Ay Wing - Ellevator - Bad Breeding

Ay Wing - Strange

Background - “'Strange' tries to find humour in an age where many of our own identities seem based on an insta-filter and the right angle.” Ay Wing A parody of 21st-century digital narcissism, the video partnering ‘Strange’, the latest dazzling electro-pop release from Ay Wing, features the singer cast as various iconic movie characters, transported into the social media arena, taking selfies in the most precarious situations. Thus we have everyone from Princess Leia to Morticia Addams to Uma Thurman’s Mia Wallace wielding the selfie stick at inopportune moments.

Inspired by Andy Warhol’s celebrated “...famous for 15 minutes” quote, ‘Strange’ continues Berlin-based singer-songwriter Ay Wing’s run of smart, slick poppy nuggets, with its bouncy synth foundations, indisputable earworm of a chorus and even a Baroque-style breakdown all sure to rack up the likes and shares on the very social media channels it cheekily pokes fun at.

The track forms part of a new EP, ‘Ice Cream Dream’ – three colourful takes on eclectic electronica and kaleidoscopic psych pop that encapsulate Ay Wing’s joyful partnering of sweet, seductive tunery with subject matter and songcraft of great depth.

A singer, songwriter, producer, performer and bandleader, Swiss-born, Berlin-based Ay Wing has it pretty much covered when it comes to ensuring her beat-driven fluorescent synthpop is exactly as she wants it. And, primarily, she wants it so that her audience dance and her listeners are entranced. Big on retro synths, bouncy guitar riffs and dirty beats, hers is accessible electronica of the classic kind, savvy three-minute pop bangers enhanced by Ay Wing’s strict attention to the most exacting musical detail.

Prior to the release of the ‘Ice Cream Dream’ EP in the spring of 2018, Ay Wing has been prolific in her appearances on stages across Europe, from clubs to open-air festivals to sweaty live-music dens, making sure that all who see her recognise a new pop star-in waiting. ‘Ice Cream Dream’, in all its technicolour glory, backed by further showcase gigs across Europe, will ensure that Ay Wing will not be waiting for long. FACEBOOK.

The vocals are just a little sultry and most certainly engaging on 'Strange' a catchy and feisty song, where electronica rubs shoulders with psych pop and a few other places along the way. The video adds a splash of colour and humour to this desirable track.


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Ellevator - Voices.

Background - Good music seems instantaneous: a decisive rush of expression and dopamine. Hamilton, Ontario's Ellevator capture that direct hit of immediacy, with a closer listen revealing the meticulous design of their muscular pop songs.

Frontwoman Nabi Sue Bersche delivers raw lyricism with quiet power. Her nimble melodies anchor the electric hooks and cinematic timbres Ellevator has refined on countless stages.

The bands self-titled debut EP is now officially out. "We conquered our fears, learned our lessons, lent our ear to strangers, took advice, ignored advice, played to empty bars, sweat it out with full rooms, bet the farm, spun tall tales, told the truth, rode the highway, took a long, hard look in the mirror, got proud, and stayed humble to bring you this record. We offer it to you and hope you find some piece of yourself in it. It’s made of everything we’ve got". TOUR DATES, TWITTER.

'Voices' is a hook fuelled alt rocker where the band are musically tight and vibrant whilst the vocals add melody and emotion, on this whirlwind of fresh sounding rock and roll.

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Bad Breeding - Dehumanised.

Background - The third Bad Breeding single Dehumanised, is taken from their forthcoming EP Abandonment out this week on One Little Indian Records.

The Stevenage-based anarcho punks recorded the EP on the eve of a European tour, in one room in Berlin with Ben Greenberg (Uniform) at the controls. The result captures all the urgent turbulence of their live show, bristling with an uncontained power.

Bad Breeding will also host a headline show at The Waiting Room in Stoke Newington on International Workers’ Day (1st May 2018) to help raise funds for People for People - Stevenage, a locally-run group that provides relief for marginalised sections of the town’s community.

On the four tracks that make up the Abandonment EP, the band engage in an honest and attentive fury that avoids ulterior motive. True to themselves and where they come from, the band fix upon an irrepressible surge of agitation that is, in every sense, important at a time when ‘profit negates life’, when the neglected are ‘left to sink’ and when there seems to be ‘no end to disillusion’. WEBSITE.

Shows:
1st May - IWD @ Waiting Room, London
6th May - Prince Albert, Brighton.

