Albums On There Way: Jake Morley - Dave Hanson - Ziemba

Jake Morley - Watch Yourself.

Background promo - The London-born singer called Jake Morley, is no stranger to a spotlight of national & international tours, festival performances, glowing press reviews or being supported by the likes of BBC Radio 2 and 6Music. Things were once happening for him with the release of his debut album ‘Many Fish To Fry’. Many individuals were beginning to take notice, people were getting behind Jake, attended his shows, the word kept spreading and things were looking up.

That was until a severe mental obsession over the follow-up album swallowed Jake whole. Lost and feeling the absence of his father, Jake withdrew from his life by entering the fearful, doubtful and dangerous inner reality. In that dark frame of mind the voices in his head were all-consuming and no song of his was good enough…

Taken from the upcoming album The Manual, (3rd June on Sandwich Emporium Records) the new single 'Watch Yourself’ brings us openly straight into Jake’s anxious and frightened mind. He duets with a choir of his subconscious, berating himself for being “a beautiful shambles, barely holding it together” whilst his unconscious mind says otherwise.

Luckily Jake has held it together by exploring his emotions far beyond anywhere he’s been to before, and then being able to express them as frankly as the likes of Gotye, Peter Gabriel and Hozier. Across all the complex layers of Calum McColl’s production and Jake’s most touching vocal performance to date, 'Watch Yourself’ is an intimate yet relatable soundtrack of every broken human mind out there simply trying to piece it all back together.

I probably use the expression "just a taste of what's on the album" or words to that effect, way to often. With the fascinating featured track 'Watch Yourself' it's more of an understatement. The Manual is a superb album, with eleven differing songs put together with consistent quality and natural passion. I am in danger of boring you to death with superlatives, rather lets just say check out the album, it's something very special.

--------------------------------------------------------------------------------------------------------------------------

Dave Hanson - Midday Sun.

Background promo - After touring with Mumford and Sons and Sheryl Crow as well as performing on The Tonight Show, Dave Hanson decided to leave his successful band The Dunwells to pursue his dream of making his own music. Whilst spending the last 5 years travelling across America, these moments provided Dave with inspiration to write and create his new album. He is certainly not a new artist, but this is a new direction in the music we may associate with his former band. The treble has been toned down on his guitar to leave a rather smooth sounding end product…

After being told he was “so laid back he was almost horizontal” this explains Dave’s cleverly titled debut album Almost Horizontal- which not only provides us with an insight onto his experiences, but demonstrations his abilities as a new re-invented singer-songwriter. His debut album is made up with eleven songs, in which he not only plays guitar, but also writes all the lyrics and takes up lead vocal duties himself. Notable tracks include 2015’s single Blind Faith, along with Midday Sun and Joanna, whilst Small Town Sinner and Make Hay offer a different twist from guitarist turned front man’s song writing skills.

Throughout Midday Sun there is a clear bluesy rhythm and vibe. It’s completely unique how Hanson fuses the genres of blues and reggae whilst leaving a modern edge. The lyrics provide us with an insight into his time in the States, the listener almost feels like can relate to moments along the long and windy roads of a career in music. His vocals have been likened to those of John Mayer, however, with a more British twist. The indie guitarist is still in there (somewhere), but each song shows a strong influence of the blues and it comes across clearly in the delivery.

Interestingly, Dave uses storytelling in his lyrics, for example throughout Por Favor Senor- where the listener is left to decide themselves whether it’s true. Moreover, in Small Town Sinner Hanson expresses his (bad) experiences of Internet dating through the lyrics. Joanna has simultaneously modern feel; sonic comparisons to The Black Keys can definitely be made. With relaxed and cool vocals in the verses joined with a catchy and groovy chorus-this track will have anyone tapping along feeling like they’re the mean streets of America. Every track on the album feels like a different part of his journey, whilst he showcases his musical spectre of sound throughout. Dave Hanson’s Almost Horizontal album will be available in all the usual places on the 3rd June 2016. 

If you happen to find yourself in Café Nero sometime in June, checkout the live dates below and you might get to see Dave playing the album live. 

