Ambient indie pop band KIN return with their most ambitious single yet, The Runaways. Following the success of their first three singles, which have been collectively streamed over 310,000k times on Spotify, their new track, unleashed last Friday, is a pulsating pop anthem with dreamy guitar riffs, beautiful melodies, and mesmerising beats. The song is produced by Josh Tyrrell (Lana Del Rey, Mark Ronson, Tony Visconti) and released with 3tone Music.
The band is formed of Grace (performance maker and model), Ritu (lead in the Netflix series The Umbrella Academy and star in the film Red Notice alongside Ryan Reynolds, Gal Gadot and Dwayne Johnson) and Adam (last seen on stage at the National Theatre).
Their music blends electronic keys and catchy guitar riffs to produce a sound that is unique, dynamic, and constantly evolving. Influences include indie powerhouses such as The XX, Warpaint, Still Corners and Foals as well as female-fronted bands like Chromatics, Cocteau Twins and Soccer Mommy.
Just a few months after releasing their acclaimed second album Still Life, Los Angeles indie-pop band Massage returns with Lane Lines — a six-track EP out in early 2022 on Mt.St.Mtn. (Cindy, Flowertown, Blues Lawyer) that finds the quintet expanding on their Sarah-meets-Creation Records sound with new touches of soft psychedelia, Feelies-ish frenzy and Haçienda-era escapism.
"This sparkling homage to New Order's Ibiza period is the first single off Massage's new Lane Lines EP. If the first Pains album is your favorite, Massage are very much in that vein, but with a little more emphasis on '80s British indie, from Mary Chain noise to Field Mice preciousness. The lead track, 'In Gray & Blue,' is a warm, melodic winner that draws from a very specific influence -- the guitary half of New Order's 1989 Ibiza-made album Technique."
The band didn’t plan to follow Still Lines so quickly. But after the pandemic further delayed that multi-year project, Alex Naidus (guitar, vocals, former Pains of Being Pure at Heart), Andrew Romano (guitar, vocals), Gabrielle Ferrer (keyboards, percussion, vocals), David Rager (bass) and Natalie de Almeida (drums) leapt at the chance to make music together again in real life and started gathering on random summer evenings in the tiny rehearsal-space studio of producer-composer Andrew Brassell (Susanna Hoffs) with no clear goal in mind.
Lane Lines is the surprise product of those informal sessions — a flash of pent-up creative energy that serves as both a companion piece to Still Life and an exploration of textures and influences that didn’t quite fit the full-length but have always been deeply embedded in the band’s DNA, with new echoes of 1980s artists that sought to refract the 1960s through their own skewed prisms: Flying Nun, the Paisley Underground, The Feelies covering The Beatles, “Second Summer of Love” New Order.
James are pleased to announce the release of The Campfire EP, available on November 19, 2021. Filmed at Broughton Hall in the UK’s Yorkshire Dales earlier this year, the EP features uniquely intimate versions of three tracks from James’ latest album, All The Colours Of You along with the added bonus of their classic “Just Like Fred Astaire,” taken from their 1999 record, Millionaires.
The Campfire EP will be exclusively available on the James store and at the merchandise store on their forthcoming tour. The release will be limited edition, numbered and include a QR code to download the Campfire videos.
Tim Booth says “The beginning of the new James 9 piece began at Broughton Hall. The sessions there felt magical. Here is a slice of the magic that we created around a campfire one evening...”
James will perform tracks from the new record and many more from their rich catalogue on the forthcoming arena tour with special guests Happy Mondays.
Austin, Texas's Nichole Wagner is back with another single and video to preview her upcoming full length album (2022). Once again teaming up with producer Justin Douglas, Wagner's 'Raised By Wolves" features a full band and does an amazing job of highlighting her chops as both a songwriter and a performer.
Confronting her upbringing in an honest and interesting way, Wagner says of the track: Life as a child could be unpredictable (thanks to an alcoholic mother) and I had to grow up very early, taking on responsibilities that were unfair to my age. It toughened me up but left scars and that trauma has a way of showing up when I don’t expect it. I would joke about having been raised by wolves, something I’d tell people to soften the edges when they didn’t understand where I was coming from - a shorthand to avoid sharing details. I’ve been doing a lot of work through it these past few years and it’s showing up in my writing in a way that I hadn’t been comfortable with before.
