Lauren Monroe - The Slackers - Maddisun - Cynthia Hamar - Cozy Slippers

Lauren Monroe - Void Of Course.

With messages of healing and exploring the multiple facets of love - both dark and light - Messages from Aphrodite by Lauren Monroe will be released on September 9, 2022. In anticipation of the album, she has released the new video “Void of Course.” 

The term “void of course” is an astrological term defining a state of the moon where it appears isolated as it transitions away from one planet and moves toward another. Monroe used this as a metaphor to explore the struggle of an unhealthy relationship. “I thought it was important to explore the shadow side of love, which is painful but has gifts for us to receive.

The lyrics tell the tale of feeling void of connection and wanting to leave a toxic partner but not having the inner power to go through with it,” she explains. “In these darker textures of emotion and pain can live tremendous potential to see oneself and become stronger.”

One of the most rock-based songs on the album, “Void of Course” offers listeners a different side of Monroe, whose previous offerings have leaned more towards Americana and roots/folk. The smoldering tune is powered by Allmans-style double drumming from Rick Allen (Def Leppard) and Beth Goodfellow (Iron and Wine, Allison Russell) and topped off by Monroe’s urgent vocals. The track derives its Physical Graffiti-like exoticism from the droning of a djembe played by Monroe, further deepened by the bowed cello and upright bass of Steve Uccello (Latin Jazz Collective, Dayan Kai) and lightning-flash guitar riffs of Tyler Bryant (Larkin Poe, Tyler Bryant & The Shakedown). These sounds deepen the mood of the astrology-inspired lyrics.

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The Slackers - Second Best.

The Slackers, whose latest "Don't Let The Sunlight Fool Ya" hit #1 on the Current Reggae Charts in the spring, have released an animated music video for "Second Best."  

The record is now available on Pirates Press Records’ web store. The band will be touring in support of the record all year long across North America and Europe.

"Spending time being the runner up. There's always a bright shiny object that is more exciting than the one who is there year in and year out. The 'impossible' is always more exciting than 'the possible' because it never happens and thus can be a perfect ideal," says saxophonist Dave Hillyard.

To create these illustrations and animations, the band enlisted the help of Brazilian designer Paulo Rocker who wanted to showcase theme of unity and peace with The Slackers playing a show in heaven.

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Maddisun - Running.

Maddisun (aka singer/songwriter Maddison Keiver) is an authentic, visceral, and magnetic artist whose unique music melds together indie-folk, soulful R&B, and electro-pop. Maddisun crafts incredibly inspiring and uplifting music true to her heart, sharing emotional journeys of love, heartache, growth, and resilience.

Maddisun's genuineness, raw vocal talent and pure musicality sparkle on her new LP, Home Is Where The Music Is, co-produced by Nick Noto and Chloe Chaidez of PSY SOUND.

Classic country and soul influences shine in the feature track “Running,” about transitioning into the next phase of her career. Maddisun is taking a chance on herself to pursue her passion; not holding back despite any obstacles, while staying true to her rural British Columbia roots.

Home is a feeling, not a place. About the album inspiration, she explains, “When I’m travelling all over and the concept of ‘home’ is a little messy, I find myself leaning towards my music and yearning to connect with that part of myself. Once I find it, I’m home no matter where in the world I am.”

Maddisun · Running

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Cynthia Hamar - Light A Fire.

With her anticipated new EP Joint & Marrow on the way, Alberta-born Métis singer-songwriter Cynthia Hamar today shares its second single "Light A Fire."

The track combines a country groove with reggae overtones, which adds extra resonance to Cynthia's unmistakable voicals. She says, "I wrote this song feeling extremely burnt out from struggling with ambition. I was thinking how a tiny spark can set a whole forest on fire and I wrote the melody attempting to kindle some fresh creative joy inside me.”

Produced by Paul Johnston, and featuring her son Zadok Hamar along with acclaimed Alberta session musicians Chris Andrews, Jamie Cooper, Paul Johnston and Toronto’s Joel Schwartz, “Light A Fire”didn’t initially come together easily in the studio.

“This song almost didn’t make it on the album. I was struggling to communicate my vision for the tune and I was close to pulling it feeling deeply exhausted," she says. "We ended up setting up the studio so the musicians could all see me and just let it fly. It ended up being one of my favorites and I’m so thankful I pushed through and allowed that spark to fire up in me again. The theme of the tune was truly manifested in the recording of it.”

