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| Photo by Jordan Malane |
Australia’s psych rainbow rockers Babe Rainbow return with the lead single from their seventh studio album, “Polymuscalsaccharide”. Much like the track’s name entails, the sugary sweet new tune blends together retro synths and hazy guitars with the band’s beachy vocals, creating a perfect soundtrack for early summer nights.
Taken from Babe Rainbow’s forthcoming seventh studio album Acid And Honey, “Polymuscalsaccharide” began its production as an acoustic recording on an Amsterdam houseboat. With mastering and production completed by Kyle Mullarky at his Malibu ranch, the track leans heavily into a country-pop beat that is garnished with notes of funk, hip-hop, and stoner rock.
Known for their boogie psychedelia and throwback surf cult imagery, Babe Rainbow are an Australian stoner pop band. The group was formed in 2015 by Jack Crowther (aka Cool Breez), Angus Dowling, and Elliot O'Reilly, who lurked at the kiosks around Rainbow Bay. The three of them worked for John Cutts, a local grower near Tropical Fruit World in Duranbah, NSW. The guys at John's farm were churning out kale long before it became trendy.
While Babe Rainbow's musical style was originally rooted in 60's psych and 70's French surf-pop, it has evolved throughout its career to incorporate woodland bop and folk disco, dub, dance, and international grooves while maintaining an Aquarian quality through Dowling's musical spacemen singing style and Cool Breez's chiming guitar sounds. Beehive Candy would also like to point out 'Babe Rainbow' is a beautiful song by Melanie Safka...
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Ok lets go with the detail for this gorgeous new song on Beehive Candy - ‘Need someone’ was written by Cassady Southern with contributions by Tom Goodridge, Frank Doerges, Rob Drummond, John Montgomery, JD Douglas and Dai Nettle. It was recorded at Studios 301 Sydney with Jack Garzonio and Brad Hasiuk at the helm, mixed by Luke Payne (Luke Payne Sound) and mastered by Darren Ziesing (Millennium Mastering). It features Tom Goodridge on lead guitar, Rob Drummond on rhythm guitar, John Montgomery on bass, JD Douglas on drums, Dai Nettle on keys and Amelia du Randt (Diva Amelia) on backing vocals.
Cassady Southern is an accomplished singer-songwriter with a rich catalogue of music that spans multiple genres: Blending the raw edge of rock, the heart of country, the soul of blues, and the energy of pop into one authentic sound.
Cassady grew up in a musical household, where band rehearsals were a regular feature and music was encouraged. She learned piano and saxophone and later guitar. Cassady began writing and releasing songs and has since developed a body of music which is characterised by its authenticity, heartfelt storytelling and broad appeal.
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We are delighted to feature Pilote "the solo project of Christelle Armenio, a genre-defying artist whose pop music infused with new wave influences blends poetry with melancholy." The title track is a gorgeous introduction for Beehive Candy (we are partial to some French language music that resonates with us) so anyway here is the background. Through airy and introspective production, Pilote draws listeners into a sensory universe where every note feels suspended in time. On stage, she embodies her compositions with a “wild softness,” carried by a delicately sensual and vibrant voice.
Her intimate musical world invites escape, like a waking dream. Behind this stage name stands a sincere creator with a minimalist aesthetic, refusing compromise. Christelle draws inspiration from British pop culture and iconic French singer-songwriters. Her music is an ode to life, love, and the complexity of human emotions. To place her within an artistic constellation, one might evoke the musicality of Air, the dreamlike atmosphere of Kate Bush, and the lyrical richness of Serge Gainsbourg — all carried by refined electronic production.
An artist with a singular profile, Christelle stands out through her background as an engineer, her love of literature, her traveler’s soul, and her constant search for meaning. Her art reflects this duality: profound fragility in her lyrics balanced by the power of her orchestrations. She is currently preparing a new album scheduled for release in July 2026, titled Sous les Oliviers.
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Run Remedy returns with Not at the Table out September 11th, a strikingly intimate and conceptually ambitious EP that blurs the line between indie pop, lo-fi experimentation and alternative storytelling. Written in solitude and brought to life in a shipping container studio in Manchester, the project captures something raw and immediate: a body of work built on instinct, trust, and an unfiltered emotional core.
