes from Baden/Switzerland: Their debut EP earned enthusiastic reviews, was heard on various international radios-show and brought the band their first concerts, full house.
In 2020, it's time to speed up the tempo: A club tour through Switzerland is going on until summer, including a performance at the legendary «Tiki Bash»-festival in Erlinsbach AG, the hippest Swiss rockabilly-festival on the scene.
'The Race' is a cool introduction to the gigs, with reminiscences of the legendary Stray Cats, the celebrated Neo-Rockabillies Restless and a bow to country legend Johnny Cash.
------------------------------------------------------------------------------------------
Jess Knights - Leave Me For The Last Time.
For all of love's agonies, Calgary soul-roots singer-songwriter Jess Knights isn't sulking over old wounds. On her debut full-length, Best Kind of Light, due out on May 20, 2020, Knights comes out on the other side of love and loss without all the bitterness, but rather a sense of self-assuredness knowing that she'll be just fine on her own.
It's this triumphant reclamation that frames the albums title track, about a graceful end to a relationship. When you get older your priorities change, and what was once catastrophic is no longer a big deal, Knights says. "You choose where to put your energy and how to spend your time. 'Best Kind of Light' is about choosing to move on with grace and integrity, and not feeling the need to burn your ex's clothes on the front lawn anymore."
Of the 11 songs contained on Best Kind of Light, there are traces of the blues that have always informed her sound. Case in point: the gloriously sultry 'Try a Little Harder', where she offers the best clapback to lazy courtship. "I know your kind/You come around here saying Damn girl, you're fine But I ain't the type to fall flat and cold to a man with a line/You gotta try a little harder, she sings to an eruption of scorching blues licks."
All the while, some lap steel and country strains find their way into a few songs. The most welcome surprise, though, is the sparkling dub beats heard on Halfway.
To achieve the revivalist vibe she was after, Knights headed to Toronto in 2019 and assembled the crème de la crème of song-smiths and sidemen, including award-winning producer Joshua Van Tassel, Donovan Woods, Joey Landreth, and others. The lineup adds dimension to Knights songs while bringing into focus the moody, dimly-lit spectrum of her classically-trained voice, which has drawn comparisons to U.K. luminaries Amy Winehouse and Eliza Doolittle.
------------------------------------------------------------------------------------------
Kacy & Clayton - That Sweet Orchestra Sound (Live Video).
Canadian psych-folk second-cousins Kacy & Clayton head to the UK for tour dates in Jan/Feb, including a slot at the prestigeous Celtic Connections Festival in Glasgow and a headline show at London's The Victoria courtesey of Shindig Magazine. Their recent Jeff Tweedy (Wilco) produced album Carrying On came out in October via New West to critical acclaim, with Mojo saying,"The duo shine as a beacon of warm and quirky outsiderdom in a rising tide of cookie-cutter Nashville Americana" and Uncut calling it; "a warm, beguiling set that tips its hat to roots music interpreters as disperate as Hoyt Axton, Fairport Convention, Dolly Parton, The Byrds and Bobby Gentry, while also tapping Cajun fiddle music."
They also share a live video for "That Sweet Orchestra Sound". The session was recorded at Trinity St. Paul's United Church in Toronto and captured by Southern Souls, who has been creating top-notch videos of mostly Canadian artists for more than ten years. It was filmed in September just as Kacy & Clayton performed on presitgeous Canadian TV programme CBC's Q then headed to Nashville for Americanafest.
The band also shared other videos from the album, including “High Holiday”, "Carrying On" and "The Forty-Ninth Parallel".
Kacy & Clayton's sound is equal parts homespun, coming from a family and community where playing music is an ever present part of social gatherings, and the rare country, blues, and English folk rock they obsess over and collect. It’s an arresting amalgamation of psychedelic folk, English folk revival and the ancestral music of Southern Appalachia. For Carrying On, Clayton cites as influences: Bobbie Gentry’s Delta Sweete, Hoyt Axton’s My Griffin Is Gone, Cajun fiddle music, and the steel guitar of Ralph Mooney, who played on many of the records that defined the Bakersfield country music scene of the 1950s. Sixties psych has also woven its way into these new songs; Kacy enjoys telling people that they live 250km from the mental hospital that coined the term “psychedelic.”
