Heavy Heart have a new release entitled 'Cry Ice'. Combining melodic dream pop with hints of alt rock that gradually builds, this is a gently paced track that begs for a second listen.
'Year Of Rage' by Deux Furieuses is a high octane rocker that packs emotion and power as this duo combine to create some potent rock and roll.
The Ghosts have shared 'We Lie To Ourselves' accompanied by an imaginative video that works so well with the song. Musically there is a fresh indie rock feel, it's no surprise that the band are attracting plenty of attention.
This is our second Curse Of Lono 'Live at Toe Rag Studios' feature, last month we shared 'Blackout Fever' and they return now with 'I'd Start A War For You', which is another refined and mellow Americana styled song.
Earth Girl Helen Brown return for a sixth time on Beehive Candy, this time with an E.P. called 'Uranus' plus a video for 'Oh! What A War' an epic twelve minutes of the band being as creative as ever. Whatever genre the band tackle (and they seem to cross over into plenty), their flare and musical ability is impressive and very engaging.
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Heavy Heart - Cry Ice.
Drifting seamlessly into the spotlight with a combination of vivid songwriting and luscious dream pop, London alt-rockers Heavy Heart showcase their emotional sensibilities to perfection in entrancing new release Cry Ice.
Forming the final part of the band’s 2019 trilogy of singles, mixed and co-produced by Grammy Award-winning producer Gabe Wax (The War On Drugs, Palehound, Soccer Mommy). Cry Ice frankly and unflinchingly documents the breakdown of vocalist Anna Vincent and guitarist Patrick Fitzroy’s 7-year relationship. Whilst there is pain and sadness underpinning all three tracks, the message is one of bittersweet happiness; that what is left after everything has fallen away is friendship. And music. Always music.
Widely touted across the airwaves courtesy of BBC Radio 1’s Phil Taggart and BBC 6 Music’s Steve Lamacq, the rising quartet have become well-known for their dynamic and atmospheric live shows with slots alongside fellow emerging acts Another Sky, Big Spring and Honey Lung already ticked off in recent months.
Speaking on the ideas behind the track, the quartet stated: “Cry Ice is about the end of a love affair; the glacial, slow, final moments of it all. Specifically, the song is about two people dying together on the side of a mountain, frozen forever just out of reach of each other”.
Produced by Patrick Fitzroy and Gabe Wax, Heavy Heart’s Cry Ice is out now and available via all digital platforms. Live Date: 15 Aug – Notting Hill Arts Club, London.
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Deux Furieuses - Year Of Rage.
Newly signed to Xtra Mile Recordings, the ferocious punk duo deux furieuses have announced the release of their new album ‘My War is Your War’ (18 October 2019), the long-awaited follow-up to their critically acclaimed debut album ‘Tracks of Wire’ (2016).
Following its first play on John Kennedy’s Radio X Xposure show last night, Year of Rage - the first single to be taken from ‘My War is Your War’ - is released today and available across streaming services and as an instant free download on all album pre-orders here.
Year of Rage was penned on New Year’s Eve leading into the centenary of Votes for Women and celebrates the #MeToo movement. Its accompanying video features art direction from both Jimmy Cauty (The KLF) and Alannah Currie (ex-Thompson Twins aka Miss Pokeno), with the latter also making a cameo appearance in the video. Currie’s Feel the Rage blog inspired the red flag imagery on ‘My War is Your War’ album artwork. As deux furieuses expand:
“We are honoured to have artists/musicians Dan Donovan and Jimmy Cauty (The KLF) behind the lense for our new Year of Rage video. Artist Alannah Currie (Thompson Twins) and Jimmy Cauty opened up their Doyce Street studio to us providing art ideas, inspiration and red flags!”
deux furieuses are Scottish vocalist and guitarist Ros Cairney and London Greek drummer Vas Antoniadou. Since their beginnings in 2013 they have earned a reputation for uncompromising politically charged rock which has seen them championed by the likes of Q Magazine, Classic Rock, Louder Than War, and Radio X DJ John Kennedy, whose enthusiasm caught the attention of Frank Turner leading to the duo supporting him at the Roundhouse, London for Lost Evenings Festival 2017.
Raised on a fiery blend of Irish and Greek music, 80’s post-punk and 90’s alt rock, and bonding over a love of early PJ Harvey and Kate Bush, their music is a visceral and impassioned call to arms against the world’s inequalities and rising storms.
‘My War is Your War’ lyrically and musically expands on their debut album ‘Tracks of Wire’. It takes the post-punk and Riot Grrrl influences of the predecessor and injects it with a darker rock sound, an angrier sonic energy representing the alarming rise of social injustices and right-wing power since the debut’s release.
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The Ghosts - We Lie To Ourselves.
The Ghosts formed when Alex Starling (Ou Est Le Swimming Pool) was introduced to New York trained jazz drummer Ian Palmer. They began to work with Alex Sharman and Dan Whiffin on what would become their debut album ‘The End’.
Written and recorded in two months the album received rave reviews in both the UK and abroad. The band signed deals in the US, Canada and Russia and began to tour extensively over the next few years.
After a break for Alex to work on writing projects and for Ian to perform a series of sell out concerts alongside legendary drummers Steve Gadd and Benny Greb, they have returned with ‘We Lie To Ourselves’. The single was mixed by Eduardo De La Paz (Arcade Fire, The National, Florence and The Machine).
The video for the single which features an animated mouse taking action against a prey-killing, corporate machine run by cats, has been nominated for the McLaren Award at this year’s Edinburgh International Film Festival.
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Curse Of Lono - I'd Start A War For You (Live at Toe Rag Studios).
Curse of Lono release new single I’d Start A War For You, taken from upcoming album 4am And Counting, recorded live at Toe Rag Studios, due out on July 12th. I’d Start A War For You was recorded with Grammy-winning producer Liam Watson (The White Stripes) and features a guest appearance from legendary pedal steel player BJ Cole.
Curse Of Lono’s forthcoming album '4am And Counting' consists of 11 mellow, rootsier versions of tracks off the band’s first two albums, recorded live at Toe Rag Studios in London with Grammy-winning producer Liam Watson (The White Stripes 'Elephant'), and mixed by Oli Bayston (Boxed In).
The album features guest appearances from legendary pedal steel player BJ Cole (Elton John, Dolly Parton, Pink Floyd, Massive Attack), and harmonica player Nick Reynolds (Alabama 3 and son of the mastermind of the great train robbery, Bruce Reynolds).
“We wanted to capture the vibe we get when we're jamming late at night,” explains frontman Felix Bechtolsheimer. “So we booked a couple of days in the studio, invited a few friends down and pressed record. Toe Rag Studios is an incredible place. There are no computers. There’s no technology to tempt you. We just played everything completely live like we do when we’re messing around in our rehearsal room, so what you hear is exactly what was played.”
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Earth Girl Helen Brown - Uranus / Oh! What a War.
About "Uranus", by Earth Girl Helen Brown: Empty Cellar Records and the Earth Girl Helen Brown Center for Planetary Intelligence Band (E.G.H.B.C.P.F.I.B.) are pleased to announce the fifth installment of the E.G.H.B.C.P.F.I.B. seasonal planetary series, URANUS. Featuring Heidi Alexander, Jamin Barton, Eric Bauer, Emilee Booher, Brad Caulkins, Bart Davenport, James Finch Jr., Graeme Gibson, Tahlia Harbour, Doug Hilsinger, Warren Huegel, Josh Puklavetz, Sean Smith, Ryan Weinstein and mastered by Mikey Young.
In these times of many changes, URANUS considers the strain and repose of power which balances all things. The common English language word, power, refers to four quantitative properties of physics: energy, work, force, and power. In common use it is synonymous with strength, energy, electricity, vigor, and domination. A boundary between time (t) and energy (E) it is also the product of their division (P) and the great scale by which their separation is measured. How shall we manifest these interactions in our social and physical spheres from the atomic scale to the cosmogonic? F=ma, W=Fs, E=mc2, P=E/t so E=tP and t=E/P.
"Oh! What A War" from MARS / Four Satellites Vol. 1 by Earth Girl Helen Brown (Empty Cellar Records / In The Red) Recorded in Los Angeles by Ty Segall and Heidi Alexander:
Oh! What a War is a production of the Earth Girl Helen Brown Center for Planetary Intelligence Band (E.G.H.B.C.F.P.I.B.) with video synthesizer footage courtesy of Lefty Rybrow (Ryan Browne). The narrative is intended to provide a brief history of American armed conflicts over a 500+ year history however many armed engagements of the United States are not accounted for in this story nor are they in the common historic record. These blank spots are the result of numerous forces influencing the telling of history including discrepancies in the classification of such conflicts as war/not war such as the current global network of US special operations forces and any number of past conflicts funded by the American taxpayer without any official declaration of war.
The 12-year long Cold War-era civil war in El Salvador which claimed 75,000 lives with heavy backing by the Carter and Reagan administrations is one such example of a serious foreign engagement that does not make the official roster of American wars. If your war was not included, we apologize. For those offended by the content of this story please note that the raw timeline and subjects of this narrative were drawn from the common informational sources below. We hope that the lyrical suggestion that there is “really nothing left” of the American Indian does not offend those American Indian populations surviving and thriving today.
This is a lyrical device meant to reflect the relentless and brutal force of the US Military assault on the American Indian in a series of conflicts which dominate the early history of American war from 1775-1923 and which are regarded by many historians and academics as being genocidal in nature. We single out top military contractors as complicit as it is only those individuals and organizations that make war their business who profit off its propagation. All others pay. We believe in peace.
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Friday, 5 July 2019
Wednesday, 3 July 2019
Chloe Foy - A Permanent Shadow - Sandra Andreis - Cleargreen - Jens Carelius
Chloe Foy makes her third appearance on Beehive Candy with 'Without You'. Her ability to write, create and perform beautiful folk songs remains intact, the latest piece once again demonstrates this. In just one word I would describe her music as stunning.
From A Permanent Shadow we have 'Empty', a quirky, enjoyable and psych drenched song, with a suitably matched video, this one is very catchy.
The Porgy and Bess classic 'Summertime' is given a thoughtful reworking by Sandra Andreis a modern version without taking away the originals class, and it's accompanied by a intriguing video.
Cleargreen latest song is 'People' a bright and fresh sounding indie rocker, that is full of some rather deep digging hooks.
We have the new track from Jens Carelius entitled 'All I Know' accompanied by his previous release 'Lay Me Down'. Both make good use of sweeping synths, and Jens characterful vocals give plenty of originality and interest to each song, raising interest before his September full album release.
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Chloe Foy - Without You.
Chloe Foy writes a brand of melodic, homegrown music, bursting with colourful, lyrical and textural inflections evocative of much of the music she loves. Taking inspiration from classical music as much as wider transatlantic trends in folk and indie, Chloe’s songs comprise of carefully constructed arrangements that delicately compliment her cryptic lyrics.
Having performed at SXSW, Chloe has captured the attention of rapidly growing UK and US audiences. With the release of her singles ‘Asylum’, ‘Flaws’, and ‘In The Middle Of The Night’, she has accumulated over 9 million plays on Spotify, as well as earning the praise and airtime of the likes of NPR Radio’s Bob Boilen and the BBC’s Steve Lamacq. She has just been named a 2019 BBC Introducing “One To Watch” by Radio 3’s Late Junction. She spent summer 2018 touring in support of the mercurially talented Jesca Hoop (as well as singing backing vocals in Jesca’s band), before embarking on her first ever UK headline tour in the Autumn.
With her strikingly beautiful voice and emotionally direct songwriting, Chloe looks set to have an exciting 2019, with a debut album in the pipeline, a headline spring tour and a string of major festival appearances, including Green Man, already confirmed.
Talking of the new single, she says, "Without You is a song about grief and the loss of someone close to depression. So it talks of the struggles of the person who passes away and then couples that with the exploration of grieving and how it changes from being the worst thing in the world one minute, to possibly seeing the light at the end of the tunnel in the end, and how grief changes with the seasons. This was written a long time ago when I was very new to the grief and I’ve always played it live but never found the right setting for it on record. However, I recently re-imagined the arrangement and it’s taken on a new life."
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A Permanent Shadow - Empty.
"Empty" is the debut single from Barcelona-based band A Permanent Shadow. With gnarly guitar riffs and new-wave nuances, the single pays homage to generations of misfits: from glam-rock icon David Bowie to eclectic synth-maestro Gary Numan. The song itself questions at what lengths will we go to in order to keep a relationship alive. When is it time to walk away?
Renowned short horror movie director Dani Moreno captures the concept of attraction-rejection using two dancers: one wearing black and one wearing white. Simplistic, yet effective, the characters push and pull until one finally gives in, fading into the background. CP, on the other hand, is scrutinised under the watchful eye of two doctors.
In reality, he’s strapped to a hospital chair, while in his mind he’s transported to a psychedelic journey through space and time. Lights and sounds literally explode from his brain as one side shouts to the other, “Empty!”.
A Permanent Shadow. A name that refers equally to areas of the moon untouched by sunlight, the after-effects of nuclear disaster and human skin peculiarities, for the band’s founder and lead singer, CP Fletcher, it represents melancholy, nostalgia and other sentiments usually traceable on the darker side of human life.
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Sandra Andreis - Summertime.
Place a trip hop-esque soundscape in an episode of David Lynch’s Twin Peaks and there you have it – Sandra Andreis’ debut solo release, “Raising My Standards”: a set of updated jazz standards transformed into modern fighting songs for equality.