Strap yourselves in tight for some full on and timeless sounding anarcho punk! 'Dehumanised' hurls out the power and emotion from the opening moments, the band soften the pace marginally to make room for some deeply embedded vocals, punk lovers from any era should give this a listen.

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Ghostly Beard - Band of Missfits - Post Louis

Ghostly Beard - Going Away.

Background - There is an enigmatic bigfoot-like character that just came out of the woods after 15 years of being lost. He goes by the handle Ghostly Beard, and he’s a visionary artistic entity with a boundlessly creative sweep that encompasses soft rock, jazz, prog-rock, fusion, pop, classic rock, and more.

Ghostly Beard’s kaleidoscopic creativity has garnered him comparisons to such diverse artists as Steely Dan, Pink Floyd, James Taylor, Genesis, XTC, Cat Stevens, Weather Report, Michael Franks and Chicago. He crafts immersive dreamy sonic landscapes that emotionally blur the line between dark catharsis and subtle rays of hope. Now, he lets us into his universe with an eclectic clutch of thoughtfully sequenced EPs and albums to be released in the coming months.

Ghostly Beard will release his third and best album to date. The songs collection forms a unique blend of many influences ranging from classic rock, soft rock, progressive rock, jazz, blues and pop and is the culmination of many years spent defining his own style.

The ten-track album opens with the laid-back “How Does It Feel?” an existentialist tune that grows strong with many guitar tracks, the second track “The Love in Your Eyes” is more up tempo but bittersweet, “Gone” errs in almost Country territory with a tale from the past that grows into an anthem, followed by “Autumn Blues”, a rich blues rock instrumental. “Night Train” tells the tale of a dream with a progressive rock twist, while “Let Go” is a classic soft rock with beautiful guitar lead. “It Doesn’t Matter” which blends Jazz and Rock in a new way while “9 to 5 (Barely Alive)” is the epic of the album with many twists and turns. “Let It Rain” is the perfect chill tune for your ears and the rocking “Going Away” concludes the album with a positive tone. WEBSITE.

'Going Away' is the tenth and final track on Ghostly Beard's new 'Inward' album. The differing influences and creative mixture of genres makes it difficult to pick out any specific track as overly representative of this collection, however the featured song does provide a fine indication of the notable quality found across the album. Vocals are melodic and refined and the guitar work is of a very high standard, if you like 'Going Away' then make sure you dig a little deeper into this album, your in for something very rewarding.


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Band of Missfits - Nothing At All.

Background - Band Of Missfits invent their sound using some unshakable components. The Perth four-piece bear both the smoothness of classic rock and the fuzzier tones of grunge. They can transition from a brooding country swagger to an arena-sized crescendo in a heartbeat. Their latest single, Nothing At All, is the perfect case in point.

Taken from their electrifying EP Higher Passage, Nothing At All makes an instant and lasting impact. Everything is big: the drums, the guitars, the vocals, and especially the hooks. This is due in no small part to producer Sean Lillico (Fur Real Studio), who has done an outstanding job of capturing the band's massive live sound and on-stage energy.

Band Of Missfits have developed substantially since their last offering – 2017's Into The Storm EP. Described by one rock critic as having an 'earthy heavy ethereal feel to it', the band's sound beautifully combines acoustic and electric instruments with a powerhouse lead vocal. Taking things down a grittier path than their debut, Band Of Missfits have found more of their edge on Higher Passage, which delivers its hooks through bitter-sweet melodies.

While Higher Passage shows what Band of Missfits can do in the studio, this is first and foremost a live band. So their plan for the year is to play as many shows as possible, both at home and on the road, as they continuously work their way towards a debut full-length album. FACEBOOK.

Upcoming shows:
Friday April 27 - Bar Four5Nine, North Perth w/ K Ridge, Spudgun, Ultrasound (fb event)
Saturday May 5 - Fly by Night Club, Fremantle w/ Utlrasound, Spudgun, The Ivory Lies (fb event)
Friday June 15 - The Den @ The Civic Hotel, Inglewood w/ The Silent Deeds, Paul McCarthy Band, Kilmister (fb event).

The vocals are passionate and distinct on 'Nothing At All' and benefit greatly from the musicianship that sounds great whether the band are powering up or dipping into a more restrained reprise. Band Of Missfits deliver a hook laden rocker of a song which finishes up as something of an anthem, those who get to hear this live, will be singing along in no time!

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Post Louis - Stress Fracture.

