Monday: Emmylou Harris with John Paul White - Twin Limb - Steve Mahabir

Emmylou Harris with John Paul White - Kyrie.

Background - Emmylou Harris & John Paul White have released "Kyrie," the second single from the upcoming Mercyland: Hymns For The Rest Of Us, Volume II compilation. "Kyrie" is available today as a single for purchase and streaming at all digital outlets. The full Mercyland compilation will be released on January 15, 2016 on Mercyland Records.

This is the second installment of the Mercyland compilation, bringing together some of the most prominent voices in Americana music. "I don’t know that the first Mercyland would have even happened without Emmylou’s involvement," says Phil Madeira. "When I started Volume II, she suggested we write together, which of course was an honor.  She brought lovely verse ideas to the table, but a chorus eluded us until the words 'Kyrie Eleison' appeared.  What better prayer can be prayed than to ask for mercy?"

Classic Emmylou Harris with sensitive accompaniment by John Paul White (John Paul White is an American singer-songwriter, and was a member of the Grammy Award-winning duo The Civil Wars). It's a charming tender song.

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Twin Limb - Don't Even Think.

Background - Twin Limb’s debut 'Anything Is Possible and Nothing Makes Sense' was relesed last Friday. Twin Limb are type of nouveau Americana, enlisting all the roots-y singing and strings their part of the world has been known for since its inception, but stacking all the types of production tricks we've learned over the decades, bringing us to 2015.

Twin Limb is proof that a band can be a powerful trio without being a "power trio". When friends, Lacey Guthrie and Maryliz Bender decided they were going to build a musical edifice together, they eventually enlisted the producing prowess of Kevin Ratterman, not knowing that his organic style would blend so well with their own; bringing post-punk guitar sprinklings to a yearning, but militaristic amalgam of soaring vocals, percussion, and slowly-kneaded accordion. Once Ratterman officially joined, the production of the long player interestingly ceased, and following what the three felt they should do to honor their output, they began work on a second release, the EP Anything Is Possible and Nothing Makes Sense. In an age of rushing full lengths, sometimes an outfit does not get the opportunity to suddenly pivot to follow what their music dictates, but in the new wild west of the music industry... well, anything is possible.

Oh I do like the featured track 'Don't Even Think'. Atmospheric music supports the superb vocals and emphasises the 'powerful trio' versus 'power trio' comments above. A beautiful distinct and memorable song.


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Steve Mahabir - Riding Cowboy.

Background and the story so far  - Steve Mahabir's family moved from Trinidad to Canada when he was seven, exchanging an idyllic island lifestyle for the gritty Toronto neighborhood of Parkdale.

The Caribbean rhythms and steel drums of childhood quickly morphed into a rock and roll adolescence for Mahabir as he turned to the electric guitar. He co-founded the seminal Canadian alt.rock band Groovy Religion and held down a residency at The Beverley Tavern's infamous “Elvis Mondays” ground zero for Toronto's explosive 1980s Queen Street music scene. Mahabir recorded three albums with the group, appeared on compilations and soundtracks, backed Jim Carroll for several Toronto shows and shared bills with the likes of the Beastie Boys, Hüsker Dü, Dream Syndicate, Barenaked Ladies and many others. He also played with Scott B. Sympathy, Parts Found in Sea and Ministry of Love before largely putting music on the back burner as he started a family and then a store front business in Parkdale. 

Music still coursed through Mahabir’s veins, however, and he’s now finally set to release his debut solo album, Angel in Parkdale, through Big Canoe/Bungalo/Universal. The 16-song, 50-minute record offers an eclectic mix of instrumentation and sounds that combine to create a concept album that pulls no punches in telling a gripping story of a one-time drug dealer and his girlfriend that’s based on real people and situations that Mahabir has dealt with over the past 16 years. Some songs were written in just 15 minutes while others took a few years to gestate, but they form a cohesive collection of driving rock, country-based roots, simmering ballads and haunting pop numbers.

