Quality Not Quantity: Candi's Dog - Bryde - Ebbot Lundberg & The Indigo Children

Candi's Dog - A Light Has Gone Out.

Background promo - Tyneside trio Candi's Dog specialise in acoustic Folk-Pop, combining inventive structures with ludicrously catchy melodies in the essential “A Light Has Gone Out”, released Friday 25th November 2016.

“A Light Has Gone Out” demonstrates Candi’s Dog at the very top of their unique Folk-Pop game with crisp, upbeat melodies and warming harmonies generously supplying a comforting air of familiarity whilst simultaneously providing a fresh take on the Folk-Pop genre. With crystal-clear tones combined with bucket loads of untouchable sincerity, the resulting mash-up is akin to the likes of Bright Eyes and Fleetwood Mac along with the lyrical qualities of Ed Sheeran and Bob Dylan.

It’s just too damn hard not to like these fellows as audiences have been finding out. After supporting The Sons Of Pitches, winners of BBC TV’s ‘The Naked Choir’ on their sold out shows earlier this year, Candi’s Dog are back by popular demand, well and truly winning over the masses and utterly depleting their CD supplies in the process.

Favouring the DIY approach, Candi’s Dog have not only opted to make their own instruments but after being left with underwhelming results at the hands of recording studios, the band have taken to home recording. The decision has clearly paid off with the brilliantly catchy single “A Light Has Gone Out” fresh off the production line, showcasing the song craft of twin brothers, Matthew and Daniel Slee, and Stephen Justice. Facebook here.

We featured Candi's Dog back in February this year. 'A Light Has Gone Out' continues to demonstrate that their take on folk pop based music, is both enjoyable and imaginative. The track reminds me in part of one well known South East London band who have structured songs along these lines in times gone by, consider that a complement albeit I won't squeeze readers, as to whom I refer.

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Bryde - Wouldn't That Make You Feel Good?

Background - Following up from rabble stomper ‘Honey’, London artist Bryde reveals a second track from her upcoming EP. ‘Wouldn’t That Make You Feel Good?’ channels an intimate woosy blues dynamic with an injection of a towering guitar episode bearing the indelible stamp of Bill Ryder-Jones. Such dynamism shows Bryde pushing boundaries emphatically, exploring a grittiness now becoming synonymous with her songwriting.

Since setting out as Bryde, Sarah Howells has proven herself to be one of the most singular vocalists and songwriters in British indie rock. She’s a powerful projectionist with a tonal range that will likely see her drawing a few comparisons to her international axe-wielding peers Angel Olsen, Mitski and St Vincent. With additional overseas artists such as Whitney, Julia Jacklin and Big Thief enjoying a speedily growing audience, Bryde is without doubt a key UK based voice in this space as she continues to build momentum around an unmistakable offering.

Praise for the Welsh songwriter has been well-bestowed from outlets like Consequence of Sound, The Line Of Best Fit, Nylon, 6Music and Radio 1. EP2 is to be released on the 4th of November via Tipping Point Records and having recently played her biggest London headline show at The Courtyard (Shoreditch) Bryde now heads out on tour around the UK. Website here.

Tour dates:
13.10 – London, The Courtyard Theatre
01.11 – Brightom, The Hope And Ruin
02.11 – Cardiff, Clwb Ifor Bach
03.11 – Bristol, The Old Bookshop
04.11 – Southampton, The Notes Cafe
06.11 – Glasgow, Broadcast
07.11 – Newcastle, Head Of Steam
08.11 – Manchester, Fallow Cafe
09.11 – Leeds, Oporto
10.11 – Birmingham, Sunflower Lounge
17.11 – Norwich, The Shoe Factory Social Club.

'Wouldn't That Make You Feel Good?' demonstrates the versatile vocals of Bryde, who can switch from earthy and passionately edgy through to softer sweeter vocals within a couple of guitar licks. In fact the guitar and vocal juxtaposition makes this one very interesting and likable song.

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Ebbot Lundberg & The Indigo Children - Backdrop People.

Background - Ebbot Lundberg & The Indigo Children drop new album ‘For The Ages To Come’ in the UK, December 2nd. Most well-known as the charismatic former Soundtrack Of Our Lives (SOOL) and Union Carbide Productions frontman, Ebbot Lundberg is finally set to unleash his first full solo release in the UK. Having teamed up with Grammy-nominated band The Indigo Children ‘For The Ages To Come’ will impact December 2nd. Self-produced and recorded throughout last year in his native Gothenburg, the album is over-flowing with Lundberg’s trademark ear for melody; ‘For The Ages To Come’ is the musical odyssey we have come to expect, but has its roots firmly planted in the 1960s beat movement, with lyrical themes and hooks to match.

Witness the effervescence of ‘To Be Continued’, or the raucous pop stomp that is ‘Backdrop People;’ this is clearly an album overflowing with energy and vigour, a vibrancy that Lundberg was keen to capture on record. “The Indigo Children actually supported SOOL a few years ago,” explains Lundberg, “They astounded us with their sheer energy. When it came to deciding who I wanted to work with on this record, there was only one option in my mind…” ‘For The Ages To Come’ represents the first solo release for Lundberg since the epic 43 minute long song ‘There’s Only One Of Us Here’, and to mark the occasion, he is set to play songs from the album at a headline show in London Upstairs At The Garage on December 4th.

It is clear the album represents the beginning of a journey for Lundberg; “This represents where I am, and where I am going. It is the first album, but certainly not the last.” In fact, Lundberg’s creative output shows little sign of abating; whilst already writing songs for the follow-up album, he is also collaborating with members of Spiritualized and legendary Nirvana producer Butch Vig on a project to see the light of day next year. For Ebbot Lundberg, it is clear that age is a barrier to neither creative output nor excellence; for that we need only witness ‘For The Ages To Come’ as living proof.

First taste of the forthcoming album and 'Backdrop People' is a genre mash of feisty folk rock vocals set against something of an alt or maybe indie rock background. Full of chord changing hooks and growing in power as the track unfolds, it's a total tease for what's to follow.

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Midweek Muse: Otis English - Redspencer - Hand Habits - Carroll - Pepperhead

Otis English - Trigger.

Background promo - This past August, Otis English made his debut with “Young Kids, Old Love,” a breakout hit that quickly climbed to #1 on Hype Machine, was added to Spotify’s New Music Friday among other coveted playlists moving the song into both the Global and Top 20 US viral charts, and was part of Apple Music’s “Best Of The Week,” giving the song a cumulative 1M streams to date.

With his upcoming single, “Trigger,” scheduled for release on October 24th, Otis continues to speak to the darkness within while simultaneously dragging you into the light. With a big voice, beautifully twisted lyrics and a natural storyteller approach to performing, Otis has arrived in time to replenish the current well of truly meaningful artists. If his voice doesn’t break your heart, his lyrics, a window into his strange and nomadic history, definitely will.

Otis’ upbringing was far from ordinary. His history reads more like a chain of mishaps and tragedies than it does the upbringing of a songwriter. From accidentally burning down his childhood home to watching his father’s health drastically deteriorate while living out of his car, Otis doesn't glaze over the negative and the challenging parts of life. Instead, he takes those experiences and makes them bloom into beautiful melodies. With a pen and a guitar, he turns discomfort into something beautiful and relatable.

This wanderer now sets out a bold, new adventure. Otis will be releasing his debut EP in collaboration with indie label Crooked Paintings. This upcoming collection of songs is cinematic, but unapologetically gritty in the best kind of way. It’s catchy, inspired, and exactly what you want to hear from an artist who demands your attention, not with antics, but with honest, insightful stories and an undeniable voice. Facebook here.