Tour dates (CN – Café Nero):

26th May – Album Launch, The Bedford London
31st May - CN Heathrow terminal 2     
1st June - CN Heathrow terminal 2
2nd June - CN Heathrow terminal 2
3rd June Album Launch – Seven Arts, Chapel Allerton Leeds 
6th June - CN Edinburgh
7th June - CN Newcastle
8th June - CN Leeds
9th June - CN Manchester
10th June - CN Sheffield
11th June - CN Birmingham
13th June - CN Cardiff
14th June - CN Bristol
15th June – CN Brighton
16th June - CN London
19th June - Southampton Notes Café (JJ Nichols support)
21st June - Birmingham, The cellar (JJ Nichols support)
22 June - Grimsby Yardbirds club (JJ Nichols support)
23 June - Chester, Live Rooms (JJ Nichols support)
25 June - Milton Keynes, Craufurd Arms (JJ Nichols support)
25 June - CN Old Compton St - Gay Pride Festival
28 June - Piano Works, Farringdon - CN promoted show
10 July - Cornbury Festival - 11am on CN Stage

'Midday Sun' is the new single from former guitarist of The Dunwells, Dave Hanson. It's melodic and deep reggae vibes, provide an excellent backdrop for Dave's bluesy vocals. Musically the song builds in content, whilst the background harmonies are delightful. As a foretaste of the new album, this has grabbed my attention.

--------------------------------------------------------------------------------------------------------------------------

Ziemba - With The Fire.

Background promo - Ziemba is the performance moniker of René Kladzyk, a NYC-based artist and musician. Yesterday she shared "With The Fire," the 2nd single from her forthcoming debut LP.

"With the Fire" features a forthcoming music video that was shot in the ruins of Kladzyk's childhood home in Forestville, Michigan. This house has sat abandoned for 20 years, but is still filled with all the things that were there when Kladzyk was a small child, now in an extreme state of dilapidation. Its become a sort of nostalgia museum, inhabited by small animals, bees, and mold that have slowly transformed the furniture, toys, and artifacts of Kladzyk's youth. There's a magic in seeing the passage of time so viscerally; Kladzyk's sandbox now has a 30 foot tree growing out of it, the flaking paint hangs from doorways in lace-like chandeliers, the barn has been completely swallowed by ivy.  The house reveals the death of Kladzyk's childhood through these explosions of life and growth. Kladzyk's house provides a bittersweet encapsulation of the song and the album themes, demonstrating the passage of time through objects and traces.  In this vein, her debut album will be accompanied by the release of a limited batch incense, created with cedar, lilacs, and other plants harvested from the verdant yard of Kladzyk's childhood home.  Created in partnership with bio dynamic herbalist & perfumier Pretty Hole Collective, this incense will be something to burn while listening, a material reminder of the creative capacity of destruction.

Tour Dates 
05/29 - Brooklyn, NY - Trans Pecos 
05/31 - Detroit, MI - Lo & Behold release party 
06/01 - Detroit, MI - El Club 
06/02 - Ann Arbor, MI - Arbor Vitae 
06/03 - Chicago, IL - Cafe Mustache 
06/04 - Madison, WI - Arts & Literature Lab 
06/05 - Minneapolis, MN - 7th Street Entry 
06/09 - Seattle, WA - Barboza* 
06/10 - Portland, OR- Lacuna* 
06/11 - Portland, OR - Valentines* 
06/12 - Sacramento, CA- Red Museum* 
06/13 - Reno, NV- Holland Project* 
06/14 - Oakland, CA - The Night Light*
06/15 - San Francisco, CA - Vacation* 
06/17 - Los Angeles, CA - Basic Flowers*
06/18 - Flagstaff, AZ - Firecreek
06/21 - Tucson, AZ - Hotel Congress
06/24 - El Paso, TX - Warszawa
06/26 - Austin, TX - Hotel Vegas
06/28 - Nashville, TN - Fond Object
06/30 - Atlanta, GA - Mammal Gallery
07/02 - Richmond, VA - The Sour Haus
07/03 - Baltimore, MD - The Crown
* = w/ Sam Mickens 

Last month we featured Ziemba with 'It Curls Itself' and described the song as "a vocal piece of beauty and originality". 'With The Fire' is another song from the forthcoming ten track album. By comparison this song showcases Ziemba against a more comprehensive musical background and continues to impress. It takes me from interested to must hear, wonderful!