Joint & Marrowcontinues to enhance Cynthia’s reputation for making hauntingly introspective songs rooted in her Métis heritage. Citing Buffy Sainte-Marie, Tom Waits and Feist as primary influences, she has performed across Canada through the VIA Rail Artists On Board program, and had her music chart on stations throughout North America, including attaining the #1 spot on the Indigenous Music Countdown.

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Cozy Slippers - Nobody Knows Me, Anyhow.

Seattle dreamy jangle-pop trio Cozy Slippers debuted their new single / video "Nobody Knows Me, Anyhow." A perfect indiepop track to help wind down the summer. A nice mix of Sundays, Sarah Records, and a guitar tone that would make Will Sergeant take notice. The video depicts a polar bear trapped in the middle of a climate change dilemma on a shrinking iceberg that transplants it all the way to a beach in Florida. Cozy Slippers debut album on Kleine Untergrund Schallplatten / Subjangle is a total treat for the anorak scene, light, breezy, topical, and catchy.  

Cozy Slippers announce their return with the release of their self titled debut album on Kleine Underground Schallplatten (vinyl) and Subjangle (CD) on October 14th, 2022. The First single from the album is "Nobody Knows Me, Anyhow", a love letter to alienation. A trapped narrator finds solace in knowing that anonymity makes space possible.

"Haunting Her" explores the tension when trying to support a friend, even as they make damaging decisions. "I Can’t Keep You Safe" is an eerie jangler that addresses major pandemic fear - that protecting loved ones was not possible.

Previously Cozy Slippers released the 7" "A Million Pieces" (Kleine Underground Schallplatten 2019), and two EPs: ‘Postcards’ (Jigsaw Record 2018) and ‘Late Night In Summertime’ (self-released 2017). In 2019, the band toured the UK, including an appearance at the Cambridge Indiepop All-dayer. The band largely recorded the album themselves, and it was mixed by Dylan Wall (Versing, Great Grandpa, and High Sunn) and mastered by Paul Gold (The Chills, Allah-lahs).

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Nora Kelly Band - La Femme - MARBLES - Little Quirks - ALASKALASKA

Nora Kelly Band - Right Now.

The Nora Kelly Band emerged this spring sharing two rip-roaring singles, “Hymn for the Agnostics” and “Change My Mind,” while destroying audiences at Canadian Music Week, NXNE, supporting Kiwi Jr., and this past Friday celebrating early with a headlining performance in their hometown of Montreal. This week they share a new single “Right Now,” and announce their debut EP, Perfect Pig, out today.

Discussing “Right Now,” bandleader Nora Kelly stated, “'Right Now' chronicles the rise and fall of a past relationship. The song was written when I was in the throes of the breakup woes, but it also has a sense of optimism about the future. It’s sort of a pep talk to myself that things will get better, while also being an honest encapsulation of what I was going through back then. I’m proud of the song for its vulnerability, and how it details my ever-shifting understanding of love. Like now when I sing it, I tell people it was once a sad song about my ex but now it’s a happy song about my dog."

When DISHPIT imploded in the early stages of pandemic - a romantic and creative relationship gone sour, which even Kelly’s ‘screw-off, I’m tough’ nurtured punk persona was unprepared for, salvation came along in railroad adjacent acoustic country cover meet-ups with a group of friends and artists, in the earliest days of being able to meet up outside once again.

From these loose collaborative connections, the Nora Kelly Band emerged. “That’s where I first played the songs that make up ‘Perfect Pig’,” Kelly notes. “And it’s where I was so lucky to meet the majority of my band. Each member brings something special to the table: Vader Ryderwood, the 6ft 5in bass player and alien enthusiast, Ethan Soil, known as the smiliest drummer in Montreal, Rachel Silverstein, with the voice of an angel and piano skills to boot, and Dylan Keating, who plays pedal steel and has a PhD in Astro-Physics. This group of musicians have become my best friends and given back my passion for music.”

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Photo - JD Fanello

La Femme - Sacatela.

French psycho-indie-rock band La Femme announces the release of Teatro Lucido, their new studio album sung entirely in Spanish. Teatro Lucido will be released on November 4, 2022.

