Trunky Juno - Meggie Lennon - The Weeping Willows

Trunky Juno - Serial Killer Vibes.

Trunky Juno warmly greets us with new single ‘Serial Killer Vibes’, a lovely slice of upbeat acoustic technicolour-pop crafted in his basement studio in the North East of England. The song expands on his already eclectic repertoire by dressing up an anxiety fuelled lyric with Trunky’s trademark charming melodic hooks and balmy tones.

Lyrically ‘Serial Killer Vibes’ is the musical equivalent of meeting a fist bump with a handshake, then calling someone the wrong name before accidentally insulting their mother whilst verbally digging a hole that seems to get deeper and deeper with every word. And even though this incident happened four years ago, its 3AM and you haven’t slept because you’re still thinking about it, asking yourself “why did I say that”. Distil all of that down into a song and you get ‘Serial Killer Vibes’.

Talking about the song, Trunky says: “'Serial Killer Vibes’ is a track that haunted me for a long time because I knew there was a good song in there, but I just couldn’t figure out how to present it in a way that allowed anyone else to see it too. It’s not really a song about serial killers at all, it’s about perspective, living inside your own head and trying your hardest not to be weird when you just are. It's an ode to painfully awkward exchanges, which is going to become very relatable once we all start trying to interact with each other again.”

Trunky Juno · Serial Killer Vibes

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Meggie Lennon - Night Shift.

Montreal-based singer-songwriter, Meggie Lennon is today sharing her new single, "Night Shift" which arrives as a radiant psych-rock intro to her debut album, Sounds From Your Lips – out July 9 via Mothland – which she's announcing in tandem. Lennon, who previously lead the award-nominated Quebec-based band, Abrdeen, is also sharing the Marielle Normandin Pageau-directed video for the new track – watch here.

The debut album arrives produced by Samuel Gemme (Corridor, Anemone, The Brooks) and features the guitar-playing of Elephant Stones’ Gabriel Lambert as well as additional contributions from her longtime friend and collaborator, Jules Henry (Super Plage). Seamlessly fusing the worlds of late 60s and early 70s psychedelia as she subtly harnesses the energy of artists like The Byrds and Tyrannosaurus Rex (later T-Rex), with early 2010-era acts such as Melody’s Echo Chamber, MGMT, and Beach House, the album, described by Lennon as "make-out dream-pop," oozes this glowing sense of optimism.

Tracks on Sounds From Your Lips flow with a breezy, laidback energy, marrying warm percussion with finessed bass lines to summon these tar-thick, sultry grooves. This lead single and album-opening track, "Night Shift", comes part-inspired by late nights coming home from bars in Montréal; sonically it works as a fitting intro for the record, demonstrating an equal balance of dreamy synth verses and a devastatingly beautiful crescendo towards the end.

Speaking about the single, Lennon says: "The first part of the song came to me while cycling home back from L'Esco after a wild night. I was on a Bixi and the streets were completely empty. I was riding fast through the night and it felt both meditative and exhilarating – this feeling is reflected in the dreamy verses and then heavier guitar crescendo at the end. When we got in the studio, I laid the lead track on the Wurli and it all came naturally. The second part, "take a glimpse outside," came while doodling on the synth. We were in the studio without windows but we both went outside and the sun blinded us, the lyrics were inspired by this."

First introduced to Quebec audiences as the leader of indie-pop/rock outfit Abrdeen, with which she released the Endless Dreams and Dreamlike Mornings EP (nominated at GAMIQ) in 2017, Lennon promoted her music throughout the province, sharing the stage with the likes of Good Morning, Elephant Stone, The Dears, Julie Doiron, Sugar Candy Mountain and Laura Sauvage. Alongside shows with up and coming names in music, Lennon performed at the likes of POP Montreal, M for Montreal and FME, as well as lending her soft voice for collaborations with Debbie Tebbs, Lucill and Super Plage.

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The Weeping Willows - Long Black Veil.

The Weeping Willows have long revelled in the darker musical traditions of the American South, populating their songs with figures desolate, desperate and doomed. It’s a penchant given its clearest outing yet with the pair’s glorious “Southern Gothic” EP.

