Moon Panda - Rabbit.
Background - The sounds of Portishead, Mitski, Beirut, Beach House, and Angel Olsen have been key to the formation of Moon Panda. After the duo of Californian songwriter Maddy Myers and Danish guitarist Gustav Moltke decided on the talents of Bristolian synth player George Godwin and London-based percussionist Alfie Webber to join them, they settled on Brighton in 2018 as their creative base to launch Moon Panda.
Their debut single ‘Rabbit’ released June 29th on boutique record label My Little Empire is an impressive introduction with dark undertones. “Rabbit is about unhealthy love.” Myers explains. “It’s someone so infatuated with their partner that they can’t end their tragic, dependent relationship.” Inspired by a character formed in Heiko Julien’s collection of wit-filled 21st century love poems ‘I’m Ready To Die A Violent Death’, Myers looks to personify the atmosphere evoked. “I wanted ‘Rabbit’ to feel quite hypnotic and have some edge. Like a predator lurking around.” The single was produced by Cameron Blackwood who has also recently worked with the likes of Florence & the Machine, The Horrors, British Sea Power, and London Grammar.
Moon Panda create a hypnotic, mellow soundscape, with lush electronic harmonies and dense drums that weave throughout and leave an instantaneous desire for more. The fragility and sensitivity felt in ‘Rabbit’ has been part and parcel of Myers’ songwriting journey throughout her life. In fact, she was sparked into first picking up a guitar at 16 after her self-confessed sweetly sheltered childhood saw its first glimpse of the real world when her treasured adolescent possessions were stolen from a broken into car. “I had a really charmed, kind, upbringing and it was the first time I’d ever really felt cruelty,” explains Myers.
With a mismatch of influences including the misunderstood maverick composer Charles Ives, the intricate, technical guitarist Erik Mongrain, and US alt-lit writer Heiko Julien, it might come as some surprise that Moon Panda create such beautifully relatable songs - but it results in a perfect balance of intrigue and understanding. WEBSITE.
The musical landscape is uncomplicated and could even be described as precise on 'Rabbit'. The vocals are alluring to say the least, and all elements combine to give a lush a distinctive sound. There are influences and comparisons to be made, these however are positive as the result is a song that seemingly begs to be heard again.
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Hannah Featherstone - What's In A Name.
Background - Hannah Featherstone is Franco-British artist. Her voice glides through styles and ranges. Her piano sets a steady groove. Her music blends the catchy riffs of electro pop with the off-beat meanderings of jazz.
Born in England and raised for the most part in France, she's never been able to choose between the two countries and finds herself most at home somewhere in between. Brought up in a family of musicians, she was naturally immersed in music from the start. Her extensive experience of singing in classical and gospel choirs, but also in jazz, world music and pop ensembles, has nourished an eclectic and unique sound.
Hannah makes herself at home on any stage, in both small and large venues, fashioning her own space with a relaxed vibe that quickly spreads to the audience. As a result, every performance ends up feeling like a real heart-to-heart between her and the audience, varying in number from tens to thousands.
Her new album, Word Bound, explores both the creative and reductive power of words, using her lyrics and their musical setting to reach beyond what meets the eye. What is left when labels are stripped away?
What's in a name, opening track from album Word Bound, is both quirky and catchy. Seemingly playful, this song takes a jab at the incessant urge to label one another and the pressure to prove our worth through status. "Beyond the glitz and the glam that we feign, everyone tries to differ... Are we not one and the same?"
In collaborating with young French music producer Estienne Rylle and with established drummer David Allevard, Hannah Featherstone has developed a subtle and powerful electro backdrop for her pop-jazz harmonies. 'Word bound': a truly authentic and disarming album has just been released. WEBSITE.
Electro pop with plenty of class, is probably an understatement on 'What's In A Name' simply because of Hannah Featherstone's sublime vocals. They add a subtle jazz dimension to the song, indeed they are outstandingly melodious and combine seamlessly with the soundtrack, this one is very memorable.
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Slow Culture - Idle Motion.
Background - Sydney's Slow Culture share new single 'Idle Motion' Atmospheric and beautiful, Slow Culture's eponymous debut EP is awash in rich, ambient tones and captivating melodies. Juxtaposing the complexities of jazz, the hypnotic rhythms of psychedelia and the effective simplicity of alternative rock, the Sydney four-piece have poured an ocean of imagination into their debut, resulting in four majestically idiosyncratic songs.
Opening to the sound of chatter and eerie synths, Idle Motion is the first single set to be launched on July 20. An infectious vocal melody and a relentless groove blend with the instrumentation, paving the way as the song displays the group’s elegance and unfiltered energy.
Engineered by Richard Lake and mixed by Steve James, the new material is as sonically textured as it is meticulously written. The delicacy of the band's nuances are captured and presented perfectly in balance with their outright intensity. Layering lavish, reverb-soaked vocals atop sophisticated beats, every track has unshakable foundations, around which the band paint texture upon texture.
Comprised of Jack O'Neale (vocals/guitar), Ben Grover (drums), Leon Moore (guitar) and Payton Ellis (bass), Slow Culture are unafraid of treading new ground and Idle Motion takes them down this very rewarding path. FACEBOOK.
'Idle Motion' opens with a post rock feel, partly due to the more sombre vocals immersed in a guitar laden surrounding. The energy and vibrancy increases, and their chosen description of alt rock becomes more fitting, as does the recognition that this is an imaginative and beautifully crafted song.
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Sunday, 1 July 2018
Saturday, 30 June 2018
Jesse Jo Stark - Joey Sweeney & The Neon Grease - Wojtek the bear
Jesse Jo Stark - Dandelion.