Along with the album announcement, La Femme has shared a new music video for “Sacatela,” the first single taken from Teatro Lucido. A very classy and colored video shot in Nice, South-West of France, that features many members of the band. The video for “Sacatela” was directed by french director Ilan Zerrouki and is about unacknowledged desires and unpursued dreams also called ‘Sacatelism.’ “Sacatela” has been played all summer long on radio stations across the US, Mexico, and France and is already a streaming success for the band.

Fresh off of their sold-out US tour, the band has also announced additional tour dates in France, Greece, Italy, Netherlands, and the USA at III Points Fesitval in Miami & Levitation festival in Austin.

La Femme already holds 2 gold records in France and a Victoire de la Musique, as well as dozens of tours internationally, notably in the US, Mexico, Asia and Europe. They are among the few French artists that succeeded abroad while singing in French.

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MARBLES - Heading Out.

Earlier this summer, the Norwegian dream pop act MARBLES released a summery new jam called “Heading Out”, and now they are thrilled to share the music video, which makes literal the song’s theme of escaping city life for some much needed R&R in the splendor of nature. As the video’s protagonist (band member Ferdinand Windmer) leaves his stuffy office job and unveils the vintage car (seen above), his business suit is replaced with a superhero cape and he sets out into the open wilderness.

Hailing from Kolbotn, the black metal capital of Norway, the music of MARBLES sounds about as dramatically different from the stereotypical idea you might have of the music this nordic country tends to produce, with a colorful indie pop sound that bridges the gap between washed out guitar-driven dream pop ala Wild Nothing and Jay Som blended with the more upbeat and psychedelic pop of acts like Toro Y Moi and MGMT.  "Heading Out" is the first new MARBLES song following their self-titled debut album from 2020, and more music from the band on the way later this year

Describing their inspiration behind "Heading Out" and why they chose it as the first teaser of their new album, the band said that they hoped to encapsulate in the song the feeling of excitement and anticipation that comes with any time you get a chance to “head out” from the big city to escape; whether that be just a quick bike ride down to the river or a weekend-long camping trip. As they clarify, “It’s not just about the luxury of being able to travel, it’s about finding your own little precious moment amidst your normal day to day situation. Maybe even just in your mind and with your imagination! Being aware of a contrast between your everyday life and what you feel can be - and what you can do. Defining it is up to you.”

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Little Quirks - All My Friends Are Birds.

Little Quirks is the family that accidentally became a band. Now they are sharing their brand new EP, Call To Unknowns, via indie powerhouse Glassnote Records. Predominantly recorded in their backyard in New South Wales, Australia, Call To Unknowns combines tales of myth and magic with effortless folk-pop songwriting that unashamedly brings catchy melodies and pounding rhythms to the fore.

Along side their new EP, they have also shared a brand new video for new single 'All My Friends Are Birds’. The track is a folk-pop anthem complete with footstoms, clapping and soaring harmonies, reminiscent of US folk-rock acts like The Lumineers and Edward Sharpe & The Magnetic Zeros. The sentiment of the song was inspired by Jaymi’s father, who has always likened birds to guardian angels. “We talked about how it’s easy to forget that there are always people supporting you behind the scenes, so I think this song is a really nice, comforting reminder of that,” she says.

The stunning music video that accompanies the track was filmed in Glenworth Valley, near where the girls live. Directed by Little Quirks, the film clip is a magical, mystical visualiser featuring Abbey, Jaymi and Mia plus friends wearing brightly coloured velvet capes of red or blue, dancing barefoot around a maypole and performing rituals.

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ALASKALASKA - TV Dinners.

ALASKALASKA (pronounced “Alaska-laska”) share their new single “TV Dinners” ahead of their forthcoming album, Still Life, arriving October 14th on Marathon Artists (Lava La Rue, Courtney Barnett, Pond). Alongside previous singles “Still Life” and “Growing Up Pains (Unni's song)” – which drew support from BBC 6 Music's Lauren Laverne, BBC Radio 1's Jack Saunders, BBC Introducing's Jess Iszatt and more – “TV Dinners” finds writers and producers Lucinda Duarte-Holman and Fraser Rieley embrace a more free-form electronica, giving a taste of what's to come with this tantalizing new record produced by Jas Shaw (of Simian Mobile Disco). 

