Claudio Conti - Long Branch - Harry Permezel

Claudio Conti - Blazing Lair.

Background -  Claudio Conti presents 'Blazing Lair' is the second single off his new album 'Garnet Dusk' album, out now via Seahorse Recordings. This follows up the earlier revealed single ‘Old Clouds Fell‘-. both tracks reel in a delightful ebb and flow, while the new single beautifully embodies California dreaming.

The new accompanying video was entirely filmed last September in Los Angeles, mainly in the West Hollywood and Venice areas in September 2017, this video was filmed and directed by Claudio Conti and Frederick Byron, who also edited it. The two previously cooperated on the video for ‘Old Clouds Fell‘, shot entirely in San Francisco and California's Bodega Head Beach.

The new film portrays the shadows and lights of Los Angeles, a city that has always been blessed, cursed, crowded and infested by artists, and who shape this luminous place with their greatness, their weaknesses, their achievments and their failures.

"L.A. is ambrosia, whispers and caresses of inspiration but also the kiss of death," says Claudio Conti. "To have artistic recognition there is the greatest challenge, the city of angels (or of lost angels)  seems like the most dangerous and highest mountain to climb unharmed for any artist."

Claudio Conti is an Italian songwriter whose style is rooted in the same romantic pensiveness that mark the music of Tim Buckley, Nick Drake, Gene Clark. and Tim Hardin. Largely drawn to psychedelic music, folk rock and 80's indie rock, he considers Gram Parsons, The Doors, The Smiths and early R.E.M. as his main influences. FACEBOOK.

'Blazing Lair' is a fine representation of the quality and beauty that is 'Garnet Dusk' a collection of fourteen magnificent songs. Claudio Conti's influences are wide ranging both in terms of artists and musical genres, and it is quite an achievement to take some of the best of those and carve out an album that is still very much his own work and styling. Expect quality, it's packed full of it.


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Long Branch - Ash.

Background - Toronto/Honey Harbour band Long Branch releases their debut full-length album, Found the Setting Sun, May 25, 2018 on boutique label DWR, home to Michelle McAdorey's Polaris Prize long-listed album, Into Her Future.

Long Branch recorded Found the Setting Sun at Noble Street Studios throughout 2016-17 in a series of sessions helmed by Executive Producer Gavin Brown. Co-produced by Long Branch and Shaddy Roman, the album gathers ten songs from the group's repertoire, and expands on the sound the band first introduced to audiences with their self-released 7" single, "Lucky Me/Just in Case" in 2015.

Dead leaves, bare trees, redemption, and resurrection are embodied in the fuzz-fueled guitars, violin, and vocal harmonies of Long Branch's sound. Formed in 2014, the band is stacked five-high with members from beloved Canadian combos, Adaptor 45, Chicken Milk, The Good Family, Shadowy Men on a Shadowy Planet, and Venus Cures All.

Long Branch's sound emerges from a solid guitar bedrock, with haunting violin voicings and the layered harmonies of the band's four formidable frontwomen supported by nuanced, driving rhythms. Introspective, moody, and evocative, Long Branch songs are narratives of overcoming hardship. Yet the songs are hopeful: A whisper of sadness appears one moment only to be blown away by grit and determination. BANDCAMP.

A chunky rhythm is soon joined by some melodic guitar licks on 'Ash' which make a splendid backdrop for the refined and splendid vocals and harmonies. Indie rock of sorts and catchy throughout.

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Harry Permezel - Bonehead.

Background - Melbourne-based artist Harry Permezel recently shared his new single "Bonehead". The track is the first to be released from his upcoming new album Wax Man, out 5/4 on Muscle Beach Records.

Wax Man, the sophomore album from Melbourne, Australia native Harry Permezel, is an intimate reflection of a twenty-something’s formative era of self discovery. The ten tracks flutter from introspective observance to guided narration on the forming and failing of relationships, uncertainties of the future, suburban isolation, and a hopeful foresight. The warm production of the record allows these themes to become illuminated with haunting harmonies, head-bobbing hooks, clockwork percussion, sporadic flecks of synthesizer, and crooning ruminations.