Background - Los Angeles-based rock goddess Jesse Jo Stark releases her highly anticipated debut EP Dandelion today. The album was written and produced by Jesse Jo, her guitarist Thomas Hunter and Dan Taylor (The Heavy). Steve Jones (Sex Pistols) also makes a special appearance on guitar for the lead track, “Dandelion.” The vibe of Dandelion is on brand – spooky and beguiling, with nods to rock and roll, blues, and old country.
Jesse Jo Stark is the femme fatale alternative music has been starving for. If Nick Cave and Elvira had a one-night stand, she might be the resulting progeny. Her last 5 singles – “Down Your Drain,” “Driftwood,” “April Flowers,” “Deadly Doll” and “Fire of Love” – have generated over 1 million Spotify plays and earned praise from fans and critics alike.
Jesse Jo has also secured her place as an emerging voice in rock with her scorching live shows, opening for Guns N’ Roses, Jane’s Addiction, headlining her own month-long residency at The Echo in Los Angeles and supporting indie darlings Sunflower Bean on a six-date domestic tour.
A lifetime music obsessive schooled at the altar of David Bowie and Fleetwood Mac and a born rock star, she represents the future of rock with a wink to its past. Jesse Jo Stark will release her first full length record this September. TWITTER.
We featured Jesse Jo Stark a couple of times in 2017 and the new song 'Dandelion' is the first of five tracks on the EP of the same name. Once again the atmospheric rock vibes are present throughout, as are the melodic hooks and her natural and appealing rock vocals.
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Joey Sweeney & The Neon Grease - And Soon.
Background - Joey Sweeney is a Philadelphia-based songwriter who has been writing songs and prose since in the 1980s. Over the years, he has fronted the influential Philly bands The Trouble With Sweeney and The Barnabys, as well as recording and performing as a solo artist. The Neon Grease’s sound is rooted in a nighttime city vibe of rain-slicked streets with neon signs’ glow reflecting off them. It’s an album very much about the cities, and the way Sweeney's city or your city is changing. You could say the city is the central character, but there’s also much about falling in and out of love, being with your friends and not being with your friends... all against the backdrop of looking for some kind of grace, while down the street, they’re tearing the old church down.
His songs and records have received widespread critical acclaim over the years; of his last record with The Trouble With Sweeney, Fishtown Briefcase. Sweeney’s songwriting draws inspiration from sources as disparate as 1970s Philly nightlife folklore and Denis Johnson’s The Incognito Lounge. In their new songs, chiming guitars, classic rock sax solos and rainy bedroom Velvet Underground listening sessions all blend together. In these songs are little stories of triumph over dirty circumstance and grace under pressure, with the friendship of an urban family “street band” woven throughout.
Joey’s sharing “And Soon” the lead single from Catholic School that features Renée LoBue of Elk City on vocals (whose new album Everybody's Insecure is out now on Bar/None). Sweeney wanted to write something beautiful and hopeful about the experience of coming out of loss, saying “I liked the idea that ghosts could turn friendly, and that in grief you could have the kind of grace that Sandy Denny has on Who Knows Where The Time Goes? (which is referenced in the song)." FACEBOOK.
The musical arrangement is thoughtful and beautifully laid out, giving distinction to each instrument as they shine through with style. 'And Soon' is a gently flowing song, where the vocals and duet are peaceful and dreamy, an alt rocker of sorts, this is music of real class.
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Wojtek the bear - strong suit.
Background - Scottish Fiction Records are proud to present strong suit; the third single to be taken from Glasgow indie four piece wojtek the bear's debut album a talent for being unreasonable.
Previous singles made out of maps and oil & water have both received airplay from the likes of Roddy Hart and Janice Forsyth on BBC Radio Scotland, Tom Robinson on BBC 6Music, and Amazing Radio.
strong suit is a stripped back duet weaving the tale of a warring couple trading lyrical blows and features an incredible vocal performance from the band's Scottish Fiction label-mate Annie Booth. Of the lyrics lead singer Tam Killean describes the track as being "probably the most viscerally honest thing I've ever written. I think we've all been in fights or arguments in relationships before where if we were to stop for even just a second we'd realise how pointless or unproductive it was. I'd wanted to write an old style country & western duet for a while now and when we got Annie in to work with us we knew we had something special."
strong suit is released digitally on 27th July 2018 via Scottish Fiction Records. TWITTER.
We shared 'oil & water' back in May and are really pleased to be able to feature the third single 'strong suit' ahead of the bands debut album release. The band have developed a consistently distinct and attractive sound, that lingers somewhere between indie and alt rock. The vocals and harmonies are notable, there is a sense of earnest intent that adds a level of drama, and the music might be slightly understated, yet it remains fabulous.
--------------------------------------------------------------------------------------------------------------------------
Background - Los Angeles-based rock goddess Jesse Jo Stark releases her highly anticipated debut EP Dandelion today. The album was written and produced by Jesse Jo, her guitarist Thomas Hunter and Dan Taylor (The Heavy). Steve Jones (Sex Pistols) also makes a special appearance on guitar for the lead track, “Dandelion.” The vibe of Dandelion is on brand – spooky and beguiling, with nods to rock and roll, blues, and old country.
Jesse Jo Stark is the femme fatale alternative music has been starving for. If Nick Cave and Elvira had a one-night stand, she might be the resulting progeny. Her last 5 singles – “Down Your Drain,” “Driftwood,” “April Flowers,” “Deadly Doll” and “Fire of Love” – have generated over 1 million Spotify plays and earned praise from fans and critics alike.
Jesse Jo has also secured her place as an emerging voice in rock with her scorching live shows, opening for Guns N’ Roses, Jane’s Addiction, headlining her own month-long residency at The Echo in Los Angeles and supporting indie darlings Sunflower Bean on a six-date domestic tour.
A lifetime music obsessive schooled at the altar of David Bowie and Fleetwood Mac and a born rock star, she represents the future of rock with a wink to its past. Jesse Jo Stark will release her first full length record this September. TWITTER.