The first single “As Time Goes By,” a reworked version of the classic tune from Casablanca, was released on International Women’s Day (March 8th), and it was met with much acclaim in her native Sweden. The second single, "Summertime" was released on June 14th and is now followed by a poetic music video set in Morocco and Sweden.
“Summertime is such an iconic song from Porgy and Bess with deep roots in American spirituals and has been standard fare for decades and across generations. Updating it at a time when human rights, and specifically women’s rights, are once again being put to the test, in a way I had hoped I wouldn’t experience in my lifetime, feels important. My fight to ensure my daughter will never be forced to endure these inequalities continues.”
Andreis, more commonly known for her work as an actress in both film (Venice Film Festival award-winning The Reunion) and television (European hit series The Sandhamn Murders), describes her journey of creating this EP as a personal face-off with the gender norms pervading so much of music, especially the jazz of her youth.
“Just like children’s books and laws, music needs to be updated. Summertime is one of the most beautiful lullabies I know, and my version draws from the pure, raw female power that has born and bred generations.The original is sung by a woman comforting a child that isn’t her own, wishing for her to grow up under the best possible circumstances free from oppression.“Your daddy's rich and your mama’s good-looking.
My reworking of the lyrics is simple but effective – a woman is no longer reduced to her looks, taught that her appearance is crucial to her survival. I also grant the child in the song a voice, allowing her to demand attention.That constant and complex exchange between parent and child – to nurture and be nurtured.The difficulty in adapting to various roles over the course of a lifetime. There is something both beautiful and heartbreaking in that tension.”
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Cleargreen - People.
Cleargreen is powered by a formidable young song writing partnership between Ali Staley (Vocals/Guitar) and Liam Mciver (Vocals/Bass) alongside two of the northwest’s most complete musicians in Josh Haworth (Lead Guitar) and Mike Wilcock (Drums).
With this unrelenting line up Cleargreen have started to cause some rumblings across the North and pricked up ears both abroad and down south in that there London. This band is a perfect combination of big songs and big musical personalities, always striving to uncover the classics of tomorrow. Having been listed Fred Perry's Top Manchester Bands you need to hear, as well as huge home town shows at Manchester 02 Ritz and a 500 capacity sell out at Rebellion, this band are going beyond. A list of summer festival billings keeps mounting as Cleargreen begin to feature on the biggest of stages more often than not now.
After the success of their last release, new single 'People' takes things up another level once again. The track talks about duality within people, the good and bad, and that people aren't necessarily one or the other. It also shows how we desire better lives for ourselves and how we are influenced by the people around us for better or worse. Musically it shows the bands strength to create strong hooks and melody lines and big choruses, borrowing from their influences of 60s Pop and recent bands such as 'Sticky Fingers' and 'DMAs' to make a shimmer piece of modern guitar pop.
The band are young and were started in 2012 by Ali and although there have been many line-up changes. The dynamic of the band completely changed properly in 2016 when Liam came into the fold and took on some of the song writing duties, giving the band twice the ammo. 2018 saw the addition of Josh and Mike as this line up finally finds its most symbiotic version upon which a really great English band may just be able to surface to the top again as has been the tradition of northern English bands from The Beatles in the 60s through to Oasis in the 90s and Arctic Monkeys in the 00s.
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Jens Carelius - All I Know / Lay Me Down.
Jens Carelius has shared a new single, "All I Know", that is taken from the upcoming album entitled "Opsi" that is due for release on September 13th via Jansen Records. The album is named after his great-great-grandfather Fritz "Opsi" Doerries, the entomologist, and was inspired by his travels through Eastern Siberia in the late 1800s.
Behind the entrancing swirling synths there lies a deeper meaning within the lyrics of the song, explains Carelius: "‘All I Know’ is about how we choose to spend our short time on this earth.
The song starts with the clicking of a clock, as I wanted Opsi’s life and his own search to echo how we all live today, which is a totally different world than his. Opsi spent most of his life searching for something unknown and unseen. Never for the fame of it, purely driven by his genuine love for nature and wildlife."
The first taster of the record came in the form of opening track on the album "Lay Me Down". Carelius explained the meaning behind the song:
“During Opsi’s 22 years in Siberia, he had several visits to Germany, and the diary reveals details of a hidden love story that I’ve chosen to explore in this song. When you really miss someone, you forget about any trouble, pride, and drama that being with them stirs up. You just want that person and that love to be there, even though you know the ordeal it could bring.”
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From A Permanent Shadow we have 'Empty', a quirky, enjoyable and psych drenched song, with a suitably matched video, this one is very catchy.
The Porgy and Bess classic 'Summertime' is given a thoughtful reworking by Sandra Andreis a modern version without taking away the originals class, and it's accompanied by a intriguing video.
Cleargreen latest song is 'People' a bright and fresh sounding indie rocker, that is full of some rather deep digging hooks.
We have the new track from Jens Carelius entitled 'All I Know' accompanied by his previous release 'Lay Me Down'. Both make good use of sweeping synths, and Jens characterful vocals give plenty of originality and interest to each song, raising interest before his September full album release.
--------------------------------------------------------------------------------------------------------------------------
Chloe Foy - Without You.
Chloe Foy writes a brand of melodic, homegrown music, bursting with colourful, lyrical and textural inflections evocative of much of the music she loves. Taking inspiration from classical music as much as wider transatlantic trends in folk and indie, Chloe’s songs comprise of carefully constructed arrangements that delicately compliment her cryptic lyrics.
Having performed at SXSW, Chloe has captured the attention of rapidly growing UK and US audiences. With the release of her singles ‘Asylum’, ‘Flaws’, and ‘In The Middle Of The Night’, she has accumulated over 9 million plays on Spotify, as well as earning the praise and airtime of the likes of NPR Radio’s Bob Boilen and the BBC’s Steve Lamacq. She has just been named a 2019 BBC Introducing “One To Watch” by Radio 3’s Late Junction. She spent summer 2018 touring in support of the mercurially talented Jesca Hoop (as well as singing backing vocals in Jesca’s band), before embarking on her first ever UK headline tour in the Autumn.
With her strikingly beautiful voice and emotionally direct songwriting, Chloe looks set to have an exciting 2019, with a debut album in the pipeline, a headline spring tour and a string of major festival appearances, including Green Man, already confirmed.
Talking of the new single, she says, "Without You is a song about grief and the loss of someone close to depression. So it talks of the struggles of the person who passes away and then couples that with the exploration of grieving and how it changes from being the worst thing in the world one minute, to possibly seeing the light at the end of the tunnel in the end, and how grief changes with the seasons. This was written a long time ago when I was very new to the grief and I’ve always played it live but never found the right setting for it on record. However, I recently re-imagined the arrangement and it’s taken on a new life."
--------------------------------------------------------------------------------------------------------------------------
A Permanent Shadow - Empty.
"Empty" is the debut single from Barcelona-based band A Permanent Shadow. With gnarly guitar riffs and new-wave nuances, the single pays homage to generations of misfits: from glam-rock icon David Bowie to eclectic synth-maestro Gary Numan. The song itself questions at what lengths will we go to in order to keep a relationship alive. When is it time to walk away?
Renowned short horror movie director Dani Moreno captures the concept of attraction-rejection using two dancers: one wearing black and one wearing white. Simplistic, yet effective, the characters push and pull until one finally gives in, fading into the background. CP, on the other hand, is scrutinised under the watchful eye of two doctors.
In reality, he’s strapped to a hospital chair, while in his mind he’s transported to a psychedelic journey through space and time. Lights and sounds literally explode from his brain as one side shouts to the other, “Empty!”.
A Permanent Shadow. A name that refers equally to areas of the moon untouched by sunlight, the after-effects of nuclear disaster and human skin peculiarities, for the band’s founder and lead singer, CP Fletcher, it represents melancholy, nostalgia and other sentiments usually traceable on the darker side of human life.
------------------------------------------------------------------------------------------------------------------------
Sandra Andreis - Summertime.
Place a trip hop-esque soundscape in an episode of David Lynch’s Twin Peaks and there you have it – Sandra Andreis’ debut solo release, “Raising My Standards”: a set of updated jazz standards transformed into modern fighting songs for equality.
The first single “As Time Goes By,” a reworked version of the classic tune from Casablanca, was released on International Women’s Day (March 8th), and it was met with much acclaim in her native Sweden. The second single, "Summertime" was released on June 14th and is now followed by a poetic music video set in Morocco and Sweden.
“Summertime is such an iconic song from Porgy and Bess with deep roots in American spirituals and has been standard fare for decades and across generations. Updating it at a time when human rights, and specifically women’s rights, are once again being put to the test, in a way I had hoped I wouldn’t experience in my lifetime, feels important. My fight to ensure my daughter will never be forced to endure these inequalities continues.”
Andreis, more commonly known for her work as an actress in both film (Venice Film Festival award-winning The Reunion) and television (European hit series The Sandhamn Murders), describes her journey of creating this EP as a personal face-off with the gender norms pervading so much of music, especially the jazz of her youth.
“Just like children’s books and laws, music needs to be updated. Summertime is one of the most beautiful lullabies I know, and my version draws from the pure, raw female power that has born and bred generations.The original is sung by a woman comforting a child that isn’t her own, wishing for her to grow up under the best possible circumstances free from oppression.“Your daddy's rich and your mama’s good-looking.
My reworking of the lyrics is simple but effective – a woman is no longer reduced to her looks, taught that her appearance is crucial to her survival. I also grant the child in the song a voice, allowing her to demand attention.That constant and complex exchange between parent and child – to nurture and be nurtured.The difficulty in adapting to various roles over the course of a lifetime. There is something both beautiful and heartbreaking in that tension.”
-------------------------------------------------------------------------------------------------------------------------
Cleargreen - People.
Cleargreen is powered by a formidable young song writing partnership between Ali Staley (Vocals/Guitar) and Liam Mciver (Vocals/Bass) alongside two of the northwest’s most complete musicians in Josh Haworth (Lead Guitar) and Mike Wilcock (Drums).
With this unrelenting line up Cleargreen have started to cause some rumblings across the North and pricked up ears both abroad and down south in that there London. This band is a perfect combination of big songs and big musical personalities, always striving to uncover the classics of tomorrow. Having been listed Fred Perry's Top Manchester Bands you need to hear, as well as huge home town shows at Manchester 02 Ritz and a 500 capacity sell out at Rebellion, this band are going beyond. A list of summer festival billings keeps mounting as Cleargreen begin to feature on the biggest of stages more often than not now.
After the success of their last release, new single 'People' takes things up another level once again. The track talks about duality within people, the good and bad, and that people aren't necessarily one or the other. It also shows how we desire better lives for ourselves and how we are influenced by the people around us for better or worse. Musically it shows the bands strength to create strong hooks and melody lines and big choruses, borrowing from their influences of 60s Pop and recent bands such as 'Sticky Fingers' and 'DMAs' to make a shimmer piece of modern guitar pop.
The band are young and were started in 2012 by Ali and although there have been many line-up changes. The dynamic of the band completely changed properly in 2016 when Liam came into the fold and took on some of the song writing duties, giving the band twice the ammo. 2018 saw the addition of Josh and Mike as this line up finally finds its most symbiotic version upon which a really great English band may just be able to surface to the top again as has been the tradition of northern English bands from The Beatles in the 60s through to Oasis in the 90s and Arctic Monkeys in the 00s.
------------------------------------------------------------------------------------------------------------------------
Jens Carelius - All I Know / Lay Me Down.
Jens Carelius has shared a new single, "All I Know", that is taken from the upcoming album entitled "Opsi" that is due for release on September 13th via Jansen Records. The album is named after his great-great-grandfather Fritz "Opsi" Doerries, the entomologist, and was inspired by his travels through Eastern Siberia in the late 1800s.
Behind the entrancing swirling synths there lies a deeper meaning within the lyrics of the song, explains Carelius: "‘All I Know’ is about how we choose to spend our short time on this earth.
The song starts with the clicking of a clock, as I wanted Opsi’s life and his own search to echo how we all live today, which is a totally different world than his. Opsi spent most of his life searching for something unknown and unseen. Never for the fame of it, purely driven by his genuine love for nature and wildlife."
The first taster of the record came in the form of opening track on the album "Lay Me Down". Carelius explained the meaning behind the song:
“During Opsi’s 22 years in Siberia, he had several visits to Germany, and the diary reveals details of a hidden love story that I’ve chosen to explore in this song. When you really miss someone, you forget about any trouble, pride, and drama that being with them stirs up. You just want that person and that love to be there, even though you know the ordeal it could bring.”
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Monday, 1 July 2019
The Side Project feat. Alita Moses - Erin Rae - Berith
The Side Project featuring Alita Moses have shared their gorgeously unique version of 'Redbone'. The saxophone quartet immediately stand out as different by the very nature of their set up, however it's the final product that matters and this really is something else.
With the brand new album 'Putting On Airs' by Erin Rae she has thrown down a direct challenge to the stereotype of what a Southern singer should be. Well that's according to the accompanying promo piece, however listening through all the tracks, it's fair to say, she has a point. The music is fresh, the lyrics thoughtful and mature, and the sheer diversity of styles (from indie folk to Americana) impressive, for me the answer to her challenge is simple, there are no stereotypes here.
There is an old time feel to 'You Could Be Mine' by Berith as the song opens, however it gradually develops a more current feel, as the musical arrangement expands, and her personal Norwegian roots and those of Celtic and American traditions all come together to deliver a fabulous song.
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The Side Project - Redbone (feat. Alita Moses).
The Side Project accompanied by New York singer Alita Moses share their saxophone quartet version of the Childish Gambino classic "Redbone".