Brand new original instrumental “Southern Gothic” is a brooding study in backwoods fiddle and dreadnought guitar, while sweetly sad lilt “Hangman (The Gallows Tree)” (featuring Bluesman Nick Charles) channels one of the tune’s most popular renderings by Peter, Paul and Mary. Gertrude ‘Ma’ Rainey’s immortal “C.C. Rider” – popularised by artists from Elvis to Old Crow Medicine Show – is an impassioned demonstration of The Weeping Willows’ vocal range and palpable harmonic sympathy. A signature tune for Lefty Frizzell, the mournful “Long Black Veil” showcases Laura’s exquisite falsetto, before “One Kind Favour (See That My Grave Is Kept Clean)” (written by Blind Lemon Jefferson) finds Andy wresting richly resonant tones from his guitar.Walt Aldridge’s “Ain't No Ash Will Burn” is a stirring country-folk plaint, while rounding out the EP’s dark proceedings is The Weeping Willows’ own “Black Crow” - an ominous tale of doom recorded with celebrated producer Ryan Freeland (Bonnie Raitt) at Stampede Origin Studio, Los Angeles.

The bulk of “Southern Gothic” was tracked, engineered and mixed by the inimitable Roger Bergodaz (Raised By Eagles), and features David Piltch (Willie Nelson, Don Henley) on upright bass, Luke Moller (Hayes Carll, Kasey Chambers) on fiddle and mandolin and James Church (Montgomery Church) on Dobro. Ranking among Australia’s foremost songwriters, The Weeping Willows took out the 2021 Golden Guitar for Instrumental of the Year. They’ve netted eight CMAA Golden Guitar nominations and have supported Americana greats from Iris Dement (USA) to Lukas Nelson & Promise of the Real (USA).

Equal parts ornate and austere, “Southern Gothic” finds The Weeping Willows delving ever deeper into the Gothic grandeur of critically acclaimed second album Before Darkness Comes A-Callin' (2016) and serves as yet another unmissable glimpse into the duo’s highly anticipated third studio album, due out next year. “Southern Gothic” is our across digital platforms Friday 4th June 2021.

The Weeping Willows · Long Black Veil

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The Naysayers - Hanging Freud

Artwork by Dan Brown-Hozjan

The Naysayers - Yesterday.

Background from the band - We're a sub-arctic indie rock four piece from Whitehorse, Yukon. "Yesterday" is out now on Coax Records from our self-titled LP to follow on June 25, 2021.

It's a visceral song about living grief, and the helplessness of loss, reconciling the death of someone who's still alive.

"Yesterday" has evolved to include and acknowledge the grief from physically losing others in this past year to addiction, and the realization, I will never be able to say goodbye.

The video emphasizes the inherent vulnerability of the song because it's made entirely of my grandmother's personal super 8 footage from the '50s and '60s. Head over to YouTube to watch and subscribe. This song is a slow burn rock song, for screaming into the void, or for taking shelter from the storm.

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Hanging Freud - Antidote/Immune.

Glasgow based darkwave/post-punk duo Hanging Freud have just unveiled their sixth full-length album Persona Normal. The band states: "We were living between the UK and Brazil, going back and forth. These were two societies going through extreme change. The whole world was changing in a way that felt scary."

Some themes of Persona Normal deal with detachment, dissociation, what it means to be human, political issues and about strong, irrational cults. These are approached in tracks like “I beg you” and “We don’t want to sleep”. Persona Normal is also a record about transformation, and growth, accepting losses and coming to terms with the loss of innocence.

Persona Normal is available now in physical and digital formats on HANGING FREUD's label, Tiny Box. Persona Normal was written produced and recorded by the duo with mastering duties from James Plotkin (Khanate).

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Kety Fusco - Bill Fever - Smaller Hearts - Abby J Hall

Kety Fusco - Ma Gnossienne.

One year after the release of her debut album DAZED, the young Italian-Swiss harpist and composer Kety Fusco gives us a very personal version of the famous song "Gnossienne N.1" by Erik Satie. In this modern reinterpretation, which Kety has entitled "Ma Gnossienne", the harp is used in an unconventional way to generate sounds that have nothing to do with its classical timbre. 

The entire sound system is set up with sounds of vinyl scratched on metal strings, objects struck on the soundboard of the pre-sampled classical harp, and analogue effects manipulated live.