We featured Jesse Jo Stark a couple of times in 2017 and the new song 'Dandelion' is the first of five tracks on the EP of the same name. Once again the atmospheric rock vibes are present throughout, as are the melodic hooks and her natural and appealing rock vocals.
--------------------------------------------------------------------------------------------------------------------------
Joey Sweeney & The Neon Grease - And Soon.
Background - Joey Sweeney is a Philadelphia-based songwriter who has been writing songs and prose since in the 1980s. Over the years, he has fronted the influential Philly bands The Trouble With Sweeney and The Barnabys, as well as recording and performing as a solo artist. The Neon Grease’s sound is rooted in a nighttime city vibe of rain-slicked streets with neon signs’ glow reflecting off them. It’s an album very much about the cities, and the way Sweeney's city or your city is changing. You could say the city is the central character, but there’s also much about falling in and out of love, being with your friends and not being with your friends... all against the backdrop of looking for some kind of grace, while down the street, they’re tearing the old church down.
His songs and records have received widespread critical acclaim over the years; of his last record with The Trouble With Sweeney, Fishtown Briefcase. Sweeney’s songwriting draws inspiration from sources as disparate as 1970s Philly nightlife folklore and Denis Johnson’s The Incognito Lounge. In their new songs, chiming guitars, classic rock sax solos and rainy bedroom Velvet Underground listening sessions all blend together. In these songs are little stories of triumph over dirty circumstance and grace under pressure, with the friendship of an urban family “street band” woven throughout.
Joey’s sharing “And Soon” the lead single from Catholic School that features Renée LoBue of Elk City on vocals (whose new album Everybody's Insecure is out now on Bar/None). Sweeney wanted to write something beautiful and hopeful about the experience of coming out of loss, saying “I liked the idea that ghosts could turn friendly, and that in grief you could have the kind of grace that Sandy Denny has on Who Knows Where The Time Goes? (which is referenced in the song)." FACEBOOK.
The musical arrangement is thoughtful and beautifully laid out, giving distinction to each instrument as they shine through with style. 'And Soon' is a gently flowing song, where the vocals and duet are peaceful and dreamy, an alt rocker of sorts, this is music of real class.
--------------------------------------------------------------------------------------------------------------------------
Wojtek the bear - strong suit.
Background - Scottish Fiction Records are proud to present strong suit; the third single to be taken from Glasgow indie four piece wojtek the bear's debut album a talent for being unreasonable.
Previous singles made out of maps and oil & water have both received airplay from the likes of Roddy Hart and Janice Forsyth on BBC Radio Scotland, Tom Robinson on BBC 6Music, and Amazing Radio.
strong suit is a stripped back duet weaving the tale of a warring couple trading lyrical blows and features an incredible vocal performance from the band's Scottish Fiction label-mate Annie Booth. Of the lyrics lead singer Tam Killean describes the track as being "probably the most viscerally honest thing I've ever written. I think we've all been in fights or arguments in relationships before where if we were to stop for even just a second we'd realise how pointless or unproductive it was. I'd wanted to write an old style country & western duet for a while now and when we got Annie in to work with us we knew we had something special."
strong suit is released digitally on 27th July 2018 via Scottish Fiction Records. TWITTER.
We shared 'oil & water' back in May and are really pleased to be able to feature the third single 'strong suit' ahead of the bands debut album release. The band have developed a consistently distinct and attractive sound, that lingers somewhere between indie and alt rock. The vocals and harmonies are notable, there is a sense of earnest intent that adds a level of drama, and the music might be slightly understated, yet it remains fabulous.
--------------------------------------------------------------------------------------------------------------------------
Friday, 29 June 2018
AK Patterson - The Joy Formidable - Starframes - Talkboy
AK Patterson - It's not over till they cry.
Background - AK Patterson have released the video for ‘It’s Not Over Till They Cry’, lifted from the band’s forthcoming debut EP ‘Shadows’, which is produced by Charlie Andrew (Alt J, Marika Hackman) and due out on 15 August, 2018 through East City Rockers in partnership with Andrew’s own Square Leg Records. Following a support slot for Alt J earlier this year and appearances at The Great Escape and Dot To Dot, AK Patterson have further summer festival dates lined up including Latitude and the Cambridge Folk Festival (full run of shows below). The band are sharing a new track every month in the run up to the EP’s release, with ‘It’s Not Over Till They Cry’ following previous releases ‘Shadows’ and ‘Lady Greyling’ - watch here.
Speaking about the surreal video for the slow-spooling waltz, singer Alex Patterson says; “‘It’s Not Over Till They Cry’ is about being a performer, the pressures of having to deliver something emotional and moving every time, but also the desire to do so. It's also about why people or an audience are drawn to dark melancholic things. There are a lot of references to the theatre - I love the dark underbelly the theatre has, the drama behind the curtain, the desperation in performers eyes which is often covered up by glitz and glamour.”
AK Patterson has been dubbed a ‘woman possessed’, disappearing to a place of fierce enchantment each time she sings. The foundations of Patterson’s voice - which switches from a whisper to flashes of emotion - were laid growing up in a music-obsessed household in suburban Cambridge. The likes of Jeff Buckley and Bjork were played heavily, alongside a more unpredictable love for Portugal’s traditional Fado singers. A curiosity for the unknown was deepened by travels including a period spent by Patterson living with monks in Japan.
An accomplished guitar and fiddle player, she and her bandmates, Alfie Weedon and Nat Reading, build a rich musical world. Classically trained, Weedon provides backing vocals and versatile double bass playing, having previously spent time in Senegal living with the country’s traditional Griot musical storytellers and poets. Reading’s restless multi-instrumentalism meanwhile, has led him to play everything from Balearic pop to classical guitar with the National Youth Guitar Ensemble. WEBSITE.