Regarding the song The Side Project stated: "What attracted us first was the old school feel of the song. The magic of The Side Project is that it is a saxophone quartet which means that only 4 saxophones are playing what normally a full band would play. The bass, drums, and guitar - it’s all saxophones which creates this edgy raw groove. We started doing covers featuring different singers from New York and when we decided to work with Alita she suggested the song and it was a perfect fit."
The Side Project takes on the classical concept of a saxophone quartet and pairs it with drums, bass, and soul singers to create their edgy and irresistible sound.
The band was started in 2013 by Eyal Hai, Alto player and lead arranger for the group. He called his friends, Eden Bareket on Bari, Arnan Raz on Tenor, and Hailey Niswanger on Soprano, and met for the first time at the Bedford L stop in the NYC Subway. They spent a few hours experimenting with different arrangements of Pop and R&B hits, and it was quickly understood by all that this band was unique.
Since then, The Side Project has opened for the New York Philharmonic at the Concerts in the Parks series, performed at The Brooklyn Bowl, The Knitting Factory, the commencement ceremony for the Art Institute of NYC, and many other prestigious venues and private events. They have also been attracting serious attention on social media with their live videos featuring the top singers from the local New York City scene.
The Side Project has one instrumental album out, #ThisPartySax (2015), and will be releasing their second album in July 2019 under their label Rabbit Rabbit Rabbit Records. The album features guest vocalists, covers and original songs.
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Erin Rae - Putting on Airs (Album).
Gifted with a unique ability to fuse musical genres and influences to craft songs that feel fresh and wholly her own, with her new album Putting On Airs, Erin Rae has thrown down a direct challenge to the stereotype of what a Southern singer should be. Both lyrically and sonically, she strikes a fiercely independent chord, proudly releasing a deeply personal record that reflects her own upbringing in Tennessee, including the prejudices and injustices that she witnessed as a child that continue to impact her life to this day. According to Rae, "this album was born out of a need to do some healing work in my personal life, in order to address some fears and patterns of mine to allow my true feelings to come to the surface."
Buoying the release is Rae’s reputation as an enthralling live performer, which has earned her the respect of Nashville peers and music notables alike, including Grammy Award winner John Paul White, who has signed her to his Florence, Alabama-based label, Single Lock Records. Rae joins a Single Lock roster that includes Nicole Atkins, St. Paul And The Broken Bones, and White himself, who said “When I first heard Erin’s compelling voice, I knew nothing about her. It was live, with no intro (she was opening for friends of mine), and I was instantly transfixed. I couldn’t wait to engage, and that’s something I very seldom feel, much less do. I was thrilled to find out her personality was as engaging as her voice and songs, and that she was looking for a home. I couldn’t be happier to be hitching our wagons together.”
Recorded in the dead of winter at The Refuge, a historic former Franciscan monastery-turned-creative space on Wisconsin’s Fox River, the isolated environment created the perfect setting for Erin and her bandmates to track these genre-busting songs, using the chapel and other unique spaces within the cavernous building to explore new sonic boundaries, all while continuing to showcase Erin’s trademark vocals and song-serving restraint first heard on her critically-acclaimed 2015 debut album, Soon Enough.
The unique sound of the record is inspired by the innovative 1960s European production techniques from artists like the Beatles and Francoise Hardy, paired alongside the restraint and minimalism of modern artists like Wilco and Richard Hawley, bridging the sonic gap between classic songwriting and a modern indie-rock ethos. The album was co-produced by engineer Dan Knobler (Rodney Crowell, Tift Merritt) and multi-instrumentalist Jerry Bernhardt. Dominic Billett also served an integral role in the collective that worked together to create the album’s innovative and varied sonic pallet, providing the perfect soundscape for Erin’s soothing vocals, bathing everything in the warmth and purity that has become her trademark sound.
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Berith - You Could Be Mine.
Singer, songwriter and bandleader Berith is drawing on inspirations from both her native Norwegian roots, and those of Celtic and American traditions. She is living with her partner and two children where her family of sailors, fishermen and farmers has lived for houndreds of years; just about as far out into the North Sea one can get without a boat.
With her acoustic guitar and melodeon, Berith has been travelling the fjords and weather beaten west coast of Norway since her teens. But only recently has she decided to take a step further, and has partnered with the fine group of musicians that now make up her band. After catching the ear of the Norwegian music producer and writer Eirik Grønner, they have moved forward to record and release an albums worth of material on his new label Demningen ("the dam")
The Band: Dag Atle Håland: mandolin, guitars and backing vocals - Endre Aasebø: Guitars, banjo and backing vocals - Svein Henning Berstad: bass and backing vocals - Anders Vengen Jensen: drums, percussion and backing vocals.
The first single; "You Could Be Mine" is a song about a longing. About having so much to give, but not that special one to give it to. This story includes a neglected child and a wish to make a difference in the world through the loving care of a child.
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With the brand new album 'Putting On Airs' by Erin Rae she has thrown down a direct challenge to the stereotype of what a Southern singer should be. Well that's according to the accompanying promo piece, however listening through all the tracks, it's fair to say, she has a point. The music is fresh, the lyrics thoughtful and mature, and the sheer diversity of styles (from indie folk to Americana) impressive, for me the answer to her challenge is simple, there are no stereotypes here.
There is an old time feel to 'You Could Be Mine' by Berith as the song opens, however it gradually develops a more current feel, as the musical arrangement expands, and her personal Norwegian roots and those of Celtic and American traditions all come together to deliver a fabulous song.
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The Side Project - Redbone (feat. Alita Moses).
The Side Project accompanied by New York singer Alita Moses share their saxophone quartet version of the Childish Gambino classic "Redbone".
Regarding the song The Side Project stated: "What attracted us first was the old school feel of the song. The magic of The Side Project is that it is a saxophone quartet which means that only 4 saxophones are playing what normally a full band would play. The bass, drums, and guitar - it’s all saxophones which creates this edgy raw groove. We started doing covers featuring different singers from New York and when we decided to work with Alita she suggested the song and it was a perfect fit."
The Side Project takes on the classical concept of a saxophone quartet and pairs it with drums, bass, and soul singers to create their edgy and irresistible sound.
The band was started in 2013 by Eyal Hai, Alto player and lead arranger for the group. He called his friends, Eden Bareket on Bari, Arnan Raz on Tenor, and Hailey Niswanger on Soprano, and met for the first time at the Bedford L stop in the NYC Subway. They spent a few hours experimenting with different arrangements of Pop and R&B hits, and it was quickly understood by all that this band was unique.
Since then, The Side Project has opened for the New York Philharmonic at the Concerts in the Parks series, performed at The Brooklyn Bowl, The Knitting Factory, the commencement ceremony for the Art Institute of NYC, and many other prestigious venues and private events. They have also been attracting serious attention on social media with their live videos featuring the top singers from the local New York City scene.
The Side Project has one instrumental album out, #ThisPartySax (2015), and will be releasing their second album in July 2019 under their label Rabbit Rabbit Rabbit Records. The album features guest vocalists, covers and original songs.
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Erin Rae - Putting on Airs (Album).
Gifted with a unique ability to fuse musical genres and influences to craft songs that feel fresh and wholly her own, with her new album Putting On Airs, Erin Rae has thrown down a direct challenge to the stereotype of what a Southern singer should be. Both lyrically and sonically, she strikes a fiercely independent chord, proudly releasing a deeply personal record that reflects her own upbringing in Tennessee, including the prejudices and injustices that she witnessed as a child that continue to impact her life to this day. According to Rae, "this album was born out of a need to do some healing work in my personal life, in order to address some fears and patterns of mine to allow my true feelings to come to the surface."
Buoying the release is Rae’s reputation as an enthralling live performer, which has earned her the respect of Nashville peers and music notables alike, including Grammy Award winner John Paul White, who has signed her to his Florence, Alabama-based label, Single Lock Records. Rae joins a Single Lock roster that includes Nicole Atkins, St. Paul And The Broken Bones, and White himself, who said “When I first heard Erin’s compelling voice, I knew nothing about her. It was live, with no intro (she was opening for friends of mine), and I was instantly transfixed. I couldn’t wait to engage, and that’s something I very seldom feel, much less do. I was thrilled to find out her personality was as engaging as her voice and songs, and that she was looking for a home. I couldn’t be happier to be hitching our wagons together.”
Recorded in the dead of winter at The Refuge, a historic former Franciscan monastery-turned-creative space on Wisconsin’s Fox River, the isolated environment created the perfect setting for Erin and her bandmates to track these genre-busting songs, using the chapel and other unique spaces within the cavernous building to explore new sonic boundaries, all while continuing to showcase Erin’s trademark vocals and song-serving restraint first heard on her critically-acclaimed 2015 debut album, Soon Enough.
The unique sound of the record is inspired by the innovative 1960s European production techniques from artists like the Beatles and Francoise Hardy, paired alongside the restraint and minimalism of modern artists like Wilco and Richard Hawley, bridging the sonic gap between classic songwriting and a modern indie-rock ethos. The album was co-produced by engineer Dan Knobler (Rodney Crowell, Tift Merritt) and multi-instrumentalist Jerry Bernhardt. Dominic Billett also served an integral role in the collective that worked together to create the album’s innovative and varied sonic pallet, providing the perfect soundscape for Erin’s soothing vocals, bathing everything in the warmth and purity that has become her trademark sound.
--------------------------------------------------------------------------------------------------------------------------
Berith - You Could Be Mine.
Singer, songwriter and bandleader Berith is drawing on inspirations from both her native Norwegian roots, and those of Celtic and American traditions. She is living with her partner and two children where her family of sailors, fishermen and farmers has lived for houndreds of years; just about as far out into the North Sea one can get without a boat.
With her acoustic guitar and melodeon, Berith has been travelling the fjords and weather beaten west coast of Norway since her teens. But only recently has she decided to take a step further, and has partnered with the fine group of musicians that now make up her band. After catching the ear of the Norwegian music producer and writer Eirik Grønner, they have moved forward to record and release an albums worth of material on his new label Demningen ("the dam")
The Band: Dag Atle Håland: mandolin, guitars and backing vocals - Endre Aasebø: Guitars, banjo and backing vocals - Svein Henning Berstad: bass and backing vocals - Anders Vengen Jensen: drums, percussion and backing vocals.
The first single; "You Could Be Mine" is a song about a longing. About having so much to give, but not that special one to give it to. This story includes a neglected child and a wish to make a difference in the world through the loving care of a child.
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Sunday, 30 June 2019
Candid - Espanola - Katie Rose
Coventry, England's Candid have just released 'Concrete Jungle' where the band deliver an indie rocker fuelled by exuberance, mega hooks and good old natural rock and roll intensity.
The self titled album from Espanola is a festival of guitar driven rockers, with the focus on what feels right and good, rather that an album in pursuit of perfection, which in a sense is also a reasonable definition of what rock was originally all about.
The new single form Katie Rose is entitled 'Beginnings', a song that tackles anxiety and depression, doing so with a majestic musical arrangement and the very fine vocals of Katie.
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Candid - Concrete Jungle.
Backed by the likes of BBC Introducing and Fred Perry, Candid are fittingly honest when they come to describing their sound – music to dance to. On their forthcoming single, ‘Concrete Jungle’, they live up to the promise. Taking up the indie-on-the-dancefloor dynamics of their peers (think the pulsating post-punk pizzazz of Franz Ferdinand, the spiky shrugging of The Strokes, the bleary-eyed bluster of Catfish and the Bottlemen), Candid’s new single is a foot-to-the-floor rocker built around fuzz-drenched thrills, infectious rhythms and a soaring chorus.
Like their fellow Coventry compatriots, The Enemy, Candid, made up of Rob Latimer (Vocals, Guitar), Dan Latimer (lead guitar), Sam Baines (bass) and Ben Williams (drums), deal in a brutal emotional honesty funnelled through songs that can be as sharp as they are soothing. And just like Tom Clarke’s Coventry heroes, who have given the band their personal backing, Candid share an unbinding tie to their home city – the title of ‘Concrete Jungle’, after all, stems from the surroundings of the West Midlands area.
Buoyed by a searing, overdriven guitar riff, irresistible drum beats and a slinky bass riff, it has the hallmarks of some of indie rock’s most revered statesmen – think the up-in-arms anthems of Oasis, the summer haze of The Kooks and the juggernaut guitars of Catfish.
It’s no surprise that Candid have already garnered some impressive gigs, showcasing their unbridled energy and thrilling charisma with established acts as diverse as Scouting for Girls and The Hoosiers to The Pale White and RedFaces. They’ve also become a staple of the festival circuit, playing the main stage of Coventry’s much sought-after Godiva Festival last year and now being announced on the main stage of this year's Coombe Weekender, playing alongside The Libertines, Tom Grennan and Circa Waves.
“Juggling university, a part-time job and the dream of one day making it in a band can be quite the challenge, especially when you’re a professional procrastinator,” says the band’s singer, Rob Latimer. “I’d never learn my lesson though, the whole ‘spinning the plates’ metaphor, one would always suffer or ‘drop’, but it was definitely an event that reoccurs quite often.”
On ‘Concrete Jungle’, he and the rest of Candid are really getting the balance right. As the chorus goes, ‘If we don’t look back, how can we move forwards?’ – judging from the sound of their new single, Candid may make nods to the music of the past, but forwards – and upwards – is the only direction they’re headed.
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Espanola - Espanola (Album).
You may not expect such a decidedly “guitar” record from a pedal steel player, but that’s what this is. About half the tracks were cut five years ago in a remote studio on the grid roads of Saskatchewan.