 Learning guitar at a young age and have being influenced by his older brother, Permezel began to develop his sound at his parents' house in suburban Melbourne. After unearthing a set of his dad's old speakers in the garage, Permezel began to slowly build a home studio, where he would repeatedly find himself after long, hazy nights in the city with his friends. This home studio is where he eventually recorded and produced his self-titled debut, which was released in 2016 on the Oxford, MS based label Muscle Beach Records. Over the next two years, Harry and Muscle Beach kept in close contact, building a tight friendship and creative bond - a unique and deeply personal relationship between label and artist.

Wax Man is the result of incredible determination, self assurance, a deep knowledge of solitude, and a true appreciation of company. This meditation on loneliness, lessons learned, and optimism lingers long with the listener. TWITTER.

There is something of a laid back surf vibe to 'Bonehead' as it gently carves out it's way. Collectively understated and yet solid enough to grab my attention, it's the vocals that round things off and drive in those catchy hooks.

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My Pleasure - King of the Travellers - The Rivers - Night Flight

My Pleasure - These Things Take Time.

Background - My Pleasure says of the upcoming album: "It's only been six months since my first album came out, but I wanted to deliver on my promise to myself to release as many albums as possible before I die. This one is called Mostly Happy because I am mostly happy with the album, and I'm mostly happy with life."

And with regards to the single: "These Things Take Time refers to all manner of trivial things, but generally it's about trying to be patient whenever you feel held back. And seeing as the song features a reference to family, the recording has my partner, daughter and stepdaughter joining me on vocals. It's usually just me in the studio going mad on my own, so it's nice to have a trio of vocalists backing me up for this one."

My Pleasure's previous releases, 'Domestic Bliss' (album), 'Party Popper' (an EP) and 'Your House is Made of Nothing and You Are No One' (a collection of ten singles) received support from BBC 6 Music, Radio 2, Radio X, Absolute Radio and BBC Introducing.

He has supported the likes of Jeffrey Lewis, The Wave Pictures, Public Service Broadcasting, H Hawkline, Art Brut and The Lovely Eggs. A UK tour is planned for the Summer. FACEBOOK.

The video works well with 'These Things Take Time' however it's the song that jumps out and cries for a listen. Different in a fine sort of way, the track pumps out rhythmic hooks by the dozen, listen and love! 


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King of the Travellers - Señor Oxido.

Background - Intertwining layers of Romani, Balkan and Celtic folk into a punk-fuelled tornado, King of the Travellers summon the musical ghosts of yore from every corner of the globe. On their fierce new single Señor Oxido, the Fremantle 7-piece ride into new territory with a heavy gallop – immersing the listener in a scorching Spaghetti Western.

While the song's lyric is a playful ode written upon the departure of former bandmate Rusty, Señor Oxido is a powerful orchestration of the band's impressive roll call: Nathan Hull (vocals), Sam Reed (French horn), Djan Irianto (guitar), Alex Green (bass), Tristan Hull (mandolin), Josh Cutler (drums) and Ben Power (clarinet, organ). Although sounding nothing like their previous work, Señor Oxido is perfectly at home amidst King of the Travellers' set-list – bursting at the seams with the band's innate ability to inspire a heaving dance floor.

Since day one, King of the Travellers have been this way... a band able to get the whole room moving. It has been their constant, no matter which direction their music has come from. 2013's The Puncha Hoedown was a rousing collection of howling folk-punk songs that felt almost like sea shanties. Building on this, 2014's Rambling Jackson involved more instrumentation and a broader range of ethnic variations of folk music, but was again delivered with maniacal energy. By 2016's Pros & Cons, King of the Travellers had fully developed their sound – fittingly bringing the music of all the world's great traveller cultures and distilling it into one potent brew.

With more material up their sleeve to ensure one hell of a 2018, King of the Travellers are ready to tear the roof off any place that'll have them. FACEBOOK.

The hashtag says #Alternative and 'Señor Oxido' is all of that and more. This is creative, imaginative and a joy to listen to. Genres galore are put in the mixer and come out as a musical smoothie of renown, come strut your stuff to this one...

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The Rivers - Tricks and Lovers.

Background - The Rivers are a brand spankin’ new indie/roots act from the South-West of WA. The Rivers’ name is symbolic of the many musical tributaries who have contributed to the band’s rich cinematic sound.

The band prefers to live underwater, away from the rage and chaos of modern life. The songs, scribed by the elusive Doug Boatman, are nostalgic, electronically layered and vocally harmonic, drawing richly from roots music - telling tales of hope and loss.