Live Dates:
15 July SOUTHWOLD Latitude Festival
20 July SALISBURY Larmer Tree Festival
4 August CAMBRIDGE Cambridge Folk Festival
27 August KETTERING Green Belt Festival
Our second feature for AK Patterson is 'It's not over till they cry' which follows on from 'Lady Greyling' which we shared earlier last month. Once again we are treated to some soft and quite enchanting music accompanied by intense, emotional vocals. As the drama of the song unfolds, something of a mini epic arrives both musically and with the video, just two songs in, and I am really up for the arrival of the new EP.
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The Joy Formidable - The Wrong Side.
Background - Welsh rock trio The Joy Formidable are returning with yet another huge step forward, in the shape of upcoming fourth album “AAARTH”. Propelled by their restlessness and curiosity, the band continue to sit at the forefront of inventive and aggressive guitar music, taking what can be done with the instrument to new levels with each album. Still commanding festival mainstages around the world, and following a rapturous response to their sold-out UK live return at last week’s Robert Smith-curated Meltdown Festival, the band are now able to share full details of the album, along with brand new single “The Wrong Side”. It was premiered on Radio 1 by Huw Stephens last night said "it's brilliant isn't it... a pleasure to bring you that this evening… I’m really looking forward to seeing them at Reading & Leeds.”
The Wrong Side” follows recent single “Dance of the Lotus” and is a lurching, hulking giant of a track that aligns and progresses all of the band’s best qualities – a crushing, intense rhythm, remarkably inventive, snaking guitar work, and a soaring vocal melody – pushing things forward on an album that promises to be their most vibrant and experimental yet. Lead singer and guitarist Ritzy Bryan explains; “With life not always being that kind, you can either go down a really dark hole or you can smear yourself with colour and reverie and try to forget. That’s what we did with AAARTH; we threw ourselves into this beautiful vivacious collage of experimentation, real meets unreal, and stopped giving a fuck about things that didn’t matter, and started caring more about the things that are worth your time.”
“AAARTH” marks a transformative, near-psychedelic rebirth that channels long-held anger, soundtracking a chaotic global period of injustice and division, setting it against a deeply poignant backdrop of personal experiences and healing. Although the album came into being as the band travelled the globe and recorded in their mobile recording studio, the music intertwines the whispering hills of Wales with the otherworldly rainbow canyons of the Utah / Arizona border. “AAARTH” unites the personal with the mythical and symbolic, as Bryan continues; “We’ve definitely made a colourful, mystical collage with this record, partly because of our surroundings. Those multi-coloured sunsets & the primeval elements of nature in the Southwest – it’s emboldened our imaginations in the songwriting and the production. I love stories and seeing symbolism and meaning change with different cultures and interpretations. I see it in my lyrics, a lot of the imagery plays on being ambivalent because I’m often expressing a lot of things at once. That’s true of the title; it falls somewhere between a scream, an exaltation, a play on words, and then this motif of the bear (“arth” in Welsh) that spiritually represents strength, wisdom & healing.” WEBSITE.
Energised and gorgeously tight guitar and drums and determined yet melodic vocals ensure that 'The Wrong Side' is very quickly digging it's rhythmic hooks in deep. The song gradually increases it's intensity, this is one hard to ignore rocker.
-------------------------------------------------------------------------------------------------------------------------
Starframes - Berlin is in love.
Background - Berlin is in love is the second single excerpt from Nicht Vergessen, the forthcoming album of Neapolitan band Starframes. Dreamy guitars, familiar melodies, magical riffs and synth pads coming from new wave tradition paint a perfect background for the main characters of the story, Friedrich and Akelei. They walk through the streets of Berlin, full of love and high thoughts and fly over the threat of war for a little while.
Just as the other tracks, Berlin is in love is directly related to the homonymous chapter of the novel, written by Raphael Bramont, voice and guitar of Starframes, that will follow the album release. The story takes place in Berlin from the 1940s up to contemporary days and gives a wide view on modern society by following the dramatic life events of main character Friederich Braun.
The video was directed and mixed by the members of the band and combines some original faces of guys playing in the streets of Berlin during 1961 with coloured and evoking flashing lights that move faster and faster as the song builds up.
Active since 2004 and based in Naples (Italy), Starframes released their debut album Street Politics in June 2009 (Mile High Music Records, UK), follow-up Ethereal Underground in January 2011 (BulbArt, IT), and self-produced EP Unwired in summer 2014. Nicht Vergessen is set to be released in autumn 2018. FACEBOOK.
'Berlin is in love' has a rich and expansive musical backdrop allowing the smooth melodic vocals to embed themselves deeper in the mix without distraction. There is plenty of personal feeling throughout the piece, and the forthcoming album should be a good one if this teaser is anything to go by.
-----------------------------------------------------------------------------------------------------------------------
Talkboy - Mother.
Background - With a groundswell of support greeting their arrival on the Yorkshire music scene in late 2017, Leeds-based six-piece Talkboy share their eagerly anticipated debut offering Mother, more than living up to the hype.
Combining their playful indie rock with captivating melodies and layers of vocal harmonies, Talkboy shift between euphoric walls of noise and intimately sweet soundscapes. They show a real glimpse of their unbridled potential in this first release.
Drawing immediate comparisons to the likes of The Big Moon and Alvvays, the sextet have already delivered stellar displays at Live At Leeds and Gold Sounds alongside a sold-out BBC Introducing showcase (curated by Abbie McCarthy) with more dates in the pipeline. Produced by Alex Greaves (The Orielles, The Boxing, TRASH), Talkboy’s Mother is out now and available on all digital platforms. TWITTER.
Dual vocals and fresh and refined indie rock music are the hallmark of 'Mother' a song that helps define what catchy actually means. Talkboy have something special going on here, it's uplifting and as they cleverly mix power, refrains and melody together, the result is some rather addictive music.