Our second song feature for Otis English and this time with 'Trigger'. Last time around (back in August) we spoke of  "unrestrained commitment and very distinctive vocals" the latest song confirms that was no one off. Trigger adds passion and power to the equation and it's no surprise the song is getting a good number of plays in just a couple of days.

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Redspencer - Rainbows.

Background - In late 2013, rural-born brothers Dave and Aiden McMillian traded the sun-drenched plains of northern New South Wales for the rich cultural tapestry — and comparatively dreary weather — of Melbourne. 2015 sees the two siblings (alongside Andre Franco on bass, and Alex Buchanan on guitar) continue to draw influence from their provenance in Redspencer.

The four-piece’s eponymous debut EP is a hark back to the band’s humble beginnings, evoking images of balmy, mid-summer drives along the coast with the windows down. The sunny, reverb-swathed guitar- pop of lead single ‘Happy Slow Riverbends’ captures that image to a tee, rousing comparisons to the likes of Spoon and Real Estate. Latest single ‘Fuss’ (taken from their forthcoming debut LP) however, channels the trademark non-chalance of ‘90s cult-classics Yo La Tengo — complete with jangling guitars and mellow harmonies, blanketed with layers of groggy analogue synth. Below the surface lies the poignant musings of songwriter Dave McMillan, whose lyrics have been described as “existentialism for the everyman”. It makes for an undeniably arresting, and at times, all too earnest combo.

Despite only having a four-track EP to their name, Redspencer have already garnered avid praise from the likes of NME, CMJ, Triple J, Indie Shuffle, and Time Out New York with ‘Ride It Out’ included at #14 in their Best Songs of 2015. With festival appearances at Brisbane’s Big Day Out, By The Meadow, Camp Casual, and Laneway Festival’s annual Live Music Safari – not to mention tour supports with Guantanamo Baywatch, The Preatures and Holy Holy – to their name, Redspencer are soon to be firing on all cylinders as they gear up for the release of their keenly anticipated debut album. Facebook here.

The new single 'Rainbows' is taken from the forthcoming album 'Perks'. Easy going vocals and harmonies are backed by an equally relaxed guitar lead music arrangement. Sometimes the most catchy songs are the ones that don't over do the layers, I think this song, is a case in point.

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Hand Habits - All The While.

Background - "Meg Duffy, aka Hand Habits, is a singer, songwriter and guitarist from Upstate New York. She has been putting her time in on the road and in the studio over the past two years with  pacific northwest band Mega Bog, and the Kevin Morby Band, making an impression on everyone she comes across with her natural charisma and uncharted talent as a multi-instrumentalist. But let Wildly Idle (Humble Before The Void) be her open invitation to the world to step inside and take a much deeper look into who Duffy actually is. Tracked in an Upstate New York living room, then finished in her current home in Los Angeles - it is appropriate that this album was recorded by Meg herself - for Meg, who has an acute ear for detail, has touched every corner, has seen every vision 'til its end. 

Because of this, Wildly Idle feels incredibly intimate, like a secret between her and the listener. It hits soft, like warm water, and before you know it it is all around you - a bath, and Meg's whisper has made its way inside you. Like many bedroom-debuts before it (The Microphones, Jessica Pratt, Little Wings, Grouper)  let this be the first of many to come, for Meg has music in her touch - and this is only the beginning. But let us not look to the future now, but instead stand alongside her, our trust in her will, both humble before the void, with her first chorus as the mission statement; 'hold you like a flower, hold you like an hour glass'."- Kevin Morby. Facebook here.

A gentle guitar lead introduction swiftly followed by Meg Duffy's dreamy vocals takes the listener into 'All The While'. The song is melodic and develops in power, without losing the sensitive calm feeling, which may sound like a contradiction, in which case please listen and see if you get my drift.

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Carroll - Talking To My Own Mirage.

Background - Carroll have recently upped sticks and moved from Minneapolis to Philadelphia to sleep on people’s floors and write their new album As Far As Gardens Go. Produced by the band and mixed by Jon Low (he’s worked on things for The National and The War On Drugs), their second full-length release is due for release on November 11th via Shattered Orb.

First taste of As Far As Gardens Go is found in the form of "Talking to My Own Mirage," (aka the first song to be lifted from the album). Here’s what Carroll has to say about the track:

"Talking to My Own Mirage’ is meditation on the distances that separate all of us. A song about accepting the pull of the unknown and embracing its consequences. People drift and we’re left staring down infinite copies of ourselves, floating above it all in effortless tandem". Website here.

Upcoming shows:
October 29 - Brooklyn, NY at Elvis Guesthouse w/FRAME
November 11 - Philadelphia, PA at The Barbary
November 12 - Philadelphia, PA at Sofar Anniversary Show
December 2 - Philadelphia, PA at All Nite Diner.

'Talking To My Own Mirage' mixes delightful vocals with a vibrant soundtrack that is comprised of sweeping guitars and synths and a vibrant rhythm. Totally catchy, if the album reflect these traits the band deserve to be noticed.

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Pepperhead - See Through You.

Background - Sydney based alternative rock band Pepperhead got together in 2015 quickly writing and recording their debut EP 'The Housefox Sessions' and making their live debut in 2016, rocking the legendary Annandale Hotel. The first single ‘See Through You’ is no-nonsense alternative modern rock at its finest. A pop, punk, grunge masterpiece, each listen highlights a new muse making it hard to pin to a specific genre or comparison ‘sounds like’.

Close your eyes and you could imagine a Debbie Harry-fronted Ramones at CBGB’s in the 70s, at the same time, the EP evokes a “Foo Fighters meets the Strokes” sound and style, making it modern, different yet familiar and instantly catchy. Louisa Thomas (vocals) says, “‘See Through You’ is one of the first songs we wrote and therefore a straightforward choice for our debut single. Its also a pretty good benchmark for our live sound which we really wanted to capture in recording, and a massive thanks goes to Ryan at Housefox Studios for getting it down.”

'The Housefox Sessions' EP was recorded at Housefox Studios on Sydney's Northern Beaches by Ryan Miller, mixed by Shane Edwards at Karma Sound Studios in Thailand and mastered by Rick O’Neil at Turtlerock in Sydney. Pepperhead is Mark Trevena (drums), Dan Walker (bass), Kieron Haycock (guitar) and Louisa Thomas (vocals). "The Housefox Sessions" EP will be released 28th of October. Website here.

'See Through You' is typical of the straight down the line rock songs to be found on The Housefox Sessions EP. As you can see on the video for their first single, the band just get on and play, doing their thing, without any pretentiousness. This is one fine rocking EP.

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BeeVids: The Montreals - The Soonest - Arrow

The Montreals - Indigo Club.

Background promo - Founded in late-2015, The Montreals humbly went about forging an eclectic sound, splicing subtle jazz and Brit-rock influences over catchy guitar work and melodic vocals. They’re excited to share their new single ‘Indigo Club’ released through Marshmallow Pavement Records, and premiered last Friday through aaabackstage.com. It’s the first taste from the soon to be released eponymous Indigo Club EP.

Just this year the band has caught support slots for the likes of Alpine, Andy Bull, Hey Geronimo, John Steel Singers, and Last Dinosaurs. The collective was also recently named one of triple j Unearthed’s Spotlight Artists. The EP was mixed by Magoo (The Jungle Giants, Art vs. Science) and mastered by Steve Smart of Studio 301 (British India, Vance Joy).