In recent travels, singer/songwriter, Doug Boatman drifted from port to port, writing a tea chest of songs later recorded in Los Angeles, New Zealand, Perth and the South-West of W.A. Tricks and Lovers is the first of the songs let loose from the chest, a message in a bottle seeking harbour in your headphones.

Tricks and Lovers is an early-morning alleyway glimpse of gratuitous love gone wrong - a broken heel struck through the heart of a willing victim. It depicts the complex nature of love surviving on the edge of morality, where sanity is tenderly balanced by the contents of a ‘pretty pill box.’

Ye who enjoy driving old V8 cars at night on country roads through the wind and rain, cruising with the heater set just right, will love The Rivers’ sound. You may, at times, drive recklessly fast; occasionally, you may just pull over and cry. WEBSITE.

The vocals and harmonies are the first part of 'Tricks and Lovers' to register in a good way, the musical arrangement provides a vibrant background on this folk pop/rock song, and the catchy nature of the piece ensures at the least a few more listens.

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Night Flight - Parade.

Background - London based band Night Flight return with the news of their second EP Carousel, along with the release of new single ‘Parade’ — the first track to be lifted from the EP.

Co-written with Billie Marten, 'Parade' beautifully drifts in on the back of a simple, yet effective guitar chord passage - as frontman and songwriter Sam Holmes sings: “Hey there, how’ve you been in this world, since I fell out of yours?”. Wonderfully paced, and lyrically riveting - Night Flight are a real breath of fresh air. Parade's carefully considered use of soft acoustic guitars, soothing keys, and steady, shuffling percussion is a joy to behold, building to its atmospheric - almost psychedelic close.

Its accompanying video also released today, directed by Dan Harris, feels like the perfect backdrop. A Peak District covered in snow, shot in beautiful 16mm, mirrors the turmoil of ex-lovers explored in the song.

Speaking on the new track, Sam explains ‘Parade’ is…"A conversation between ex-partners set some time after their break up. While the motive is for cathartic reconciliation, it quickly turns into a passive aggressive back and forth of one-upmanship." WEBSITE.

'Parade' has already received considerable attention in the last few days since it was released. Melodic and beautifully crafted the gentle vocals are totally engaging and the band deliver music with heart and quality, ensuring the emotion and feeling of this song resonates gorgeously.


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Juliet Quick - Lou - Second Still - Umbrella Bed

Juliet Quick - Changeling (EP).

Background - Brooklyn-based, alt-folk artist Juliet Quick shares her new release Changeling EP, out now on DSPs.

Changeling is a 3-part song series, using the folkloric trope of the changeling, in which a child is stolen by fairies and replaced with an imposter, to explore feelings of alienation from the self and the familiar that characterize early adulthood. They don’t follow a strict narrative, so much as trace different points in the evolution of that psychic experience.

The imagery is heavily grounded in the landscape of the Hudson Valley, where the artist was raised. It was recorded in Carmel, NY, where it was engineered and co-produced by Rees Shad in his own studio. The orchestral strings were arranged in a collaboration with Juliet Quick, Rees Shad, and Nathan Kamal. WEBSITE.

We featured 'Changeling Part 1' back in February and I am very pleased to be able to now share the whole EP. Regarding our last feature we commented "Part I' is a gorgeous and quite unique indie folk song, where Juliet Quick's vocals are quite beguiling and the musical arrangement adds a chamber folk dimension to this sumptuous and almost epic piece". Having now listened to the three tracks together, it's worth noting how each is a distinct piece, they share the same name but the differing attributes of each tune is notable, this is a fabulous EP.

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Lou - Beaten.

Background - Singer-songwriter Lou shares her poignantly arresting first single "Beaten." With this first release, Lou’s powerful voice and emotional delivery stand out and offer a glimpse into the first page of her story; that suffering and aloneness can be turned into a force. 

The song is a raw and unfiltered journey into her world. A definite talent to watch, Lou performs around LA and can often be heard at No Name on Fairfax.

Lou says of "Beaten" - "I originally wrote “Beaten” as a poem about being betrayed by love. The pain and the rage that band together to abandon you at the bottom of a dark hole. With nothing around, the only way out is to create light from within and hope that it saves you.”

Growing up in a musical household, Lou started singing at a very young age. As an only child, when her parents separated, Lou found a sanctuary by escaping into herself. She wrote a lot through her teens and, after a life changing moment, decided to share her voice with the world. Lou's debut EP is slated for release later this year. WEBSITE.