Switzerland-based Kety Fusco has embarked on a unique harp sound research. She works with Delta Electric Harps from Salvi Harps, who have taken Kety on as their official Ambassador. 

Her exploration of harp and effects technology began successfully with the debut of her album DAZED, described by Swiss critics as "a white fly". Kety Fusco has over 80 concerts throughout Europe, and she is working on the first world's sound library of non-traditional harp sounds.

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Bill Fever - Money Goes To Bloody Money.

Background from Bill Fever: I self-released my debut EP "Money Goes To Bloody Money" this month (May) through Bandcamp & CD Baby.

Over the past couple of weeks, tracks from the EP have had national airplay on Tom Robinson's BBC 6 Music Introducing Mixtape (his tip of the week), local radio play on BBC Radio Northampton, NE & CWR and featured on the most recent New Music Saturday Podcast.

The EP blends grungy indie rock sounds with a spaciness that's been described as 'a garage punk Hawkwind' (NMS Podcast) with a 'Jack White-esque freewheeling sound' (New Boots Music Blog).

To put things mildly, I've been frustrated with the political situation in the UK and these songs tackle those feelings. Having relocated from London to Kettering, my ambitions to form a new band in 2020 were put on hold by the pandemic. Deciding to carry on writing solo, I self-produced and recorded my debut 4-Track EP “Money Goes To Bloody Money” in my attic and shed in Northamptonshire. I sing and play all instruments except drums, bringing in talented session drummer Joe Montague.

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Smaller Hearts - Mean Routine.

Nova Scotia husband and wife duo Smaller Hearts announce new album Attention (out July 23), share second single, "Mean Routine."

“This song is about how we can have great ideals and big plans for who we think we are, who we want to be, and how we'll change the world—but the daily grind of going to work and paying the bills gets in the way,” said Smaller Hearts' Kristina Parlee (she/her) and Ron Bates (he/him). “The mean routine is the pattern of not getting to do the things we really want to do.”

“We drew a picture of the world we hoped to see / Held it close to heart in hopes that it would come to be,” sings Parlee, on this pining synthpop song. “And plans keep interrupting our plans.”

“‘Mean Routine’ comes back to 2020 being a big interrupted year,” Parlee and Bates said. “And being interrupted by something big that you couldn't control, you start to think about the smaller ways life pushes you away from the things you want to pursue, and how we should push back and just try to do them. After a year that kept us from our friends and our interests and our plans, ‘Mean Routine’ encourages us to try to seize the moment as we emerge into the possibility of something new."

The duo previously shared single “Double Space,” which tempers Smaller Hearts’ 1980s electro pop slant with an effective minimalism.  Releasing July 23, Attention is the band's third full-length and builds on their exploration of synth-pop sounds that both diverge and draw inspiration from the indie rock focus of their other projects (including Orange Glass, The Memories Attack, Shoulder Season & the Maynards).

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Abby J Hall - Tough Love.

Abby J Hall is a Canadian singer/songwriter from Burlington Ontario. Some of her musical influencers are: T-Swift, Julia Michaels, Alec Benjamin and Maggie Rogers. She started songwriting when she was 11 and has been passionate about it ever since. 

Her go-to instruments are the guitar, keys and ukulele. Memorable music moments include: playing her originals at The Sound of Music Festival in Burlington; at Canada’s Largest Ribfest; for the Live and Local Music Series at the Burlington Performing Arts Centre and at Canadian Music Week. 

She has been in the studio over the past year and is excited to be releasing new music over the next couple months. Everyone has a story to tell. Abby loves nothing more than to write some of those stories down and put them to music.

Abby J Hall · TOUGH LOVE MASTER

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Layla Frankel - Charly Lowry + The Heart Collectors - Late TV - Ellis

Layla Frankel - Postcards From The Moon (E.P).

With a musical style that pays homage to the spirit of the late, great Etta James (according to the site Rock at Night), Layla Frankel moved to Nashville in 2017 when she was fresh off a cross-country tour. 

Her new EP Postcard From the Moon includes the single “You Can't Love Me Like I Loved You,” which was selected as a finalist in the John Lennon Songwriting Contest.

Postcard From the Moon was recorded at Startstruck Studios in Nashville, produced and mixed by Jim Kimball (who has toured and recorded with an extensive roster of artists that includes Reba McEntire, Faith Hill, Tim McGraw, and Justin Timberlake), engineered by Todd Tidwell and the executive producer was Mary Johnson. The EP also features some of Nashville's top session players.