“Lyrically, ‘Indigo Club’, was triggered by a professedly drunken night in a swanky bar; I was swiftly kicked out and hit the sidewalk for some quality me time. The Indigo Club EP looks upon our fumbling early twenties; wrestling with the glamorous and ill-sighted aspects of youth and regret,” says lead singer Stefan on the genesis of the track.

Look for the announcement of an upcoming East Coast tour in early-2017 from the band. “Indigo Club” will be released 28th of October 2016. Facebook here.

Bright jangly guitars mixed with melodic vocals give 'Indigo Club' an all important lift, that gets the song noticed. The story telling video, gives the song an additional dimension, leaving me looking forward to hearing more from this band.

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The Soonest - Start A War.

Background - Musical project, The Soonest, led by San Francisco based musician Young Lee, makes its debut with their full length album, Doors to the City. Having released a handful of EPs recorded at traditional recording studios, the band took historical note and moved their recording equipment into an empty church in San Francisco. 

The high wooden ceilings helped to create that organic timeless sound that modern plug ins and digital reverb seek to achieve. Mixed by Greg Francis and mastered by TW Walsh, the album showcases the layer heavy sound that the band became known for along with their use of multiple vocal tracks. Consisting of musicians from groups such as Waters, Hazel English, Doe Eye, There’s Talk and Elsa y Elmar, The Soonest has always been open to incorporating musicians from different backgrounds in creating a familiar sound through the combination of their different writing perspectives.

With the previous EPs and other bands, The Soonest has attracted the attention of many in seeking original music for use in sync. Most recently, Young Lee was asked to score a film documentary, Weaving Shibusa  that is due to release in the fall of 2016 and incorporates his post rock instrumental influenced sounds. With the release of this album, The Soonest is set to take the project into overdrive with an album that can finally match the dynamic of their live shows. Facebook here.

'Start A War' is a fine reminder of the quality of the recently released 'Doors To The City' album. And now with a lyric video if your up for a sing along then feel free, mind you the vocals on the song are gonna be hard to better.

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Arrow - The Maze.

Background - Danish two piece band Arrow originates from two different sides of the Copenhagen music scene, but come together in their affection for well-written, melodic, alternative pop.

With its minimalistic production, moving vocals and nordic noir, ‘The Maze’ marks their first single as a duo. Mixed by Swedish legendary engineer Lasse Mårthén (Lykke Li, Peter, Bjorn and John), ‘The Maze’ is a haunting, dark pop song that stays with you long after it’s over.

The video for ‘The Maze’ is filmed by Danish artist and photographer Josefine Seifert. Staged in New York, the video features the mysterious artist Liz on a moving journey through the city. Through Josefine’s grainy lense, the song comes to life. Facebook here.

If your into a little Film Noir of the Nordic variety the music video for 'The Maze' has plenty of that. The song is a beauty as well, with superb vocals and a lush soundtrack.

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Quality Not Quantity: The Culture In Memoriam - Jackson Dyer

The Culture In Memoriam - The Little One (Marches On).

Background promo - The Little One (Marches On) is a song about the dreams you left behind. The dreams that gave you comfort and tucked you in at night when life showed itself from its ugly adult side. The dream of a better world and the dream of a worthy future. The dreams carried you and stood by your side during all those years growing up. But somewhere, in the middle of it all, you ran away from yourself. And you ran too fast. Never gave the dream, or the child in you, the chance they deserve. Years later, that little child pounds at you from the inside of your chest and bites your guts all these mornings when you’re going to that same workplace and to that same asshole that calls himself your boss. Listen up. Come back. The little one is still here. The little one misses you. The little one will continue to harass you from inside until you’re back. The little one marches on and shouts: be realistic and demand the impossible.

As a five-year-old Victor Håkansson began his musical journey, travelling around with a theater-society, playing tambourine. Now, four albums later, he continues as the “Chairman of the bored [sic]” in The Culture In Memoriam (TCIM), an organic collective of musicians based in Malmoe, Sweden.

The Little One (Marches On) was  released yesterday through Så Länge Skutan Kan Gå Records and will be available in all digital stores.The single is taken from The Culture In Memoriams new album, ”History's Dust”. The album is a grand tribute to a free life, far from monotonous wage-labour and alienating assembly lines.

Although bursting with full-blown instrumentation and pompous arrangements TCIM never loses it's intimacy and naked nearness to its listener. The latest album ”Rest in Pieces”, was hailed in unison by critics and audiences. The feministic single ”Sisters” obtained heavy rotation on Swedish national radio as well as on German radio. The band also got media attention with the single ”Jimmie”. TCIM also does frequent tours in Germany, Austria, Switzerland and Holland. More here.

'The Little One (Marches On)' gives the sense of marching, musically speaking, with a melodic and gently building song. Vocals sooth and the music is light and pleasing, this is my introduction to TCIM and I like it!

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Jackson Dyer - Pariahs.

Background - Australian singer, songwriter and producer Jackson Dyer releases his Compartments EP), along with final single 'Pariahs'. The single follows on from "Projection, Abstraction", "The Absolute", and "Steal Away". 'Pariahs' is a song that questions how we can be so distant from each other, even of our neighbours, in an age of densely populated cities and social media. The most stripped back and folk - oriented song on the EP, it references Dyer’s previous works and focuses on lyrical imagery - Jackson Dyer.

‘Compartments’ is an EP of self-­reflection that I wrote at a time when I faced a lot of uncertainty and questions about my place in the world. Far away from home, often spending long hours in my studio on the industrial outskirts of Berlin, it was a period of introspection when I experimented with production and songwriting. In this space, I wrestled with many of my misgivings about the music industry, the nature of humanity and my own personal motivations. The title ‘Compartments’ refers to the lyrics in ‘Pariahs’, which is about how close many people live to each other in cities and apartment blocks, but still lead very enclosed lives, unwilling to engage with even their neighbours. Ironically, I spent a long time in my own ‘Compartment’ writing these songs and it wasn’t until I collaborated with others that they really came alive. Facebook here.

'Pariahs' is the second track we have featured from the new 'Compartments' EP. Pariahs is the final single taken from the six track EP, and is a gentler acoustic song. As a whole the EP has the hallmark of quality where singer, songwriter Jackson Dyer mixes understated styles that complement his likable vocals, enabling each song to intrigue the listener, without overwhelming them.

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Alternative Take: I Wish I Was a Fish - Hundreds - Of Gentlemen & Cowards - Ex Reyes - Daphne Willis

I Wish I Was a Fish - Follow.

Background promo - Four intense and crazy days in San Fransisco - that was all it took for Stockholm based artist I Wish I Was A Fish, or songwriter/multiinstrumentalist Frida Teresia Svensson, to finish what is going to be released as her debut EP.

The solo project, which started out from an everlasting curiousity towards learning new instruments and finding out what they can do with the songs, finally transformed into shape when Frida met producer Elliott Peltzman during a trip to San Fransisco. Pretty soon after their first creative meeting Frida found herself working in Elliot's studio with a vision to create something where an acoustic live vibe meets an electronic landscape.

The material to be heard on the EP; and that is exemplified by new single "Follow", was written while Frida spent an autumn in Berlin. Some of the songs stems from reflections on society, while others are more personal recollections, a way to work through things that happens in life, that have slowly turned to be more political. A playfulness, a lot of fire and one or two water metaphors are what embodies I Wish I Was A Fish.

"Follow" is the first single out from I Wish I Was A Fish's debut EP. The single is out now on all digital platforms, with the EP to follow on December 2nd. Facebook here.