--------------------------------------------------------------------------------------------------------------------------
Background - AK Patterson have released the video for ‘It’s Not Over Till They Cry’, lifted from the band’s forthcoming debut EP ‘Shadows’, which is produced by Charlie Andrew (Alt J, Marika Hackman) and due out on 15 August, 2018 through East City Rockers in partnership with Andrew’s own Square Leg Records. Following a support slot for Alt J earlier this year and appearances at The Great Escape and Dot To Dot, AK Patterson have further summer festival dates lined up including Latitude and the Cambridge Folk Festival (full run of shows below). The band are sharing a new track every month in the run up to the EP’s release, with ‘It’s Not Over Till They Cry’ following previous releases ‘Shadows’ and ‘Lady Greyling’ - watch here.
Speaking about the surreal video for the slow-spooling waltz, singer Alex Patterson says; “‘It’s Not Over Till They Cry’ is about being a performer, the pressures of having to deliver something emotional and moving every time, but also the desire to do so. It's also about why people or an audience are drawn to dark melancholic things. There are a lot of references to the theatre - I love the dark underbelly the theatre has, the drama behind the curtain, the desperation in performers eyes which is often covered up by glitz and glamour.”
AK Patterson has been dubbed a ‘woman possessed’, disappearing to a place of fierce enchantment each time she sings. The foundations of Patterson’s voice - which switches from a whisper to flashes of emotion - were laid growing up in a music-obsessed household in suburban Cambridge. The likes of Jeff Buckley and Bjork were played heavily, alongside a more unpredictable love for Portugal’s traditional Fado singers. A curiosity for the unknown was deepened by travels including a period spent by Patterson living with monks in Japan.
An accomplished guitar and fiddle player, she and her bandmates, Alfie Weedon and Nat Reading, build a rich musical world. Classically trained, Weedon provides backing vocals and versatile double bass playing, having previously spent time in Senegal living with the country’s traditional Griot musical storytellers and poets. Reading’s restless multi-instrumentalism meanwhile, has led him to play everything from Balearic pop to classical guitar with the National Youth Guitar Ensemble. WEBSITE.
Live Dates:
15 July SOUTHWOLD Latitude Festival
20 July SALISBURY Larmer Tree Festival
4 August CAMBRIDGE Cambridge Folk Festival
27 August KETTERING Green Belt Festival
Our second feature for AK Patterson is 'It's not over till they cry' which follows on from 'Lady Greyling' which we shared earlier last month. Once again we are treated to some soft and quite enchanting music accompanied by intense, emotional vocals. As the drama of the song unfolds, something of a mini epic arrives both musically and with the video, just two songs in, and I am really up for the arrival of the new EP.
------------------------------------------------------------------------------------------------------------------------
The Joy Formidable - The Wrong Side.
Background - Welsh rock trio The Joy Formidable are returning with yet another huge step forward, in the shape of upcoming fourth album “AAARTH”. Propelled by their restlessness and curiosity, the band continue to sit at the forefront of inventive and aggressive guitar music, taking what can be done with the instrument to new levels with each album. Still commanding festival mainstages around the world, and following a rapturous response to their sold-out UK live return at last week’s Robert Smith-curated Meltdown Festival, the band are now able to share full details of the album, along with brand new single “The Wrong Side”. It was premiered on Radio 1 by Huw Stephens last night said "it's brilliant isn't it... a pleasure to bring you that this evening… I’m really looking forward to seeing them at Reading & Leeds.”
The Wrong Side” follows recent single “Dance of the Lotus” and is a lurching, hulking giant of a track that aligns and progresses all of the band’s best qualities – a crushing, intense rhythm, remarkably inventive, snaking guitar work, and a soaring vocal melody – pushing things forward on an album that promises to be their most vibrant and experimental yet. Lead singer and guitarist Ritzy Bryan explains; “With life not always being that kind, you can either go down a really dark hole or you can smear yourself with colour and reverie and try to forget. That’s what we did with AAARTH; we threw ourselves into this beautiful vivacious collage of experimentation, real meets unreal, and stopped giving a fuck about things that didn’t matter, and started caring more about the things that are worth your time.”
“AAARTH” marks a transformative, near-psychedelic rebirth that channels long-held anger, soundtracking a chaotic global period of injustice and division, setting it against a deeply poignant backdrop of personal experiences and healing. Although the album came into being as the band travelled the globe and recorded in their mobile recording studio, the music intertwines the whispering hills of Wales with the otherworldly rainbow canyons of the Utah / Arizona border. “AAARTH” unites the personal with the mythical and symbolic, as Bryan continues; “We’ve definitely made a colourful, mystical collage with this record, partly because of our surroundings. Those multi-coloured sunsets & the primeval elements of nature in the Southwest – it’s emboldened our imaginations in the songwriting and the production. I love stories and seeing symbolism and meaning change with different cultures and interpretations. I see it in my lyrics, a lot of the imagery plays on being ambivalent because I’m often expressing a lot of things at once. That’s true of the title; it falls somewhere between a scream, an exaltation, a play on words, and then this motif of the bear (“arth” in Welsh) that spiritually represents strength, wisdom & healing.” WEBSITE.
Energised and gorgeously tight guitar and drums and determined yet melodic vocals ensure that 'The Wrong Side' is very quickly digging it's rhythmic hooks in deep. The song gradually increases it's intensity, this is one hard to ignore rocker.
-------------------------------------------------------------------------------------------------------------------------
Starframes - Berlin is in love.
Background - Berlin is in love is the second single excerpt from Nicht Vergessen, the forthcoming album of Neapolitan band Starframes. Dreamy guitars, familiar melodies, magical riffs and synth pads coming from new wave tradition paint a perfect background for the main characters of the story, Friedrich and Akelei. They walk through the streets of Berlin, full of love and high thoughts and fly over the threat of war for a little while.