Lou's vocals are beautifully passionate and soulful on 'Beaten' a song that exudes feeling and emotion throughout. The slow paced rock orientated musical backing adds even more to this striking song.

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Second Still - Echelons.

Background - Second Still announce their second EP due this month and share the single "Echelons".  This EP is due April 20th on Sentimental Records.  The band is also set to release their sophomore EP Equals that same day.

After their first full-length record was named “best post-punk debut LP of 2017” by Post-Punk.com, While the songs from this newest release retain the sheer power and intensity of the band’s previous two releases, Equals sees Second Still evolving their sound and progressing forward into sonically uncharted territory.

The four main components of the band’s signature sound are still there –chorus and delay-heavy guitar, hypnotic bass grooves, heavyweight drum machine beats, and hauntingly beautiful vocal melodies– but they have added a couple analog synthesizers into the arsenal for Equals, mixing a whole new element into their already uniquely realized style of post-punk. Commanding synth bass, subtle ambient soundscapes, and forceful lead synth hooks now supplement and enhance the distinctive sound that Second Still had already crafted on their first two releases. BANDCAMP, FACEBOOK.

Our third feature for Second Still this time with the new single 'Echelons'. Previously we have said "the band create unique material, that challenges referencing including some classic punk vibes, alongside a hint of shoegaze and a swathe of catchy hooks." The new song is a darker, brooding track, with a hypnotic rhythm and a musical arrangement that builds into a powerful crescendo.

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Umbrella Bed - Rotate.

Background - Picking up on a 2-Tone ska sound might have seemed like a strange choice in the summer of 1995 when Umbrella Bed first assembled itself into existence; after all, the 2-Tone ska sound was a very short-lived period 15-years earlier and, without a doubt, in '95 the newly reborn ska genre "third wave" was creating a much harder-edged ska sound.

Third-wave ska was very much guided by the rise of the alternative music scene and infused ska with a more punk/grunge bent. It moved the "ska sound" pretty far away from 2-Tone's inherent pop roots. But, 2-Tone's shorter life had also left a lot of room to explore. Six full-length releases, hundreds of wildly energetic shows and two European tours later, doing anything but build on 2-Tone's legacy would have been a tragic loss.

As a live act, Umbrella Bed have also played a support role to a who's who in the ska/reggae world including The Skatalities, The Specials, English Beat, The Toasters, Mustard Plug, King Chango, MU330, Mad Sin, The Selector, and many others.

The band's primary line up has rotated some over the years but has remained largely intact. Lead vocalist Hellrocket, drummer Mitch Thompson, trombonist Al Teagarden and ska's (if not rock and roll's) premier French Horn player Eva Washburn have been around from day one. Trombonist Joy Judge and saxophonist Scott Wilcox have been with the band nearly a decade completing the "Horns of Mass Destruction". Although hardly new to the band anymore, Umbrella Bed's most recent addition Francisco Guerra on bass and Kabel Lefto on guitar bring a youthful element to a band just wrapping up its second decade -  proof that there a lot more fuel in the energy tanks. WEBSITE.

The new full-length album from American ska band Umbrella Bed is entitled 'Rotate' of which we feature the title track. The bands take on Ska & 2 Tone is vibrant and upbeat, with hints of rock and roll along the way. The band have a fine live performance pedigree, that said they certainly can and do record some fabulous tunes in the studio, as this latest collection of music ably demonstrates.

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Jack Ladder & The Dreamlanders - Atlantic Machine - Honey Radar

Jack Ladder & The Dreamlanders - Feel Brand New.

Background - “Feel Brand New” is the third song taken from the forthcoming Jack Ladder & The Dreamlanders album ‘Blue Poles’, out May 4 on Self Portrait Records. Capturing the sweet disposition that love can make life’s problems seem insignificant, the track takes a different direction, both musically and thematically from previous single “White Flag”.

“The bones of the song appeared on New Years Day after going to bed sober before midnight.“ Ladder says. “That day my partner and I went for a short bush walk that turned into a 5 hour trek. I was feeling a new chapter turning over.“

Jack Ladder is currently supporting Alex Cameron across Europe and the UK soon after a US run together, and will then have his own headline London show at The Shacklewell Arms on April 17th. Upon returning to Australia he will again join Alex Cameron but this time hitting the arenas as the opening act for The Killers on their national tour in April and May, following on from the band declaring themselves fans. Soon after that he will launch ‘Blue Poles’ with The Dreamlanders in Melbourne, Brisbane and Sydney in May. 