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Charly Lowry + The Heart Collectors - Navigating to Hope.

The next video in Folk Alliance's Artists In (Their) Residences series is fromNorth Carolina songwriter Charly Lowry and Australia's the Heart Collectors. Each of the ten is a pairing between a US and global artist collaborating on music to reflect on the world during the pandemic and shines a light on Folk Alliance's COVID relief Village Fund: (HERE). Lowry is a singer-songwriter from Pembroke, NC with roots in the Union Chapel Community. Charly received a Bachelor of Arts in Communication Studies from UNC Chapel-Hill. Upon graduation, Lowry moved full-steam ahead in pursuit of a career as a professional musician.

For over a decade, Charly has attained regional and national success as both a solo artist and lead singer of alternative rock/ soul/ folk band, Dark Water Rising. In addition to performing with Dark Water Rising and The Ulali Project, she often shares the stage with funk/soul band, “The New Mastersounds”. In 2004, Charly had the opportunity to compete on the wildly popular television show, American Idol. She ventured through several rounds of auditions to make it to the Top 32.

Charly enjoys performing, meeting people, and educating others on the Native American experience. Charly served as a Lumbee Ambassador for the Lumbee people in 1997-98; traveling throughout the country to visit Tribal Nations while attending various conferences, powwows, etc. Her reign as Jr. Miss Lumbee was the catalyst that awakened her spirit to an inherent calling as a “Culture Bearer”. Lowry continues to work on her craft; immersing herself in the culture of American music and expanding her listening ear to various genres, all the while composing songs that give a personal account of her experience as an Indigenous woman walking in two worlds.

Of the Heart Collectors, John T Davis, author of ‘Austin City Limits: ’25 Years Of American Music, said, “Imagine Fleetwood Mac with more of an organic, Celtic-inflected lilt of vocals and melody and you have a rough idea of why Australia’s Heart Collectors are so instantly appealing. There is a vibrant and timeless allure to their music that is resistant to the fashion of the moment, and all the more enduring because of it. Kymrie’s voice is the stuff angel’s wings are made of.”

With the sentimentality of 70’s inspired harmonies, the Australian four piece ‘Epic Folk’ band has graced stages around the world, accomplishing three international tours and releasing four studio albums. Picked as one of the ‘Top Bands To See’ at SXSW (The Austin Statesman), this independent group have found creative ways of staying connected throughout the 2020 lockdowns and the cancellation of their USA and UK tours. The Hearts released their latest album Time To Say I Love You (2020) one single a fortnight, featured on Spotify with The Guardians “Australian Music for Isolated Times” and Sounds Australia’s “Sounds Australia Selects” playlists. In September 2020, The Hearts were selected to be 1 of 12 Australian artists for the Premier Event Global Music Match – a world wide initiative to connect musicians and industry in the face of COVID-19 restrictions.

The Heart Collectors have momentum in 2021, joining Folk Alliance International for ‘Folk Unlocked’ Private Showcases, ‘ISOL-AID Unlocked’, and the ‘Artists In (Their) Residence’ programme. Now as possibilities are opening for touring in Australia again, The Hearts embarked on a Statewide tour of Tasmania this January/February to Sold Out audiences. With soaring cello, intricate guitar, sparkling mandolin, boot banging banjo, passionate strikes of a tambourine and the thundering of the bodhran, these four charismatic performers create real musical synergy, marrying progressive folk/rock sensibilities and clean classical precision.

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Late TV - Night Tennis.

Having slimmed down from a 6-piece funk-factory to a 4-piece combo, Late TV have set about shifting their focus onto razor-sharp song-writing, atmospheric storytelling and tight shimmering grooves. The result of this attention to detail is in full force on the mooching urban fairytale Night Tennis.

Taking musical cues from Ken Nordine’s legendary ‘Word Jazz’, Cypress Hill’s soundtrack to late 90s shoot-em-up ‘Kingpin’ and the noir low-rock of Morphine, the band take disparate influences and seamlessly wrap them up into a concise 3.33 song. The track was recorded and produced by the band in London and mixed by Ed Longo (Ed Longo and Applied Arts Ensemble) at his Soundrays Studio in Berlin.