They are presented here as little imperfect representations of what it’s like to learn to make one’s own record after contributing to so many others’ over the years.
Alongside them are some more recent tracks that were bashed out at my headquarters, Baldwin Street Sound.
They’re a testament to my assertion that perfection is a fool’s pursuit. I love putting together a song that feels good; I love taking the standard electric guitar for a spin now and again. I hope both of those things are evident on this record. And I hope not to take 10 years to make the next one.
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Katie Rose - Beginnings.
“Beginnings”, the new single from singer-songwriter, Katie Rose, liberates the often crippling weights of anxiety and depression. The single pays homage to a friend who took their own life and draws back a bulky emotional curtain, shedding new light to reveal glimmers of prosperity. Cascading waves of melodic piano and choir-backed vocals shine through concaves of the mind that were once lonely and trapped in the dark. “Beginnings” is out for release now.
“Beginnings” acts as a guide through a tumultuous storm of anxieties. After losing a friend to suicide, Rose reflected on her own experiences with depression and wrote a song telling others what she wished someone would have told her during the darkest hours. The single’s ever-growing volume and profound tempo stand tall like a pillar supporting a broken soul. “Beginnings” starts off with just Rose’s quaint, fluttering vocals and delicate piano, but then crescendos into a full percussive choir of friends coming together. With immense surety, the solidarity extends far beyond the measures of a song. It reaches out to every part of the spirit and mind, offering a hand to anyone who has been left abandoned by hope.
Katie Rose began writing and playing music at just 12 years old and played her first live show in 2011 at age 13. Turning her journey of self-discovery into music, she wrote her first album, Everything Yesterday, when she was 17 with the help of Eric Rickert and Jeff Leonard at Ocean Industries Studios.
Ever refining her solo show in her hometown of Charleston, SC, Rose toured in 2017 with platinum selling artist Howie Day, followed by a tour with nationally acclaimed band, Jump Little Children. She released a live EP, I Am, in 2017. In 2018 she toured with Carbon Leaf, opened again for JLC, and did a mini tour with Vienna Teng. Her last single, "Don't Hold Me Down," was featured on SceneSC's 2018 Sampler. Her upcoming single, "Beginnings" is out for release June 28, 2019.
--------------------------------------------------------------------------------------------------------------------------
The self titled album from Espanola is a festival of guitar driven rockers, with the focus on what feels right and good, rather that an album in pursuit of perfection, which in a sense is also a reasonable definition of what rock was originally all about.
The new single form Katie Rose is entitled 'Beginnings', a song that tackles anxiety and depression, doing so with a majestic musical arrangement and the very fine vocals of Katie.
---------------------------------------------------------------------------------------------------------------------------
Candid - Concrete Jungle.
Backed by the likes of BBC Introducing and Fred Perry, Candid are fittingly honest when they come to describing their sound – music to dance to. On their forthcoming single, ‘Concrete Jungle’, they live up to the promise. Taking up the indie-on-the-dancefloor dynamics of their peers (think the pulsating post-punk pizzazz of Franz Ferdinand, the spiky shrugging of The Strokes, the bleary-eyed bluster of Catfish and the Bottlemen), Candid’s new single is a foot-to-the-floor rocker built around fuzz-drenched thrills, infectious rhythms and a soaring chorus.
Like their fellow Coventry compatriots, The Enemy, Candid, made up of Rob Latimer (Vocals, Guitar), Dan Latimer (lead guitar), Sam Baines (bass) and Ben Williams (drums), deal in a brutal emotional honesty funnelled through songs that can be as sharp as they are soothing. And just like Tom Clarke’s Coventry heroes, who have given the band their personal backing, Candid share an unbinding tie to their home city – the title of ‘Concrete Jungle’, after all, stems from the surroundings of the West Midlands area.
Buoyed by a searing, overdriven guitar riff, irresistible drum beats and a slinky bass riff, it has the hallmarks of some of indie rock’s most revered statesmen – think the up-in-arms anthems of Oasis, the summer haze of The Kooks and the juggernaut guitars of Catfish.
It’s no surprise that Candid have already garnered some impressive gigs, showcasing their unbridled energy and thrilling charisma with established acts as diverse as Scouting for Girls and The Hoosiers to The Pale White and RedFaces. They’ve also become a staple of the festival circuit, playing the main stage of Coventry’s much sought-after Godiva Festival last year and now being announced on the main stage of this year's Coombe Weekender, playing alongside The Libertines, Tom Grennan and Circa Waves.
“Juggling university, a part-time job and the dream of one day making it in a band can be quite the challenge, especially when you’re a professional procrastinator,” says the band’s singer, Rob Latimer. “I’d never learn my lesson though, the whole ‘spinning the plates’ metaphor, one would always suffer or ‘drop’, but it was definitely an event that reoccurs quite often.”
On ‘Concrete Jungle’, he and the rest of Candid are really getting the balance right. As the chorus goes, ‘If we don’t look back, how can we move forwards?’ – judging from the sound of their new single, Candid may make nods to the music of the past, but forwards – and upwards – is the only direction they’re headed.
-------------------------------------------------------------------------------------------------------------------------
Espanola - Espanola (Album).
You may not expect such a decidedly “guitar” record from a pedal steel player, but that’s what this is. About half the tracks were cut five years ago in a remote studio on the grid roads of Saskatchewan.
They are presented here as little imperfect representations of what it’s like to learn to make one’s own record after contributing to so many others’ over the years.
Alongside them are some more recent tracks that were bashed out at my headquarters, Baldwin Street Sound.
They’re a testament to my assertion that perfection is a fool’s pursuit. I love putting together a song that feels good; I love taking the standard electric guitar for a spin now and again. I hope both of those things are evident on this record. And I hope not to take 10 years to make the next one.
--------------------------------------------------------------------------------------------------------------------------
Katie Rose - Beginnings.
“Beginnings”, the new single from singer-songwriter, Katie Rose, liberates the often crippling weights of anxiety and depression. The single pays homage to a friend who took their own life and draws back a bulky emotional curtain, shedding new light to reveal glimmers of prosperity. Cascading waves of melodic piano and choir-backed vocals shine through concaves of the mind that were once lonely and trapped in the dark. “Beginnings” is out for release now.
“Beginnings” acts as a guide through a tumultuous storm of anxieties. After losing a friend to suicide, Rose reflected on her own experiences with depression and wrote a song telling others what she wished someone would have told her during the darkest hours. The single’s ever-growing volume and profound tempo stand tall like a pillar supporting a broken soul. “Beginnings” starts off with just Rose’s quaint, fluttering vocals and delicate piano, but then crescendos into a full percussive choir of friends coming together. With immense surety, the solidarity extends far beyond the measures of a song. It reaches out to every part of the spirit and mind, offering a hand to anyone who has been left abandoned by hope.
Katie Rose began writing and playing music at just 12 years old and played her first live show in 2011 at age 13. Turning her journey of self-discovery into music, she wrote her first album, Everything Yesterday, when she was 17 with the help of Eric Rickert and Jeff Leonard at Ocean Industries Studios.
Ever refining her solo show in her hometown of Charleston, SC, Rose toured in 2017 with platinum selling artist Howie Day, followed by a tour with nationally acclaimed band, Jump Little Children. She released a live EP, I Am, in 2017. In 2018 she toured with Carbon Leaf, opened again for JLC, and did a mini tour with Vienna Teng. Her last single, "Don't Hold Me Down," was featured on SceneSC's 2018 Sampler. Her upcoming single, "Beginnings" is out for release June 28, 2019.
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Saturday, 29 June 2019
Sunscreen - Zoey Jurss - Charcoal Burners - The Prime - Ben Evolent
Sunscreen have just released their new single 'High Over Love'. The bands alt rock style is uncluttered, each instrument has it's space, with the vocals adding further melodic vibes on this pleasing song.
With influences such as First Aid Kit and Gillian Welch one things for certain, Zoey Jurss has very good musical taste, and what's more, her latest song 'Love, Love, Love' indicates she is pretty talented in her own right.
Charcoal Burners album 'The Best Day You Could Imagine' came out in April, however the New Zealand band have only just hit our radar, and their distinctive and hard to categorise rock is well worthy of a mention and a share.
The Prime have recently released their new E.P. 'Eternal Sky' and these accomplished rockers know their stuff, having originally formed in 2010, they got back together last year and the new material is top level natural rock!
We are back down under for Ben Evolent and his latest entitled 'Shiver' a folk rock song where is vocals are just right for the genre, as the musical backdrop adds in the rock dynamic.
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Sunscreen - High Over Love.
Beloved Sydney four-piece Sunscreen return with new single 'High Over Love', the first taste of forthcoming second EP via Spunk! Records. The band take their captivating live show on the road this July in support of the single, visiting Sydney, Brisbane and Melbourne.
A compelling example of the band’s penchant for dynamic, hook-driven rock, 'High Over Love' sees Sunscreen reckon with a questionable romance through soaring guitar riffs and Sarah Sykes’ commanding, magnetic vocals. The first release from Sunscreen since their debut 2017 EP Just A Drop, the track explores how “Society's idealisation of being in love can often convince us we are in love when actually we are not - and when the reality is closer to unhealthy dependence, or simply a fear of being alone”, Sarah Sykes explains.
Born from a garage in Sydney’s inner west, Sunscreen began as a collaboration between friends one day when vocalist Sarah Sykes invited Alexander McDonald (guitar) and Hugo Levingston (drums) over for a jam in 2016. Receiving its worldwide premiere with Noisey, Sunscreen's debut EP Just A Drop attracted airplay on triple j and community radio stations across Australia, as well as airplay from college radio in the United States with breakout single ‘Voices’ airing nationally on ABC’s rage for six weeks straight upon release.
Since then, the band have garnered significant buzz, signing to booking agency New World Artists, earning support slots for DMAs, Rolling Blackouts Coastal Fever, Jen Cloher, Ali Barter and Jack Ladder, as well as taking stage at Farmer & the Owl and Grampians Music Festival. Drawing sonic comparisons to The Go-Betweens, Alvvays and the Cocteau Twins, Sunscreen’s unapologetic live performance and intoxicating sound has been praised for the way it yields power through emotional vulnerability. Embarking on East coast tour this July in support of ’High Over Love’, the band will take their incomparable live show to Sydney, Brisbane and Melbourne where fans will be treated to never before heard music.
Exuding a beautiful toughness, the band's forthcoming energetic five-track EP was produced by Simon ‘Berkfinger’ Berkelman (Philadelphia Grand Jury, Art Vs. Science) and reflects the psyche of a romantically confused young person trying to survive in the big city. Written over the course of years, the EP explores romantic idealisation, heartache and self-possession with frank, powerful vulnerability. “All five songs were written at different times when I was undergoing rapid change in my life and loosing sight of who I was” says Sarah Sykes. Including input from new bass player Oliver Ellis, the EP finds the band’s lush, indie-rock sound, informed by a new-found confidence and lucidity.
Building upon the immersive, hook-filled catalogue, 'High Over Love' finds Sunscreen forging their own path with their unique, ever-evolving sound that's more bold and honest than ever before.
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Zoey Jurss - Love, Love, Love.
Delicately crafted and wondrously spirited, Zoey Jurss’ debut single ‘Love Love Love’ introduces the upcoming Brisbane singer-songwriter’s exciting new country-folk blend brilliantly.
Driven by warm, sliding guitars and a bright, gentle drumline courtesy of Danny Widdicombe and the Honey Sliders (of Wilson Pickers fame), it’s Zoey’s soothing melodies which glide effortlessly throughout and elevate listeners to bliss.
A cheerful and tranquil backbone, Zoey’s themes contrast this wonderfully as she weaves in traces of love, loss and heartache. Exploring the vulnerability and internal conflict at the closing stages of a relationship, Zoey’s adept storytelling tows the line between the anguish and the light at the end of the tunnel. It’s not long until the comforting nature of ‘Love Love Love’ unravels to spread an infectious stream self-love and optimism.
The depth and passion found within Zoey’s debut translates across to her live performances in a different angle, stripping back her sound as opposed to the lively full entourage on record. Combining dual acoustic guitar with her effortless vocals at the forefront, Zoey's broad sound is influenced by the likes of First Aid Kit and Gillian Welch.
With her debut EP on the horizon, followed by a string of intimate performances, now is the time to drift into Zoey Jurss’ sparkling marvel.
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Charcoal Burners - The Best Day You Could Imagine (Album).
The Best Day You Could Imagine completes a trilogy of albums, all produced by Thomas Bell (David Kilgour and the Heavy Eights, The Shifting Sands) and recorded at the iconic Chicks recording studio in Port Chalmers, Dunedin.
If the electro dark-folk of Charcoal Burners (2017) was earth, and the glacial soundscapes of Orders From the House (2018) water, The Best Day You Could Imagine is fire.
Having teamed up with Shane Gilchrist for Charcoal Burners and then gone solo for Orders From the House, The Best Day You Could Imagine sees Spittle with a classic three piece line up, with Sally Lonie joining on bass and vocals and the enigmatic Finn making a furious racket in back.
Plenty of guitar bands still walk the Earth today, but none share the singular vision realized on The Best Day You Could Imagine. Think Husker Du playing The Overlook hotel.
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The Prime - Eternal Sky (E.P).
The Prime formed in 2010 with high school friends Drew Delneky on guitar and vocals and Max Shreffler on drums. Shortly thereafter, they added bass player Mike Koelling to the lineup. The band quickly gained attention in the Chicago music scene by performing at venues such as The Elbo Room, Martyrs’ and The Double Door and then expanded their range, playing shows in Missouri, Iowa and Wisconsin.