Blue Poles will be the fifth album from one of the most singular characters in Australian music. Sentimental and mournful, sardonic and surreal. Jack Ladder brings that towering and tender baritone to bear on tales of beauty, love, hope and redemption. A master of musical narrative, he conjures lyrics that celebrate the absurdity and sincerity of the human condition in songs that groove in subtle ways. WEBSITE.

We featured 'White Flag' just over a month ago and the new song 'Feel Brand New' is another stunning song. Slow paced, atmospheric and with Jack Ladder's definitive and enticing vocals, the production is sublime, the new album cannot arrive soon enough!


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Atlantic Machine - I Don't Wanna Be Your Friend.

Background - London duo Atlantic Machine have announced the release of new single I Don’t Wanna Be Your Friend released on 6th April along with a video for the track. Debut album Mosquito will be released on 18th May.

Atlantic Machine are Producer and Grammy award winning Engineer Jim Lowe (Stereophonics, The Dandy Warhols, The Charlatans) and Vocalist and Guitarist Tiffany Page, who first met in the studio before forming their own musical partnership.

The pairing sees the baritone voice of Jim mixed with Tiffany’s raspy tones to create a unique new wave sound. New single I Don’t Wanna Be Your Friend follows recent single Automatic and is a tongue-in-cheek upbeat track that builds with a compellingly dirty guitar riff to an alt-pop chorus. The video, featuring both Jim and Tiffany, is the perfect match to the track. The band say;

“"This song is about people that have pissed you off or hurt you and you now don't care about. Relationships consumed in arguments. This song was written with the humour of these situations, rather than the bitter taste people get left with.” WEBSITE.

Less than a month since we first featured Atlantic Machines they are back with 'I Don't Wanna Be Your Friend'  another impressive song that's is more than worthy of a share. This time we have a catchy rhythmic rocker, where once again the vocal duet adds distinction, as the duo up the power and pace.


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Honey Radar - Psychic Cruise.

Background - Are you ready to go on a Psychic Cruise, my friend?  Well strap in. Yet again, Honey Radar.  What can you possibly say by now that’s not totally redundant at this point?  Lo-fi master-class pop handyman rock sketches in the vein of Pavement or Syd Barrett.  Questions?  I didn’t think so. 

“Psychic Cruise” is the third proper single that Chunklet has been fortunate enough to release by the Philly band and is streaming now on Self-Titled.  More splayed noise.  More reverb.  More racket.  More hooks.  Repeat.  Five new jams.  Never heard before.  New Honey Radar will always be celebrated at Chunklet HQ. 

We’re told that next in the Honey Radar series will be a Fall tribute single featuring Chunklet’s Henry Owings.  What will they be called?  Henry Radar.  Coming Fall ’18. WEBSITE.

The psychedelic sixties meets modern times head on with 'Psychic Cruise' a fabulous albeit short blast of Honey Radar.

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Frøkedal - Susie Scurry - Dr Dog - The Goldberg Sisters - Alfred Hall

Frøkedal - I Don't Care.

Background - Oslo, Norway based Frøkedal today announces her long-awaited second album ‘How We Made It’, alongside the release of new single, and album opener ‘I Don’t Care’. The new album ‘How We Made It’, set for release August 31st via Propeller Recordings, follows her Norwegian Grammy-nominated debut LP of 2016, Hold On Dreamer.

An exploration of the process of moving forward in a positive manner, in spite of one's naysayers - ‘I Don’t Care’ is based around the idea of firmly closing the door to the past. "I never really questioned my life / 'til you condescendingly said I’d fail” Frøkedal exclaims in the tracks opening verse, amidst a backdrop of gently strummed guitar work and bustling drums. The song then opens up to its rousing chorus - bringing together crunching guitar lines and soaring strings to stunning effect.

An attempt to demonstrate being triumphant, rather than actually successfully being triumphant - 'I Don't Care', is more mad, than victorious in its execution. Speaking more on the release of the new single, Anne Lise Frøkedal said: "'I Don't Care' contains an energy that I specifically wanted to be present on the new LP. Unfiltered, impulsive thoughts and actions fuelled by everything from fear, love and deep passion - to red hot anger. The song seems to represent the whole spectrum. It's an ambivalent, slightly over the top effort to close the door to the past.”