Background - Following their return a few weeks ago with their first track in two years, Little Jack, angular art-rock quintet Post Louis have revealed another brand-new experimental-indie gem, Stress Fracture. The band will also play a headline London show at Paper Dress Vintage (27 April).

Post Louis' music has always addressed fragility. Stress Fracture pushes this interest to its logical conclusion, depicting actual damage, breakage and decomposition. Throughout the infectious track, lead vocalist Stephanie Davin toys with the parallels between physical and emotional damage – how so often they can feel the same and how they can reinforce each other. (“Mainline, please drive in my direction / Plastic wrapping for my protection / Car curl, lamppost, stretch out your veins / We might saloon our hearts in winter”). 

Spikey guitar parts and contrasting male vocals appear from nowhere at different points throughout the song, creating a feeling of relentlessly being ‘on edge’. Yet more unpredictable are the wild tenor saxophone entries, courtesy of rising jazz star Alex Hitchcock.

In Stephanie’s words: “We wanted Andy’s backing vocal and Alex’s saxophone parts to tumble in out of nowhere, like a car falling off a highway. This song tracks the moment when panic sets in, temperature rises and emergency begins - when something fundamental gives way entirely, whether a bone or a belief.” WEBSITE.

'Stress Fracture' is a gorgeous and very addictive song. The vocals are simply fabulous, the band sprightly and slick, whilst retaining some natural rock and roll edge. I just love this song, it packs a whole lot of different and it works oh so beautifully !!!

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YOWL - Ellie Schmidly - Wesley Jensen

YOWL - Warm (in the Soft White Fire of Modern Living).

Background - Peckham five-piece YOWL have announced their new single 'Warm (In The Soft White Fire Of Modern Living)'. The single follows the release of YOWL's second single and video for ‘Dark Room’ and UK tour with label mates LICE including a sold out headline show at Sebright Arms. It was then on to Europe to play Pitchfork Avant-Garde and London Calling Amsterdam.

Alongside the new single, YOWL have also announced two new live dates including a headline London show at Bermondsey Social Club on 31st May 2018 and a show supporting IDLES at the Trades Club in Hebden Bridge on 1st August 2018. The full list of YOWL's forthcoming live dates is as follows:

28th April – Portsmouth Psych Fest
28th April – Sticky Mikes, Brighton (Free entry)
6th May – Sounds From The Other City, Manchester
25th – 27th May – Dot to Dot Festival
31st May – Bermondsey Social Club, London
21st July – Truck Festival, Oxford
1st August – Trades Club, Hebden Bridge w/ IDLES

With an EP and two singles behind them YOWL have earned some impressive critical acclaim from the likes of NME, DIY, AnOther, Loud & Quiet and more. Following the release of 2016's Before The Sleep Sets In EP YOWL released debut single 'My Headache Likes To Speak' in May 2017. Across its noir-laden four minutes, the band marry gnarled razor-wire guitars and a swaggering rhythm section with the sick croon of vocalist Gabriel Byrde. 'My Headache Likes To Speak’ was the second release from London's Big Score imprint, after recently putting out material from Bristol's LICE. The label comes from the minds behind Golden Arm who have watched over the likes of HMLTD, Goat Girl, and The Big Moon.

Nobody’s happy putting up with poor job prospects and a city pricing out the poorest, but the Peckham-formed YOWL capture a frustration of the 9-to-5 London grind like few others. And in frontman Gabriel Byrde, they have someone who can spin poetry on songs about alienation and exhaustion. YOWL are often viciously loud, but Byrde’s fanciful delivery gives them an edge. TWITTER.

'Warm (in the Soft White Fire of Modern Living)' is a laid back alt rocker where the distinct vocals are engaging from the opening moments. The band open with an air of cool slacker vibes but when they power up, they really do power up!

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Ellie Schmidly - Wild is the Wind.

Background - New artist Ellie Schmidly has released "Wild Is The Wind," the third single from her upcoming debut EP, Blossom & Bone. This whimsical cover is from George Cukor's 1957 film of the same name. Arranged and produced by Todd Gummerman (MuteMath), "Wild Is The Wind" captures Schmidly's crystal clear vocals over delicate strings and waves of pedal steel. "Wild Is The Wind" is available today at all digital outlets, with Blossom & Bone following on May 11.