In the song, ‘Steve’ a lonesome everyman is seeking romance as he embarks on a date which gradually unravels revealing more about the trials and tribulations of his companion, rather than a moonlit walk back to hers for a nightcap. Considering the convention that love can be a game, Night Tennis rallies between two struggles, one man’s lascivious desires and one woman's ongoing battle to negotiate the cultural minefield of life in the big city.

Lyricist and Vocalist Luke J Novak explains: “I wanted to capture the electric moments of social interaction, the beats in a conversation where perceptions shift. Here we have a man who comes looking for one thing, but leaves with another; an insight into another’s perspective on the world that they both inhabit. The band laid down that bouncing groove and it was the perfect setting for the scene”.

Culling influences from jazz cats and art rockers, B-movies and trash television via Lynch and Tarentino, Late TV are the moonlighting house band for a surreal all-night dream club nestled amidst the cultural detritus of television’s after hours. Guitarist and vocalist Luke J Novak and drummer Richard ‘Beu’ Bowman left their hometown of Kidderminster and hooked-up with Chicago’s jazz obsessed Ryan Szanyi on bass and Parisian keyboard maestro Martin Coxall in London. Kick-started with the release of their brilliant Citizen single, the group then appeared at Standon Calling Festival in 2018 alongside Goldfrapp and spiritual forefather Bryan Ferry. Night Tennis is the first single to be taken from the band’s forthcoming debut album, where the group explore the postmodern wastelands of pop as high-brow/low-brow mutant junk dwellers, collecting the shards of our fragmented culture and building something both irresistibly dangerous and dangerously irresistible.

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Ellis - What if love isn't enough.

In April, Ellis announced her latest EP nothing is sacred anymore which is set for release on June 25th. Announced with the single "Hospital," the EP is the first new music from Ellis (the alias of Hamilton, Ontario musician Linnea Siggelkow) since the release of her debut LP Born Again, which arrived right as the pandemic began on April 3rd of 2020 and followed her breakout first EP The Fuzz. 

Like The Fuzz, her upcoming EP sees Ellis working as her own producer again, this time alongside Charlie Spencer (of the band Dizzy), and it is perhaps her most emotionally intimate work to date, a quality that is foregrounded on the EP's latest single "what if love isn't enough."

"I mean, this is a question I’ve asked myself a bunch, usually when I’m being a little bit dramatic which happens to be often," Siggelkow explains. "But I’ve also seen relationships fizzle out even when two people seem to really love each other. We place so much emphasis on love but I guess I just wonder about all the other stuff needed to make it last forever. I’m a hopeless romantic at heart but sometimes I’m just hopeless."

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T. Hardy Morris - Bandicoot - Good Morning TV - Doctor Lo

T. Hardy Morris - Shopping Center Sunsets.

T. Hardy Morris is set to return with The Digital Age of Rome on June 25th via the New West Records imprint Normaltown Records. The 10-song set was produced by Adam Landry (Deer Tick, Rayland Baxter) and mixed by engineer Nate Nelson. It follows the Diamond Rugs and Dead Confederate member’s 2018 acclaimed Dude, The Obscure.

After touring Dude, The Obscure, Morris had 13 new songs demoed for a new album. He was excited to get his band together to rehearse the songs before hunkering down in the studio to record...then the pandemic hit. Sequestered at his Athens, GA home with his family, Morris, like most everyone else in the past year, mulled over what was truly important to him and in response, crafted an entirely new set of songs. Enlisting a group of musicians including Drive-By Truckers drummer Brad Morgan, singer-songwriter Faye Webster and many others, Morris pulled no punches with his mesmerizing lyrics and hazy brand of southern glam rock.

Looking directly inward and captivated by the sobering realities of the pandemic, Morris has composed one of his most personal works yet. He tackles the well-worn anxieties of the past year as pandemic and political divisions ravaged America. The Digital Age of Rome is more direct than Morris has ever been and is one of his boldest records yet. Unapologetic and brutally honest, it is a necessary diary for an uncomfortable time that continues to unfold.