"I’m ready for a wondrous expansion of life / all over your empty space” she sings as the songs begins to draw to a close, with a clear sense of determination. Frøkedal appears to be resolute in her songwriting and artistic goals, with ‘I Don’t Care’ standing as the perfect song to exemplify those intentions. Far from the acoustic sensibilities of previous singles, Frøkedal's more recent output signals an arguably more “mature” sound – combining full band with folk-leaning string sections. Though the instrumental approach feels more expansive and fully fledged, 'I Don't Care' - along with a lot of the album's lyrical themes represent Frøkedal's more "immature" personal traits, by her own admission.

Despite track-by-track production, Frøkedal’s lyrical output has taken a much more thematic approach with forthcoming album ‘How We Made It’: “When I started writing this new material, I was picturing different ages or stages in our lives when our vision gets a little blurred. I wanted the songs (and the characters) to channel these critical moments when decisions are dominated by emotion and not necessarily by logic,” she says. TWITTER.

Regular visitors to Beehive Candy will probably have noticed our fondness for the music of Anne Lise Frøkedal. 'I Don't Care' is a fresh sounding indie pop song that as we have come to expect is full of hooks and the beautifully definitive vocals. On the strength of the two tracks I have heard from her second album, it's looking like we are in for another very special collection of music.

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Susie Scurry - The Elvis Hour

Background - Melbourne singer-songwriter Susie Scurry, formerly known as 'The Grand Magoozi', returns with a new single and title track to forthcoming EP 'The Elvis Hour'. More than a love letter to The King, this is an autumnal lament about the Sunday night blues, and the anxiety of working a job you don't love. Telling the story of an hourly program on the dusty end of the AM dial (the now defunct Magic 1278) which paid tribute to Elvis every Sunday night, showcasing his prolific career and breadth of styles from Vegas to Hawaii, cowboy to crooner. The Elvis Hour is a homage to the iconic legend and the lonely existence of ‘The King of Rock n' Roll’.

Susie's voice croons over an old-school, toe-tapping soft score of lap steel sighs, bass, percussion and strings, with lyrics reminding us of all that Elvis achieved in his short life - "there wasn't much he didn't do for a man that died at 42".

‘The Elvis Hour’ is the first single from Susie Scurry’s lush new six-track EP of the same name recorded in Sheffield, UK at Yellow Arch Studios with Mercury-nominated producer Colin Elliot (Richard Hawley, Jarvis Cocker, etc). The EP will be released on Friday 8 June.

In the spirit of golden-old classic standards, Susie Scurry's songwriting is clear and precise, original and familiar, honest and romantic. Her voice delivers lament and subtle wit in equal measure, singing about life and death, love lost, and a world gone awry. In 2016 Susie released her debut album, The Grand Magoozi on indie label Little Lake Records / Flippin Yeah Industries. Since that time she has performed and toured Australia extensively. Highlights include Melbourne Music Week, Darwin Festival, Perth Arts Festival, Port Fairy Folk Festival and a 26 day tour of the Outback supporting Darren Hanlon. WEBSITE.

'The Elvis Hour' is thankfully not another Elvis impersonator having their moment, rather as mentioned above "this is an autumnal lament about the Sunday night blues, and the anxiety of working a job you don't love." Using The Elvis hour as the vehicle for those feelings is very clever, and the song itself is fabulous with Susie Scurry's vocals deservedly centre stage. One thing's for sure you don't have to be an Elvis fan to enjoy this track, and if you are, I reckon you will still be impressed.

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Dr Dog - Heart Killer.

Background - Philadelphia’s Dr Dog are sharing a new single, ‘Heart Killer’, the latest to be taken from their forthcoming album Critical Equation, due for release via We Buy Gold Records/Thirty Tigers on April 27, 2018. This new single emerging as the latest offering from the new album which find Gus Seyffert (previously The Black Keys, Beck) in the producer’s chair. Dr. Dog will support the new release with autumn 2018 UK tour dates, these to be announced shortly.