Oh I do like 'Follow'. Frida Teresia Svensson has both passion and commitment in her vocals whilst Elliott Peltzman on Synths & drums and Vince Dewald on Bass, deliver a feisty building soundtrack. The EP is definitely on the "must listen list" as of now.

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Hundreds - Spotless.

Background - Lonely, but powerful, "Spotless" is the second official single from their upcoming album. Based in Hamburg, Germany,  Hundreds have a knack for creating cinematic, unusual soundscapes, and 'Spotless' adds another element to their unique sound with a slightly cheerful, pop-take on their usual goosebump-inducing sound, which accompanies the listener into the night.

Siblings Eva and Philipp Milner catapulted to internet success after releasing self-titled debut album, Hundreds, in 2010. Despite having no budget or radio airplay, the pair became one of the greatest German indie pop stories in recent times.

Stemming from this success, Hundreds have played shows all over Europe, as well as international festivals like SXSW (US), Iceland Airwaves and The Great Escape (UK). Their live sets incorporate the wonderful cinematic influences which stem from Philipp's classical music studies, while also paying homage to the vibrant German techno scene.

With a sound reminiscent of Massive Attack, Dido or Radiohead, no comparison can really do them justice. Eva's haunting vocal soars over beautifully downtempo piano chords, creating a wonderfully Gothic ambiance. Philipp's piano chords and melodies against the backdrop of electronic soundscapes and rythmics immerse listeners in a deep and intense musical journey. Wilderness is out via Embassy of Music 04/11/2016. Hundreds will also be touring their new album in November - more info here. 

The music video for 'Spotless' works so well, for what is a really fine song. As the promo above suggests, Hundreds have developed what is clearly their own identifying sound, where comparisons come and go, whilst the music remains distinct and creative.

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Of Gentlemen & Cowards - Make It On Your Own.

Background from the band - Our band Of Gentlemen & Cowards is set to release our debut album, Modern Jukebox, on January 27, 2017 via Maisonneuve Music. Today we get to tease you with our new video.

'Make It On Your Own' started as a song about coming home after being away, and seeing your city and your life from the outside as you hadn't seen before. We wrote it as a reminder to ourselves of all the things we love but also the things we wish to change. During the two years we spent writing and recording this record the song took on a larger meaning for us and became a mantra for our band. You are never gonna get anywhere if you're waiting for a big break, and to truly be happy you'll need to reevaluate what success means to you. The music video follows four stories where the characters set out to accomplish their goals big and small, and though the outcome may not always be life changing, the act of pursuing the goal is celebrated as accomplishment in itself.

We formed in 2010. As a band we've seen ups and downs, including an appearance on Late Night With David Letterman and an ill-fated cruise ship gig that both broke our collective heart and yet transformed our sound into a more soulful one. Through it all, as Of Gentlemen & Cowards we've persevered our optimistic outlook. Website here.

'Make It On Your Own' may be something of a mantra for the band, it's also a good indie rock song. With an upbeat vibe at the core of this song, the band have clearly honed their craft, allowing the positives to shine through.

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Ex Reyes - Keeping U In Line.

Background - Ex Reyes is the psych-soul sound of music-dude Mikey Freedom Hart. It is a project that is based around musical community and the spark of collaboration; the inevitable result of many hours spent with talented friends in unlikely places. 

Ex Reyes is the subtle sophistication of the Beach Boys, the weirdness of psychedelic-era Temptations, the sonic experimentation of Phil Spektor and Delia Derbyshire, the free freneticism of dancehall, and the superb oddity of synthesizer-soaked dollar records, distilled into songs about real things.

Do Something EP, Ex Reyes' debut EP, was recorded over the past 5 years in hotel rooms, sheds, and proper studios all over the world--from Africa to New Orleans, Japan to Scandinavia--alongside Hart's travels as a top-tier session musician, sideman, and collaborator to such artists as Bleachers (Jack Antonoff), Santigold, The Cranberries, Sia, Mike D, Albert Hammond Jr., Adam Green, Sinkane, Dam Funk, and more. Website here.

'Keeping U In Line' was described to me as being structured like an old Motown song albeit with a more lo-fi feel. I'm guessing the person who wrote that is learning what buttons to push, to gain my interest! The good thing is, it's a really good description for what is a beautiful song. Mixing the old and new together with considerable sophistication, it gives a good feel of the quality on the new EP.

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Daphne Willis - Come Together (EP).

Background - Collaborating across multiple genres ranging from Soul-Rock and Pop to Hip Hop and Electronic Dance Music, classifying Daphne Willis in musical terms is no easy task. With infectious melodies delivered with lyrical precision and honesty, the songs and performances of Daphne Willis are sincere, compelling and relevant.

Raised in Chicago and relocated now to Nashville, Willis cites influences as varied as Elvis Costello and Michael Jackson, but her musical output cleverly incorporates such inspirations into a style that is refreshing and contemporary in a way that suits her songs best. Daphne is currently a Pop writer at Sony/ATV and continues to release music and tour as an Indie Artist.

Daphne released her first independent EP Matter of Time in September 2007; in a twist of fate, Vanguard Records head Kevin Welk heard a track on an American Airlines flight. This led to a record deal in 2008 and the release of her second EP, Exhibit A. To record her first full-length album, Daphne headed to the hills of Tennessee. She released What to Say in 2010, which was co-produced by Tim Lauer and Grammy winner Gary Paczosa. Album number two, Because I Can, came out in 2011 and reached the number two spot on iTunes’ Top 40 Singer/Songwriter Chart.

2014’s Live to Try features co-writes with Hunter Davis, Chris Faulk, Angela Lauer, John Oates (of Hall & Oates), Keri Barnes and Tim Lauer, while 2015’s Get It EP kicks off with the track “Done With Bein’ Done,” which Daphne co-wrote with Grammy winner Meghan Trainor.

Thus far, 2016 has been a banner year for Willis. She has released two singles (“Spider in the Roses,” a collaboration with frequent tour mate Sonia Leigh, and “The Struggle is Real,” which advocates mental health awareness) and turned in main stage performances at both LA Pride and Nashville Pride. Website here.

Come Together, is an acoustic EP that re-imagines five classic tracks by The Beatles. As soon as the first song (Eleanor Rigby) began to play, my attention was grabbed. Daphne Willis most certainly re-imagines these songs, with creativity and respect. Whilst we live in a world of remixes these days, I personally think it's a lot tougher to take five classic songs and give them an original take. The acoustic approach allows the original melodies to be heard, Daphne's vocals and arrangements give the songs a really special twist. Very impressive and enjoyable!

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Five Of The Finest: Phobophobes - Oh Malô - The Peep Tempel - Kristina Cottone - Flower Girl

Phobophobes - Human Baby.

Background promo - Brixton sleaze merchants Phobophobes’ new single ‘Human Baby’ due for release on November 11th on Ra-Ra Rok Records is already getting great love as Steve Lamacq’s single of the week on BBC 6 Music and it’s easy to see why with its wicked off-kilter Neil Hannon meets garage rock sound.

The fast rising band will be heading out on tour supporting Telegram between October 27 - November 3 where they will continue to offer their growing reputation and dedicated fans the sort of sleazy glam rhythms the band are becoming synonymous with, meshed with a pantheon of sounds from an eerie yet somewhat cheery afterlife.

The stunning B-side of the single is entitled ‘Free The Naked Rambler’ which has also gained 6 music airplay and is also the last track guitarist George Russell ever recorded with the band before his sudden and tragic death earlier this year. Both tracks will feature on their debut album released next year. Facebook here.