Morris remains Athens, Georgia’s foremost purveyor of dynamic rock-and-roll-songwriting and his blend of poetic southern outlaw storytelling is delivered in a haunting vocal howl. The sonic energy and raw emotion in his music captures the same call to adventure that helped launch other Athens-born bands (including R.E.M., B-52’s, Vic Chesnutt, The Drive-By Truckers, The Elephant 6 Collective, Pylon, and The Glands before him) and put the artsy college town on the map. Drive-By Truckers co-founder Patterson Hood described Morris’ songwriting as, “distilling that subtle truth down to its very essence and expressing it in a way that cuts through the bullshit...I was immediately blown away.

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Bandicoot - Worried Blues.

For Bandicoot "Worried Blues inhabits a world of paranoia, born from a fear of lost love. It carries you down labyrinthine streets like a nightmarish memory, with a contagious strutting rhythm which never lets you stop moving along with it.”

Never missing a beat or taking time to catch their breath Bandicoot are back with a new and impressive single.

‘Worried Blues’ starts with forceful piano chords and an anguished emotional vocal from Rhys Underdown, channeling John Lennon’s Plastic Ono Band primal scream as a voice from the dark. When ‘Worried Blues’ intro releases into a riff full of Talking Heads strutting art rock/ dance punk directness it leaves no doubt, Bandicoot are ‘The Sound of Young Wales!’.

 

_Bandicoot · Worried Blues

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Good Morning TV - Entertainment.

Good Morning TV started in 2016 with a first self titled EP, released by pop diggers Requiem pour un Twister, that managed to echo until miles away from their homeland, France.

At the time a solo adventure of Bérénice Deloire, the project progressively became a band as Barth Bouveret (producer for both the EP and the album), Thibault Picot (Brace! Brace!) and Hugo Dupuis joined their forces, guided by mutual harmony.

After two years of writing together, the quartet isolated itself in a peaceful home of the south of France in order to achieve their first album 'Small Talk' to be released on Géographie Recs (Marble Arch, Paper Tapes, Born Idiot). 'Small Talk' is born in this rough temporary studio, that rather resembled a weird laboratory. 

Its singular material, along with a contemporary production that both enhance a bold songwriting are casually passed by familiar choruses. With this record, Good Morning TV paints a melancholic portrait of daily disillusions and claims its own vision of pop, somewhere between Broadcast, Deerhoof or The Olivia Tremor Control.

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Doctor Lo - Claiborne Avenue.

Doctor Lo (Faber), formerly of celebrated jam band God Street Wine, shared the title track from his upcoming folk/Americana-leaning LP Claiborne Avenue last Friday. Faber is set to celebrate the release with a limited run of live shows, including a sold-out performance at Albany, NY's The Hollow on June 18 (full dates below).

June 18 - The Hollow - Albany, NY
June 20 - Gabe-Gate - Sussex, NJ
June 22 - The Tap Shack - Duck, NC
June 23 - The Tap Shack - Duck, NC (two nights!)

Doctor Lo Faber’s music exudes the warmth, grit, and enchantment of New Orleans — a city he’s called home for the past decade. A listen to “Claiborne Avenue,” the title track off his new album, reveals a number of specific NOLA settings: there’s the obvious, the street for which the song is named, as well as the iconic Magazine Street. There’s also a hat tip of sorts to The Neville Brothers, with a reference to the “Pocky Way beat;” and it name-checks Louis Armstrong, Mr. Bienville (Jean-Baptiste Le Moyne de Bienville, the “Father of New Orleans”), and Mr. Claude Tremé (for whom the Tremé neighborhood of NOLA is named).

If it sounds a bit like a history lesson in song, well, it is. And this historical focus is fitting, given that Dr. Faber (or Doctor Lo, as he’s known in the music world) has his Ph. D. in American History, is a former history professor, and published a book about New Orleans in 2013 entitled Building the Land of Dreams. “Some of the songs are united by being my experience of living here in New Orleans for about nine years now,” Lo explains. And while he notes that his music “is not New Orleans-y,” one can’t help but almost instantly feel transported to the Crescent City while listening to it.

Seemingly a product of the pandemic – said track speaks of the “tourists [who] left without a trace” – Claiborne Avenue (the song and the album) is both observational and introspective at once. It sees Doctor Lo reflecting on the past through a nostalgic lens with a hint of regret (“I broke the rules and I paid the cost / You know nothing comes free”), and the refrain “Who knows what you might catch in the air” takes on more meanings the longer you listen.

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