The guitarist/singer invited friends to bring his vision to life, including: two Groovy Religion bandmates, bassist John Borra (Rattlesnake Choir, The Screwed) and drummer Glenn Milchem (Blue Rodeo, The Swallows); keyboardist Michael Boguski (Blue Rodeo); and steel guitarist Mickey Andrews (Stompin’ Tom Connors). The bed tracks were recorded in three days with Juno Award-nominated Grammy Award winning engineer/producer Peter J. Moore (Cowboy Junkies, Neil Young, Bob Dylan, Hard Core Logo) at his renowned The E Room studio.

Angel in Parkdale was produced by Borra, Moore and Mahabir and was rounded out masterfully with the addition of trumpet, trombone, saxophone, violin, harp, tabla and backing vocals, with contributions from the likes of friends David Madden (Bob Marley, Zap Pow), Miranda Mulholland (Great Lake Swimmers, Belle Starr), William New (Groovy Religion) and former professional wrestler turned country singer Sweet Daddy Siki.

'Riding Cowboy' may only be a little over two minutes long, but it's one mighty tempting hook, to go out and purchase the rest of the album. It just oozes quality and with a 'CV' like the one above, you kind of expect that at the very least.

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Alternative Take: Rococode - Cayetano - Emancipator - Blade of Grass

Rococode - Panic Attack.

Background - Rococode is Laura Smith and Andrew Braun. They released their debut album 'Guns, Sex & Glory' to much critical acclaim in early 2012. The record was produced by Ryan Guldemond (Mother Mother, Hannah Georgas) and mixed by John Congleton (St.Vincent, Polyphonic Spree). Upon the release of their debut, the band took to the road and spent the better part of the next 18 months touring Canada and the US in various capacities.

When it came time to work on their follow-up, Rococode coaxed producers Caleb Shreve (Phantogram, Bear Hands) from New York and Ted Gowans (Tegan and Sara, Fences) from Los Angeles to set up a studio in a cabin, off the grid, in the isolated coastal forest of British Columbia. Between building fires, checking the solar panels, and failed fishing trips, the foursome set to work on music that shared none of the characteristics of their rustic surroundings. They arranged an army of synthesisers, guitar pedals and drum machines into tight, crisp Alternative gems that sparkle, shuffle and shake at every turn. The result of this incredible collaboration is the 'Panic Attack' EP (Released back on October 9th). It will be followed by the full length album due out in February 2016.

Upcoming Tour Dates:

November 17th - Saskatchewan Cultural Exchange — Regina, SK
November 18th - Starlite Room w/Dear Rouge — Edmonton, AB
November 19th - Broken City — Calgary, AB
November 20th - The Slice — Lethbridge, AB
November 21st - Spirit Bar — Nelson, BC.

Released last month the five track 'Panic Attack' EP is a taste of what to expect from next February's album. With thumping synths and percussion the title track is accompanied by some 'softer' songs and consistently fine vocals. The remix of 'Panic Attack' strips back the layers a little, giving it a more intricate feel. It's a hard one to call so we have added both versions.


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Cayetano - Talk To Me.

Background - It's been 3 years since Cayetano's "Once Sometime" album, which received great reviews from the Press as well as amazing feedback and support from artists such as Thievery Corporation, The Herbaliser, Mop Mop and Skeewiff to name a few.

Now, Cayetano is back with 11 different stories about everyday life, love and loneliness to be heard as one. It's the first album where he plays almost all instruments by himself, apart from the guitars, performed by Alex Papoulidis.

From the fusion feeling of "Talk To Me", or the deeply emotional "Something In You" and "Hold Me Tight", to the funky "Third World War" and the cinematic "Leningrad", from the jazzy "Fading Away", to the pop oriented "Treat You Right", "Where The Sun Shines" and "Never Said It's Easy", Cayetano creates another sonic kaleidoscope for your special moments.

'Talk To Me' is the first of eleven quite diverse songs, on this album. I just love the whole way this track flows, and was pleasantly surprised by the impressive quality of the rest of the material. As said, it ain't all the same, but it is a very good album.

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Emancipator - The Key (Live).

