Sunday, 19 December 2021

Lasse Matthiessen - HVOB - Timo de Jong

Lasse Matthiessen - Closer.

Hot off the heels of the release of his new EP ‘Coordinates Remain’, Danish artist Lasse Matthiessen is set to release a perfectly reflective new single for Xmas time, ‘Closer’.

The new single continues a bold new change in direction for Matthiessen which he fleshed out with ‘Coordinates Remain’. Having previously built up a large following with a folky sound, the EP and ‘Closer’ push in a bigger, atmospheric, electronic direction. The works are Matthiessen’s most experimental and effect-bearing pieces to date. 

The striking change in sound and new material was inspired by a dive back into the memory banks of Matthiessen’s past during the lockdowns of 2020. Having re-visited many child-hood haunts and feelings during this time, the music plumbs deep depths and eschews genre categorization, combining a feeling of melancholic dystopia with big electronic-pop moments and then evading the listener completely in a mysterious nostalgic shadow. 

‘Closer’ seems to have refined this melange of intriguing gorgeousness superbly. On the track, Matthiessen explains, “I wrote the song ‘Closer’ two years ago in Berlin in a warm apartment situated in “party street” in the Friedrichshain district with the producer Hannes Butzer. I arrived three hours early by mistake and had to go back home again to the shared apartment I lived in with a German artist and painter.
Sometimes when I was away he used the apartment to paint and he had just finished a series of prints printed with some kind of toxic fluid and the smell was all over the apartment as was his prints: On the table, on the floor and on the walls – his black paintings and prints. I wrote the outline of a ‘Closer’ then, on my old piano and I guess I was kind of influenced by all these impressions.” 

The invitingly intimate soundscape on ‘Closer’ is characterized by the piano played by Philipp Milner (from the duo Hundreds) and the pumped bass-beat at the end of the song after the last chorus with Matthiessen’s vocal sounding heavy with emotion. The progression from haunting cinematic atmospherics to pulsating infectious anthem shows an uncompromising songwriter at the top of his game, who’s not afraid to take risks in order to create exhilarating sonic magic.

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HVOB - Capture Casa.

Following four studio albums and one live album, HVOB are about to release their sixth album: TOO is an angry, tender, vulnerable, determined account of a generation's search for life. The album explores extremes in concept, content and sound. It breaks with the tradition of releasing the entire album following the advance release of a number of singles. The eight tracks from TOO will be released individually and sporadically. This way, the album grows into an eventual whole over a period of six months.

HVOB share the second part of their 8 track album in new single ‘Capture Casa’ - out now.

am i too cold/ am i too old / am i not good for you
am i too quiet / am i too tired / am i too much for you
- from "Capture Casa", TOO, HVOB

The song marks a return to the Austrian duo’s signature melodic techno. The track juxtaposes Anna Muller’s delicate vocal against building atmospheric soundscapes. Capture Casa follows the announcement of new album TOO and first single ‘Bruise’ and celebrated video

TOO is dedicated to the state of mind of a generation in search of inner and outer belonging: the album captures a life in the dichotomy of one's own and other people's expectations, in the feeling of not living up to these expectations, in renewed attempts to free oneself from these expectations.

The first track from the new HVOB album "Bruise" was released on November 18th. The eighth and final track from TOO will be released to coincide with the start of the world tour in April 2022.



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Timo de Jong - Unparalelled.

Timo de Jong has released the track 'Unparalleled'. This is the lead single from his new EP 'Dawdle'. For this EP Timo works for the first time with a producer, Thomas Olivier (Hackensaw Boys, among others). Before the Corona epidemic, Timo played more than 100 shows a year, but during the last period he has been forced to focus on what he does very well; writing new songs. He will present the result of this on 19 December in the Neushoorn, Leeuwarden.

Timo himself says about this new project: “This EP means a lot to me, because it's the first time that I was able to really let go of things during the process. Working together with Thomas has not changed my sound, but has improved and refined it. I believe that I have made great growth.”