"I first heard the song being covered by Nina Simone, in a very powerful and slow tempo with an obscure jazz piano accompanying," recalls Ellie Schmidly. "I was really taken by the lyrics – they are so expressive and unapologetically in love. I wanted the music to match the brimming-over feeling that the lyrics conjured, and I immediately ran to the Wurlitzer in hopes that I could give it a totally different feel."

Ellie’s journey to this point is a serendipitous story. Starting to write and record this EP was daunting process because she felt so far behind everyone else. She hadn't set out to become a songwriter. She wasn't attending a music program in Nashville, and wasn't considering music as her career path. Instead, her music was discovered by famed producer Charlie Peacock (The Civil Wars, The Lone Bellow) after one of her performances was posted to Twitter.

Peacock was so taken with her Springfield, MO house show performance that he reached out to her the very next day to introduce himself. Peacock invited Ellie to Nashville to partake in songwriting sessions and introduced her to those in the community that could help cultivate her music. She says Charlie’s encouragement was life-changing. It turned out to be literally life-changing because she left her home, friends, family, and school in Missouri where she was studying public policy, to make the move to Nashville. After years of working on her music and continuous writing, Ellie has arrived at this seminal point when she'll unveil her debut, Blossom & Bone. WEBSITE.

It's our third feature for Ellie Schmidly in just a couple of months this time with 'Wild is the Wind'. Previously we have described her vocals as "personable and charming plus enticing and melodic" perhaps that in it's self is reason enough for sharing this track. That it is a fabulous cover of a sixty years old song with a gorgeous musical arrangement is the real purpose for featuring it!

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Wesley Jensen - Everything.

Background - Taking a page out of the Brian Wilson songbook, Wesley Jensen & the Penny Arcade deliver a glistening retro-pop tune that harkens back to the golden age of 60s baroque. "Everything" is the lead single from the upcoming EP Something New.  Both musically and lyrically complex, the track is chalk full of warm textures and orchestral layers all while sounding inherently modern.  Jensen says the track deals with themes "trying to survive in the world and what it means to find success."

Wesley Jensen was born and raised in a quaint Northern CA town, and his music often reflects this small-town upbringing, heavily inspired by the people and scenery surrounding him. After breakout record, Tales of a Wandering Man, and follow-up, Californian, Jensen’s sound has evolved from singer-songwriter into a fully formed heavyweight of indie folk-pop.

His lyrics are honest and music pure, mixing the best of new and old sounds. Infusing 60’s pop with modern production, Jensen finds a way to create something entirely unique, all while remaining true to his roots. He is a consummate story-teller, not afraid to let his guard down and address relatable ideas and imagery with charm and sincerity.

Currently residing in the artistic hub of Denton, TX, Wesley and his band have played with the likes of Deep Sea Diver and the Wild Reeds. While constantly touring in their own right, in 2017 they made their SXSW debut in Austin. The band’s musical presence continues to blossom throughout TX and beyond. Wesley Jensen & the Penny Arcade's new EP Something New will be available worldwide May 25, 2018. WEBSITE.

Vibrant, catchy, and full of timeless musical vibes 'Everything' is both nostalgic and yet fresh and uplifting. It's indie something, perhaps surf, sixties, folk or pop, lets just say it's indie brilliant.

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Bonnie Li - Easy Ruckus - Rat the Magnificent

Bonnie Li - Décroche.

Background - Berlin based Bonnie Li’s new single ‘Décroche’ tackles addiction, and the way it affects both an individual and those suffering around them. In the band’s words “Décrocher is a French verb which means to pick up the phone. It also means to take down what was hooked, to kick off a habit, to switch off. The song explores the highs and the lows of an addiction and its effect on its entourage.”

The track is sung in three languages – English, French and Mandarin. Bonnie tells us “I wanted to describe the topic using three different languages: the song starts in French showing the poetic and melancholic aspect of the addiction, the chorus is in Chinese Mandarin representing the little cute voice that draws you back to it, the rest of the verses are in English, because it’s a matter that speaks to everyone.”

With crystal clear production, trip hop samples and hypnotic vocals, the song is underpinned by a throbbing bass line that creates intense feelings dread, mirroring the lyrical subject matter. Li punctuates the tension with a piercing scream that sounds like it came from the mouth of Blixa Bargeld himself.

Armed with her megaphone, Bonnie Li is musical polymath. Growing up in Hong Kong, Li’s music has brought her to Montreal and San Franciso, her travels have seen her collaborate with the likes of Al’Tarba and Mobb Deep. In Berlin she combined forces with Elia M, 1990s free party pioneer and founder of Techno label Sycomor. Elia’s background in industrial, dark sounds proved to be the perfect pairing to Bonnie’s vocals. TWITTER.