"Raised By Wolves" and it's video, which was created by Austin's Seela, come a few months after Wagner shared the first look at her upcoming album with the track "Monsters" and it's video. With these two tracks already set upon the musical world, it's easy to get excited about the aforementioned record. Wagner continues to grow and write compelling songs that are both incredibly enjoyable from a sonic perspective as well as highly relatable lyrically.
The Alex Leach Band - Slip Slidin' Away / Up To You.
Although he has helped carry on the legacy of bluegrass founding fathers, singer/songwriter/guitarist Alex Leach and the eponymous band he fronts are joining contemporaries like Billy Strings in redefining what modern roots music and bluegrass are through originality and a purposeful evolution away from long held stereotypes. I’m The Happiest When I’m Moving, their Jim Lauderdale-produced Mountain Home Music Company debut, marked the starting point of that evolution, blending a couple of traditional-sounding touchstones with more contemporary original material and some organically framed nods in the direction of Americana and the broader roots music world. Now, with the release of two new singles that display the breadth of their multifaceted talent, The Alex Leach Band are doubling down on their commitment to blazing their own, unique musical trail.
On the bluegrass side, “Up To You,” written with producer Jon Weisberger, delves deeper into Leach’s propensity for thoughtful lyrics and his fondness for the progressive and newgrass-flavored sounds of musical progenitors like the Country Gentlemen and Cliff Waldron & the New Shades of Grass. The band — Miranda Leach (vocals), Joshua Gooding (mandolin, vocals), Jason Johnson (banjo) and JT Coleman (bass), along with guest violinist Chris Sexton of Nothin’ Fancy and legendary studio drummer Tony Creasman — delivers a solid groove and supple, distinctive solos, as Leach delivers a meditation on how our views of situations reflect our individual outlooks and experiences.
“I am very excited to release ‘Up To You,’” notes Leach. “I brought the idea to Jon a few months back about an optimist and a pessimist on a trip together, and how each of them viewed a stressful situation. After writing for a bit, we decided to let the listener be the one to decide if they thought of themselves as a positive thinker or a negative thinker. I also want to compliment how tastefully the band played and sang on this track. I hope this song will cause the listener to think about how they deal with situations, all while groovin’ to the music — but at the end of the day, take it exactly how you want, it’s completely ‘up to you.’”
In contrast to the original “Up To You,” the group’s cover of Paul Simon’s “Slip Slidin’ Away” foregoes the ‘grassy accents of the banjo and delivers instead a carefully crafted yet utterly natural reading that focuses tightly on the singing of Alex and Miranda. Framed by Leach’s inventive guitar figures and Sexton’s subtle violin, the husband and wife duo reveal Simon’s enigmatic parables with intimate, sympathetic tone and phrasing, making the familiar masterpiece feel as if it’s being heard for the first time.
Following on from the triumphant ‘I’ve Been Over It’, which marked Geowulf’s reintroduction to the world and the first glimpse of a forthcoming EP, the band return with brand new single ‘Open Me Up’.
‘Open Me Up’ is a country-tinged song written in the height of Covid that bristles with raw honesty and emotion as Star opines on falling in and out of love in a strange time.
About the track Star says: “Toma and I were having a brief catch up on the phone - I showed him a melody real quick I was working on, he was like “shit yeah I love it!” and we spent next two hours on FaceTime between London & Australia finishing the song. It’s a raw song for me that tells a personal story but it’s also one of my favourites we’ve done so far.”
Geowulf are an Australian alt-pop duo based between London, UK and Noosa, Australia. Childhood friends Star Kendrick and Toma Banjanin dived into the dream-pop scene in 2018 with their luminous debut album ‘Great Big Blue’ featuring their breakout single ‘Saltwater’. The duo followed up with their brilliant sophomore LP ‘My Resignation’ in 2019.
Often praised for her deep and warm voice, France’s November Ultra first entered people’s ears and hearts in November 2020 with the soothing DIY lullaby "Soft & Tender". Her first effort was quickly followed by the sweet and sour heartbreak anthem "Miel" and a maxi EP Honey please be soft & tender, which includes the gut-wrenching bonus track "The End." - giving us a taste of what this singer-songwriter is all about: comforting, personal, intimate and always very cinematographic bedroom pop.