The Prime released their first full-length, “In," in April of 2011. The album was produced and engineered by Joe Koelling at Great Plains Recording Company in Des Moines, Iowa and received positive reviews. In 2012, Max left the band to pursue other opportunities.
With the addition of new guitar player Matt Widowiarz and drummer Jay Lutterman, The Prime evolved into a heavier band in 2012 and decided to start playing shows under the name "Night of Fire" in 2013. Night on Fire released one official single, “Leave Me Alone,” before parting ways.
In 2018, Delneky and Koelling decided to reform The Prime and begin playing shows again. Taking a page from where the band started, Drew once again recruited friends from his high school days (this time Bobby Shields and Will Moeller). The band officially kicked off the re-launch in style with an epic performance at the House of Blues in Chicago in September of 2018 and celebrated the release of Eternal Sky at Reggie’s Rock Club in Chicago on June 14.
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Ben Evolent - Shiver.
One of Northern Territory’s most celebrated songwriters and live performers, Ben Evolent, is about to release his debut album Wanderous. Shiver, the lead single taken from the album, is a song that persuasively rocks through self-reflection and the humbling presence of Nature’s potency.
‘Shiver was written in Timor Lest'e in 2017 after walking around the island of Atauro. Shiver is about the moments in life where a choice of left or right can be made. It is you taking the plunge knowing that you are in the right place doing the right thing.’ - Ben Evolent
Shiver was written in tandem with Ben Evolent’s 2018 single Dagger and signals the steady embellishment of his broadly Australian style, born of the far north in all of its vibrancy and splendour, through tales of compassion for the people and the land. Shiver’s string arrangements sweep across gentle strums allowing Ben Evolent the space to capture hearts and imaginations.
In his two EPs and single to date, Ben Evolent has developed a dynamic range, from wistful folk to sweltering swamp-rock. His talent has garnered consistent nominations in the prestigious NT Song of the Year Award, winning in 2016 with his song Next Time. In 2017 he released the EP Next Time to a sold out crowd at Darwin Railway Club, the enthusiastic reception holding the no.10 spot in the AMRAP charts for 2 weeks, airplay on national broadcaster Triple J and over 100 000 plays on Spotify.
His lively and magnetic style has seen him support touring acts such as Kingswood, Bubsy Marou, Boo Seeka, Benny Walker, Caravana Sun and All Our Exes Live in Texas, and secured spots at Darwin Festival and in Tourism NT social media campaigns.
With this wealth of experience and breadth of expression firmly established, in 2019 Ben Evolent offers his debut album Wanderous. Building upon the robust nature of his catalog, Shiver is the shimmering affirmation that Ben Evolent is a storyteller on a wondrous journey.
-------------------------------------------------------------------------------------------------------------------------
With influences such as First Aid Kit and Gillian Welch one things for certain, Zoey Jurss has very good musical taste, and what's more, her latest song 'Love, Love, Love' indicates she is pretty talented in her own right.
Charcoal Burners album 'The Best Day You Could Imagine' came out in April, however the New Zealand band have only just hit our radar, and their distinctive and hard to categorise rock is well worthy of a mention and a share.
The Prime have recently released their new E.P. 'Eternal Sky' and these accomplished rockers know their stuff, having originally formed in 2010, they got back together last year and the new material is top level natural rock!
We are back down under for Ben Evolent and his latest entitled 'Shiver' a folk rock song where is vocals are just right for the genre, as the musical backdrop adds in the rock dynamic.
--------------------------------------------------------------------------------------------------------------------------
Sunscreen - High Over Love.
Beloved Sydney four-piece Sunscreen return with new single 'High Over Love', the first taste of forthcoming second EP via Spunk! Records. The band take their captivating live show on the road this July in support of the single, visiting Sydney, Brisbane and Melbourne.
A compelling example of the band’s penchant for dynamic, hook-driven rock, 'High Over Love' sees Sunscreen reckon with a questionable romance through soaring guitar riffs and Sarah Sykes’ commanding, magnetic vocals. The first release from Sunscreen since their debut 2017 EP Just A Drop, the track explores how “Society's idealisation of being in love can often convince us we are in love when actually we are not - and when the reality is closer to unhealthy dependence, or simply a fear of being alone”, Sarah Sykes explains.
Born from a garage in Sydney’s inner west, Sunscreen began as a collaboration between friends one day when vocalist Sarah Sykes invited Alexander McDonald (guitar) and Hugo Levingston (drums) over for a jam in 2016. Receiving its worldwide premiere with Noisey, Sunscreen's debut EP Just A Drop attracted airplay on triple j and community radio stations across Australia, as well as airplay from college radio in the United States with breakout single ‘Voices’ airing nationally on ABC’s rage for six weeks straight upon release.
Since then, the band have garnered significant buzz, signing to booking agency New World Artists, earning support slots for DMAs, Rolling Blackouts Coastal Fever, Jen Cloher, Ali Barter and Jack Ladder, as well as taking stage at Farmer & the Owl and Grampians Music Festival. Drawing sonic comparisons to The Go-Betweens, Alvvays and the Cocteau Twins, Sunscreen’s unapologetic live performance and intoxicating sound has been praised for the way it yields power through emotional vulnerability. Embarking on East coast tour this July in support of ’High Over Love’, the band will take their incomparable live show to Sydney, Brisbane and Melbourne where fans will be treated to never before heard music.
Exuding a beautiful toughness, the band's forthcoming energetic five-track EP was produced by Simon ‘Berkfinger’ Berkelman (Philadelphia Grand Jury, Art Vs. Science) and reflects the psyche of a romantically confused young person trying to survive in the big city. Written over the course of years, the EP explores romantic idealisation, heartache and self-possession with frank, powerful vulnerability. “All five songs were written at different times when I was undergoing rapid change in my life and loosing sight of who I was” says Sarah Sykes. Including input from new bass player Oliver Ellis, the EP finds the band’s lush, indie-rock sound, informed by a new-found confidence and lucidity.
Building upon the immersive, hook-filled catalogue, 'High Over Love' finds Sunscreen forging their own path with their unique, ever-evolving sound that's more bold and honest than ever before.
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Zoey Jurss - Love, Love, Love.
Delicately crafted and wondrously spirited, Zoey Jurss’ debut single ‘Love Love Love’ introduces the upcoming Brisbane singer-songwriter’s exciting new country-folk blend brilliantly.
Driven by warm, sliding guitars and a bright, gentle drumline courtesy of Danny Widdicombe and the Honey Sliders (of Wilson Pickers fame), it’s Zoey’s soothing melodies which glide effortlessly throughout and elevate listeners to bliss.
A cheerful and tranquil backbone, Zoey’s themes contrast this wonderfully as she weaves in traces of love, loss and heartache. Exploring the vulnerability and internal conflict at the closing stages of a relationship, Zoey’s adept storytelling tows the line between the anguish and the light at the end of the tunnel. It’s not long until the comforting nature of ‘Love Love Love’ unravels to spread an infectious stream self-love and optimism.
The depth and passion found within Zoey’s debut translates across to her live performances in a different angle, stripping back her sound as opposed to the lively full entourage on record. Combining dual acoustic guitar with her effortless vocals at the forefront, Zoey's broad sound is influenced by the likes of First Aid Kit and Gillian Welch.
With her debut EP on the horizon, followed by a string of intimate performances, now is the time to drift into Zoey Jurss’ sparkling marvel.
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Charcoal Burners - The Best Day You Could Imagine (Album).
The Best Day You Could Imagine completes a trilogy of albums, all produced by Thomas Bell (David Kilgour and the Heavy Eights, The Shifting Sands) and recorded at the iconic Chicks recording studio in Port Chalmers, Dunedin.
If the electro dark-folk of Charcoal Burners (2017) was earth, and the glacial soundscapes of Orders From the House (2018) water, The Best Day You Could Imagine is fire.
Having teamed up with Shane Gilchrist for Charcoal Burners and then gone solo for Orders From the House, The Best Day You Could Imagine sees Spittle with a classic three piece line up, with Sally Lonie joining on bass and vocals and the enigmatic Finn making a furious racket in back.
Plenty of guitar bands still walk the Earth today, but none share the singular vision realized on The Best Day You Could Imagine. Think Husker Du playing The Overlook hotel.
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The Prime - Eternal Sky (E.P).
The Prime formed in 2010 with high school friends Drew Delneky on guitar and vocals and Max Shreffler on drums. Shortly thereafter, they added bass player Mike Koelling to the lineup. The band quickly gained attention in the Chicago music scene by performing at venues such as The Elbo Room, Martyrs’ and The Double Door and then expanded their range, playing shows in Missouri, Iowa and Wisconsin.
The Prime released their first full-length, “In," in April of 2011. The album was produced and engineered by Joe Koelling at Great Plains Recording Company in Des Moines, Iowa and received positive reviews. In 2012, Max left the band to pursue other opportunities.
With the addition of new guitar player Matt Widowiarz and drummer Jay Lutterman, The Prime evolved into a heavier band in 2012 and decided to start playing shows under the name "Night of Fire" in 2013. Night on Fire released one official single, “Leave Me Alone,” before parting ways.
In 2018, Delneky and Koelling decided to reform The Prime and begin playing shows again. Taking a page from where the band started, Drew once again recruited friends from his high school days (this time Bobby Shields and Will Moeller). The band officially kicked off the re-launch in style with an epic performance at the House of Blues in Chicago in September of 2018 and celebrated the release of Eternal Sky at Reggie’s Rock Club in Chicago on June 14.
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Ben Evolent - Shiver.
One of Northern Territory’s most celebrated songwriters and live performers, Ben Evolent, is about to release his debut album Wanderous. Shiver, the lead single taken from the album, is a song that persuasively rocks through self-reflection and the humbling presence of Nature’s potency.
‘Shiver was written in Timor Lest'e in 2017 after walking around the island of Atauro. Shiver is about the moments in life where a choice of left or right can be made. It is you taking the plunge knowing that you are in the right place doing the right thing.’ - Ben Evolent
Shiver was written in tandem with Ben Evolent’s 2018 single Dagger and signals the steady embellishment of his broadly Australian style, born of the far north in all of its vibrancy and splendour, through tales of compassion for the people and the land. Shiver’s string arrangements sweep across gentle strums allowing Ben Evolent the space to capture hearts and imaginations.
In his two EPs and single to date, Ben Evolent has developed a dynamic range, from wistful folk to sweltering swamp-rock. His talent has garnered consistent nominations in the prestigious NT Song of the Year Award, winning in 2016 with his song Next Time. In 2017 he released the EP Next Time to a sold out crowd at Darwin Railway Club, the enthusiastic reception holding the no.10 spot in the AMRAP charts for 2 weeks, airplay on national broadcaster Triple J and over 100 000 plays on Spotify.
His lively and magnetic style has seen him support touring acts such as Kingswood, Bubsy Marou, Boo Seeka, Benny Walker, Caravana Sun and All Our Exes Live in Texas, and secured spots at Darwin Festival and in Tourism NT social media campaigns.
With this wealth of experience and breadth of expression firmly established, in 2019 Ben Evolent offers his debut album Wanderous. Building upon the robust nature of his catalog, Shiver is the shimmering affirmation that Ben Evolent is a storyteller on a wondrous journey.
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Friday, 28 June 2019
Ana Egge - Bronston - The Dead South - Box Of Moxie
Ana Egge has just released the video for 'Cocaine Cowboys', it's her second feature on Beehive Candy the last being in April 2018 when we remarked on her "melodic and gorgeous vocals". Well that remains the same and the inclusion of Iris DeMent on harmonies this time, really is something special!
Scottish alt-rock four piece Bronston have released 'Burnt Snakes' a potent bluesy rocker with perfectly matched vocals and a tight and feisty band adding plenty more.
The Dead South are already well know to many and rather popular to say the least, however 'Diamond Ring' is just such a fabulous song from the Canadian Bluegrass band, it just has to be included.
In February we first featured Box of Moxie with the track 'Submission Admission' and he is more than welcome back with the new song 'Bounty From The Seas' as the genre wanderer continues to release more fabulous material.
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Ana Egge - Cocaine Cowboys.
On September 6, 2019, Ana Egge will release her new album Is It The Kiss via StorySound Records. The Brooklyn-based singer-songwriter shared the music video for the lead single "Cocaine Cowboys," which features Iris DeMent on harmonies and Buck Meek (Big Thief) on electric guitar.
"Produced by Nancy Howell and Mark Lerner, the music video for 'Cocaine Cowboys' is fittingly cute. Featuring a winsome collection of props and highlighting a cast of famed artists like Loretta Lynn, Patsy Cline, Charley Pride, and Hank Williams, it does well in accentuating the kind of affable romance that Egge is aiming for," states PopMatters. "Its gentle melodies, subtly awash with traditional country callbacks, make for an earwigging roots number."
"This one started out as a song in tribute to life on the road and the camaraderie and friendship of band mates and it quickly crossed into territory of honky tonk life on the road," says Egge about the track. "The impossibility of a hick from the country raised on a farm writing a song and becoming a wealthy star by singing his heart out and touring around the country in an old sedan. That’s one side of romance I’ve always been interested in. Music, the open road, adventure and friendship deep as the songs we dive into as a band and come out of together on the other end."
Is It the Kiss, Ana Egge’s eleventh album, has nine originals and one cover (Diana Jones), and features her singularly soulful singing and songwriting, which according to Steve Earle sounds “like she’s telling us her deepest, darkest secrets.”