Of Carrying On, Jeff Tweedy said "When I first heard Kacy and Clayton, I was struck by how much detail and nuance they had absorbed from what sounded like a large swath of my record collection. When I told them that they were as good as the artists they were drawing from, I’m not sure they believed me. On this record I don’t hear those influences as much as I hear them taking the things they love so intimately and telling their own story. I think they’re a truly great band.”
Having toured almost nonstop for the last two years, Carrying On was conceived and honed on the road and recorded immediately after a jaunt across Western Canada, mostly as live takes with the minimum of overdubs. The songs having been tried and tested before audiences each night with Kacy & Clayton offering, “This album has, by far, the most intense and confident performances we’ve ever done on record and I hope that intensity will be felt by the listener.”
They have just returned from the road supporting Ray LaMontagne in North America in the Autumn with an appearance at the Pilgrimage Music & Cultural Festival in September alongside Foo Fighters, The Killers, and more.
Carrying On was released 4 October 2019 on compact disc, across digital retailers, Standard Black Vinyl, Pink Marbled Vinyl exclusively available at Independent Retailers, and hand-poured colored vinyl with every copy unique available now for order directly from New West Records.
EU/UK Tour Dates:
January 23 - Trondheim, NO - Bar Moskus
January 24 - Oslo, NO - Vulkan Arena for Interstate 20 - Oslo Americana Weekend
Jan 25 Falkenberg, SWE - Tryckhallen
Jan 26 Stockholm, SWE - Twang
February 2 - Forest Row - Hop Yard Brewing Co.
February 13 - Recklinghausen, DE - Creative Outlaws Club
January 30 - Glasgow, CCA - Celtic Connections
January 31- Low Mill, UK - The Band Room
February 1- Gateshead, UK - The Sage
February 4 - Winchester, UK - The Railway Inn
February 5 - Bristol, UK - The Mother's Ruin
February 6 - Witney, UK - Fat Lil's
February 7 - St. Davids, UK - City Hall
February 8 - Coventry, UK - The Tin Music and Arts
February 9 - Whitstable, UK - Whitstable Sessions Music Club
February 10 - London, UK - The Victoria
February 12 - Eindhoven, NL - Rozenknopje
February 14 - Nijmegen, NL - Merleyn
February 15 - Groningen, NL - Lutherse Kerk
February 16 - Utrecht, NL - TivoliVredenburg
February 20 - Barcelona, ESP - Sala Rocksound
February 21 - Madrid, ESP - Cafe Berlin
February 22 - San Sebastian, ESP - Altxerri Jazz Bar
February 23 - Santander, ESP - Little Bobby
------------------------------------------------------------------------------------------
Wednesday, 15 January 2020
Skye Wallace - LAPêCHE - Alice Boman - Wilsen
Skye Wallace returns to Beehive Candy after two impressive songs featured last year. Yesterday she shared a new video for 'Body Lights The Way' a lively, catchy and very pleasing rocker of a song. === Indie rock band LAPêCHE have just released a new video for 'Gracie' a hook filled song, that packs emotion throughout. === Swedish songwriter Alice Boman releases her debut album 'Dream On' this coming Friday and just ahead of that shares a video for 'Everybody Hurts' a gorgeous and melodic song, with a tour kicking off just day's away. ===We shared 'Ruiner' back in November, the title track from the soon to be released album from Wilsen who have just shared another gorgeous teaser from the album called 'Feeling Fancy' accompanied by a fine music video.
------------------------------------------------------------------------------------------
Skye Wallace - Body Lights The Way.
Skye Wallace is what happens when a trained singer with east coast roots discovers punk rock in their youth and writes music that makes you feel excited. Skye’s recent self-titled album embodies Canadiana combining her folk songwriting roots with influences of 90’s riot girls and grunge, resulting in songs that jump from somber reflections to rowdy highs.
She's sharing the official music video for the LP's "Body Lights The Way" – a carefree, groove-driven song conveying a sense of empowerment. The video reflects the fun energy of the track and combines Skye's love of curling and music.
Skye Wallace is what happens when a trained singer with east coast roots discovers punk rock in their youth and writes music that makes you feel excited.