Phobophobes supporting Telegram UK Tour
OCT 27th Games Room, Brudenell Social Club, Leeds
OCT 28th Night & Day, Manchester
OCT 29th Think Tank, Newcastle
OCT 31st Hug & Pint, Glasgow
NOV 01st Hare & Hounds, Birmingham
NOV 02nd The Lousiana, Bristol
NOV 03rd Boston Music Rooms, London. 

If 'Human Baby' is how a band of Brixton sleaze merchants sound, then I'm all for Brixton sleaze merchant bands! Everything works on this hook laden song, with the immediate result of wanting to hear a whole lot more.

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Oh Malô - Miss You.

Background - Boston based four-piece Oh Malô (oh muh-low) are set to release video for enchanting single 'Miss You' taken from the band's stunning debut album 'As We Were' ahead of their upcoming east coast tour.

The quartet presents a shape-shifting sound through their dynamic arrangements as delicate vocals intertwine with ambient guitars and powerful, aggressive drums. They combine influences from rhythmically innovative indie outfits such as Bombay Bicycle Club and Local Natives, vocalists Patrick Watson and the late Jeff Buckley, and the chilling ambiance of Radiohead and Sigur Rós to create an unpredictable blend of timbres.

Singer/guitarist Brandon Hafetz explains the single as follows: "Miss You" was written during a very reflective period for me, the calm after the storm if you will. The song has a way of fooling your years into thinking you're listening to a happy and uplifting song though if you dig deeper past the musical front it still circles back to the themes of yearning and nostalgia that are present on our debut album 'As We Were'.

Over the past year, Oh Malô was nominated for “New Artist of the Year” at the 2015 Boston Music Awards, recorded live sessions for KEXP and Sofar Sounds New York, made showcase appearances at both CMJ and CMW and supported  several nationally touring acts such as From Indian Lakes, The Lighthouse and the Whaler and Halfnoise. Website here.

10/22 Washington, D.C.  @ Velvet Lounge
10/23 Lynchburg, VA @ Private Show
10/27 Pittsburgh, PA @ Mr. Roboto
10/29 Montreal, QC @ L'Escogriffe Bar Spectacle
11/3 Boston, MA @ O'Briens
11/4 Providence, RI @ AS220

'Miss You' is a beautiful and very melodic, totally catchy song. The band perform with ease, the vocals are pristine, with plenty of heart and soul, put all that together and we arrive with one extremely fine song.

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The Peep Tempel - Totality.

Background - The Peep Tempel is a rock band from Melbourne, Australia. The band’s line-up includes Blake Scott (vocals, guitar), Steven Carter (drums) and Stewart Rayner (bass guitar). After releasing two 7-inch singles The Peep Tempel released their debut album The Peep Tempel in February 2012, an EP Modern Professional in June 2013 and their second album Tales in October 2014 through Melbourne label Wing Sing.

The Peep Tempel formed as a two-piece in late 2008 by songwriter and guitarist Blake Scott and drummer Steven Carter, who were neighbours at the time. The Peep Tempel recorded their self-titled debut studio album in 2011 as a three-piece with engineers Clinton Kraus and Anna Laverty at Sing Sing South recording studio in Melbourne. Longtime collaborator and engineer Matt Duffy played bass during the recording session. In late 2011 Stewart Rayner joined the band to play bass guitar and the band toured both in Australia and Europe as a three-piece during 2012. Their 2012 debut album received critical praise and was nominated in the category of Best Independent Hard Rock or Punk Album at the 2012 AIR Independent Music Awards.

The Peep Tempel have earned a reputation as one of Australia’s most powerful and respected live acts, their performances has been described as both energetic and scabrous in equal doses. Testament to the band’s live reputation, was their nomination for Best Band and Best Live Band at the 2015 The Age Music Victoria Awards. During the previous Australian summer The Peep Tempel wrote their third album in their West Melbourne studio and again collaborated with engineer Anna Laverty (Nick Cave & The Bad Seeds, Courtney Barnett), to record and mix the album at Sing Sing Studios. Facebook here.

The second of ten songs on 'Joy' the featured track 'Totality' is powerful and honest in it's own right, and typifies the sheer quality found across this album. Feisty throughout and mixing punk attitude with intriguing lyrics, set against a potent rock background, this is real rock'n'roll.

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Kristina Cottone - Ukulele Love Song.

Background - Kristina Cottone is an indie-soul artist based in Chicago.  Known as the front woman and founding member for soul/rock band, Honey & the 45s, Kristina has performed throughout Chicago and the Midwest.  She continues her role with Honey & the 45s, and brings you her solo project, Kristina Cottone Music.

Surrounded by a family of performers, Kristina's interest in the arts and music began at young age. Her grandfather was a jazz singer and her aunt was an actress. Also pursuing the stage, Kristina holds a BFA in acting, and performed as company member with Chicago's Organic Theatre Company for 5 years before dedicating all of her time to music.

Honey & the 45s was awarded Best Blues/Jazz Band at the 2014 Chicago Independent Music Awards and has toured the Midwest and opened for such notable acts as Cold War Kids, Big Data, Smash Mouth, Andy Grammer, The Original Wailers and Eric Hutchinson. Kristina continues to play her favourite venues around Chicago and tour regionally with both Honey and KC Music. Website here.

Whilst three chord ukulele strummers in the audience at pop festivals should be rounded up and evicted (just my personal opinion) 'Ukulele Love Song' is an absolute delight and goes way beyond just the one instrument. Kristina's vocals are gorgeous, the melody equally and the video is also charming and fun.

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Flower Girl - Wading Online.

Background - Flower Girl have announced their upcoming album and shares the first track "Wading Online".  Their album 'Tuck In Your Tie-Dye' is due November 11 on BUFU Records. Like their namesake implies, Flower Girl is a celebration of youthful exuberance, tossing up sing-a-long anthems, and heady licks to decorate your path. Led by perennially grinning frontman Nick Morris, this NYC-based five-piece of hard-working chillers revels in an optimist high of contagious energy. With a sound that blends storytelling lyrics, catchy power pop hooks, understated alt-rock noodling, and a steady rhythm section grounded in a country backwoods feel, Flower Girl occupy a musical space all their own. Having accrued a hometown reputation for spreading smiles with raucous and revelatory live performances — featuring somersaults, whip cracks and lots of crowd dancing — these grown-up kids sure know how to start a party.
 
Buoyant and cheerful throughout, this colourful collection of sweet-hearted songs could warm the coals of a modern day scrooge with their impassioned appeals to have some just have some fun already. Akin to the vibes of Jonathan Richman and the be yourself spirit of 90’s Nickelodeon, Songs like "Let’s Build a Fort" drive that message home with cheeky refrains to escape the pretencion and pessimism of the city, pairing guitar licks, group calls and some well-placed cowbell. Likewise, the peppy pop of "Hi5’s" rejoices in the simple pleasure of slapping some skin and spreading the love.

You can almost hear the smile in Morris’ conversational croon. However, it's not all sunshine in Flower Girl’s world, as softer tracks like "Dorthy Says" and "2 Late 2 Be a Cowboy" feature a tinge of twangy country smoothness that betrays a quiet melancholy of missed opportunity, loneliness, and the dislocation of being a little guy in the big city. With most songs coming in under the 3 minute mark, these songs are compact and to the point. No breakout solos or meandering interludes distract from their overall message, just feel good vibes you won’t mind ricocheting around your skull like so many jumping jellybeans. So serve yourself a stack a flap jacks, pour on that sweet syrup and get ready to flip for Flower Girl. Facebook here.