The country side of things is well-represented on the album by pedal steel (Matt Davidson of Twain) and fiddle (Alex Hargreaves) and by the songs “Cocaine Cowboys” and her affecting duet with Iris DeMent on a cover of Diana Jones’ “Ballad of the Poor Child.” But this is something of a soul record. The tracks are grounded by the Brooklyn indie-all-star rhythm section of Jacob Silver and Robin MacMillan, the slow grooves are sweetened by horns like molasses (Cole Kamen-Green and Adam Dotson), and at the center of it all is Ana’s guitar, that sounds like it knows something about how Steve Cropper and Curtis Mayfield could delicately, but determinedly, provide a sweetly-beating funky heart. Plus there are alt-guitar flashes by Buck Meek (Big Thief) as well as wind and brass arrangements from multi-instrumentalist, arranger, and producer Alec Spiegelman (Cuddle Magic).
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Bronston - Burnt Snakes.
Bronston are proud to bring you their new single, 'Burnt Snakes', produced by Idlewild's Rod Jones.
Bronston are a Scottish alt-rock 4 piece, the members of which have deep musical roots within the Scottish music scene. From production and writing with Scottish up-and-comer Mt. Doubt to featuring on BBC Radio6 Music favourite Tom Joshua's latest single, the influence of Bronston's members can be heard heavily throughout music in the UK.
This latest single comes following the release of their last single 'Leaving Utopia' and presents another verse in a new chapter for Bronston as a band, in terms of both songwriting style and production.
Recording at Edinburgh's Post Electric Studio with Rod Jones, guitarist of Scottish indie-rock group Idlewild, Bronston have captured an aesthetic that conveys the raw energy of 4 talented musicians hammering it out together live, without compromising on an immense studio sound.
The narrative of Burnt Snakes offers two contrasting perspectives on the bizarre state of modern populist politics.The first part of the song is told from the perspective of a bemused citizen, someone who can hardly wrap their head around the utter nonsense that flows from the mouths of this new brand of politician.They listen to others as they attempt to somehow re-interpret or explain away the most jarring of these Politician's utterances, yet they cannot reconcile themselves to this twisted way of thinking. As the syncopated march of the rhythm section grooves through the first section of the song, the citizen feels increasingly out of step with this new cultural and political movement. Just before the perspective switches in the second section, the citizen finally gets to grips with the arrogance of these newly anointed thought-leaders.
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The Dead South - Diamond Ring.
Following on from their heavily praised 2016 sophomore album ‘Illusion & Doubt’, and their breakthrough hit ‘In Hell I’ll Be In Good Company’, which has so far smashed through the 100million views barrier on Youtube, Canadian bluegrass heroes The Dead South now return to showcase their highly anticipated third album ‘Sugar & Joy’ with their latest single ‘Diamond Ring’.
With their traditional arrangement of cello, mandolin, guitar and banjo, the four-piece look to continue their upbeat bluegrass heritage on this bright and vibrant return. With its distinct country influences, mixed with classic blues and soul throughout, ‘Diamond Ring’ is one of the band’s more uplifting and engaging cuts from their forthcoming release. Telling the story of William, a would-be groom robbed of his engagement offering; this new track channels the group’s compelling storytelling through the guise of foot-stomping chords and hip-shaking rhythm.
Produced by FAME-studio trained producer Jimmy Nutt, a long-time member of the Muscle Shoals music scene whose recent credits include a Grammy for his work on The Steeldrivers, ‘Sugar & Joy’ has been described as the band’s tightest, weirdest and most exciting studio album to date. Speaking about working alongside the band, Nutt added, “They have an obvious dedication to what they are doing. They really encourage each other, which you don’t see a lot.”
While the group have been making waves in North America these last few years, the UK has quickly adopted their uniquely uplifting direction as they are soon to become the first bluegrass band to ever headline Brixton Academy, and will also be stopping over at Glastonbury Festival later this month.
‘Diamond Ring’ is available to stream and download now, and their third LP ‘Sugar & Joy’ will arrive on the 11th October via Six Shooter Records. The band will also be taking to the road through the UK and Ireland later this month, as well as early next year in support of the new record. Check out the full list of UK and Ireland tour dates below.
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Box Of Moxie - Bounty From The Seas.
A combination of alt-rock, Americana, folksy rock, and avant-garde, Box of Moxie is a manifestation of material that Stephen Jacques gathered throughout his multifaceted professional life as engineer, custom builder, TV host, and actor.
Strumming his acoustic guitar along the way, Jacques' real life experiences reveal their truths in a delicate, dreamy, oftentimes humorous fashion.
--------------------------------------------------------------------------------------------------------------------------
Scottish alt-rock four piece Bronston have released 'Burnt Snakes' a potent bluesy rocker with perfectly matched vocals and a tight and feisty band adding plenty more.
The Dead South are already well know to many and rather popular to say the least, however 'Diamond Ring' is just such a fabulous song from the Canadian Bluegrass band, it just has to be included.
In February we first featured Box of Moxie with the track 'Submission Admission' and he is more than welcome back with the new song 'Bounty From The Seas' as the genre wanderer continues to release more fabulous material.
--------------------------------------------------------------------------------------------------------------------------
Ana Egge - Cocaine Cowboys.
On September 6, 2019, Ana Egge will release her new album Is It The Kiss via StorySound Records. The Brooklyn-based singer-songwriter shared the music video for the lead single "Cocaine Cowboys," which features Iris DeMent on harmonies and Buck Meek (Big Thief) on electric guitar.
"Produced by Nancy Howell and Mark Lerner, the music video for 'Cocaine Cowboys' is fittingly cute. Featuring a winsome collection of props and highlighting a cast of famed artists like Loretta Lynn, Patsy Cline, Charley Pride, and Hank Williams, it does well in accentuating the kind of affable romance that Egge is aiming for," states PopMatters. "Its gentle melodies, subtly awash with traditional country callbacks, make for an earwigging roots number."
"This one started out as a song in tribute to life on the road and the camaraderie and friendship of band mates and it quickly crossed into territory of honky tonk life on the road," says Egge about the track. "The impossibility of a hick from the country raised on a farm writing a song and becoming a wealthy star by singing his heart out and touring around the country in an old sedan. That’s one side of romance I’ve always been interested in. Music, the open road, adventure and friendship deep as the songs we dive into as a band and come out of together on the other end."
Is It the Kiss, Ana Egge’s eleventh album, has nine originals and one cover (Diana Jones), and features her singularly soulful singing and songwriting, which according to Steve Earle sounds “like she’s telling us her deepest, darkest secrets.”
The country side of things is well-represented on the album by pedal steel (Matt Davidson of Twain) and fiddle (Alex Hargreaves) and by the songs “Cocaine Cowboys” and her affecting duet with Iris DeMent on a cover of Diana Jones’ “Ballad of the Poor Child.” But this is something of a soul record. The tracks are grounded by the Brooklyn indie-all-star rhythm section of Jacob Silver and Robin MacMillan, the slow grooves are sweetened by horns like molasses (Cole Kamen-Green and Adam Dotson), and at the center of it all is Ana’s guitar, that sounds like it knows something about how Steve Cropper and Curtis Mayfield could delicately, but determinedly, provide a sweetly-beating funky heart. Plus there are alt-guitar flashes by Buck Meek (Big Thief) as well as wind and brass arrangements from multi-instrumentalist, arranger, and producer Alec Spiegelman (Cuddle Magic).
-------------------------------------------------------------------------------------------------------------------------
Bronston - Burnt Snakes.
Bronston are proud to bring you their new single, 'Burnt Snakes', produced by Idlewild's Rod Jones.
Bronston are a Scottish alt-rock 4 piece, the members of which have deep musical roots within the Scottish music scene. From production and writing with Scottish up-and-comer Mt. Doubt to featuring on BBC Radio6 Music favourite Tom Joshua's latest single, the influence of Bronston's members can be heard heavily throughout music in the UK.
This latest single comes following the release of their last single 'Leaving Utopia' and presents another verse in a new chapter for Bronston as a band, in terms of both songwriting style and production.
Recording at Edinburgh's Post Electric Studio with Rod Jones, guitarist of Scottish indie-rock group Idlewild, Bronston have captured an aesthetic that conveys the raw energy of 4 talented musicians hammering it out together live, without compromising on an immense studio sound.
The narrative of Burnt Snakes offers two contrasting perspectives on the bizarre state of modern populist politics.The first part of the song is told from the perspective of a bemused citizen, someone who can hardly wrap their head around the utter nonsense that flows from the mouths of this new brand of politician.They listen to others as they attempt to somehow re-interpret or explain away the most jarring of these Politician's utterances, yet they cannot reconcile themselves to this twisted way of thinking. As the syncopated march of the rhythm section grooves through the first section of the song, the citizen feels increasingly out of step with this new cultural and political movement. Just before the perspective switches in the second section, the citizen finally gets to grips with the arrogance of these newly anointed thought-leaders.
--------------------------------------------------------------------------------------------------------------------------
The Dead South - Diamond Ring.
Following on from their heavily praised 2016 sophomore album ‘Illusion & Doubt’, and their breakthrough hit ‘In Hell I’ll Be In Good Company’, which has so far smashed through the 100million views barrier on Youtube, Canadian bluegrass heroes The Dead South now return to showcase their highly anticipated third album ‘Sugar & Joy’ with their latest single ‘Diamond Ring’.
With their traditional arrangement of cello, mandolin, guitar and banjo, the four-piece look to continue their upbeat bluegrass heritage on this bright and vibrant return. With its distinct country influences, mixed with classic blues and soul throughout, ‘Diamond Ring’ is one of the band’s more uplifting and engaging cuts from their forthcoming release. Telling the story of William, a would-be groom robbed of his engagement offering; this new track channels the group’s compelling storytelling through the guise of foot-stomping chords and hip-shaking rhythm.
Produced by FAME-studio trained producer Jimmy Nutt, a long-time member of the Muscle Shoals music scene whose recent credits include a Grammy for his work on The Steeldrivers, ‘Sugar & Joy’ has been described as the band’s tightest, weirdest and most exciting studio album to date. Speaking about working alongside the band, Nutt added, “They have an obvious dedication to what they are doing. They really encourage each other, which you don’t see a lot.”
While the group have been making waves in North America these last few years, the UK has quickly adopted their uniquely uplifting direction as they are soon to become the first bluegrass band to ever headline Brixton Academy, and will also be stopping over at Glastonbury Festival later this month.
‘Diamond Ring’ is available to stream and download now, and their third LP ‘Sugar & Joy’ will arrive on the 11th October via Six Shooter Records. The band will also be taking to the road through the UK and Ireland later this month, as well as early next year in support of the new record. Check out the full list of UK and Ireland tour dates below.
------------------------------------------------------------------------------------------------------------------------
Box Of Moxie - Bounty From The Seas.
A combination of alt-rock, Americana, folksy rock, and avant-garde, Box of Moxie is a manifestation of material that Stephen Jacques gathered throughout his multifaceted professional life as engineer, custom builder, TV host, and actor.
Strumming his acoustic guitar along the way, Jacques' real life experiences reveal their truths in a delicate, dreamy, oftentimes humorous fashion.
--------------------------------------------------------------------------------------------------------------------------
Wednesday, 26 June 2019
Liam Duncan - Janice Prix - Those Who Ride With Giants
Liam Duncan has released his new album 'If I Don't Feel Better' from which we have chosen 'Broken Hearted' to share. The theme for the album is based around a relationship ending, in this case Liam's personal experience, and what is impressive is the maturity regarding this, it's not a "poor me" outpouring of angst, rather an honest appraisal of a sensitive subject.
'Glitch' from Janice Prix might be based on a heavy and hardly uplifting subject, yet is a superb alt rocker, one that takes a challenging story line and turns it into something of an anthem, perhaps this is another definition for the term - juxtaposition.
Those Who Ride With Giants (aka MJ Callaghan) has just released 'The Walk of Thunder' an atmospheric alt rock instrumental that genuinely sounds like a full band performing, so much so that a genuine live ensemble is being assembled to take this music on tour.
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Liam Duncan - Broken Hearted.
My name is Liam. I’m 22. I’m a songwriter, sideman, and mix/audio engineer. First and foremost: I’m releasing an album I worked on with my friends and with Howard Redekopp (Tegan & Sara, Mother Mother, New Pornographers, etc.).
I am very proud of this album and I hope you love it. In 2019, I’ll be touring this project heavily and making some more music. This album came out of a breakup. It’s an honest look at breaking up with someone, and how awful that can feel.
Song by song, I write about doubting a relationship that you’ve never doubted before, forcing yourself to deal with those doubts and learning to be honest with yourself and your partner.
For many years, I toured with a band called The Middle Coast. We started touring when I was 17, and toured 100-200 days a year until I was 22. With my two best friends, I toured Canada coast to coast, toured the U.S. a bit, and toured Japan. It was awesome.
I do a lot of work as a keyboard player – touring and playing with Michael Bernard Fitzgerald, Begonia, Roger Roger, Jadea Kelly, Sweet Alibi, Don Amero, Sol James, Roman Clarke, Madelaine Roger, Lucas Roger, and others.
I do a fair bit of work engineering and mixing other people’s music. I’ve engineered, produced, or mixed for: The Middle Coast, Super Duty Tough Work, Don Amero, Sebastian Owl, Ali Atwell, Housepanther, Wrecker, Roman Clarke, Dylan MacDonald, and done tons of editing for a bunch of people. It’s fun. Mostly.
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Janice Prix - Glitch.