Skye's recent self-titled album embodies Canadiana. From living on BC west coast to spending time at residencies in Norris Point, Newfoundland and Dawson City, Yukon, the Toronto-based artist has been inspired by every corner of the country. The new album combines her folk songwriting roots with influences of 90's riot girls and grunge, resulting in songs that jump from somber reflections to rowdy highs.
Skyes in-demand live show has landed her performances at Reeperbahn Festival, NXNE's main stage, the National Arts Centre, Halifax Pop Explosion, Vancouver Folk Fest, a cross-Canada tour with Matt Mays, multiple support dates for Sam Roberts Band, and a residency at the Dakota Tavern in Toronto last fall. Her single There Is A Wall broke the top 40 alternative rock charts in Canada, and media features including a CBC First Play and a Live at the Verge session continue to build the story of this exciting artist.
------------------------------------------------------------------------------------------
LAPêCHE - Gracie.
Indie buzz band LAPêCHE have just released their enchanting new video for "Gracie."
LAPêCHE is an indie-rock group that has consistently penned impactful jams out of Brooklyn for the past 4 years. Their newest release, the 3-song EP Spirit Bunnies brings a bold and melancholy 90’s grit with just the right amount of hopefulness to your ears.
The close friends that make up LAPêCHE compose together, drawing inspiration from both past and present, light and dark, guiding singer Krista Holly’s provocative melodies and lyrics over their uniquely somber, yet catchy indie-rock.
------------------------------------------------------------------------------------------
Alice Boman - Everybody Hurts.
With her mesmerising and long-awaited debut album Dream On, released 17th January on new label, Play It Again Sam, Swedish songwriter Alice Boman shared new single "Everybody Hurts" yesterday, saying: “This song is about being rejected and turned down and how that can make you question yourself and your worth, regardless of the circumstances. Especially when it happens again and again. I guess rejection is one of the things we all fear the most. But I also wanted this song to feel a bit encouraging despite the theme. A reminder to not take it to personally. All of us get hurt. And it’s ok. You’re ok.
"When me and Tom recorded the demo for this song, we listened to Cindy Lauper’s ‘Time After Time’ and we were inspired by that sound and wanted this song to feel like that. Warm and comforting. Like an embrace. And that idea has remained. The recording of the song started with Fabian in London, where we recorded the drums, vocals, synth and bass live. It was such a good feeling to play it together like that. And then me and Patrik carried on working on it in Stockholm later on.”
The spellbinding artist has again teamed up with collaborator Julia Ringdahl on an accompanying video for the track, featuring the work of Swedish weaver Nanny Rådenman – who’s work Boman will be displaying on stage during her UK / European tour this February. “We got the idea to use some of her weaves in this video as well - to tie things together. To create something special. And for them to move in different ways. Move to the music.” Boman explains.
Alice also tours the UK/EU in February, returning to London to headline the Union Chapel on 25th Feb:
17 Jan - Groningen, NL - Eurosonic @ Plato Record Store
17 Jan - Groningen, NL - Eurosonic @ Forum
14 Feb - Malmö, SE - Babel
15 Feb – Copenhagen, DK – Hotel Cecil
18 Feb – Berlin, DE – Kantine am Berghain
19 Feb – Amsterdam, NL – Paradiso
20 Feb – Paris, FR – Le Pop-Up du Label
21 Feb – Brussels, BE – Witloof Bar
23 Feb - Brighton, UK - The Latest Music Bar
24 Feb - Manchester, UK - Gullivers
25 Feb – London, UK – Union Chapel
3 Apr - Göteborg, SE - Pustervik
5 Apr - Stockholm, SE – Dramaten *sold out*
“It's a powerful feeling when you're in that world and you lose track of time,” says Boman of the deeply hypnotic state she entered when making Dream On. This transfixed state is one that she also seamlessly plunges her listeners into. Her deeply textural, atmospheric and immersive sounds - coupled with her fragile yet engulfing and ethereal vocals - create something of a vortex that listeners are sucked in by. A world where ambient, dream pop and folk merge into a unique new form.
------------------------------------------------------------------------------------------
Wilsen - Feeling Fancy.