Just as the other tracks, Berlin is in love is directly related to the homonymous chapter of the novel, written by Raphael Bramont, voice and guitar of Starframes, that will follow the album release. The story takes place in Berlin from the 1940s up to contemporary days and gives a wide view on modern society by following the dramatic life events of main character Friederich Braun.
The video was directed and mixed by the members of the band and combines some original faces of guys playing in the streets of Berlin during 1961 with coloured and evoking flashing lights that move faster and faster as the song builds up.
Active since 2004 and based in Naples (Italy), Starframes released their debut album Street Politics in June 2009 (Mile High Music Records, UK), follow-up Ethereal Underground in January 2011 (BulbArt, IT), and self-produced EP Unwired in summer 2014. Nicht Vergessen is set to be released in autumn 2018. FACEBOOK.
'Berlin is in love' has a rich and expansive musical backdrop allowing the smooth melodic vocals to embed themselves deeper in the mix without distraction. There is plenty of personal feeling throughout the piece, and the forthcoming album should be a good one if this teaser is anything to go by.
-----------------------------------------------------------------------------------------------------------------------
Talkboy - Mother.
Background - With a groundswell of support greeting their arrival on the Yorkshire music scene in late 2017, Leeds-based six-piece Talkboy share their eagerly anticipated debut offering Mother, more than living up to the hype.
Combining their playful indie rock with captivating melodies and layers of vocal harmonies, Talkboy shift between euphoric walls of noise and intimately sweet soundscapes. They show a real glimpse of their unbridled potential in this first release.
Drawing immediate comparisons to the likes of The Big Moon and Alvvays, the sextet have already delivered stellar displays at Live At Leeds and Gold Sounds alongside a sold-out BBC Introducing showcase (curated by Abbie McCarthy) with more dates in the pipeline. Produced by Alex Greaves (The Orielles, The Boxing, TRASH), Talkboy’s Mother is out now and available on all digital platforms. TWITTER.
Dual vocals and fresh and refined indie rock music are the hallmark of 'Mother' a song that helps define what catchy actually means. Talkboy have something special going on here, it's uplifting and as they cleverly mix power, refrains and melody together, the result is some rather addictive music.
--------------------------------------------------------------------------------------------------------------------------
Wednesday, 27 June 2018
Far Caspian - Sons of Bill
Far Caspian - Let's Go Outside.
Background - Leeds quartet Far Caspian unveil new single Let’s Go Outside, the second track taken from their forthcoming debut EP, out via UK label Dance To The Radio. Following on from the majestic Holding On, which turned heads when it drifted into the online sphere’s consciousness, Let’s Go Outside reaffirms the band’s knack for hazy, infectious dream-pop.
Whilst Far Caspian have been based in Leeds since formation, frontman and guitarist Joel Johnston has only recently moved over to England from his native Ireland. This upheaval provides the basis of Let’s Go Outside’s themes.
“Although it's a pretty upbeat instrumental, the lyrics touch on depression and feeling far from something you could call home,” he states, “The whole EP is loosely based on my experiences of moving to England and feeling a disconnect to living in a new city for the first time.”
Referencing this dichotomy between themes and music with the playful self-nominated tag of ‘melanjolly’, Far Caspian’s wistful sound calls to mind the likes of Local Natives, Real Estate, Grizzly Bear or Band of Horses. However where those bands’ textures lean on the symphonic side, the lo-fi origins of the project in Johnston’s university halls, before Nath Sayers (guitar), Alessio Scozzaro (bass) and Jof Cabedo (drums) came in to complete the line-up, lends Far Caspian’s sound a comforting, insular edge.
However there’s a simpler catalyst too for the upbeat elements of the song: “We recorded and mixed the track, along with the rest of the EP in our basement. When we were doing 'Let's Go Outside' there was a crazy snow storm going on, I think it was about 1 degree in that room. That's probably why it's a bit faster than the rest of the tracks.” TWITTER.
'Let's Go Outside' is rapidly gaining some much deserved attention ahead of the bands debut EP. Far Caspian manage to mix hook laden dream pop with an upbeat feel. This is both refreshing and relaxing, with the bonus of having a level of energy that gives the song that little extra "something" to make it stand out.
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Sons of Bill - Sweeter, Sadder, Farther.
Background - Central Virginia’s band of brothers Sons of Bill release their new album 'Oh God Ma'am' on 29 June on Loose. Now, with just a few days left before the record is out, the band have shared album opener 'Sweeter, Sadder Farther Away'.
'Oh God Ma’am', Sons of Bill's latest LP is the band’s most coherent artistic statement to date-- subtle, risky, and sonically ambitious. Recorded both in Seattle with west coast indie legend Phil Ek (Shins, Fleet Foxes) and in Nashville with Sean Sullivan (Sturgill Simpson) and mixed by Peter Katis (The National, Interpol) the album shows the Wilson brothers moving beyond the galvanic americana-rock comfort zone of previous efforts, for a more elegant and restrained sound-- a darker, and more complexly layered rock record that manages to be the band’s most emotionally intimate and sonically expansive.
Insistent, dancey rhythms and dreamy, hook-filled, pyrotechnics abound, creating a deceptively anthemic mood around songs that are in and of themselves intensely introverted.
'Oh God Ma’am' is a coming-of-age record for an over-stimulated age-- equal parts post-adolescent anxiety and old-soul humility-- literate, gorgeous, and darkly contemplative. WEBSITE.
Sons of Bill will tour the UK and Europe in August:
Mon 13th - The Hope, Brighton (UK)
Tues 14th - Omeara, London (UK)
Weds 15th - Tunnels, Bristol (UK)
Thurs 16th - Brudenell, Leeds (UK)
Fri 17th - Broadcast, Glasgow (UK)
Sat 18th - Soup Kitchen, Manchester (UK)
Sun 19th - Rescue Rooms, Nottingham (UK)
Tues 21 Aug - Blue Shell, Cologne (DE)
Weds 22 Aug - Milia Club, Munich (DE)
Thurs 23 Aug - Musik & Frieden, Berlin (DE)
Fri 24 Aug - Stage Club, Hamburg (DE)
Sat 25 Aug - Once In a Blue Moon Festival, Amsterdam (NL).