Janice Prix formed in the small industrial town of Trollhättan, Sweden. Despite their passion early on, the local music scene didn’t exactly embrace their creative difference with open arms: one day, the band arrived at the studio to find fake obituaries of each member’s name nailed to the front door. But from performing at Berlin Music Week and being active in the Swedish Club scene, Janice Prix have successfully established a place for their unique indie-pop within a town traditionally dominated by metal and punk.
With dark choruses and pop sensibility, previous politically charged single ‘Waking’ is far from what their native town is used to hearing. The anthemic chorus and emotive lyrics make the political statement of the track even more profound. Inspired by the tumultuous narrative of refugees fleeing their war-torn homes, ‘Waking’ is a powerful testament to compassion and political awareness.
Janice Prix expand their sound further on new track ‘Glitch’ – an impassioned elegy for victims of violence from the perspective of a brutal murderer. A haunting piano opens before a reverb-drenched electronic beat kicks in. This ominous start is soon accentuated by an unnerving vocal and distorted guitar samples that drift in and out. With a Wembley-worthy chorus, ‘Glitch’ reaches stratospheric musical heights with lyrical content to match.
Elaborating on their new release, they said "It’s a song inspired by the tragic events taking place in our hometown of Trollhättan in 2015, where a man wearing a Darth Vader-esque mask killed students and teachers with a sword in racist attack. The lyrics revolve around the thought process within the mind of an assailant right after an attack. We wanted the melodies and gloomy soundscape to emphasize the concept of eternity and life sentence."
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Those Who Ride With Giants - The Walk of Thunder.
Those Who Ride With Giants brand new single is entitled ’The Walk of Thunder’.
The “band” is really just one man – Sydney, Australia’s illustrator/animator/instrumental art rocker MJ Callaghan.
The multi-layered instrumentation and spacious atmospherics make these performances feel like a full band playing off each other in the same room at the same time.
As a result of the phenomenal support that the two previous releases generated, from tastemakers as influential as Spotify and Apple Music, and increasing popularity on a global scale, a live band has now formed and Those Who Ride With Giants are in the process of booking their first run of dates in support of the upcoming release.
-------------------------------------------------------------------------------------------------------------------------
'Glitch' from Janice Prix might be based on a heavy and hardly uplifting subject, yet is a superb alt rocker, one that takes a challenging story line and turns it into something of an anthem, perhaps this is another definition for the term - juxtaposition.
Those Who Ride With Giants (aka MJ Callaghan) has just released 'The Walk of Thunder' an atmospheric alt rock instrumental that genuinely sounds like a full band performing, so much so that a genuine live ensemble is being assembled to take this music on tour.
---------------------------------------------------------------------------------------------------------------------------
Liam Duncan - Broken Hearted.
My name is Liam. I’m 22. I’m a songwriter, sideman, and mix/audio engineer. First and foremost: I’m releasing an album I worked on with my friends and with Howard Redekopp (Tegan & Sara, Mother Mother, New Pornographers, etc.).
I am very proud of this album and I hope you love it. In 2019, I’ll be touring this project heavily and making some more music. This album came out of a breakup. It’s an honest look at breaking up with someone, and how awful that can feel.
Song by song, I write about doubting a relationship that you’ve never doubted before, forcing yourself to deal with those doubts and learning to be honest with yourself and your partner.
For many years, I toured with a band called The Middle Coast. We started touring when I was 17, and toured 100-200 days a year until I was 22. With my two best friends, I toured Canada coast to coast, toured the U.S. a bit, and toured Japan. It was awesome.
I do a lot of work as a keyboard player – touring and playing with Michael Bernard Fitzgerald, Begonia, Roger Roger, Jadea Kelly, Sweet Alibi, Don Amero, Sol James, Roman Clarke, Madelaine Roger, Lucas Roger, and others.
I do a fair bit of work engineering and mixing other people’s music. I’ve engineered, produced, or mixed for: The Middle Coast, Super Duty Tough Work, Don Amero, Sebastian Owl, Ali Atwell, Housepanther, Wrecker, Roman Clarke, Dylan MacDonald, and done tons of editing for a bunch of people. It’s fun. Mostly.
--------------------------------------------------------------------------------------------------------------------------
Janice Prix - Glitch.
Janice Prix formed in the small industrial town of Trollhättan, Sweden. Despite their passion early on, the local music scene didn’t exactly embrace their creative difference with open arms: one day, the band arrived at the studio to find fake obituaries of each member’s name nailed to the front door. But from performing at Berlin Music Week and being active in the Swedish Club scene, Janice Prix have successfully established a place for their unique indie-pop within a town traditionally dominated by metal and punk.
With dark choruses and pop sensibility, previous politically charged single ‘Waking’ is far from what their native town is used to hearing. The anthemic chorus and emotive lyrics make the political statement of the track even more profound. Inspired by the tumultuous narrative of refugees fleeing their war-torn homes, ‘Waking’ is a powerful testament to compassion and political awareness.
Janice Prix expand their sound further on new track ‘Glitch’ – an impassioned elegy for victims of violence from the perspective of a brutal murderer. A haunting piano opens before a reverb-drenched electronic beat kicks in. This ominous start is soon accentuated by an unnerving vocal and distorted guitar samples that drift in and out. With a Wembley-worthy chorus, ‘Glitch’ reaches stratospheric musical heights with lyrical content to match.
Elaborating on their new release, they said "It’s a song inspired by the tragic events taking place in our hometown of Trollhättan in 2015, where a man wearing a Darth Vader-esque mask killed students and teachers with a sword in racist attack. The lyrics revolve around the thought process within the mind of an assailant right after an attack. We wanted the melodies and gloomy soundscape to emphasize the concept of eternity and life sentence."
--------------------------------------------------------------------------------------------------------------------------
Those Who Ride With Giants - The Walk of Thunder.
Those Who Ride With Giants brand new single is entitled ’The Walk of Thunder’.
The “band” is really just one man – Sydney, Australia’s illustrator/animator/instrumental art rocker MJ Callaghan.
The multi-layered instrumentation and spacious atmospherics make these performances feel like a full band playing off each other in the same room at the same time.
As a result of the phenomenal support that the two previous releases generated, from tastemakers as influential as Spotify and Apple Music, and increasing popularity on a global scale, a live band has now formed and Those Who Ride With Giants are in the process of booking their first run of dates in support of the upcoming release.
-------------------------------------------------------------------------------------------------------------------------
Tuesday, 25 June 2019
The Black Watch - The Riptide Movement
The Black Watch have just released 'Mad' ahead of John Andrew Fredrick releasing his 17th full-length album 'Magic Johnson' as lead song-smith of the black watch. With a quick tempo and slick rock delivery, it's notable just how the fresh the piece feels, considering how much music has preceded the song.
Dublin's The Riptide Movement have just announced a London show at The Islington on Friday 4th October hot on the heels of their recent new song release 'I'll Be There'. The song is a vibrant indie rocker that's rather catchy to put it mildly.
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The Black Watch - Magic Johnson.
An avowed Anglophile, author, English professor and irrepressible Los Angeles based songwriter John Andrew Fredrick is about to release his 17th full-length as lead songsmith of the black watch. 'Magic Johnson' is released in the UK through Atom records on the 8th of August 2019.
It reunites Fredrick with Scott Campbell (Acetone, Carina Round, Stevie Nicks), Andy Creighton (The World Record), and Rob Campanella (The Brian Jonestown Massacre, The Tyde) released by Atom Records in the UK in August. Fredrick’s songs are infused with bittersweet sunlit vibes distinctive of what he calls a 'quintessentially LA record', yet its influenced by his love of 80s English post-punk, Flying Nun records, C-86 and the psychedelic works of The Beatles.
It's preceded by the lead single 'Mad' in June that's wry, infectious songwriting is a jangly, joyous celebration of a lover’s craziness, that's sideways romp stokes the distant embers of acts as disparate as The Wedding Present, The Go-Betweens and The Cure, yet remains distinctively the black watch a band due the attention they genuinely deserve in the country that inspired much of their sound.
In 2019, the black watch issues Magic Johnson, its 17th long player, the songs (and the subjects they cover) on the new TBW LP certainly are singularly varied, if not truly weird, eerie, strange: a dream reimagined from a Thomas Hardy novel (“Eustacia’s Dream”); a breathtaking story of male violence and desire from Elizabeth I’s reign (“April Fools”); a childlike exhortation applied to adult disappointments (“Upsy-Daisy”). Anti-love songs, lovey love songs, carpe diem lullabies, a pulsating rocker mocking LA posers and trendies and “Coachella hat chicks” who are “always lonely, though never alone.”
--------------------------------------------------------------------------------------------------------------------------
The Riptide Movement - I'll Be There.
Dublin four-piece The Riptide Movement are set to release their eagerly anticipated new single “I’ll Be There”
This song is an uplifting, energizing, guitar driven anthem with a massive chorus and is without doubt a return to form for the band. Co-produced in Attica Studios with the legendary Tommy McLoughlin (Villagers, SOAK) “I’ll Be There” could possibly be their best offering to date.
Complimenting this uplifting track is a 2D live action animated music video that was produced and directed by BAFTA award winning Jam Media.
With four studio albums to their name - most notably The RTÉ Choice Music Prize nominated, Gold selling, Number 1 Album “Getting Through” - The Riptide Movement are renowned for their phenomenal live shows and soaring, guitar driven, energetic tracks. Having toured extensively throughout 2018 on the back of critically acclaimed releases “All Works Out", “Elephant in the Room” and “Changeling”, a busy summer of festival appearances awaits.
“I’ll Be There” the brand new single from The Riptide Movement, is available on all streaming platforms and digital formats now.
-------------------------------------------------------------------------------------------------------------------------
Dublin's The Riptide Movement have just announced a London show at The Islington on Friday 4th October hot on the heels of their recent new song release 'I'll Be There'. The song is a vibrant indie rocker that's rather catchy to put it mildly.
--------------------------------------------------------------------------------------------------------------------------
The Black Watch - Magic Johnson.
An avowed Anglophile, author, English professor and irrepressible Los Angeles based songwriter John Andrew Fredrick is about to release his 17th full-length as lead songsmith of the black watch. 'Magic Johnson' is released in the UK through Atom records on the 8th of August 2019.
It reunites Fredrick with Scott Campbell (Acetone, Carina Round, Stevie Nicks), Andy Creighton (The World Record), and Rob Campanella (The Brian Jonestown Massacre, The Tyde) released by Atom Records in the UK in August. Fredrick’s songs are infused with bittersweet sunlit vibes distinctive of what he calls a 'quintessentially LA record', yet its influenced by his love of 80s English post-punk, Flying Nun records, C-86 and the psychedelic works of The Beatles.
It's preceded by the lead single 'Mad' in June that's wry, infectious songwriting is a jangly, joyous celebration of a lover’s craziness, that's sideways romp stokes the distant embers of acts as disparate as The Wedding Present, The Go-Betweens and The Cure, yet remains distinctively the black watch a band due the attention they genuinely deserve in the country that inspired much of their sound.
In 2019, the black watch issues Magic Johnson, its 17th long player, the songs (and the subjects they cover) on the new TBW LP certainly are singularly varied, if not truly weird, eerie, strange: a dream reimagined from a Thomas Hardy novel (“Eustacia’s Dream”); a breathtaking story of male violence and desire from Elizabeth I’s reign (“April Fools”); a childlike exhortation applied to adult disappointments (“Upsy-Daisy”). Anti-love songs, lovey love songs, carpe diem lullabies, a pulsating rocker mocking LA posers and trendies and “Coachella hat chicks” who are “always lonely, though never alone.”
--------------------------------------------------------------------------------------------------------------------------
The Riptide Movement - I'll Be There.
Dublin four-piece The Riptide Movement are set to release their eagerly anticipated new single “I’ll Be There”
This song is an uplifting, energizing, guitar driven anthem with a massive chorus and is without doubt a return to form for the band. Co-produced in Attica Studios with the legendary Tommy McLoughlin (Villagers, SOAK) “I’ll Be There” could possibly be their best offering to date.
Complimenting this uplifting track is a 2D live action animated music video that was produced and directed by BAFTA award winning Jam Media.
With four studio albums to their name - most notably The RTÉ Choice Music Prize nominated, Gold selling, Number 1 Album “Getting Through” - The Riptide Movement are renowned for their phenomenal live shows and soaring, guitar driven, energetic tracks. Having toured extensively throughout 2018 on the back of critically acclaimed releases “All Works Out", “Elephant in the Room” and “Changeling”, a busy summer of festival appearances awaits.
“I’ll Be There” the brand new single from The Riptide Movement, is available on all streaming platforms and digital formats now.
-------------------------------------------------------------------------------------------------------------------------
Sunday, 23 June 2019
Youth Sector - Mathilde Fernandez - Winona Oak - Junaco
Youth Sector have just released 'Renting Spaces In My World' a crisp post punk song where the vocals have plenty of eighties new wave influence, the music is rhythmic & vibrant and when you put it all together, the whole is hook fueled and potent.
Mathilde Fernandez has just shared her latest single 'Chanteuse De Guerre' along with a suitably matched and impressive video, whether you understand the lyrics, or not, this is just to hard to resist.
We have two versions of 'He Don't Love Me' the new 'Stripped' version, along with a live video piece. Winona Oak is of course the artist and both versions are gorgeous, intimate and full of feeling.
Finally today we have Junaco and a song titled 'In Between' a gentle, tender and melodic piece where the vocals shine and the acoustic backdrop is just right.
--------------------------------------------------------------------------------------------------------------------------
Youth Sector - Renting Spaces In My World.
Brighton’s latest post-punk exports Youth Sector explode onto the scene with swashbuckling new release Renting Spaces In My World, out now.