During the past year, Timo de Jong and producer Thomas Olivier have been working on the music together, from demo to the final product. A conscious choice was made for a characteristic sound with an appreciation for a warm and natural-sounding production. For example, all vocals were recorded with a microphone from the 1950s and all songs were recorded live. Lyrically, 'Unparalleled' is a helping hand, a musical heart under the belt in which Timo shows that love songs don't have to be all doom and gloom.

Timo de Jong is an authentic musician who lives for (and from) live performances, of which he has already performed more than 600. That includes three successful tours through England, and performances in Germany and Belgium. Whether it's an intimate living room concert or a band performance in a pop hall, Timo does his thing, and that thing is: making good music.

He makes his music in order to realize, to tell and to heal. In doing so, he takes experiences of himself and those around him, and then writes a universal and appealing text about them. Behind the scenes, Timo de Jong has been refining, improving and crystallizing his music for several years now. He moved from folk to rock 'n' roll, eventually arriving at Americana.

The EP's release show is on today in the Neushoorn, Leeuwarden. The EP will first be released only on CD and will only be available to listen to on the streaming platforms in its entirety in 2022.


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Friday, 17 December 2021

Rodney Cromwell - Tony's Tears - Big Little Lions

Rodney Cromwell - Get Me To Prague / Radagast The Brown.

Rodney Cromwell is the nom-de-plume of Adam Cresswell. Both tracks on this new single were recorded while Cresswell was in his first band SALOON that operated between 1998-2003. Saloon released three albums with Track & Field (UK) and Darla (US). They toured extensively in Europe, supporting the likes of STEREOLAB, ELECTRELANE, QUICKSPACE and OF MONTREAL. They are remembered mostly today for their 3 John Peel Sessions and four Festive 50 entries, including the number one in 2002.

 ‘Get Me To Prague’ was written and recorded in 1999 on a Yamaha four-track tape recorder using a bomtempi organ, casiotone and Moog Rogue. Recorded in a single evening, the track is an exploration into proto-germanic electronica in the style of Ralf & Forian era Kraftwerk.  Taking 22 years to get a mix he was happy with, Cresswell cites this as because “I didn’t like the snare sound.” 

In 2001, Saloon were asked to offer a track for a tribute to a ‘The Lord of The Rings’ album. The rest of the band were less-than enthusiastic, but for Cresswell, for whom the Spectrum computer game of ‘Rings’ had been a formative experience, it was an offer too good to refuse. In lieu of a proper studio, ‘Radagast The Brown’ was composed one Saturday afternoon in 2001, on the bed of his girlfriend’s grandfather, while he was out watching a Reading FC home game. Also recorded in one sitting, the song was made on a minidisc 8-track recorder, using just a Casiotone keyboard and a Korg MS-10 synth. It is another exploration into primitive chiptune electronica, with echoes of Plone, Jean Jacques-Perry or Gershon Kingsley. 

Under his solo guise of Rodney Cromwell he released the LP 'Age of Anxiety' in 2015 and 'Rodney's English Disco' EP in 2018, with coverage in Electronic Sound, NME, Huffington Post, Impose, Paste, Record Collector, BBC6 Music and national RNE3 in Spain, for whom he recorded a live session. The debut album featured in scores of Best of Lists including Electronic Sound and The Electricity Club who named him ‘Most Promising New Act’.  His last single ‘Memory Box’ precedes an album of the same, to be released in March 2022; described as “pure hertz tone glory” by Post-Punk.com, it has had numerous blog features and radio plays, including national play from BBC 6 Music.

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Tony's Tears - Gazing At The Border.

Stockholm synthpop duo Tony's Tears are following up their debut EP that was released earlier this year with the single "Gazing at the Border". It's the first single of the EP "Erasing Diamonds" that is to be released this spring. Tony's Tears saw the light during the pandemic and they are really looking forward to play a real show in their hometown on Xmas day!

Their music can be defined as cinematic indie that is flirting with the 80's together with "suggestive and electronic elements".

Alex och William about the song: The song serves as a scene in a larger story that fits within our upcoming ep "Erasing Diamonds". The text is like a look into an event where one does not quite know what has happened before or after. Which aims to instead directly jump into the middle of the dramatic curve.