'Wading Online' has feel good vibes through and through. The band sound loose and easy, which is just right for the vocals, and a song structure like this. Catchy, it's another really good tease, for a soon to be released album.

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Weekend Wonders: Joan As Police Woman & Benjamin Lazar Davis - Mat Hunsley - Cassie and Maggie MacDonald - The Proper Ornaments - Deep Sea Diver - The Lovely Days

Joan As Police Woman & Benjamin Lazar Davis - Satellite.

Background promo - Brooklyn based Joan As Police Woman and Benjamin Lazar Davis today release Let It Be You, via Reveal Records/BFD*/RED Distribution. The band will celebrate the album's release at Good Room in Greenpoint on 10/26. Also on the bill is another of Ben's projects, Cuddle Magic.

Initially announced under the moniker ‘2001’ the duo released a pair of partner videos directed by Benjamin Gregory featuring Fred Armisen (SNL, Portlandia); one for the song “Overloaded” with Ben on lead vocals and “Broke Me In Two” featuring Joan on lead.

A deeply soulful artist, Joan As Police Woman (Joan Wasser) has famously worked with Antony (Anohni), Rufus Wainwright, Lou Reed and David Sylvian. Benjamin is a talented multi-instrumentalist who currently performs with his band Cuddle Magic, Okkervil River, and Bridget Kearney (Lake Street Dive). Joan and Ben met each other after separate trips to Africa; Ethiopia for Joan as part of Damon Albarn’s Africa Express,  and West Africa for Lazar to study traditional music. They initially bonded over Central African Republic Pygmy musical patterns and wrote this album together loosely inspired by this music. The band recently performed at the BRIC Celebrate Brooklyn Festival.

The band will be touring Europe in November and December. Performing with a full band, Joan As Police Woman and Benjamin Lazar Davis will showcase songs from the new album and re-imagine recordings from the four previous Joan As Police Woman albums (Real Life, To Survive, The Deep Field, The Classic). More here.

This is our second track feature (following on from 'Magic Lamp' three weeks ago), from todays album release, this time we have the song 'Satellite'. It's another highly original and unique piece, where the duo again focus on creating and performing their eclectic music, it's different however quite accessible.

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Mat Hunsley - Fires.

Background - ‘Fires’ is the lead single from Mat Hunsley’s debut EP, which is available to pre-order from iTunes here.

Produced by Mick Ross (Ajimal, Tessera Skies, The Lake Poets) and mastered by Tom Woodward (The Cribs, Fidlar, Frankie & The Heartstrings), the ‘To Being Free’ EP is released on 18th November. It represents another personal step forward for Mat, who has had to overcome numerous frustrations – not least his own self-doubt – just to get to this stage.

Those experiences have fed into Hunsley’s unique brand of storytelling, which is laid bare on ‘Fires’, his most personal song yet. Nods to contemporaries including Bon Iver, Nathaniel Rateliff and James Vincent Mcmorrow are evident in the track and provide the perfect backdrop to his poignant lyricism and ethereal vocals.

Just last month the Newcastle-based artist premiered his debut song ‘Dropping’, which has led to a who’s who of music industry taste makers talking about Mat.

‘Fires’ is sure to propel him to even greater heights, culminating in the release of his debut EP, a body of work that perfectly represents what this outstanding young talent is all about. A passionate and intelligent documentation of the world as it revolves around him, it’s the first chapter in a colourful songbook that Mat appears to be compiling as he attempts to move past previous insecurities and reconnect with the human being inside worn and weathered 21st century skin.

'Fires' demonstrates just what a distinct and melodic voice Mat Hunsley has. Add to that a thoughtful and well structured song, and for me, your onto a winner.

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Cassie and Maggie MacDonald - F# Minor Set.

Background - Inventive Young Canadian Duo Cassie and Maggie MacDonald Bend the Beloved Folk Symbol in New Directions on The Willow Collection

Back in the day, people would lay willow wands beneath their pillow when they struggled to cope with strong feelings. “They would dream through it in the night and be better in the morning,” explains Maggie MacDonald. “That’s why it’s associated with grief.”

The willow’s powerfully emotional, innately flexible role as folk symbol inspired Nova Scotia-born duo Cassie and Maggie MacDonald’s latest, most exploratory album yet, The Willow Collection (release: November 4, 2016). The young player’s piano, guitar, fiddle, and flying footwork reveal the many facets of tying together songs that feature the tree. The MacDonalds have branched out from their deep Celtic roots into new, related regions, ranging from Appalachian and Ozark ballads to country classics.

We really wanted to explore the different genres that came from the same origins,” Cassie notes. “The Scottish people in Appalachia, for example. We wanted to trace those roots and really get a feel for how they took on a life of their own here in North America.” Website here.

The Willow Collection Tour:
11/7 Calais, ME: Calais Celtic Concert Series, Wash. Co. Community College
11/9: Mexico, ME: Green Church ;
11/10: Farmington, ME: North Church Concerts
11/11: Harvard, MA: Harvard Public Library
11/13: Harrisburg, PA: Susquehana Folk Song Society, Appalachian Brewery Company
11/17: New York, NY: Silvana
11/18: Oxford, NY: Six on the Square
11/19: Oswego, NY: Oswego Music Hall, McCrobie Building
11/20: Woods Hole, MA: Woods Hole Folk Society, Woods Hole Community Hall
11/22: Portland, ME: One Longfellow Square  

Unfortunately at present there is nothing to share from 'The Willow Collection', however as it's such a fine album, I just wanted to give it a mention along with the duo's forthcoming tour dates. Hopefully 'F# Minor Set' will raise some interest, if this please your ears then check out the soon to be released album.

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The Proper Ornaments - Memories.

Background - The Proper Ornaments – the project of James Hoare (Ultimate Painting, Veronica Falls) and Max Oscarnold (Toy) – announce the release of their second album. Foxhole will be released through Slumberland Records (US) and Tough Love Records (EU) on January 20, 2017.

James and Max started out writing Foxhole, the follow up to the bands 2014 released debut album ‘Wooden Head’, in January 2015. On ‘Foxhole’ they’ve sliced away a whole stratum of their sound, removing some distortion and lowering the frequency of plectrum strokes to allow more nuanced, piano-led ideas to emerge. The title isn’t a reference to Television’s jaunty proto-punk record but seems to be more of a dark, protective interior, a head space sketched out on ‘Jeremy’s Song’. While their particularly recognisable production style remains, three things stand out as likely reasons for the shift in mood. By the time they got around to recording again in James’ bedroom in Finsbury Park that Summer, the instability around the recording of ‘Wooden Head’ (and the five years before) had slid into a deep and seething acrimony. Second, they both bought pianos. Third, when the band, with Daniel Nellis and Bobby Syme joining on bass and drums went to record at Tin Room in Hackney in June, the pinch wheel on the 8 track machine was broken and somehow no one noticed. All but one recording, ‘The Frozen Stare,’ was hopelessly warped, so they went and did it all again from scratch back at James’.

Proper Ornaments hold the attraction of seeming to not try very hard at all and achieve something outstanding nonetheless. Quite apart from our attachment to laziness and chance which make this seductive, textures of dappled drums, softened-out guitars and vocal harmonies that slide along as effortlessly as this, any evidence of conscious construction spirited away, are in themselves totally ecstatic to listen to. Facebook here.

'Memories' is a gentler paced song, where the vocals and understated music complement each other superbly. Melodic and natural, the laid back vibes are just so quick to calm and please me.

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Deep Sea Diver - Wide Awake.