Background - In the wake of the release of his fourth studio album Seven Seas last month, hip hop/down tempo producer Doug Appling, aka Emancipator, has decided to release a live version of album track "The Key" for free download. This cut, which features live drums, bass, guitar, and violin, was recorded at the same show as his Live In Athens album, but was not included because the studio version was unreleased at the time.

Seven Seas debuted at #2 on the iTunes Electronic chart, and Doug and the Emancipator Ensemble are touring the west coast throughout November with openers Blockhead and Manatee Commune. Featuring bass and drums, along with a variety of string instruments played by Doug and close collaborator Ilya Goldberg, the Emancipator Ensemble brings his music to life at the crossroads between a DJ set and a live band.

Remaining Tour dates:

11/15 - Hi-Fi Music Hall - Eugene, OR
11/17 - Ashland Armory - Ashland, OR
11/18 - The Catalyst - Santa Cruz, CA
11/19 - Regency Ballroom - San Francisco, CA
11/20 - Regent Theatre - Los Angeles, CA
11/21 - Belly Up Tavern - Solana Beach, CA
11/22 - Glass House Concert Hall - Pomona, CA.

Well we have been known to share to odd live track or two on Beehive Candy. This is just superb, what else can I add, that hasn't been said in positive reviews by the likes of the New York Times and others.

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Blade of Grass - The Day Will Come.

Background Words - Blade of Grass is a two man organic electronic project based out of the seascape-y areas of the LA space. Back on October 20th they released their follow up EP to this year's two track EP She Was. From the onset, their latest release Skydream swiftly pulls the listener into a sonic landscape that dilates the senses and clears the stressful congested and racing mind.  

More so than this year's She Was, Skydream acts as a vehicle for Michael and Josh (Blade of Grass) to act as lackadaisical shamans of the secular world. In other words, all four tracks on Skydream are quintessential chill out music. Take a break from social media, anxiety, possessions, and let Blade of Grass' newest release be your convoy to momentary escapism.

Any outfit describing their music as 'West Coast Electronic Space Rock' deserves at least a listen. Vocals are good and strong, and nicely 'up in the mix' across all four tracks, each of which stamps it mark in a positive way. On reflection west coast electronic space rock is a fair description and you can add me as a fan.

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Saturday Sounds: Deep Sea Diver - L.U.V - Sugarmen - Postal Blue

Deep Sea Diver - Secrets.

Background and the story so far - "Wide awake, and I'm chasing after you" - exclaims a breathless Jessica Dobson, singer and multi-instrumentalist of Seattle's Deep Sea Diver. The lyric is one that best encapsulates the front woman's bravado and fearlessness which dominates Deep Sea Diver's forthcoming sophomore LP, Secrets out February 19th on their own High Beam records. In their desire to explore dualities, Deep Sea Diver urgently and deliberately move you from rock experimentation to dreamy soundscapes, Kraut-esque drum and bass grooves to angular danci-ness, and full fledged orchestration to bare bones simplicity. Dobson has the voice and authority to tie it all together, and turn it into a cohesive unit that soars yet remains beautifully delicate and intimate. Live, the band has received acclaim for their festival-ready power and presence, Jessica's larger than life guitar hooks, and their cascading layers that build upon each other until they reach their explosive peak.

In late 2013, Dobson put in her notice to former Shins boss, James Mercer, in order to give full attention to her own musical vision. Mercer agreed, saying "I'll miss you, but I give you my full support. You've gotta pursue Deep Sea Diver." While much was gleaned from the experiences in her many years spent playing with top tier musical outfits (Beck, the Shins, Spoon, Yeah Yeah Yeahs,) something was brewing that demanded a sort of dedication and alertness that couldn't be fully engaged while moonlighting as a side-woman for those greats.

Recorded with Darrell Thorpe (Radiohead, Beck) and Luke Vanderpol at the Bank in CA, Jessica and band (comprised of husband Peter Mansen on drums, Garrett Gue on bass, and Elliot Jackson on guitar and synth) have together created an album that is colorful, energetic, and varied-with an emotional depth and pulsating charge that demands the listeners full attention. As she and Mercer sing together on "Creatures of Comfort," "I'm in my own world", the listener is brought in, and very content that this is the world that she has chosen and invited others into. Secrets is an album you will not want to keep to yourself.