Tuesday &: The Burning Hell - Of Clocks and Clouds

The Burning Hell - Men Without Hats.

Background promo - The seventh Burning Hell album is a collection of eight short stories drawn from different sections of the bookshelf of the brain. A murder mystery rubs shoulders with a biography, while a romance leans against a prison diary. There’s a killer priest, a nameless band lost in Yorkshire, and Elvis and Michael Jackson moon walking their way into space and/or global annihilation. Despair and hope go hand in hand here, and although Mathias Kom’s song writing has never been wordier, the stories never stranger, and the band never louder, the essence of The Burning Hell remains constant: life is not really so bad, as long as you can laugh a little and you have something decent to read.

The Burning Hell is the alter-ego of Canadian songwriter Mathias Kom, and the band has been on the road in one form or another since 2007, playing everywhere from festivals like Glastonbury and Dawson City to bars, living rooms, abandoned bunkers, and a mental asylum in rural France. Musically, The Burning Hell runs the gamut from introspective folk to hyperactive rock and roll, and so the band can adapt to its surroundings like a karma of anthropomorphic chameleons, taking the audience on a supermarket-cart ride through hooky, upbeat pop songs, dark ballads about pet euthanasia, and anthems for barbarians, economic conferences, and love.

On occasion, Mathias goes on the road as a duo with clarinetist Ariel Sharratt, and their debut album “Ariel Sharratt & Mathias Kom: Don’t Believe The Hyperreal” came out in November 2015. More often, Mathias and Ariel are joined by bassist Nick Ferrio, drummer Jake Nicoll and guitarist Darren Browne. The Burning Hell released Public Library, a new album of distorted story-songs, in April 2016, and they’ll spend the better part of the spring and summer in their natural habitat: the tour van.

Wed 11th May - DeBarras, Clonakilty, Ireland
Thu 12th May - Start The Bus, Bristol, UK 
Fri 13th May - Clwb Ifor Bach, Cardiff, UK
Sat 14th May (Matinee) - Eagle Inn, Salford 
Sat 14th May (Evening) - Eagle Inn, Salford 
Mon 16th May - Arden Road Social Club, Halifax, UK
Tue 17th May - The Crescent, York, UK
Wed 18th May - The Lemon Tree, Aberdeen, UK 
Thu 19th May - The Drouthy Cobbler, Elgin, UK
Fri 20th May - The Hug & Pint, Glasgpw, UK 
Sat 21st May - Village Hall, Mickleton, Durham
Sun 22nd May - Spanky van Dykes, Nottingham, UK
Mon 23rd May - MIMA, Nottingham, UK  (FREE show at Institute of Modern Art www.visitmima.com) 
Tue 24th May - Oslo Hackney, London, UK
Wed 25th May - Hope & Ruin, Brighton, UK 

Thu 26th May - Moshi Moshi @ Tom Thum Theatre, Margate, UK

'Men Without Hats' is a lyrical wonder, and gives a hint of what you will hear on the album. Musically it's as tight as anything and the melody will get you if the words don't. The band are a bit of a challenge for our 'family friendly' format (hmmm) but that's the nature of rock'n'roll, it's no surprise that they are getting noticed either.

--------------------------------------------------------------------------------------------------------------------------

Of Clocks and Clouds - She Had To Go.

Background bio - Named one of the Top 25 New Music Critiques by music Connection, Of Clocks and Clouds have been praised for their “enchanting arrangements, intensifying interludes and attention grabbing guitar riffs.”(Artsy Magazine)

Founded in 2013, Joe Salgo and Ross Procaccio were born and raised in Brooklyn, a borough that has become an international brand. The pair pride themselves on standing apart from the shoegaze indie rock scene, which has erupted throughout their hometown, crafting a sound that pays homage to the days of L'amours, CBGB's and Coney Island High.

Inspired by acts like The Black Keys, Pink Floyd, Beck and Queens of the Stone Age, OCAC combine classic and modern rock with tinges of electronic and psychedelic influences. “She Had to Go” from their forthcoming, self-produced album, Better Off, due out July 15th, - Vocals, guitar, electronics / Joe Salgo - Drums, vocals, electronics / Ross Procaccio.