The EP moves through a sequence of physical and emotional spaces, unfolding like a 24-hour cycle. Each track occupies its own sonic landscape, shifting from hushed, acoustic vulnerability to cinematic swells and fractured, experimental textures, all tied together by Run Remedy’s precise, confessional lyricism.
Sonically, Not at the Table pushes further into genre-bending territory than ever before. Drawing on influences ranging from Elliott Smith and The Smiths to Mitski, Adrianne Lenker and St. Vincent, the EP balances delicate folk intimacy with art-pop edge, post-rock builds and moments of off-kilter humour. There’s a constant interplay between sincerity and theatricality - a refusal to settle into one tone for too long.
“The title came first: a house, a dinner table, and the idea of everything that can’t be said in that shared space. The artwork, painted by artist Lili Holland-Fricke, shows that house, with different tensions playing out in each room. Each section zooms in on a different part of what’s happening inside, almost like moving through the house and getting closer to the different conversations (or non-conversations) happening in it.”
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Chris Pierce - This Sunlit Morning.
Chris Pierce announces his new album Songs for the Heavy Hearted, due out August 21. Produced by frequent collaborators David Resnik and Niko Bolas (Neil Young, The Mavericks), Songs for the Heavy Hearted captures moments in the lives of everyday people as they struggle with crisis and encapsulates everything that has been so emotionally resonant about Pierce’s music for more than two decades. Along with the news, he shares his new single “This Sunlit Morning,” a tender testament to resilience.
“‘This Sunlit Morning’ came from holding the weight of the times we're living in,” shares Pierce. “Every day, we're staring into some new kind of chaos, division, or corruption, and if we're not careful, it can start to pull us away from what is right in front of us. This song is about remembering to pause and reflect on what we’ve been blessed with. The simple things that can keep us rooted when the world starts feeling unsteady. We still have to get out there and fight for a better world. We still have to speak up for people whose voices are ignored or silenced. Sometimes, we need to pause just long enough to remember what we're fighting for in the first place.”
At its core, Songs for the Heavy Hearted is a diary of — and love letter to — freedom fighters everywhere; its constant refrain is that love, joy, hope and softness are not things we need to sacrifice to fight the good fight. Featuring stellar performances from Allison Russell, Steve Earle, Grey DeLisle and Garrison Starr, the new album embodies the belief that “we shall overcome,” and this sentiment has never sounded more uplifting and within reach.
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| Photo by Carrie McLeod |
Magan-djin/Brisbane-based singer-songwriter Lottie McLeod has just announced her forthcoming The Boat House EP - an intimate coming-of-age "for people who love to feel deeply" drawing from indie, alt-pop, folk and beyond, signalling a young artist coming out of her shell, stepping into the confidence to follow her own path and express herself openly, making McLeod's much-praised ability to make the personal feel universal stronger than ever.
Alongside the announcement, Lottie McLeod shares searing new single 'Sunburnt' about a fleeting relationship, featuring tongue-in-cheek peppiness paired with some of her "most disgusting - and/or devastating - lyrics yet". The Boat House EP - which will include 'Important To You' and 'Sunburnt' - is out Friday 25 September.
Lottie McLeod says, "'Sunburnt' is about a person I was seeing for not even a month; I felt such a strong connection with this person but I also hardly knew him. I had just gotten back from a beach day with my mum, a little sunburnt - I'm a sucker for metaphor. I liked this guy. A LOT. Talking everyday, dates, future planning, dinner with the parents. Our last date was the closest I had ever felt to him - I spent the night and the next morning he asked to go to breakfast that weekend, where he ended things.
I was so disappointed and confused, I really wanted to know him on a deeper level, see his ugly side, have some sort of future with him. He never gave me a chance to show him how beautiful it could’ve been, but I knew it was something I just had to let go because there was nothing to hold on to. There was this self reflection at the time, asking myself “why would I try to win back a stranger… That would be silly!” - I wrote this song instead."
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