Full of digital sounds, drum machine and synth melodies cunningly sat beside rich, organic, acoustic instrumentation, it's a looping tug of war between everyday simple pleasures and existential dread, with “TV Dinners” highlighting one of the album's central themes, that of the privileges associated with modern domestic existence. Other themes on the album dive into the beautifully mundane as well as the pressures that come with technology, social media and climate change.

Lucinda says of the track: "”TV Dinners” was the only song on the album written during lockdown (the rest were written previous to Covid). I wrote it in about 20 minutes as a stream of consciousness kind of poem. Very literal. Even though, like a lot of people, I wasn't really sure what to do with myself under the circumstances, I was still really quite happy to have some time doing nothing - noticing the way the light changed in my flat and the sound of the birds and trees outside. 

I felt a real sense of privilege that I was able to enjoy a space in time that for a lot of people was incredibly testing on so many levels. And with that privilege, a sense of guilt: "What once was bliss, becomes a certain kind of ignorance." We all take part in it in some way - you can change the channel if the news becomes too much, or steer away from doom-scrolling, and I think you should as a way of protecting yourself, but I also think it's important to recognize that its a privilege to be able to do so."

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Melby - SPECTRA*Paris - Nick Kizirnis - Quilty Pleasures - Pixy Jones

Melby - Music Should Feel.

On a first, careless, listen, Stockholm four-piece Melby might seem like a charming, fun little jangle-pop band. Pay a little more attention however, and you’ll find their waters run a lot deeper than that. The band (Matilda Wiezell, Are Engen Steinsholm, David Jehrlander and Teo Jernkvist) have all the flash and sparkle of your favourite indie band, but add an ability to touch moods and feelings with a meaning beyond most of their peers. Their guitars, drums and synths rattle, roll and flicker around each other, all held together by the soul-shiver in Wiezell’s vocals, to make immaculate little guitar-pop gems, equally dusted with sadness and sugar.

Melby’s debut album None Of This Makes Me Worry was released in 2019, and took them on tour in Scandinavia, Germany and the UK, as well as earning them slots at prestigious showcase festivals like Norway’s by:Larm and Hamburg’s Reeperbahn. Now after a couple of years of beavering away, they’re back with the follow-up Looks like a map which will be released on October 21st with the new single 'Music Should Feel' available now.

Moving on can be painful, but as with a lot of feelings, Melby have a knack for making it sound pretty. That’s the case with their new single ‘Music Should Feel’, a warm, charming little pop cocktail of music and memory, that doesn’t need to shout or scream to work its way into your heart.

Listening to ‘Music Should Feel’ feels like spending time with an old friend. The song has an elegant swing to it, as it waltzes its way along, made even more cosy by little butterfly wing flutters of saxophone. There’s a little ambiguity in Matilda Wiezell’s vocals, a little sadness, a little comfort, and those gently-bubbling emotions fit in well with the song’s breezy tempo. It’s a song that’s easy to love, one steeped in its own memories, and a good companion to you getting lost in your own.

Wiezell says: “’Music Should Feel’ is a song about love, missing someone, and processing those feelings. Acceptance, a tribute to past experiences, and the hope for new good ones. The song came together over quite a long period, was forgotten for a while, and then was brought back to life, and got its chorus, after a lot of rehearsal and attempts at making a demo”.

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SPECTRA*Paris - Moondrops.

A few days in advance of the release of "Modernism", the new full-length from Elena Alice Fossi's dark electro project SPECTRA*Paris, the enigmatic Italian singer is now revealing a final video single: 'Moondrops' is a richly textured electro pop vignete somewhere in the excitingly wild space between The Human League, Visage, Amanda Lear, and Kraftwerk.

Charismatic, enigmatic, and absolutely outstanding, singer Elena Alice Fossi, who is best known for her work with Italian electro-trailblazers KIRLIAN CAMERA, presents "Modernism", the fifth album of her eclectic project SPECTRA*Paris.

"Modernism" is transfiguring electronic music through the prism of Elena’s voice and several collaborations with other musicians into a beautiful kaleidoscope of stylistic colours ranging from EBM, future pop, dark electronic, art pop, and various influences more.

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Nick Kizirnis - Way To Me (Reimagined).

“Way to Me,” Ohio-based songwriter Nick Kizirnis‘ forthcoming single, re-imagines his moody “indie noir” songwriting style with modular synth textures and electronic drums, transforming the song's original Roy Orbison/Twin Peaks vibe into strange yet welcoming territory.