The vocals on 'Décroche' are magnificent as is the use of three different languages and the intriguing effect this has. The music is detailed and adds to the piece as it creates depth and atmosphere, overall this is one very addictive song.

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Easy Ruckus - Pretty Face.

Background - Easy Ruckus is a Canadian music group out of Golden, British Columbia. Creating all original music with a unique sound fusing between rock, blues, folk, reggae & psychedelic - resulting in a style and feel yet to truly be shaped.

Influenced by The Beatles, Led Zeppelin, Radiohead, The Black Keys, LCD Soundsystem & Current Swell. 

Easy Ruckus has supported groups such as Folk Road Show, Lion Bear Fox, Five Alarm Funk & Boogie Patrol.

Their latest Album "Tango" is set to release early May.  Ahead of this, they have released a single off the album titled "Pretty Face". WEBSITE.

Even the vocals on 'Pretty Face' are hard to put into any one genre as they mix soulful moments with a more potent rock & roll feeling. The band are slick and refined adding a sweeping undercurrent that again refuses to be placed in one particular style, that the track is catchy goes without saying.

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Rat the Magnificent - Up The Street.

Background - Made up of members of Family Manderson, Sunshine Republic, KLLR, Hot Sauce Pony, Modern Men and Brenda, Rat the Magnificent are a heady mix of obstinance and oblivion. Think an overlapping of a Venn diagram made up of Jesus Lizard, Sally Bowles, My Bloody Valentine, Slint, Oxbow and Son House and you’re in the right borough.

The trio’s cacophony of beguiling yet unnerving fuzz-laced experimental noise rock has earned the group a reputation as a must-see live act, having played with the likes of McLusky, IDLES and Adam Betts. Not least, they have also previously recorded with Steve Albini earning the rare would-be plaudits of “I’d have no problem with you being my house band.” Now with an EP and several singles to their name, Rat The Magnificent are set to release their debut LP, ‘The Body As Pleasure’. A collection of 10-tracks that fully encompass the raw, unhinged energy and dark melodic sensibilities that have garnered them much acclaim in the past.

However, like all strong drinks - the whiskey, the coffee - you need balance in strength. The core trio of Anderson’s open blasted guitar checks primitive tradition and bleeds into Davies’ evangelical bass and Dodridge’s fervent drum rhythms, providing a bed for Anderson to belie his vocals. Brooding in white hot intensity, the albums lyrical content tackles personal yet assimilable topics such as the immediacy of desire, animal magnetism, familiar high-stakes anxiety and trial by fire learning. Dexterous vocals layer often voyeuristic glimpses into both the bands misfortunes and success, backed up by oblique and often deceptively catchy instrumentation.

Recorded over the course of three years with Brad Hemsell, ‘The Body As Pleasure’ also features huge range of inimitable guest musicians, who add even further depth and dynamics to the record. Guests include: Ian Catskilkin (Future Of The Left, Art Brut), Jen Macro (MBV, Graham Coxon, Charlotte Hatherly, Hurtling), Stephen Gilchrist (Graham Coxon, The Damned, The Cardiacs, Vic and Bob), Jeff Fairley (Cheel Ghar) and Caroline Gilchrist (Hot Sauce Pony). WEBSITE.

Sometimes a blast of full on swaggering rock helps clear the cobwebs and 'Up The Street' is all of that. The vocals are immersed in the mix, the guitars dominate with serious intent and the driving rhythm is mesmerising.

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Childcare - Levi Parham & them Tulsa Boys and Girls - Sugar Candy Mountain

Childcare - Big Man.

Background - Pushing beyond the echo-chamber, Childcare follow the slinky art-rock of Put Down Your Pen with the bold and brooding Big Man, an alternative take on dealing with bubble-breaking disagreement and family friction.

The second single from their upcoming ‘Luckyucker’ EP, Big Man seeks to address the difficulties of contrasting world views, immigration and accusations of liberal elitism, all in a tidy 3 minutes and 53 seconds. Frontman Ed Cares explains:

"There's a place for fighting and affirming the values you stand up for, but too often we ridicule and dismiss those we disagree with. I'm bored of broad-brush Tory bashing and of hearing that everyone who voted for Brexit is stupid. This song is a reminder that we need to listen and try and understand those who believe differently from us."