Where we’re told about a situation where someone has been taken away and where the self in the song is powerless to do anything about the situation. The song is about a form of "we" and "them" drama. Where there is a superiority and an oppressed side. The sound image is intended a bit like a message from a VHF-radio that sometimes loses its connection and turns into noise with voices in the background and then reconnects again.


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Big Little Lions - From The Storm.

From The Storm is written, recorded and produced by Big Little Lions who are Helen Austin & Paul Otten.The lyrics are reproduced below.

It’s getting late, a chill sets in
You hesitate, you’re wondering
If you should go
You’re so used to icy hands
That follow every frosty glance
You never know

Chorus:
You didn’t bring a coat
But I will keep you warm
I know I can protect you
From the storm 

When the sun starts to shine
It’s still cloudy in your mind
Too scared the forecast might be wrong
So winter holds you
And winter told you
This is where you belong
Chorus.

 


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Wednesday, 15 December 2021

Drew Haley - Blake Morgan - Andrew Bees

Drew Haley - A Good Woman.

Drew Haley's emotional and heartwarming music video for her latest single "A Good Woman" has officially debuted just in time for the holidays.

Drew Haley's heart is permanently on her sleeve, but her latest single allows listeners into her childhood and her relationship with her mother. With a singer-songwriter flair and her signature lush vocals, Haley paints a vivid picture of her loving mother's sacrifices and lessons that the singer has carried with her throughout her life.

Through home videos, our hearts burst as we get glimpses of Haley’s ordinary yet beautiful childhood. These nostalgic moments are interspersed with shots of Haley today, reflecting on the impact her mother, Laura, has had on her. From the perspective of a daughter who was given a life full of love, "A Good Woman" fuses nostalgia with gratefulness. Despite all the sacrifices Laura made as a single mother, Haley’s lyrics reflect on the unconditional love she felt throughout her life.  As the chorus states, "nothing compares to the heart of a mother," and the raw footage used in the music video is palpably heartfelt.
In addition to such meaningful lyrics, Haley’s voice helps tell the story with her soothing tone and effortless runs. The simplistic instrumentation and light angelic background vocals add another layer of tenderness to the story. "A Good Woman" acts as a quiet voice that silences surrounding chaos and demands to be listened to. It will have everyone picking up the phone to call or driving across town to hug the special people in their lives.

"I truly enjoyed making the video “A Good Woman” with James McGettrick. I loved how we were able to incorporate old video footage of myself and my mother, Laura.  She was the inspiration behind this song and project," says Haley. 

As 2021 comes to a close, Drew Haley reminds us to be grateful for the people who have shaped us into the people we are today. After the challenges and trials Haley has faced as a woman and mother, she has come full circle with "A Good Woman" and its touching message.

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Blake Morgan - Down Below Or Up Above.

Directed by boundary-breaking NYC filmmaker and photographer Alice Teeple, Blake Morgan’s “Down Below Or Up Above” gives homage to classic Hollywood-era noir films. “The music video is like if Gene Kelly had starred in ‘The Third Man,’” says Morgan with a smile. “We shot in Central Park at night so I’m lit only by moonlight, street lamps, and a couple of flashlights when needed. Within ten minutes of shooting we were wonderfully unsure of what century we were in.”

Teeple and Morgan’s shared love of 1930’s and 40’s film noir––and specifically the work of directors Orson Welles, Fritz Lang, and John Huston––gave birth to the idea of the music video for Morgan’s new single. “Alice is a remarkable artist, she combines film techniques from ages ago and today, seamlessly. We looked at some of the videos Anton Corbijn’s made with Tom Waits which also have that feeling. We wanted something striking, something beautiful, but also something provocative and playful.”

The video released on all platforms yesterday. “Down Below Or Up Above” is the first single from Blake Morgan’s forthcoming new album Violent Delights, out May 20th, 2022 on ECR Music Group.



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Andrew Bees - Real Life.