For almost 20 years, guitarist/songwriter Nick Kizirnis has explored songs and styles ranging from Americana to pop, and from rock’n’roll to /experimental. He has worked with Tobin Sprout (Guided by Voices) and The Breeders (last years’ "The Dirt Eaters” single for 4AD). Since releasing his 10th album, The Distance, Kizirnis has seen his music shared across U.S. and Europe, and has now begun releasing a series of singles reimagining his diverse song-writing style.

Kizirnis and co-producer Patrick Himes decided to “re-imagine” “Way to Me” - a song that originally appeared on Kizirnis’ most recent album The Distance - after Kizirnis worked out solo arrangements of those lush break-up songs using loops and ambient guitars. The temptation to see what they could create with a fresh perspective was too great to resist.

On “Way to Me” singer Kate Wakefield’s (Lung) lush, dreamy vocals evoke a fever dream while Mark Patterson (Son Volt) manipulated drums veer from roots rock to electronica and almost back again. Kizirnis’ guitars melt down into a pile of circuits and wires, emerging almost unrecognizable.

Despite the change in sound the song’s story about a message of love across the distance remains intact. As Wakefield sings “You’ll find your way back to me” the song holds on to hope, trust, love and friendship that can endure any separation. “I’m really excited to share this new version of 'Way to Me.'" It’s a song I’m very proud of and it was a great experience to take it to a new place and see what was possible.” Kizirnis says.

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Quilty Pleasures - Four Posters.

The second single - '4 posters' from Cardiff collective Quilty Pleasures taken from the forthcoming album 'Quilty Pleasures' is a tale of two brothers still living in the same room as adults and having the same posters adorning their walls and the occasional tiffs that occur.

The track has a building anthemic feel with a psychedelic edge. 

Quilty pleasures is a collaboration based on the concept of bedding and sleep between producer - Frank Naughton and Wayne mcauliffe, Gid Goundrey, Jessica Ball, Paul Battenbough and Andy Fung.

'Quilty Pleasures' the album will be released on Friday 2nd September.

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Pixy Jones - Hold Your Tongue.

Pixy Jones third and final single from 'Bits n Bobs' entitled 'Hold Your Tongue' is released today Friday 26th August. Taken from anticipated debut album 'Bits n Bobs' released via Strangetown Records on the 16th September. 

Previous singles 'I'm Not There' and 'Maureen Dreams No More' have gathered support from Gideon Coe, BBC 6 Music, Adam Walton on BBC Radio Wales, and Pixy Jones was announced as Huw Stephens BBC Radio Wales Artists Of The Week in July. Support for the new releases have come from Music Blogs like Shindig Magazine, Circuit Sweet and Psychedelic Baby Magazine.

El Goodo guitarist and songwriter 'Pixy Jones' has announced that his debut album entitled 'Bits n Bobs' is due for release on 16th of September via Strangetown Records.

Branching away from the familiar El Goodo platform, Welsh psych scene stalwart Pixy Jones has himself compiled a truly remarkable collection of tracks that fluctuate from 60's harmony-rich psych pop, to Alt-Country with ringing tremelo guitar.

Pixy Jones · Hold Your Tongue

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Rachael Dadd - KiKi Holli - Lukka

Rachael Dadd - Heads Down.

This week, the wildly creative free-form songwriter, Rachael Dadd is sharing her new single, "Heads Down". The track is taken from her forthcoming studio album, Kaleidoscope, out October 14 via Memphis Industries – “a terrific album of upbeat but off-beam English folk-pop” (Uncut).

Premiering on Lauren Laverne’s show on BBC 6 Music, "Heads Down" came out of a playful music session with Rachael's youngest son, as she explains: "Having just bought my new Gretsch guitar and Wem amp, and cranking it up in my front room with Oto on the harmonica, the chords and rhythm felt fun and energizing. The words followed, inspired by someone on the radio recounting being chased by a gang with baseball bats after naively offending the gang leader. Cockiness and misjudgment are qualities of brazen teenagers and arrogant politicians alike. But rather than just waggle my finger at the others, I looked inward to find that I too have a part driven by impulsive feelings and misguided strong will. After crashing we might hopefully be able to learn and grow by practicing self-discipline and self-compassion alike."