Our third feature for Sons Of Bill in less than a couple of months tends to suggest we are already pretty keen on the bands album 'Oh God Ma’am' due out this coming Friday. So hot on the heels of 'Easier' and 'Firebird '85' we now have the latest song share 'Sweeter, Sadder, Farther'. The song exists somewhere between alt rock and something a little deeper and personal, it's also immersed in emotional feeling, and really does emphasis that this band are comfortable, outside of their comfort zone, if you get my point.
--------------------------------------------------------------------------------------------------------------------------
Background - Leeds quartet Far Caspian unveil new single Let’s Go Outside, the second track taken from their forthcoming debut EP, out via UK label Dance To The Radio. Following on from the majestic Holding On, which turned heads when it drifted into the online sphere’s consciousness, Let’s Go Outside reaffirms the band’s knack for hazy, infectious dream-pop.
Whilst Far Caspian have been based in Leeds since formation, frontman and guitarist Joel Johnston has only recently moved over to England from his native Ireland. This upheaval provides the basis of Let’s Go Outside’s themes.
“Although it's a pretty upbeat instrumental, the lyrics touch on depression and feeling far from something you could call home,” he states, “The whole EP is loosely based on my experiences of moving to England and feeling a disconnect to living in a new city for the first time.”
Referencing this dichotomy between themes and music with the playful self-nominated tag of ‘melanjolly’, Far Caspian’s wistful sound calls to mind the likes of Local Natives, Real Estate, Grizzly Bear or Band of Horses. However where those bands’ textures lean on the symphonic side, the lo-fi origins of the project in Johnston’s university halls, before Nath Sayers (guitar), Alessio Scozzaro (bass) and Jof Cabedo (drums) came in to complete the line-up, lends Far Caspian’s sound a comforting, insular edge.
However there’s a simpler catalyst too for the upbeat elements of the song: “We recorded and mixed the track, along with the rest of the EP in our basement. When we were doing 'Let's Go Outside' there was a crazy snow storm going on, I think it was about 1 degree in that room. That's probably why it's a bit faster than the rest of the tracks.” TWITTER.
'Let's Go Outside' is rapidly gaining some much deserved attention ahead of the bands debut EP. Far Caspian manage to mix hook laden dream pop with an upbeat feel. This is both refreshing and relaxing, with the bonus of having a level of energy that gives the song that little extra "something" to make it stand out.
--------------------------------------------------------------------------------------------------------------------------
Sons of Bill - Sweeter, Sadder, Farther.
Background - Central Virginia’s band of brothers Sons of Bill release their new album 'Oh God Ma'am' on 29 June on Loose. Now, with just a few days left before the record is out, the band have shared album opener 'Sweeter, Sadder Farther Away'.
'Oh God Ma’am', Sons of Bill's latest LP is the band’s most coherent artistic statement to date-- subtle, risky, and sonically ambitious. Recorded both in Seattle with west coast indie legend Phil Ek (Shins, Fleet Foxes) and in Nashville with Sean Sullivan (Sturgill Simpson) and mixed by Peter Katis (The National, Interpol) the album shows the Wilson brothers moving beyond the galvanic americana-rock comfort zone of previous efforts, for a more elegant and restrained sound-- a darker, and more complexly layered rock record that manages to be the band’s most emotionally intimate and sonically expansive.
Insistent, dancey rhythms and dreamy, hook-filled, pyrotechnics abound, creating a deceptively anthemic mood around songs that are in and of themselves intensely introverted.
'Oh God Ma’am' is a coming-of-age record for an over-stimulated age-- equal parts post-adolescent anxiety and old-soul humility-- literate, gorgeous, and darkly contemplative. WEBSITE.
Sons of Bill will tour the UK and Europe in August:
Mon 13th - The Hope, Brighton (UK)
Tues 14th - Omeara, London (UK)
Weds 15th - Tunnels, Bristol (UK)
Thurs 16th - Brudenell, Leeds (UK)
Fri 17th - Broadcast, Glasgow (UK)
Sat 18th - Soup Kitchen, Manchester (UK)
Sun 19th - Rescue Rooms, Nottingham (UK)
Tues 21 Aug - Blue Shell, Cologne (DE)
Weds 22 Aug - Milia Club, Munich (DE)
Thurs 23 Aug - Musik & Frieden, Berlin (DE)
Fri 24 Aug - Stage Club, Hamburg (DE)
Sat 25 Aug - Once In a Blue Moon Festival, Amsterdam (NL).
Our third feature for Sons Of Bill in less than a couple of months tends to suggest we are already pretty keen on the bands album 'Oh God Ma’am' due out this coming Friday. So hot on the heels of 'Easier' and 'Firebird '85' we now have the latest song share 'Sweeter, Sadder, Farther'. The song exists somewhere between alt rock and something a little deeper and personal, it's also immersed in emotional feeling, and really does emphasis that this band are comfortable, outside of their comfort zone, if you get my point.
--------------------------------------------------------------------------------------------------------------------------
Tuesday, 26 June 2018
Moon - Völuspa
Moon - Extinction (Album).
Background - Moon: Heavy, melodic, spacious; echo-laden guitars; post-rock bass; shifting time signatures; haunting ethereal vocals. Moon formed in 2010 when drummer Chris Schneberger met guitarist and vocalist David Azizinamini through Craigslist and invited a bassist he'd tried out with before. The sound they made was instantly cavernous and chiming. After writing a few songs, the sound of the band grew heavier and more propulsive.