Background - Seattle-based indie-pop band Deep Sea Diver have shared "Wide Awake," the second music video from their recent sophomore album Secrets. The video is a beautifully shot live performance of the song, spotlighting the band's high energy live shows - they have a couple tour dates coming up (see below).

"Wide awake, and I'm chasing after you" - exclaims a breathless Jessica Dobson, singer and multi-instrumentalist of Seattle's Deep Sea Diver. The lyric is one that best encapsulates the front woman's bravado and fearlessness which dominates Deep Sea Diver's forthcoming sophomore LP, Secrets --Out February 19th on their own High Beam records. In their desire to explore dualities, Deep Sea Diver urgently and deliberately move you from rock experimentation to dreamy soundscapes, Kraut-esque drum and bass grooves to angular danci-ness, and full fledged orchestration to bare bones simplicity. Dobson has the voice and authority to tie it all together, and turn it into a cohesive unit that soars yet remains beautifully delicate and intimate. Live, the band has received acclaim for their festival-ready power and presence, Jessica's larger than life guitar hooks, and their cascading layers that build upon each other until they reach their explosive peak.

In late 2013, Dobson put in her notice to former Shins boss, James Mercer, in order to give full attention to her own musical vision. Mercer agreed, saying "I'll miss you, but I give you my full support. You've gotta pursue Deep Sea Diver." While much was gleaned from the experiences in her many years spent playing with top tier musical outfits (Beck, the Shins, Spoon, Yeah Yeah Yeahs,) something was brewing that demanded a sort of dedication and alertness that couldn't be fully engaged while moonlighting as a side-woman for those greats. Facebook here.

10.29.16 - Disjecta Portland, OR
11.07.16 - Paramount Seattle, WA w/ The Head and The Heart

'Wide Awake' is a hypnotic rocker, where the vocals of Jessica Dobson gradually take the song to a more dreamy and smoother place. As an intro to the recent album, it's gotta hook a few more ears.

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The Lovely Days - Lordness.

Background -  Hailing from Byron Bay, via Melbourne Australia comes four piece Australian indie band The Lovely Days who are set to release their self-titled debut EP on October 7th. The Lovely Days features brothers Tennyson Nobel, 23 [keys, vocals] Holden Nobel, 25 [bass, vocals] along with Stephen Dickie, 22 [guitar, b/vs] and Jackson McIvor, 21 [drums].

Scratch beneath the surface of The Lovely Days song-craft and you’ll discover trace elements from four young lads from Liverpool some 50 years ago, through to the classic songwriting that defined the prolific songs of the 70's and 80's. Featuring feel-good harmonies delivered by the Nobel brothers who seamlessly share the lead vocal across different tracks, The Lovely Days are indeed a rare breath of fresh air in today’s music scene with the EP being self-penned and self-produced.

The Lovely Days began recording their debut EP in different locations; starting in a big fancy studio, then mid stream finishing it off in a beach house and a mate’s bedroom at his grandmothers house. Lead singer Tennyson explains; “Studios are cool, but for us we really dig the DIY dynamic of recording in a lush space where you can cook together and go to the beach.”

Two brothers and a high school friend travelled from Byron Bay to Melbourne to kickstart their careers where they met their drummer to form a brotherly partnership that is The Lovely Days. If you’re vitamin D deficient and usually take supplements in the morning with your juice, stop…from now on just listen to The Lovely Days instead. Website here.

Bright and breezy indie rockers The Lovely Days know how to lift the mood as 'Lordness' ably demonstrates. Coming in at just over two minutes, it's like an energised shot in the arm, and an excellent taster for the fine new EP.

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Sweden Calling: Mother Mink - Louise Lemon

Mother Mink - Doobie Doobie.

Background promo - Mother Mink is a music duo based in Stockholm created the autumn of 2016. The band plays experimental indie pop with both electronic and acoustic elements. A big part of the music has been created by distorted saxophones, clarinets and dirty beats.

Mother Mink’s music can be described as a cross between punk, pop and indie. The music is theatrical, humoristic and has many interesting melodies. The musical references of the band comes from everything from jazz to punk. Their aesthetics is described by themselves as a ”kitchy, dirty and glamorous plastic world”.

On the stage Mother Mink wants to convey musical chaos where a qualitative freak show is their artistic goal. To achieve this Mother Mink often invites other crazy musicians to join them. They themselves describe their music as an explosion of art.

The original source of inspiration of the band comes from the plastic in all the seas of the world and several songs treat themes around the artificial and exaggerated world we live in. Their first single ”Monkeys” is about the mass death of bees caused by mankind.

Their second single ”Doobie Doobie” is a catchy song with references to Quentin Tarantino’s films. The song contains everything from horn arrangements, opera, Fanny’s singing and cut up electric guitars that sound like a machine gun. Website here.

For me 'Doobie Doobie' rips apart the awful, plastic Euro pop fodder, with a touch of madness, plenty of humour, and an annoyingly catchy song. The video is the icing on the cake.

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Louise Lemon - Thirst.

Background - Hailing from Sweden, the place that has graced us with some of the best and most interesting contemporary musicians comes female artist Louise Lemón. Following live performances, critics raved about Louise- including one of the biggest Swedish national newspapers Dagens Nyheter, who called her the answer to future music.

Louise Lemón joins the ultra-growing power of females with attitude; sounding sonically similar to PJ Harvey, whilst also hints of The Dead Weather appear. Interestingly, Louise actually recorded her upcoming EP, Purge, in a cabin deep in the woods of Dalarna, and the presence of the eerie place is undeniably audible in her latest single, Thirst. The track, which was produced by Randall Dunn (Sunn O))), Thurston Moore), gets sent into darker territory, giving it that hypnotic edge when a scuzzy blend of guitars take over, reminding us of Dolores Haze. Whilst distorted, reverbed vocals have left comparisons to artists like Chelsea Wolfe. Thirst was released on the 14th October 2016 through Icons Creating Evil Art. Website here.

There is a brooding feel running right through 'Thirst'. The lofi vibes erupt into chorus, the distant edgy guitar comes and goes and the vocals drift through the sonic soundscape. Superb!

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Genre Wander: Astari Nite - Sian Cross - The Blow - Tribe Royal - Eliza Mary Doyle

Astari Nite - Until the End of the Moon.

Background promo - Astari Nite is proud to bring to the world the music video to the title track of their second, and latest album, Until the End of the Moon. This is the 3rd music video for the album, following the music video for “Always Like Yesterday” and the live shot production for “Joyful Wish” which was shot at Revolution Live in Ft. Lauderdale while the band opened for She Wants Revenge.

Formed in 2008, the group consists of Mychael Ghost (lead vocals), Illia Tulloch (Drums), M. Sallons (Bass), Michael Setton (Guitar), and Howard Melnick (Guitar). Signed to (Danse Macabre Records). Astari Nite has headlined numerous shows, as well as opened up for many national acts such as Peter Murphy, The Psychedelic Furs, ColdCave, Stars, Assemblage 23, Seabound, Modern English, Andy Rourke of The Smiths, Apoptygma Berzerk and De/Vision among many others.

Since forming they have put out five releases; their self-titled Astari Nite (2010), Requiem Mass (2011)Stereo Waltz LP (2014) featuring the singles "Pyramids" and "I.O. 1987", Anonymous (2015) featuring the single "The Boy Who Tried" and Until the end of the Moon LP (2016)

2016 Highlights - The single "Always Like Yesterday" was included in Spotify's Fresh Finds playlist (January). Released a music video for the single "Always Like Yesterday." Released second LP titled Until the end of the Moon (May). Toured the U.S East Coast in support of the album (May). Opened for She Wants Revenge (June). Website here.