'She Had To Go' is a punchy piece of Alt rock and no mistake. The power, rock duo's can create in is notable, however this pair pay attention to the detail and composition, rather than compensate with a wall of noise. The song should put the forthcoming album on plenty of folks radar.

--------------------------------------------------------------------------------------------------------------------------

Monday & Guitars At The Ready: Great Outdoors - Maths And The Moon

Great Outdoors - Dad's Oasis.

Background promo - Guitars have been with us for so long now, it's hard to feel refreshed by them, but it still happens from time to time. With the warmth of a technicolour cartoon comes 'Dad's Oasis', the debut release from Great Outdoors. Amidst working on releases with Totally Mild, Full Ugly, Lehmann B Smith and Free Time, productive overachiever Zachary Schneider has used up his spare time to slowly chip away at a solo LP. Since the bands conception in 2011 the group have remained incredibly selfish, with no releases.

Dad's Oasis was recorded by engineer/house mate Rhys Corr then mixed at Phaedra Studio's with the masterful John Lee (Lost Animal, Pikelet), the album pokes its head and shoulders above the tarpit of guitar-pop emanating from Melbourne, Australia. Rich refreshing textures swell in your speakers with a mercurial nature. These sounds all brought forth by the width and movement of Lehmann Smith's bass, the skewed and warped sound of Schneider's guitars and the lyrical drumming of Johathan Mendelovits. Almost bordering on chamber pop, we hear from old friends like Bass Clarinet, Saxophone and Marimba. However, we're left with enough space to absorb everything in our own time, as the group do away with Phil Spector's wall of sound.

Lyrically, we hear the perspective of a person ducking and weaving their way through relationships in this post-internet generation of 20-somethings ready to call out anything and everything. Themes of betrayal and relationships based on depression and abuse are the perfect juxtaposition to this sunny, bright and uplifting record. Maybe it's because that's how it feels to be in one. We are left with an overall feeling of buoyancy, the album being a real time gestation of a relationship and its release being the break up.  

'Dad's Oasis' is the title track and one of nine thoughtfully developed songs on the album. It's a collection of indie pop and rock music, laden with melodic songs, intriguing lyrics, and exceptional production. Every song has character, there are no passengers on this album, and the featured track is a worthy introduction.


--------------------------------------------------------------------------------------------------------------------------

Maths And The Moon - Futurist.

Background promo - Maths And The Moon are back with their second full-length album 'Familiar Strange'.  Lost in the forest with nothing but shadows, memories and strangely familiar characters, Maths And The Moon present the listener with a collection of thrilling new songs. Brand new tracks 'Magic' and 'Boomerang' sit in full-tilt alt-rock territory alongside recent single 'Futurist' (09.03.16), whilst 'Amongst Trees' and 'Psych-Seeing' weave the listener down a more obscure path into the woods.

The band generate a direct and focussed noise throughout the album, whilst keeping it fuzzy at every opportunity. Catch them live at selected UK shows this Summer "Familiar strangely comes to greet me, I shake his hand but he’s a hologram" 'Boomerang'

Recorded and produced by the band in their Southampton studio, the album will be available directly from their bandcamp page (Here) and across all major digital stores. Maths And The Moon are Andy Fielder (guitar/vocals), Luke Taplin (drums) and Matt Hirst (bass), and formed 2010.

The album 'Familiar Strange' comprises of nine enticing songs, that will appeal to those who enjoy the flavours of Alt Rock music, and quite probably to many more people as well. The band mix up the styles, there's some slow builders, full on rock pieces and even some softer material. Featured song and opening track on the album 'Futurist' gives an idea of what's in store, in what is a pretty cool album.

--------------------------------------------------------------------------------------------------------------------------

Genre Wander: LiquidLight - Jamie Berry (ft. Octavia Rose) - SKYES

LiquidLight - You Never Remember.