'Secrets' is the first single from next February's album of the same name. A potent and powerful song, both Jessica's vocals and the music, cut to the action, demanding your attention.

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L.U.V - I Can Be The Answer.

Background - Following their debut single 'Take Me to the Sea', Sunshine coast sister pop duo L.U.V are proud to present their new single 'I Can Be the Answer'.

Mixed by Brisbane’s Konstantin Kersting (Art of Sleeping, Moses Gunn Collective), the song’s dreamy karmic melody and harmonic overlapping vocals flirt playfully with psychedelia while demonstrating the young sisters innate ability to produce effortlessly gripping hooks. Think kaleidoscopic glimpses of bonfires by the lake on dark summer nights enveloped by the hypnotic voice of a young girl trying to seduce a lover with song. 'I Can Be the Answer'- beautiful, imploring and channelling the siren - is the second taste of a plethora of material forthcoming from L.U.V before impending live shows in 2016.

'I Can Be The Answer' is a catchy melodic pop song. Superbly performed and produced, that surely has to be enough, I think so.

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Sugarmen - Plastic Ocean.

Background - 2015 has been a huge year for Sugarmen. The band played two Hyde Park shows with The Who and Blur, as well as sharing stages with Sleaford Mods, The Bohicas, Hooton Tennis Club, Deer Hunter, Metronomy and British Sea Power. The four-piece have toured hard and reinforced their growing reputation for high octane live sets, driven by charismatic cool and electric chemistry.

Debut single 'Dirt', produced by Clash legend Mick Jones, was made XFM single of the week on its release in March and has racked up over 100,000 plays on Spotify. It’s easy to hear why: 'Dirt' is two-and-a-half glorious minutes of pure accelerating guitars matched with anthemic vocals.

Their new single 'Plastic Ocean', a galactic track that explodes into life with a collision of fractured rhythms and angular riffs, boasts clever lyrics, power-surged vocals, and spaghetti western guitars, all driven by an unrelenting rhythm section and infectious melody. 'Plastic Ocean' captures on record the on stage energy the band are renowned for, it's as sharp a statement of intent as you’ll ever hear.

Swaggering with attitude 'Plastic Ocean' is like a massive shot of adrenaline, delivered with a timeless 'Mod Rock' feel.

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Postal Blue - Bitterness Is Sweet.

Background promo - This is the second album from Brazil's Postal Blue, who have been around (though not very actively) for nearly 18 years now, with previous releases on indie pop royalty labels like Drive-In, Shelflife and Cloudberry Records. One listen and anyone could easily be convinced that this was a lost Sarah Records release, with its songs echoing the Orchids and Field Mice (in both their exuberant and melancholic moments) at some times, a less fragile Blueboy at others, and even Secret Shine at their dreamiest in a few spots. 

The production is crystal clear and shimmers brightly throughout the entire 35 minutes of this album, making it easy to see how it took so long to complete (you just can't rush perfection!). Overall, this is a very beautiful batch of songs that will make you wistful for the indiepop days of old and elated that the torch is still being carried on...

'Bitterness Is Sweet' is the first of ten songs on the album, all of which are at the very least, on a par with this featured track. If you were asked to describe 'indie pop', this could be as good a starting place as any.

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Friday Five: The Goldhearts - Indigo - Radiation City - Martha Bean - James Clark Hangover

The Goldhearts - Here's The Thing.

Background - The Goldhearts have had a big year. Not only did they master playing in a band with an interstate guitarist. They released their first single “On The Run" which received weekly spins by iconic Los Angeles DJ KROQ Rodney on his show Rodney on the Roq. The single was also embraced by community radio and received regular spins on SYN, ZZZ, Radio Adelaide and others.

So here' the thing... The Goldhearts are about to release their second single called "Here's the Thing”. "It's short and sharp" says Margy, the singer/guitarist and "a change in mood from the country swagger of our first single ‘On the Run’. The track highlights the punchier grittier side of The Goldhearts but with the same hooks and melodies that they are becoming known for as well as saluting the bands of the nineties where they draw their inspiration.