The slick psych-rock of ‘Heart Killer’ finds the band lyrically grappling with heart break whilst weaving their penchant for catchy melodies and delicate harmonies throughout the music. Critical Equation broke tradition for the band, opting to record in Los Angeles with Seyffert as opposed to their own ‘Meth Beach’ studios, the path to the record followed an extended break giving time for the band to re-evaluate; "We'd been touring and making records for our entire adult lives, and I think we just needed to take a step back," reflects Leaman. "It was important for all of us to figure out if we were actually doing what we wanted to be doing, or if we were just letting momentum carry us down this path we'd always been on.”

Dr. Dog have achieved multiple Top 50-charting albums in the US, performed on the likes of Letterman, Fallon and Conan and received widespread critical acclaim as well as touring with The Black Keys, Wilco, My Morning Jacket and The Lumineers. WEBSITE.

It's been sometime since I have listened to Dr Dog and 'Heart Killer' is a great reminder of what a fine band they are. The band deliver a polished psych rocker of a song, it's catchy, vibrant and confirms that the band have plenty of innovation and ideas still to offer.

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The Goldberg Sisters - Dear Mr. Nilsson

Background - On May 4th psych-pop artist The Goldberg Sisters will release their new album HOME: A Nice Place To Visit. Known as the musical alter-ego of actor, musician, filmmaker and photographer Adam Goldberg, (and his mythical sister-twin "Celeste") The Goldberg Sisters today have released the new single "Dear Mr. Nilsson," written in the form of a letter to the iconic singer/songwriter Harry Nilsson. Goldberg explains that the track is "about the futility of trying to compose a song that measures up to Nilsson’s work. Somewhat ironically I wrote and recorded the demo for this in about 2 hours."

Goldberg and Lynch teamed up once again in the garage for the new Goldberg Sisters’ album, HOME: A Nice Place To Visit. Goldberg again did all the instrumentation save for violins and trumpet. Goldberg’s elasticity as a multi-instrumentalist and producer is nothing short of astonishing considering he lacks anything in the way of formal training and didn’t even think of seriously making music until his early 20s. “I started playing drums as a kid,” he recalls. “I played along with songs on the radio but mainly Bowie records.”

The music on HOME: A Nice Place To Visit offers listeners a profoundly immersive experience. “I’m really proud of the album,” Goldberg says. “I think I needed to step away from it for a bit to regain some perspective on it, which is always weird because now it’s truly like listening to somebody else... It’s not so much that I want to make music – I feel I have to, as if I have no choice.”

And so, he surrenders to his heart’s most urgent commands on the Goldberg Sisters’ HOME: A Nice Place To Visit, and for that, music fans can be thankful. TWITTER.

Just a month after sharing 'When Or Where Or Why' The Goldberg Sisters are back with the new track 'Dear Mr. Nilsson'. Once again the psych vibes are abundant, as are the hooks, the sixties influences are played out beautifully, this really is a song from the past, with the benefits of today's studio gear, wonderful!

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Alfred Hall - Quite Some Time.

Background - Prefacing their highly anticipated album due in May, Norweigian Indie Pop Duo, Alfred Hall are back with another lighthearted and catchy single, "Quite Some Time." With a style entirely inspired by the staple 60's sound, "Quite Some Time" throws you back in time and satisfies the need for a simple love ballad.

Since 2009, Alfred Hall, the brainchild of Hans Thomas Kiær (guitar) and Bjørn Tveit (vocals), have been serving straight-up indie dream-pop to the masses - combining the lightness of summer sounds and salty sea breeze, with the sylvan dusk of Norwegian frosted forests. Even after their second gig ever, the rave reviews started coming in, and with their first single "So Bright" (Norway), the band quickly became the band to watch out for in 2012. "So Bright" was a hit on international tastemaker radio stations and on Norwegian radio, making way for the album Wilderness, which was released exclusively in Norway in 2013.

The album was nominated for "Best Pop Album" in the Norwegian “Grammy’s", called “Spellemannsprisen." In 2014 the band made their first release worldwide with "Alfred Hall EP," followed by the single "The King of Cape" the year after. At the beginning of last month, they made a comeback with their latest single “Pearl Diver” that gained traction in the US market. Now they’re back again with their next single and are gearing up to release an album in May of this year. FACEBOOK.

'Quite Some Time' is an upbeat song that references pop music form the past and bundles it with more modern indie pop sensibilities. If the charts were full of songs like this I would still be a Top 40 fan, after all that's where this tune belongs.

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