Background promo - Selected as Portland Oregon’s 2015 Best Emerging Alt Rock Band, LiquidLight has momentum and they aren’t stopping any time soon. Their newly released first full length album, Uninitiated showcases a band with tremendous potential as a pop-rock powerhouse. Referencing post-punk and alternative bands such as Husker Du and The Replacements, LiquidLight has been described as “melodic, thoughtful and jingle-jangly as well as shred-crazy and powerful”. Founder Anthony Medici’s catchy song writing style and lead vocals steer the tight musicianship obvious in the band. LiquidLight has managed to produce an album that is not quite like anything else hitting your ear drums lately, pursuing balance and clarity with respect to great rock tradition and a sound uniquely their own.

In an age where popular culture pushes to “out-extreme” the latest and greatest, LiquidLight pursues balance and clarity with respect to great rock tradition. With a high standard of execution, strong melodies and elements of psychedelic and alternative influences, the music conveys a new, yet referential optimism.

Songwriters Anthony Medici and Cory West, the leading forces of LiquidLight, are each highly accomplished multi-instrumentalists backed by an explosive and versatile rhythm section - drummer Zack Rodrigues and bassist Gage Dean. Medici's lead vocals lend a cryptic yet powerful element to the sound and structure of the band, echoing the melodic sensibilities of the college/alternative era.

The songs and album have been around for a few months, however they must have passed me by first time around. Anyhow, catching up on them has been more than worthwhile. The featured song 'You Never Remember' has an addictive laid back melodic, indie rock feel to it. The band are more than able to deliver more punchy material along the way, as demonstrated on the current album 'Uninitiated' which mixes up the rock'n'roll, keeping the listener in expectation of what's to follow.

> --------------------------------------------------------------------------------------------------------------------------

Jamie Berry - Lost In The Rhythm ft. Octavia Rose (Original Mix).

Background words - They last recorded together back in 2012 creating the electro-swing classic Delight. Now, this year Jamie Berry (Electro-Swing producer & DJ from Leeds), teams up again with enigmatic singer Octavia Rose with their new single through Flak Records 'Lost In the Rhythm', which will feature on their upcoming debut album later on this year!

Fusing original vintage style vocals, horns, and Gypsy guitar, with contemporary analogue bass synths and energetic beats Lost In the Rhythm is Jamie’s biggest production yet, and is the start to a very exciting first album!

This is such a fine song, what's not to love about it. Octavia Rose's vocals are so well suited to this style of song, whilst Jamie Berry delivers a wonderfully rich take on swing. Vibrant throughout the song is a roller-coaster of  swirling musical vibes that non dancers will struggle to stay still to.


--------------------------------------------------------------------------------------------------------------------------

SKYES - Quarks.

Background promo - SKYES releases their highly anticipated Quarks EP. The EP release follows the success of SKYES first few singles, "Quarks" "Dry" and "Give Me More." The hauntingly brilliant tracks showcase lead singer Dallin's vocal ability and range, as well as the bands overall original and unique style. The band had a massively successful SXSW run, having performed two official showcases and opening for band, X Ambassadors.

"Quarks" has achieved massive viral success as it was featured on Spotify's New Music Friday and Weekend Buzz play lists last week with over 149K listens to date. The three members of SKYES like to say that their band was born in the back of a van, somewhere in the middle of America.  More specifically, they describe, “where the drive from New York City to Los Angeles really starts to take hold, right around Joshua Tree.”  So, maybe, SKYES is a perfectly appropriate name, illustrative of an endlessly talented trio whose music the 405 has called “a mysterious, holy-like experience.”

Formed in 2010, SKYES is comprised of Dallin Knightly (vocals/piano), Dan Tirer (guitar) and Artie Fleischmann (bass). Dallin and Dan grew up in the Philadelphia suburbs, while Artie’s first musical playground was about 150 miles up 1-95, in Long Island.  After playing together in bands like Funky Butter and Emanuel and the Fear, Dallin and Dan joined rocker Ryan Star’s touring band, where they met Artie.

Since their inception, SKYES has evolved from a ragtag sleepless rock and roll rebel rousers to an experimental synth-pop powerhouse, releasing several acclaimed digital singles and an eponymous EP along the way.  Drawing on influences like Tom Waits, Talking Heads and Radiohead, SKYES has perfected a sound that is as powerful as it is ethereal, highlighted by buoyant rhythms and Dallin’s seductive, silky vocals.