Yesterday, she revealed the song “le manège” and showcases the musical roots of an artist who grew up listening to folk music, r&b and with a very obsessive Spanish grand-father addicted to 60’s musicals and Spanish copla, embracing all of it and proving the adage: "we contain multitudes".
Camila Cabello posted a video on TikTok using the song ‘’Come into my arms’’. As a singer-songwriter, she divides her time between recording studios and her DIY bedroom-studio, working for others as a topliner/songwriter (Jaden Smith, Kungs, Barbara Pravi etc) while recording, exploring and producing her own songs on Ableton.
Ebba Salomonsson (Benz) grew up in her stepfather's record store where she explored endless different influences and styles. Benz have signed to Rama Lama Records (Melby, Wy, Chez Ali etc.) and is back with another collection of songs packed with her playful and diverse psych-tinged indie folk.
Its a sound where Benz with big confidence lets her music both be direct and breathe - creating a musical soundscape for the listener to get swept away in. The new EP 'This Could Be The End' is out now.
Thematically, the EP treats a broken relationship. But this is not your usual romantic sad-break-up-indie, as the lyrics tell the story about breaking up with an old friend. Ebba herself has compared the EP to "six seasons of Girls, a comedy-drama in a compressed format".
While in Tasmania, the island was on fire, and travel was limited to a small coastal region near the capital city of Hobart.
Andrew spent his birthday in a beautiful beach villa with a woman he'd met along the way, who was already on her way elsewhere by the time he left the island. They swam as the ash from the fire was snowing down on the beach.
"Shadow Waltz" is about that conflict you can feel when you know things are changing and you need to say goodbye to who you were without fully understanding who it is you're about to become.
Rounding out a monumental 2021 with their distinctive graceful tenacity is WA indie pop/ rock duo The Money War with the highly-anticipated unveiling of their latest EP ‘Blood’ today November 5. Delivering elegant pop pureness that beats with the steely resolve of an indie-rock heart, Dylan and Carmen Ollivierre of The Money War approach their craft with unwavering sincerity, recounting intricate experiences through gorgeous melodies and elegant production.
Recorded at their studio where it was produced and mixed by Dylan, ‘Blood’ is about connection, exploring the binding ties of family, partners, even strangers, while showcasing the pair’s songwriting depth and refined sonic execution. The duo explain:
“The EP is a collection of songs that bookmark 2021 for us. We’re always writing, but these were the 5 songs that rose to the top and we felt that we needed to record.” Opening in a bittersweet flourish of nostalgic grace is title-track ‘Blood’, written about the complexity of family relationships and bloodlines, the contrast between the jovial strum of the guitar and the melancholic press of the keys a reminder of the reality of changing lives.
Next, ‘Miles Away’ begins its euphonious journey through golden saxophone solos and Carmen’s velvety vocals, the track’s transcendent melancholy spreading the disheartening feeling of being emotionally disconnected from somebody close to you. The EP’s centrepiece ‘Lost in the Rhythm’ arrives as a dreamy dance track, using gripping instrumental layerings and pulsing percussion to produce an addictive cadence as Dylan's warm, heartfelt vocals take the lead, delivering the track's introspective lyrical exploration of overcoming anxiety with a self-assured strength.
‘Zoom’ follows in a romantic cloud of longing, as gentle guitar, delicate vocals and a distance-crossing chorus weave a vulnerable tale of living through a long-distance relationship during a pandemic. Closing out the EP is ‘Man at the Station’ featuring warming indie-folk beats, cosy acoustic guitars, drifting violins and Dylan’s wholesome vocals to take us on a romantic late-night journey with a carriage full of strangers that become a little less so by the song’s end.
After the succesful singles 'Not With Me' and 'Remedy', Sterre Weldring will now release her debut EP 'Lost Lights'. Sterre Weldring’s debut EP is full of songs about lost but beautiful souls. People who haven’t really found their way in life yet but are trying to do better, hence the metaphor ‘Lost Lights’. Being lost can cause hurt to yourself or to others, but as these songs point out, can also teach you valuable lessons as there’s often a beauty, a rawness, hiding behind that kind of pain. Sterre reflects on this and on herself and concludes that after all the pain is relevant, as we can learn and grow from it, to evolve into a light that eventually isn’t lost.