Kaleidoscope is Rachael’s second album for Memphis Industries and follows 2019’s Flux which was released to much acclaim and which Rachael was touring when the pandemic struck. “This album is a lot more honest and personal than Flux" she shares, “but I feel the songs are universal as they are largely rooted in truth and love. If I had to pick a favourite album it would be this one because of the magical rekindling of human connection when me and my band got back in a room together again. All that magic went into these songs."

Co-produced by Rachael and Rob Pemberton (The Staves, Emily Barker, Maja Lena), ‘Kaleidoscope’ includes musical collaborators such as Maja Lena (Low Chimes), long-time collaborator Emma Gatrill (Willy Mason) and ‘Flux’ producer Marcus Hamblett (Villagers, James Holden, The Staves).

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KiKi Holli - Play To Lose.

Los Angeles indie-pop vocalist KiKi Holli creates stunning and soulful music woven with intricate emotive storytelling for a truly captivating and cathartic listening experience with an eclectic musical aesthetic. Holli draws on inspiration from her rich theatrical background, as well as from iconic artists such as PRINCE, Dusty Springfield, The Cure, Stevie Nicks and Siouxsie and the Banshees.

Crafting a unique sound, KiKi Holli’s music is beautifully vulnerable and nurturing, with themes of connection, healing, personal growth, and living in the moment. If her delivery seems genuine, empathetic even that’s because it is. She’s been there. “You know, Amor fati — love your fate, love whatever is in front of you and embrace the moment,” she says.

Holli’s debut single was a breathtaking cover of Roxy Music’s “More Than This”, a raw and intimate version of the celebrated 80’s hit. Collaborating with acclaimed producer Ethan Allen (Throwing Muses, Tricky, Black Rebel Motorcycle Club), she was inspired to release her own version of the song in the midst of dealing with intense grief and loss.

Her first original song, “NEW HIGH” is a celebration of simple pleasures, finding solace in your happy place and a returning to love after a time of hardship. With soaring vocals singing sunshine-dipped melodies over lush and blissful pop rock soundscapes, “NEW HIGH” is a welcome sonic escape, collaborating again with Allen to create a landscape of music that pulls the listener into the neon glow of a surreal joy ride down the coast of Malibu.  The track received praise from the likes of Earmilk, Atwood Magazine and Buzzbands who proclaimed it "a day-brightener in which her crystalline vocals ooze optimism with every note".

In her new single “Play To Lose”, KiKi examines leaving a toxic relationship and finding your voice and confidence in the end. With layered vocals full of confidence and depth, and acoustic guitars dripping with nostalgia, “Play To Lose” is a radiating groove-infused roots pop single. “Play To Lose” reminds the listener to know your own worth and find your power even in the most hopeless of situations.

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Photo - Jen Meller

Lukka - People Of Light.

Lukka, the brainchild of German-born, New York City-based artist Franzi Szymkowiak, released her latest single “People of Light” yesterday, from her sophomore album, Something Human out this Friday, August 26. The single release is accompanied by a stop-motion lyric video.

Discussing the lyrics, Lukka shared, "the meaning of the title generally refers to all that we are and who we see is a reflection of the light. The song itself indicates that certain situations and circumstances we experience through the times causes us to change and reincarnate to different people. One can never know what kind of person they will be in 10 years from now as no one can really foresee the future."

Something Human speaks to both the head and the heart. The album’s essence is perfectly captured in its first two singles “Wisdom of the Sun” - a yin-yang ode to finding positivity in even the darkest of situations, and “Life In Reverse” where Lukka finds herself closing one chapter, to start the next. At once an escapist psychedelic synth-rock odyssey and a timely shot of science-based spirituality like the philosophical belief of reincarnation described in “People of Light,” the 10-song LP wraps messages of oneness and self-determination inside multi-layered melodicism, cultured retro-electronica, and tastefully effected guitars. “Transmitting the message of love and oneness through music is very important to me,” stated Szymkowiak.

Recorded at Brooklyn’s Transmitter Park Studio and co-produced by Franzi and Abe Seiferth (Guerilla Toss, Nation of Language) – who also engineered and mixed – Something Human’s ten tracks traverse heady psychedelia, nostalgic ‘80s new wave, and experimental pop. Lukka’s singular throughlines are Franzi’s crystalline timbre, a disarmingly sunny pre-punk melodicism, and recurring lyrical themes exploring our role in the universe and the meaning in our lives.

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