Brooklyn-based trio Wilsen released an official video for their new song "Feeling Fancy," the second single from their new album Ruiner out February 21 via Secret City Records / Dalliance Recordings. "Feeling Fancy is a song for the soft-spoken," explains Tamsin Wilson. "Quietness can be mistaken for insecurity while it's often the opposite - it's being comfortable in your own presence without needing to be heard at every moment."
"Feeling Fancy" follows the release of the album's title track "Ruiner," which was embraced by American Songwriter, BrooklynVegan, The Line of Best Fit, and NPR Music's New Music Friday Playlist. Wilsen consequently released a "nightmare remix" by Daughter's Igor Haefeli. So far, "Ruiner" has received support from AAA radio stations such as KXT, WFUV, WPYA, WSCA, WUNC, WXRT and many more.
For the follow-up to their acclaimed debut I Go Missing In My Sleep, the trio comprised of Tamsin Wilson (guitar/vocals), Johnny Simon Jr. (guitar) and Drew Arndt (bass) partnered with acclaimed producer Andrew Sarlo (Big Thief, Bon Iver) and mastering engineer Sarah Register (Ariana Grande, Protomartyr, U.S. Girls).
For Tamsin Wilson, the album finds her moving towards personal self-acceptance. "I have an inherent shyness," she says. "I'm acknowledging and finding a way with it as I get older." Throughout the record, she comes to terms with her many sides, including her introversion and her inner, self-sabotaging monster to which the album title refers. On "Feeling Fancy," with her distinctively hushed vocals overpowering the track’s clamorous instrumentals, Wilson offers listeners a powerful, and celebratory, declaration that "Quiet’s not a fault to weed out."
"Making this record was somewhat of a coming of age process," Wilson explains. "We're getting older and becoming more deliberate, less precious, less measured. Overthinking less and trusting instincts more."
------------------------------------------------------------------------------------------
------------------------------------------------------------------------------------------
Skye Wallace is what happens when a trained singer with east coast roots discovers punk rock in their youth and writes music that makes you feel excited. Skye’s recent self-titled album embodies Canadiana combining her folk songwriting roots with influences of 90’s riot girls and grunge, resulting in songs that jump from somber reflections to rowdy highs.
She's sharing the official music video for the LP's "Body Lights The Way" – a carefree, groove-driven song conveying a sense of empowerment. The video reflects the fun energy of the track and combines Skye's love of curling and music.
Skye Wallace is what happens when a trained singer with east coast roots discovers punk rock in their youth and writes music that makes you feel excited.
Skye's recent self-titled album embodies Canadiana. From living on BC west coast to spending time at residencies in Norris Point, Newfoundland and Dawson City, Yukon, the Toronto-based artist has been inspired by every corner of the country. The new album combines her folk songwriting roots with influences of 90's riot girls and grunge, resulting in songs that jump from somber reflections to rowdy highs.
Skyes in-demand live show has landed her performances at Reeperbahn Festival, NXNE's main stage, the National Arts Centre, Halifax Pop Explosion, Vancouver Folk Fest, a cross-Canada tour with Matt Mays, multiple support dates for Sam Roberts Band, and a residency at the Dakota Tavern in Toronto last fall. Her single There Is A Wall broke the top 40 alternative rock charts in Canada, and media features including a CBC First Play and a Live at the Verge session continue to build the story of this exciting artist.
------------------------------------------------------------------------------------------
LAPêCHE - Gracie.
Indie buzz band LAPêCHE have just released their enchanting new video for "Gracie."
LAPêCHE is an indie-rock group that has consistently penned impactful jams out of Brooklyn for the past 4 years. Their newest release, the 3-song EP Spirit Bunnies brings a bold and melancholy 90’s grit with just the right amount of hopefulness to your ears.
The close friends that make up LAPêCHE compose together, drawing inspiration from both past and present, light and dark, guiding singer Krista Holly’s provocative melodies and lyrics over their uniquely somber, yet catchy indie-rock.
------------------------------------------------------------------------------------------
Alice Boman - Everybody Hurts.
With her mesmerising and long-awaited debut album Dream On, released 17th January on new label, Play It Again Sam, Swedish songwriter Alice Boman shared new single "Everybody Hurts" yesterday, saying: “This song is about being rejected and turned down and how that can make you question yourself and your worth, regardless of the circumstances. Especially when it happens again and again. I guess rejection is one of the things we all fear the most. But I also wanted this song to feel a bit encouraging despite the theme. A reminder to not take it to personally. All of us get hurt. And it’s ok. You’re ok.