At the age of 16, Sterre Weldring was still a bit young for the conservatory, but she made a very mature decision: she started studying songwriting at BIMM (Brighton Institute of Modern Music). In between studies, she completely immersed herself in Brighton's rich music scene. While jamming, and playing live, she quickly developed her own sound, which she describes as folk-pop. In concrete terms, this means that her songs have a pop structure, on which she puts a folk stamp on with her characteristic voice. Amy Macdonald is a common comparison.
After a successful 2019, including a place in the final of the 'Grote Prijs van Nederland' and a tour through the country during 'Popronde', the Amsterdam-based singer-songwriter is now releasing her new single. This song is part of her new EP, which will be released today November 5th.
Singer and guitarist Lukas Heer plucks the best strings of self-irony: a musician who prefers to run away than to dance, writes music to which you have to stay.
In rhythm, in motion, in mood.
With his project Polar Klub, he takes us on a journey through the 60s, 70s and 80s, drawing on the genres of psych-rock, post-punk and dream pop for his beats and riffs.
For the new track "I Feel It Too", the Glarus-based musician has again conjured a wonderfully cranky sound - completely in DIY feeling.
You may not immediately recognize the name Lonnie James, but if you’re familiar at all with the Canadian indie rock scene of the 1990s, he was a ubiquitous presence, playing drums for a seemingly endless array of artists and significantly contributing to the most vibrant and influential period of Canadian rock and roll.
After a lengthy hiatus, and back home near Calgary, Lonnie James has now returned with a new project dubbed ModernFolkRevolution, whose self-titled debut album was released on Oct. 22. Its 10 tracks are, on one hand, a throwback to more innocent pre-Internet days, and on the other hand are a reminder that an organic approach to making music still packs an emotional punch.
As a band, ModernFolkRevolution presents James’s songs in all their rough-hewn glory, recalling the lo-fi majesty of The Vaselines and Guided By Voices, coupled with Byrds and Kinks-style paisley-tinged flourishes. However the album might be classified, ModernFolkRevolution is a pure reflection of Lonnie James’s life—and life in music—after more than three decades. More importantly, it’s the sound of an artist finding a previously untapped well of creativity and using it to sow the seeds of future endeavours. Indeed, the ModernFolkRevolution’s time has come.
Starlite Campbell Band - The Language of Curiosity (Album).
Renowned for their distinctive songwriting, unique sound with beautifully produced recordings, onstage chemistry and electrifying live shows, European and British blues award nominees the Starlite Campbell Band are Suzy Starlite and Simon Campbell who fell in love on stage and married following a whirlwind musical romance. Musically it's he classic sound of British blues and rock from the 60s and 70s, with some trips down sidestreets and byways - that they promise. Do they deliver on their album The Language of Curiosity?
Here's what "Blues Enthused" has to say about it: "Simon Campbell seems like a walking encyclopaedia of classic British axe heroes. But overall his guitar sound is his own, and it’s remarkable that he eschews effects pedals in search of it. Just as importantly though, The Language Of Curiosity is about well-constructed songs, about infectious melodies and worthwhile words, and the couple’s co-writing fulfils those ambitions with a bit of flair. The Starlite Campbell Band’s bonkers devotion to their musical muse has produced another crop of goodies."
And Hugh Fielder at "Classic Rock" thinks that “The Starlite Campbell Band have a fresh take on 60s and 70s British R&B, a clean sound and an enthusiastic approach that gives their second album “The Language of Curiosity an immediate appeal!”
Vera Ellen has proven she is unstoppable! She has today released yet another video, this time for album closer and tear-jerker 'Joy'.
“I wrote ‘Joy’ for my nephews and nieces, who forgave me over and over for leaving them to pursue music, and who love me unconditionally. Children are magic.”
The video was filmed by Al Kalyk at the artist's 'It's Your Birthday' listening party in Los Angeles. It was filmed on an iPhone in a single shot and features Vera's backyard and a handful of kind friends. In the footage taken by Vera's mum in the 90’s seen at the end of the video, you can see Vera's sister holding her as a baby and her grandparents and family singing a polish lullaby.