Offering up a unique blend of drawling vocal melodies sashaying above sharp, crooked guitars, the quintet incorporate the influences of Talking Heads, Devo and Preoccupations with howling ‘80s-esque synths and angry driving bass lines to create a thrilling indie anthem bursting with tenacity.
“Renting Spaces In My World is about someone struggling to get to grips with reality”, the band revealed. “The lyrics tell the story of someone who, in their own grandiose delusion believes they own the whole world and all other people are like paying customers, renting the opportunity to exist within it”.
With their early releases having received widespread tastemaker approval and spins across the airwaves (BBC Radio 1, BBC 6 Music), not to mention an esteemed list of support slots alongside acts including Our Girl, King Nun and Goat Girl, the indie newcomers are primed for the spotlight and eager to take full advantage.
Youth Sector’s Renting Spaces In My World is released 21st June and will be available via all digital platforms. Youth Sector is Nick Tompkins (guitar, vocals), Josh Doyle (bass), Brad Moore (guitar), Harvey Dent (synth), Karl Tomlin (drums).
Live Dates:
26 June – The Old Blue Last, London
13 July – Patterns, Brighton (Hidden Herd Festival).
--------------------------------------------------------------------------------------------------------------------------
Mathilde Fernandez - Chanteuse De Guerre.
Los Angeles record company Bordel Records is proud to announce the latest single from Mathilde Fernandez, "Chanteuse de Guerre", from her upcoming EP 'Back In Las Vegas'.
“Chanteuse de Guerre”, was born from the desire to create a monster. In mixing lyrical poetry laced with sarcasm and the absurd, Fernandez portrays a political icon who seduces and reassures the masses to face the horrors of the world. At the same time, she feeds on drama and misery to enhance her rhetoric while giving the impression of endless commitment.
The accompanying music video was produced in the city of Nezahualcóyotl, one of the largest slums in the suburbs of Mexico. Fernandez collaborates with Los Cogelones, a musical quartet of brothers who mix traditional instruments, Aztec songs and English punk rock. They play as music teachers and coach the military band of primary school students. Throughout their teaching Los Cogelones with to instill upon the younger generation values of discipline and collective work worthy of the heritage of their Aztec ancestors. Fernandez integrates her young War Singer into all of this, feigning political speech in a choreographed and terrifying kind of child's play.
"Chanteuse de Guerre" is the lead single off Mathilde Fernandez's EP 'Back In Las Vegas', out everywhere on September 20th.
Mathilde Fernandez is a singer and performer whose world combines dramatic visual arts, both living and plastic, is supplemented with powerful electro stylings and wild lyrical influences in her voice. As she began her multi media universe journey, Mathilde Fernandez enhanced her baroque universe with such collaborations such as Perez, La Femme, Casual Gabberz or Christophe. She released her first EP in December 2015 entitled Live in Las Vegas and “Hyperstition” in the Fall of 2018. Mathilde lives and works between Brussels and Paris.
-------------------------------------------------------------------------------------------------------------------------
Winona Oak - He Don't Love Me (Stripped).
Swedish born, LA-based artist Winona Oak releases a stripped down version of her debut single “He Don’t Love Me” via Neon Gold Records / Atlantic Records. The single comes accompanied by a stunning and intimate, live performance video as well.
Winona Oak introduces her debut single “He Don’t Love Me” as follows: “We’re all capable of falling for people who don’t value us, grasping for a leaving hand. But we must understand that we’re just as capable of realizing that our worth does not lay in those heavy hands.”
Born and raised in the Nordic forests of Sweden on a small crop of land called Sollerön - known as the Island of the Sun - Winona Oak is every bit as enchanting as her origin story. With a childhood spent encountering more animals than people, she grew up a trained horse acrobat and pursued creative expression however she could, writing poetry and songs from a young age. Born into a musical family, Winona sang throughout her youth and began playing violin at 5 years old and piano at 9 years.
After moving to Stockholm to pursue her passion for music, a leap of faith to attend Neon Gold Records’ writing retreat in the Nicaraguan jungle in 2017 led her to Australian electronic maestro What So Not. She would go on to co-write his next two singles "Better" and "Stuck In Orbit", eventually stepping into the spotlight as both the writer and featured artist on his 2018 single "Beautiful".
Last year, Winona Oak covered “Don’t Save Me” from fellow Neon Gold Records signees HAIM for the label’s 10 year anniversary compilation: NGX: Ten Years of Neon Gold. The minimal production allows Winona Oak’s ethereal voice to shine through, slower than the original and drenched in ethereal melancholy. Now signed to Neon Gold / Atlantic Records and published by Warner-Chappell, she closed out 2018 collaborating with The Chainsmokers on their viral hit single “Hope”, co-written by Winona and featuring her stunning lead vocals, and currently boasting 250 million streams across all platforms globally.
-------------------------------------------------------------------------------------------------------------------------
Junaco - In Between.
Junaco is the foundation of Shahana Jaffer and Joey LaRosa. Born in the unincorporated mountain town on the outskirts coastal Northern California, the duo found an escape from musical conventions. Fleeing the rituals of rushing through songs, away from the nonsense of worrying, a budding partnership was found based equally on half-parts progression and melody. Mellow bursts of epiphany and pleas of gentle seduction give way to driving grooves in Junaco’s music, leaving the immediate fan with a delicate, instantly familiar and completely unassailable batch of songs.
Jaffer, a natural talent whose limbs were too long to dance, met a counterpart in LaRosa, a guitarist and percussionist’s dream who from a young age had been told that “musician” wasn’t an achievable career. Though conventionally unlikely on the global scale that a Pakistani songstress would find her way into the creative adventures of a drummer from Indianapolis, they found in their partnership a desire to make music for music’s sake; to write honest songs that meant something true enough for themselves, that someone else might be able to take it and make it true for them, as well.
The forthcoming EP helmed by Omar Yakar (War on Drugs, Perfume Genius) from Boulevard Recording, whose engineering and production prowess brought this young and refreshing outfit’s mountainous incubations to life. The duo initially set out with the intention of nothing but creation and expression and resulted in a stunning collection of tracks detailing the emotions of freedom. Jaffer reveals, “The underlying theme is about coming to terms with experiences and hardships we have faced and finally putting them out there. It’s very healing”.
Junaco hope to create music that will leave listeners feeling a sense of connection and closeness to. With the aim to remind others of our innate human emotions, Junaco’s debut EP highlights just how similar we are at our cores.
--------------------------------------------------------------------------------------------------------------------------
Mathilde Fernandez has just shared her latest single 'Chanteuse De Guerre' along with a suitably matched and impressive video, whether you understand the lyrics, or not, this is just to hard to resist.
We have two versions of 'He Don't Love Me' the new 'Stripped' version, along with a live video piece. Winona Oak is of course the artist and both versions are gorgeous, intimate and full of feeling.
Finally today we have Junaco and a song titled 'In Between' a gentle, tender and melodic piece where the vocals shine and the acoustic backdrop is just right.
--------------------------------------------------------------------------------------------------------------------------
Youth Sector - Renting Spaces In My World.
Brighton’s latest post-punk exports Youth Sector explode onto the scene with swashbuckling new release Renting Spaces In My World, out now.
Offering up a unique blend of drawling vocal melodies sashaying above sharp, crooked guitars, the quintet incorporate the influences of Talking Heads, Devo and Preoccupations with howling ‘80s-esque synths and angry driving bass lines to create a thrilling indie anthem bursting with tenacity.
“Renting Spaces In My World is about someone struggling to get to grips with reality”, the band revealed. “The lyrics tell the story of someone who, in their own grandiose delusion believes they own the whole world and all other people are like paying customers, renting the opportunity to exist within it”.
With their early releases having received widespread tastemaker approval and spins across the airwaves (BBC Radio 1, BBC 6 Music), not to mention an esteemed list of support slots alongside acts including Our Girl, King Nun and Goat Girl, the indie newcomers are primed for the spotlight and eager to take full advantage.
Youth Sector’s Renting Spaces In My World is released 21st June and will be available via all digital platforms. Youth Sector is Nick Tompkins (guitar, vocals), Josh Doyle (bass), Brad Moore (guitar), Harvey Dent (synth), Karl Tomlin (drums).
Live Dates:
26 June – The Old Blue Last, London
13 July – Patterns, Brighton (Hidden Herd Festival).
--------------------------------------------------------------------------------------------------------------------------
Mathilde Fernandez - Chanteuse De Guerre.
Los Angeles record company Bordel Records is proud to announce the latest single from Mathilde Fernandez, "Chanteuse de Guerre", from her upcoming EP 'Back In Las Vegas'.
“Chanteuse de Guerre”, was born from the desire to create a monster. In mixing lyrical poetry laced with sarcasm and the absurd, Fernandez portrays a political icon who seduces and reassures the masses to face the horrors of the world. At the same time, she feeds on drama and misery to enhance her rhetoric while giving the impression of endless commitment.
The accompanying music video was produced in the city of Nezahualcóyotl, one of the largest slums in the suburbs of Mexico. Fernandez collaborates with Los Cogelones, a musical quartet of brothers who mix traditional instruments, Aztec songs and English punk rock. They play as music teachers and coach the military band of primary school students. Throughout their teaching Los Cogelones with to instill upon the younger generation values of discipline and collective work worthy of the heritage of their Aztec ancestors. Fernandez integrates her young War Singer into all of this, feigning political speech in a choreographed and terrifying kind of child's play.
"Chanteuse de Guerre" is the lead single off Mathilde Fernandez's EP 'Back In Las Vegas', out everywhere on September 20th.
Mathilde Fernandez is a singer and performer whose world combines dramatic visual arts, both living and plastic, is supplemented with powerful electro stylings and wild lyrical influences in her voice. As she began her multi media universe journey, Mathilde Fernandez enhanced her baroque universe with such collaborations such as Perez, La Femme, Casual Gabberz or Christophe. She released her first EP in December 2015 entitled Live in Las Vegas and “Hyperstition” in the Fall of 2018. Mathilde lives and works between Brussels and Paris.
-------------------------------------------------------------------------------------------------------------------------
Winona Oak - He Don't Love Me (Stripped).
Swedish born, LA-based artist Winona Oak releases a stripped down version of her debut single “He Don’t Love Me” via Neon Gold Records / Atlantic Records. The single comes accompanied by a stunning and intimate, live performance video as well.
Winona Oak introduces her debut single “He Don’t Love Me” as follows: “We’re all capable of falling for people who don’t value us, grasping for a leaving hand. But we must understand that we’re just as capable of realizing that our worth does not lay in those heavy hands.”
Born and raised in the Nordic forests of Sweden on a small crop of land called Sollerön - known as the Island of the Sun - Winona Oak is every bit as enchanting as her origin story. With a childhood spent encountering more animals than people, she grew up a trained horse acrobat and pursued creative expression however she could, writing poetry and songs from a young age. Born into a musical family, Winona sang throughout her youth and began playing violin at 5 years old and piano at 9 years.
After moving to Stockholm to pursue her passion for music, a leap of faith to attend Neon Gold Records’ writing retreat in the Nicaraguan jungle in 2017 led her to Australian electronic maestro What So Not. She would go on to co-write his next two singles "Better" and "Stuck In Orbit", eventually stepping into the spotlight as both the writer and featured artist on his 2018 single "Beautiful".
Last year, Winona Oak covered “Don’t Save Me” from fellow Neon Gold Records signees HAIM for the label’s 10 year anniversary compilation: NGX: Ten Years of Neon Gold. The minimal production allows Winona Oak’s ethereal voice to shine through, slower than the original and drenched in ethereal melancholy. Now signed to Neon Gold / Atlantic Records and published by Warner-Chappell, she closed out 2018 collaborating with The Chainsmokers on their viral hit single “Hope”, co-written by Winona and featuring her stunning lead vocals, and currently boasting 250 million streams across all platforms globally.
-------------------------------------------------------------------------------------------------------------------------
Junaco - In Between.
Junaco is the foundation of Shahana Jaffer and Joey LaRosa. Born in the unincorporated mountain town on the outskirts coastal Northern California, the duo found an escape from musical conventions. Fleeing the rituals of rushing through songs, away from the nonsense of worrying, a budding partnership was found based equally on half-parts progression and melody. Mellow bursts of epiphany and pleas of gentle seduction give way to driving grooves in Junaco’s music, leaving the immediate fan with a delicate, instantly familiar and completely unassailable batch of songs.
Jaffer, a natural talent whose limbs were too long to dance, met a counterpart in LaRosa, a guitarist and percussionist’s dream who from a young age had been told that “musician” wasn’t an achievable career. Though conventionally unlikely on the global scale that a Pakistani songstress would find her way into the creative adventures of a drummer from Indianapolis, they found in their partnership a desire to make music for music’s sake; to write honest songs that meant something true enough for themselves, that someone else might be able to take it and make it true for them, as well.
The forthcoming EP helmed by Omar Yakar (War on Drugs, Perfume Genius) from Boulevard Recording, whose engineering and production prowess brought this young and refreshing outfit’s mountainous incubations to life. The duo initially set out with the intention of nothing but creation and expression and resulted in a stunning collection of tracks detailing the emotions of freedom. Jaffer reveals, “The underlying theme is about coming to terms with experiences and hardships we have faced and finally putting them out there. It’s very healing”.
Junaco hope to create music that will leave listeners feeling a sense of connection and closeness to. With the aim to remind others of our innate human emotions, Junaco’s debut EP highlights just how similar we are at our cores.
--------------------------------------------------------------------------------------------------------------------------
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