"When me and Tom recorded the demo for this song, we listened to Cindy Lauper’s ‘Time After Time’ and we were inspired by that sound and wanted this song to feel like that. Warm and comforting. Like an embrace. And that idea has remained. The recording of the song started with Fabian in London, where we recorded the drums, vocals, synth and bass live. It was such a good feeling to play it together like that. And then me and Patrik carried on working on it in Stockholm later on.”
The spellbinding artist has again teamed up with collaborator Julia Ringdahl on an accompanying video for the track, featuring the work of Swedish weaver Nanny Rådenman – who’s work Boman will be displaying on stage during her UK / European tour this February. “We got the idea to use some of her weaves in this video as well - to tie things together. To create something special. And for them to move in different ways. Move to the music.” Boman explains.
Alice also tours the UK/EU in February, returning to London to headline the Union Chapel on 25th Feb:
17 Jan - Groningen, NL - Eurosonic @ Plato Record Store
17 Jan - Groningen, NL - Eurosonic @ Forum
14 Feb - Malmö, SE - Babel
15 Feb – Copenhagen, DK – Hotel Cecil
18 Feb – Berlin, DE – Kantine am Berghain
19 Feb – Amsterdam, NL – Paradiso
20 Feb – Paris, FR – Le Pop-Up du Label
21 Feb – Brussels, BE – Witloof Bar
23 Feb - Brighton, UK - The Latest Music Bar
24 Feb - Manchester, UK - Gullivers
25 Feb – London, UK – Union Chapel
3 Apr - Göteborg, SE - Pustervik
5 Apr - Stockholm, SE – Dramaten *sold out*
“It's a powerful feeling when you're in that world and you lose track of time,” says Boman of the deeply hypnotic state she entered when making Dream On. This transfixed state is one that she also seamlessly plunges her listeners into. Her deeply textural, atmospheric and immersive sounds - coupled with her fragile yet engulfing and ethereal vocals - create something of a vortex that listeners are sucked in by. A world where ambient, dream pop and folk merge into a unique new form.
------------------------------------------------------------------------------------------
Wilsen - Feeling Fancy.
Brooklyn-based trio Wilsen released an official video for their new song "Feeling Fancy," the second single from their new album Ruiner out February 21 via Secret City Records / Dalliance Recordings. "Feeling Fancy is a song for the soft-spoken," explains Tamsin Wilson. "Quietness can be mistaken for insecurity while it's often the opposite - it's being comfortable in your own presence without needing to be heard at every moment."
"Feeling Fancy" follows the release of the album's title track "Ruiner," which was embraced by American Songwriter, BrooklynVegan, The Line of Best Fit, and NPR Music's New Music Friday Playlist. Wilsen consequently released a "nightmare remix" by Daughter's Igor Haefeli. So far, "Ruiner" has received support from AAA radio stations such as KXT, WFUV, WPYA, WSCA, WUNC, WXRT and many more.
For the follow-up to their acclaimed debut I Go Missing In My Sleep, the trio comprised of Tamsin Wilson (guitar/vocals), Johnny Simon Jr. (guitar) and Drew Arndt (bass) partnered with acclaimed producer Andrew Sarlo (Big Thief, Bon Iver) and mastering engineer Sarah Register (Ariana Grande, Protomartyr, U.S. Girls).
For Tamsin Wilson, the album finds her moving towards personal self-acceptance. "I have an inherent shyness," she says. "I'm acknowledging and finding a way with it as I get older." Throughout the record, she comes to terms with her many sides, including her introversion and her inner, self-sabotaging monster to which the album title refers. On "Feeling Fancy," with her distinctively hushed vocals overpowering the track’s clamorous instrumentals, Wilson offers listeners a powerful, and celebratory, declaration that "Quiet’s not a fault to weed out."
"Making this record was somewhat of a coming of age process," Wilson explains. "We're getting older and becoming more deliberate, less precious, less measured. Overthinking less and trusting instincts more."
------------------------------------------------------------------------------------------
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