Title track from the EP and previous single release, 'Quarks' is a good indicator of the fine quality of material contained on this five track EP. The band can mix up the energy, moods and rhythms, and are not afraid to experiment within what is broadly synth-pop music. It's a good collection of songs, from a band who have clearly honed their skills and know how to write and produce some very good material.

--------------------------------------------------------------------------------------------------------------------------

Saturday &: Juke Ross - David Ellington

Juke Ross - Not A Blade Of Grass.

Background - For over 100 years Venezuela has tried to claim that a vast swathe of Guyana, an area west of the Essequibo River that is home to indigenous villages and mining camps, abundant with deposits of gold, diamonds, bauxite and other minerals, belongs within its borders. Last year tensions escalated once again after Exxon Mobil, conducting work on behalf of the Guyanese government, discovered oil off the shores of the disputed land; Venezuela tried to stake a claim to the oil.

During another border dispute flare up in the 1970s one of Guyana's favourite musical sons - Dave Martins, was inspired by a Native American Chief's speech refusing to bow to the white man's invasion of their land and wrote a resistance song for his countrymen. It instantly connected with his people and became part of Guyanese folklore.

"The Chief spoke about his people’s love for their land," recalls Dave Martins, leader of the legendary Tradewinds. "That they would not give up one river, not one buffalo, not one valley, not even one blade of grass. In a flash, it hit me; that was the way to write the border song – it should talk about Guyanese love for Guyana and not mention Venezuela at all."

The lyrics are simply incredible. Beautifully crafted, defiant and relevant today to Guyana and just about anyone else who ain't into backing down. Guyana has also produced another musical son - Juke Ross, who possesses a voice that God took special time to pour out when he was depositing the gold, diamond and oil in the depths of Guyana. The universe will undoubtedly be hearing a lot more from Juke Ross in the future, but until such time he has, with Dave Martins' blessing, recorded a cover of Not A Blade Of Grass. The 2016 iteration sees Serani commanding the production and is being released in time for Guyana's 50th Independence Anniversary.

This is such a beautiful song, whether you know of the history behind it or not. Juke has an infectious voice, and the delicate harmonies and finely structured music that sit behind his vocals are a delight.

--------------------------------------------------------------------------------------------------------------------------

David Ellington - Goin' To Church.

Background promo - Blue Canoe Records has released “Marbles From A Drawer”, from versatile keyboard player David Ellington. “Marbles From A Drawer”,produced by Coy Bowles of Zac Brown Band, features many acclaimed guests and focuses on smoky, keyboard-based blues that is contemporary while still maintaining an old school presence. David Ellington grew up in Connecticut learning in as many musical situations as possible. From garage bands to church and school bands, he viewed all of these musical experiences as  ways to learn. After high school, Mr. Ellington continued his education in Boston at Berklee College of Music. 

He moved to New Orleans,Louisiana in 1983 where he played and recorded with many local legends including Walter “Wolfman” Washington and Troi Bechet among others. Mr. Ellington also created afro cuban jazz group Chevere during his time in New Orleans. Cheer recording “Baila Mi Ritmo”was chosen by Times Picayune music critic Keith Spera as one of the Top 20 recordings of 2001. During this time, he continued learning as he studied under Ellis Marsalis.“Marbles From A Drawer” begins in sultry fashion with “Goin’ To Church”. Mr. Ellington captures the listener’s ear with an expanding groove that gets deeper and funkier as the track breathes. It fills senses while remaining simple at heart. As the keyboard foundation gives way to a sizzling guitar solo, the interplay between players gets bigger while maintaining its simplicity and catchy feel. At the end, the audience is left wanting more while their feet are still tapping.

On “98 Bottles”, Mr. Ellington features Clay Cook on vocals. Mr. Cook is famous for co writing hits with John Mayer including “No Such Thing” which won the 2003 ASCAP award for Most Performed Song. “98 Bottles” is a melancholy song about waiting remorsefully for a lost love. The haunting keyboard textures add to the wistful regret as the vocals build and fade. Ellington and Cook combine to move the listener as the track ends in a dream-like fade.

Not the whole song sadly but a flavour of what are eight fine songs on the recent album 'Marbles From A Drawer'. Worth a mention at the very least, and a style of music popular with a good number of our regular visitors.
 
--------------------------------------------------------------------------------------------------------------------------