The group played some initial shows in small clubs in late 2010, and early 2011. After an early EP, Started In The Dark, Moon recorded their debut album in 2012. Finding and Losing the Light featured six songs including the titular two song suite.
Bigger shows followed, opening for Sleepy Sun and Hounds Below at Chicago’s Double Door, opening for Driftless Pony Club at Subterranean Chicago, Blood Red Shoes at Subterranean and Kinski at Subterranean. In addition, Moon headlined their own show with local bands Nature Show and Royale. In 2012 Moon recorded their follow-up EP, Always Summer.
Their original bassist decided to follow his dreams and left for Brooklyn at the end of 2012. After an exhausting search, Moon found new bass player Chris Shen, formerly of A Birdsong Valentine. Moon released their third album, Extinction, on June 8, 2018. BANDCAMP.
If your in the mood for some extremely fine rock music that's not stuck in any one particular genre, then the album 'Extinction' from Chicago band Moon merits further inspection. Whether it's alt rock, prog rock, or modern indie rock, Moon comfortably excel. Plenty of energy is matched by some notable melodic hooks and the vocals impressively soar above the tight and gutsy rock and roll. This is one of those unpretentious albums, where the band enthusiastically present us with some timeless, well crafted rock music to be reckoned with.
--------------------------------------------------------------------------------------------------------------------------
Völuspa - Feel You
Background - Following on from the critical praise she received for her debut single ‘Wings’, Brooklyn-based dream pop artist Kirsten Knick aka Völuspa has now returned to deliver her next beautifully ambient release, ‘Feel You’.
Much like her work to date, ‘Feel You’ occupies that tentative bridge between ethereal ambience and a lucid dreamlike experience that aims to excite the hairs on the back of your neck. Mixing a light piano-led feel with minimal percussion, the front woman conjures up a feeling of pure warmth that touches the soul as she manages to breathe life into every beat.
Having cut her teeth as an artist by performing with the likes of Spiritualized and Hot Chip over the last few years, Völuspa is seen as more of a Beach House meets Lana Del Rey kind of artist. With already a strong buzz floating around her, ‘Feel You’ looks set to be the sound that defines her and the path she has set up for herself.
Völuspa on the new single: "Feel You was written in response to the calls of a loved one heard through the wind coming from the mountains in Montana. The song is about our infinite existence and how death is just an illusion." ‘Feel You’ was released last Friday via Icons Creating Evil Art, and is due to become the start of a very busy year for her. WEBSITE.
The song begins in a low key and gentle musical manner, before being joined by some distant, dreamy and enchanting vocals. Understated dream pop throughout, 'Feel You' is calm, with a warm emotional vibe, it's one of those, stop everything and listen tunes!
--------------------------------------------------------------------------------------------------------------------------
Background - Moon: Heavy, melodic, spacious; echo-laden guitars; post-rock bass; shifting time signatures; haunting ethereal vocals. Moon formed in 2010 when drummer Chris Schneberger met guitarist and vocalist David Azizinamini through Craigslist and invited a bassist he'd tried out with before. The sound they made was instantly cavernous and chiming. After writing a few songs, the sound of the band grew heavier and more propulsive.
The group played some initial shows in small clubs in late 2010, and early 2011. After an early EP, Started In The Dark, Moon recorded their debut album in 2012. Finding and Losing the Light featured six songs including the titular two song suite.
Bigger shows followed, opening for Sleepy Sun and Hounds Below at Chicago’s Double Door, opening for Driftless Pony Club at Subterranean Chicago, Blood Red Shoes at Subterranean and Kinski at Subterranean. In addition, Moon headlined their own show with local bands Nature Show and Royale. In 2012 Moon recorded their follow-up EP, Always Summer.
Their original bassist decided to follow his dreams and left for Brooklyn at the end of 2012. After an exhausting search, Moon found new bass player Chris Shen, formerly of A Birdsong Valentine. Moon released their third album, Extinction, on June 8, 2018. BANDCAMP.
If your in the mood for some extremely fine rock music that's not stuck in any one particular genre, then the album 'Extinction' from Chicago band Moon merits further inspection. Whether it's alt rock, prog rock, or modern indie rock, Moon comfortably excel. Plenty of energy is matched by some notable melodic hooks and the vocals impressively soar above the tight and gutsy rock and roll. This is one of those unpretentious albums, where the band enthusiastically present us with some timeless, well crafted rock music to be reckoned with.
--------------------------------------------------------------------------------------------------------------------------
Völuspa - Feel You
Background - Following on from the critical praise she received for her debut single ‘Wings’, Brooklyn-based dream pop artist Kirsten Knick aka Völuspa has now returned to deliver her next beautifully ambient release, ‘Feel You’.
Much like her work to date, ‘Feel You’ occupies that tentative bridge between ethereal ambience and a lucid dreamlike experience that aims to excite the hairs on the back of your neck. Mixing a light piano-led feel with minimal percussion, the front woman conjures up a feeling of pure warmth that touches the soul as she manages to breathe life into every beat.
Having cut her teeth as an artist by performing with the likes of Spiritualized and Hot Chip over the last few years, Völuspa is seen as more of a Beach House meets Lana Del Rey kind of artist. With already a strong buzz floating around her, ‘Feel You’ looks set to be the sound that defines her and the path she has set up for herself.
Völuspa on the new single: "Feel You was written in response to the calls of a loved one heard through the wind coming from the mountains in Montana. The song is about our infinite existence and how death is just an illusion." ‘Feel You’ was released last Friday via Icons Creating Evil Art, and is due to become the start of a very busy year for her. WEBSITE.
The song begins in a low key and gentle musical manner, before being joined by some distant, dreamy and enchanting vocals. Understated dream pop throughout, 'Feel You' is calm, with a warm emotional vibe, it's one of those, stop everything and listen tunes!
--------------------------------------------------------------------------------------------------------------------------
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