Whether as a formidable solo artist or in the role of charismatic frontman for legendary, Grammy Award-winning reggae band Black Uhuru for the past 25 years, Andrew Bees has played a significant role in the breaking down of cultural and socio-political barriers that have often kept Jamaican reggae stars out of the American mainstream consciousness.

Teaming up with SoCal independent label LAW Records for the release of his latest  solo release “Real Life” (Out Dec.10 2021), Bees now continues that legacy of bringing his personal brand of conscious roots reggae to a new generation of audiences and emerging reggae artists, while subsequently delivering a potent reminder of reggae’s capacity for social critique.

Characterized by wailing guitars pitched over a surging, trance-inducing groove and Bees’ wide-ranged and almost ecstatic vocal delivery of  lyrics that conjure the freedom of rolling down mythic American highways —the track’s upbeat sound  belies unspoken layers of meaning and the events that inspired the song.

Bees was travelling in Kenya with his wife and baby when the Covid-19 pandemic broke out in Feb. of 2020, and as such, he and his small family were among the first panicked waves of American citizens scrambling to board last-minute flights and hastily return home at the behest of the U.S. government.


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Tuesday, 14 December 2021

Mark Welles - ElectroBluesSociety feat Boo Boo Davis - Tom Freund

Mark Welles - It Started Last Fall (Album).

Flashback to early 2020: Maybe it was becoming a new father, the onset of a global pandemic, middle-aged malaise, or all three. A period of introspection led me to reevaluate what I value most in life, what brings me joy. 

What I found was something was missing — music. Although a lifelong musician and longtime songwriter, I had let my passion for music take a backseat to my corporate career and other endeavors. I realized I needed to bring music back into the forefront, and that I had something to contribute creatively.

After buying some new equipment, transforming a spare bedroom into my home studio, dusting off some old songs and writing a few new ones, I set out on recording a body of work to represent my unique musical voice. The result is “It Started Last Fall”, my debut album of 11 original songs about love, setbacks and looking forward. I hope you enjoy the music, and greatly appreciate your interest and support!

Whilst Beehive Candy doesn't undertake in depth album reviews we have to say this is one beautiful collection of songs. Mark's distinct and engaging vocals are backed with a fresh and uncluttered musical backdrop. The resulting range of folk & Americana material is a joy to listen to.    


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ElectroBluesSociety feat Boo Boo Davis - Transatlantic Quarantaine Sessions (Album).

Between 1998 and 2019 Boo Boo Davis used to come and tour in Europe several times each year and most of music was written and recorded during these tours.

The current pandemic put that "tradition' on hold. But with the help of the internet and mutual friend Chris Brown in St Louis, the guys from ElectroBluesSociety (Netherlands) started to exchange idea's and demo's with Boo Boo in East St Louis (USA). 

So despite the fact that they had the Atlantic Ocean between them, they were still able to write and record new music. Covid may be able stop live shows (for a while) but it can not stop the creation of new music. 

Several of these tracks have been released as single releases earlier this year but here is the complete album. Twelve original tracks plus one remix by Rosé Sunset from France.


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Tom Freund - Disney's America.

Singer/songwriter Tom Freund is set to release his cover of a 1995 song by one of his heroes, legendary U.K. pub-rocker Graham Parker. “Disney’s America” is out now on Spotify and other digital platforms. (The song is part of Freund’s forthcoming album, The Year I Spent in Space, which will be out early next year.)

Says Freund, “To me the song asks, “Where did America go wrong? … It’s a song for a lost Virginia and nation, one consumed with money, brands and division”: ‘Where we drifted apart like runoff into the Chesapeake Bay.’ Singing about it might bring hope and awareness for a better, more connected and conscious America.”

Freund and Parker share quite a history (apart from Tom growing up in New York listening to Squeezing Out Sparks on repeat as a pre-teen). The two first met on a Silos tour opening for Parker; Freund is an alumnus of the Texas-based roots band.

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Violent Vickie - The Paper Kites - Will Romeo / The 1984 Draft - Mick Clarke - Steel People

Violent Vickie - Open the Door . It's a massive welcome back to Beehive Candy for Violent Vickie who we have had the pleasure of featu...