Second time feature for Astari Nite (it was back in April we first covered them) and 'Until the End of the Moon' is another fine song. Back then I described the music as "high quality post punk or new wave music", if anything the new song is a little more layered and refined, it's still terrific!

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Sian Cross - On And On.

Background - Sian Cross stunned listeners with her recent single Tell Anybody. Praised by critics and fans alike, it was made Track Of The Day on Clash, whilst reviewers praised her honest songwriting and exquisite vocals.

During On and On, her character fights for survival on the strip club stage, outwardly dominant but inwardly vulnerable. Her hypnotic vocals switch effortlessly from whisper to yell, against a sonically adventurous backdrop of startling synths and stuttering rhythms. It’s like Banks’ vocals married with FKA Twigs productions. Every listen reveals new layers. Sian will be heading out on tour in November with some talented artists, including a support slot for American artist Mishka Shubaly. Facebook here.

November Tour Dates:
3rd - Servant Jazz Quarters - London (supporting James Beau Barclay)
11th - Basingstoke Anvil - Basingstoke (supporting Sons Of Pitches)
12th - Falmouth Pavilion - Falmouth (supporting Sons Of Pitches)
14th - St Albans Arena - St Albans (supporting Sons Of Pitches)
21st - Cadogan Hall - London (supporting Sons Of Pitches)
23rd - The Rowbridge - Guilford (supporting Miska Shubaly)
25th - Gullivers - Manchester  (supporting Mishka Shubaly)
26th - Slaughtered Lamb - London (supporting Mishka Shubaly)
27th - Robin 2 - Wolverhampton (supporting China Crisis).

It was back at the end of July that Beehive Candy featured Sian Cross, describing her music as "emotional and atmospheric" on that occasion. 'On And On' has all of that, as the song builds (and builds) both with intensity and feeling. I definitely want to hear more!

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The Blow - Think About Me.

Background - The Blow’s Melissa Dyne and Khaela Maricich have spent the past handful of years deep in the studio, working out their own new way of producing electro acoustic pop. “Think About Me” is the fruit of these labors. The song consists of five tracks, using modular and analog synthesizers plus vocals to create layers of frequency. Through the recording process, the duo have developed their own instruments and processing systems for creating sounds, ending up with a mothership of gear patched together in a a web of cables. No longer employing a laptop in live shows, their songs are now performed as live production.

Dyne and Maricich started their odyssey of recording and producing their own music in the late aughts. They considered working with an outside producer but it soon became evident that the sound they were after was something they could only find together. In 2013 they emerged briefly from their recording odyssey for the release of their self-titled album, The Blow. The album was named “favorite album of the year” by NPR’s Bob Boilen and two of its songs were honored on the New York Times’ “Top Songs of 2013.”  With these encouragements they dove immediately back into the studio to continue pursuing elusive sounds.

Throughout the years of recording isolation Melissa and Khaela fantasized about building a community of other producers to draw inspiration from; they brought these fantasies to life in www.womanproducer.com.

'Think About Me' is a really good example of why there is still plenty of room for experimentation and daring to be different with music. This is a beautifully crafted song that has no hang ups on genres or format, and yet everything holds together, with the vocals giving some anchorage, whilst the sounds dance around.

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Tribe Royal - Into Golden Waves.

Background - Tribe Royal is a Canadian folk-rock band based in the nation’s capital city of Ottawa. The band was born from the partnership of Terry O’Brien and Chris Kerwin, two aspiring songwriters, and their shared interest in the musical giants of the 20th century. When their bandmates Bram Al-Najjar and Mike Giamberardino joined -- talented and inspiring musicians in their own right -- the resulting foursome created a dynamic relationship that has crafted the band’s sound into the genres it now encompasses.

Tribe Royal’s sound can be described as an alchemic blend of folk music, 60’s British Rock and 90's Alternative Rock. At the core of the Tribe are three unique singing voices that can be layered for 3-part harmony, or woven to create imaginative counterpoints. Their sound and songs have a nostalgic feeling to them, introspective yet vibrant; grounded in the honest experiences and youthful memories.

Since the band’s formation in January 2014, Tribe Royal has earned a reputation as a professional, hardworking and ambitious group. They have released one LP, “Samadhi”, with a second ‘Colours of the Sun’ to be released later in 2016. In just over two years as a group, they have played more than 150 shows in 20 different cities and are currently booking dates throughout the remainder of 2016. Their love for music has connected them with thousands of people of all ages, through small private benefit performances, to large-scale rock venues in some of Canada’s largest cities. With the release of ‘Colours of The Sun’ , 2016 is set to be a pivotal year for the emerging rock group. Website here.

I have to say the new 'Colours Of The Sun' album is consistently refined and enjoyable across all thirteen tracks. 'Into Golden Waves' gives an idea of what is in store for the listener, which I would describe as a mix of folk rock, alt rock and even a hint of Americana. It's all delivered with great vocals and a band who can play.

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Eliza Mary Doyle - Nothin' To Lose.

Background - When Eliza Doyle’s car broke down in Nashville in 2015, she found herself happily stuck in Music City.  The venerable banjo player and singer/songwriter from Saskatchewan had stopped in to see a festival and ended up enjoying an extended stay, playing in bars and meeting all manner of talented musicians.  Having been on sabbatical to follow her muse anyway, it seemed like fate urging her to keep on the well-worn path to musical fulfilment.

Doyle has had a fifteen-year career in groups, as a solo artist, and as a professional session musician, playing banjo, singing, with not only the banjo, but with guitar, dobro and mandolin. She has released nine full-length albums, won numerous awards, and toured North America and Europe.  Doyle has been a regional finalist in CBC’s Searchlight Canada competition and past winner of Bell Media’s contest, The Next Big Thing.

On her new album It Ain’t What It Seems Doyle’s strong, but wonderfully frayed voice belts out captivating tunes and harmonies. She has the versatility to go from beautiful and melodious songs, to a full on boot stompin’ party scene. With her charismatic high energy performance, combined with outstanding claw hammer banjo, everything about Eliza Doyle’s music rings of an authenticity that takes you straight to the beating heart of folk and bluegrass music. Website here.

Eliza Doyle – It Ain’t What It Seems Tour:
20th- Edmonton, AB. Sewing Machine Factory
21st- Williams Lake, BC. Arts Centre, Arts on The Fly with C.R Avery
22nd- Prince George, BC The Legion, with C.R Avery
23rd- Vancouver, BC. Cafe Deux Soleil with guests Jayne Trimble
25th- Vancouver, BC. The Heatley with guests Jayne Trimble and Bob Sumner
26th- Duncan, BC. Duncan Showroom
27th- Victoria, BC. Wheelies
28th- Victoria, BC, Private House Concert
30th- Parksville, BC, The Realm
November
2nd- Nelson, BC, Bigby Place
3rd- Kaslo, BC, The Bluebelle Bistro
4th- Nelson, BC, The Royal
18th- Winnipeg, MB, The Times Change(d) with The Osmond-Davis Band
December
10th- The Root Emporium, Lloydminister, AB.
13th- The Ironwood, Calgary, AB.
16th- The Bassment, Saskatoon, SK.
17th- The Church Series, Brock, SK.

'Nothin' To Lose' is one of eleven varied tracks on the album 'It Ain't What It Seems'. Eliza has a distinctive voice that just lends itself to these types of songs, and beyond her fine vocals is some superb musicianship. Sometimes soft and slow, other times foot stomping and upbeat the melodies are always there, it's a really good collection of songs.

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