Now, take 2 gallons of Wanda Jackson,2 Gallons of Etta James, a spoonful Howlin' Wolf, a shot of Dick Dale, Add some Cramps and a pint of Nick Curran, mix that all up, shake it, stir it, and light it on fire. The result you get : The Ragged Roses
The Ragged Roses combine the rock & roll spirit of the 1950's with the attitude of modern roots gunslingers. It's a new band, female fronted by Katrien, the embodiment of wild performing art, combining stunning vocals with stunning looks, being backboned by - you can call them although their relative young age and wild raging hearts - veterans of the Belgian roots scene.
Watch out for that slapping, walking, gypsy swinging upright bass and lightning blot guitars, surfing on a wave of groovy drums.
The Ragged Roses are now releasing their Debut album "Do Me Right", containing all self-written original songs and one cover of the great Del Shannon.
Glasgow's The Ninth Wave today announce their second album Heavy Like A Headache will be released on 11th March 2022 via Distiller Records. Alongside the album announcement, the band are releasing their new single "What Makes You A Man" with a stirring black and white accompanying video; the final installment of a trilogy of videos directed by Rianne White.
The new single and album announcement arrives off the back of a sold-out UK tour and a Scottish Album Of The Year nomination for their Faris Badwan (The Horrors)-produced EP ‘Happy Days!’. Heavy Like A Headache is the band's second full length album following their 2019 debut Infancy which garnered widespread critical acclaim and nominations for the AIM Award Album Of The Year and Scottish Album of the Year.
Produced by the band themselves and mixed by Max Heyes (Massive Attack, Doves, Primal Scream), Heavy Like A Headache explores feelings of grief, anxiety, anger and loneliness, and represents the 4-piece's most triumphant and diverse body of work to date.
New single "What Makes You A Man" tackles issues of consent, airing Millie Kidd’s deeply personal lyrics ["I will feel the shame that you don't feel / And I won't feel the same now this is real"] with a heavy, lurching instrumental that seethes with defiance.
Speaking on the release, Millie said: "What Makes You A Man is as claustrophobic as it is cathartic. It’s a journey of self deprecation, and how one event can be such a throwaway meaningless action for one half but be life changing for the other. I don’t want to blame myself for the degrading actions of others anymore - I want to stand up to this shame I hold with me, and recognize that it is not mine, I’m just the one carrying it.
Emerging from an eight-year hiatus, songwriter Gianluca Divirgilio brings his darkest and most introspective thoughts to light with Arctic Plateau’s Songs of Shame. Thought by some to have seen its final days, Arctic Plateau instead became a vehicle for Divirgilio to battle his demons; to chronicle struggle, self-doubt, pain, disillusion, and guilt, and ultimately to allow his scars to take form as Songs of Shame. In doing so he has returned with an album of intimate and powerful performances that serve as the first steps toward a healing that has been decades in the making.
A series of impressions drawn from Divirgilio’s own experiences in the time since the band’s last release The Enemy Inside, this record is a compendium of lost love, missed opportunity, crestfallen remorse, and lasting trauma, self-inflicted and otherwise. It is a deeply personal record that often points its finger at the mirror and winces as it’s reflected back. But in its complex self-exploration it also gains life as a living document affording the artist an opportunity to turn the page, and by accord provides its audience safe space to look to the darkness within, feel the emotion freely, and eventually discover a path through.
The compositions on Songs of Shame mirror the duality of its themes, utilizing the disarmingly upbeat aesthetics of post-punk to balance the often-grim themes contained within the lyrics. They draw from the stark self-reproach of proto-goth, the bare honesty of singer-songwriter music, and the enigmatic sparkle of post-punk to create a strikingly memorable sonic landscape for the listener. Focusing these laments through the lens of something far brighter and more buoyant sows the seeds of healing in a manner that would be far less affecting were they represented in a parallel, dirge-like manner.
While the themes center around the many ghosts that haunt us, it is the music that makes them corporeal and affords the opportunity to create tangible separation, and that is ultimately an act of joy that befits the spirited expression witnessed in the songwriting itself. Songs of Shame is an album that channels sadness and exhibits a tortured soul lay bare, but there is a formidable maturity in its honesty and triumph in its catharsis, giving it the dual quality of lifting the listener up while acknowledging the daunting weight of carrying sorrows through the years.