The band will head out on a two week UK headline tour in October to support the release of the ‘Luckyucker’ EP. With a sling of festivals including the legendary Reading and Leeds and a recent Radio 1 Maida Vale session tucked safely under their belts, the band’s vivid and visceral live show shouldn’t be missed. TWITTER.

This is our fifth feature for Childcare, I had not realised they had been on here so many times, so clearly they resonate well with Beehive Candy. At the centre of 'Big Man' are some refined vocals and harmonies that are added to, by a vibrant and punchy musical backdrop. Also a note of respect for the subject matter, that many artists I expect, would shy away from.

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Levi Parham & them Tulsa Boys and Girls - My Finest Hour.

Background - May 18 will see the release of "It's All Good" a brand new album by Levi Parham. One of the most talented Okies around (Jimmy Lafave mentored him and produced his break through album "These American Blues"), Levi gathered an all star Tulsa band and took them to the iconic Muscle Shoals Sound Studio (now called Portside Sound Studio) to record 8 brand new songs. The outcome is an exciting mix of Tulsa swing, Southern grooves and mean guitar battles,  almost bringing Derek and the Dominos back to life.

In Parham's own words: "I’ve always been an admirer of the music that’s come out of Muscle Shoals, from Aretha Franklin to The Allman Bros. After visiting a studio there last year while on tour, I got the idea to bring a group of Tulsa musicians, still carrying the torch of the legendary Tulsa Sound, and toss them in that iconic space and setting along the Tennessee River and see what would happen.

What happened in August 2017, with musicians Paul Benjaman, Lauren Barth, John Fullbright, Jesse Aycock, Dylan Aycock, Aaron Boehler, Dustin Pittsley, Michael Staub, and Lauren Farrah, was a combination of mean soulful guitar riffs and loose vibey grooves, with hints of inspiration and influence from Derek And The Dominos, The Band, The Rolling Stones, The Allman Bros, and even Oasis." TWITTER.

It's All Good Tour - NL 2018:
Zo. 29-4 Hengelo - Cactus Cafe (band)
Ma. 30-04 Amsterdam – Paradiso (band)
Di.1-5  Leiden - Qbus (band)
Wo 2-5 Utrecht – Tivoli (band)
Do 3-5 E’hoven – Vunderke (solo)
Za 5-5  Ospel – Moulin Blues (band)
Zo. 6-5  Goes - Buunder Kunst (solo)
Ma 7-5  Oss – Railroad Roots (solo).

'My Finest Hour' is just so good! Lovers of southern rock, blues rock, Americana and the better side of classic rock need to give this album a listen. It's passionate, slick, bluesy and builds on the above cited influences, to a point where it exceeds expectations by pretty much any measurement. Have a virtual thumbs up, this album belongs in many a rock fans collection.

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Sugar Candy Mountain - Crystalline.

Background - Sugar Candy Mountain shares second track "Crystalline" off upcoming album, Do Right. Part travelogue, part response to the current, turbulent climate, Do Right gives voice to the deeply nested anxiety of modern times attempting to offer a balm.  Nature it seems, is where the band often goes to calibrate it’s moral compass so frequently upended by the daily news-cycle. 

Sugar Candy Mountain invites you to join them on this journey singing “There’s a quiet place I go when I need to find my way/ There’s a quiet place inside/ Come on in just knock and a door will open”. Musically, the band remains rooted in 60’s and 70’s rock, with their signature honey sweet vocals. Do Right leans more heavily on synthesizer than the band’s previous records lending the album a more modern feel.  The album pairs the ephemeral orchestral arrangements of The Beach Boys with the pop sensibility of George Harrison on “All Things Must Pass”. 

Oscillating between the hazy psychedelic pop of Mild High Club, the driving energy of Dungen and the danceable familiarity of The Supremes, Do Right is a perfect cocktail of old and new, imploring the listener to take a ride into the sunset with Sugar Candy Mountain. WEBSITE.

Tour Dates:
04/27 - Boulder Creek, CA – DIO Fest
05/02 - Santa Barbara, CA – Soho
05/05 - San Luis Obispo, CA – Shabang 10
06/16 - Leggett, CA – Hickey Fest
06/23 - Miami FL – Miami Psych Fest.

We shared 'Split In Two' just over a month ago and the follow up song 'Crystalline' really does deserve a second feature for this creative band. The dual vocals are atmospheric and enticing, the musical setting adds some real depth, it's a little psychedelic and a whole lot addictive.

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