The single is the second of their forthcoming debut album which will be released early next year. The Album was produced by Govinda Doyle (Angus and Julia Stone, Big Jet Plane). The single will be supported by shows at Studio 56 at Miami Marketta on November 26, and the Zoo in Brisbane on November 27. And Chicks with Picks 19 December at Sydney Town Hall.

The Goldhearts formed earlier this year, bringing to life a solo recording project created by indie music stalwart Margy Joughin who stepped away from her usual duties on bass and guitar to record an album of engaging tunes with Govinda. Margy says "people seem to like the song “Here’s the Thing” because for some reason people love saying ‘here's the thing...’ maybe its because it makes them feel like they are about to say something very profound and people are going to listen to them, even if it's, ‘I think it's time for a coffee.’”

Straight rocking and with a respectful nod to artists as diverse as PJ Harvey and Hole, The Goldhearts sound is full of hooks. 'Here's The Thing' has repeat play written all over it, another band ensuring rocks legacy is in safe hands.

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Indigo - Moving On.

Background - Indigo are a four piece band out of the South West of Western Australia. The current line up consists of Christopher Kinna on lead vocals & guitar, Dylan Keirnan on guitar/backing vocals, David Williams on bass guitar/backing vocals and Joshua Beaumont on drums. 

Together, the four boys produce a sound that reflects the good summer vibes that we all know and love. This soft rock/indie/alternative outfit easily translates from CD to an electric live performance that will have you dancing all night, singing along to their catchy tunes.

The Indigo boys have just finished the recording of their next single “Moving On" and it’s due to be released November 2015 along with an official film clip. ‘Moving On’ is a feel good song written about getting over the hard times and finding balance. ‘Moving On’ is the new single off an upcoming EP that Indigo is currently working on, look for it to be released in early 2016.

'Moving On' is a pleasing indie rock song, and yes it does have a little bit of a 'summer lift' to it, even though it's definitely early winter where I am. This might be how Arcade Fire would sound if they were stripped back and more gritty.

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Radiation City - Juicy.

And the story so far - In late 2013, with two well-received full-lengths and an EP under its belt, Radiation City got the itch. The band had built a strong following in its native Portland and connected with fans around the world, and from the outside, the path seemed clear enough: find a great producer to work with and further develop the smooth, space-age doo-wop sound that had put them on the map in the first place.

But on the inside, things weren't so simple. Cameron Spies and Lizzy Ellison, Radiation City's founding couple, were falling apart. Rad City, a tight-as-family band that always seemed to work so effortlessly off- and onstage, was on the verge of calling it quits. Then a funny thing happened: Spies and Ellison got together to record some new, urgent and semi-spontaneous songs and rediscovered that old magic. "None of it felt rushed, or belabored," Spies says. "It was honest and unafraid."

Of course, it was also the product of just 40 percent of the group. So, in the face of ambivalence and the band's impending implosion, Ellison and Spies decided to do something they'd never done before -- they transformed Radiation City from a democracy into a monarchy. They curated a new tracklist for the third full-length (half new songs and half old ones), enlisted Unknown Mortal Orchestra's Riley Geare to be their studio drummer, and found their great producer in John Vanderslice (Spoon, Death Cab For Cutie) of Tiny Telephone Studios.

The band's issues didn't end with these revelations-Spies and Ellison broke up temporarily and called off their wedding, one band member was let go, and only half of the group went to San Francisco to record the tracks for the new album-but the die was cast. Radiation City was not going to polish up its old style for Synesthetica; it was going to completely overhaul both its process and its sound. After recording with Vanderslice, the band took its new directive back to Portland and turned to Jeremy Sherrer (Modest Mouse, Gossip) at Ice Cream Party to flesh out its studio sessions.

Based on the condition known as synesthesia, whereby a person links one sensual experience with another (for Ellison, who experiences it, that means seeing specific colours when she hears different musical sounds), Synesthetica is a place where multi-sensory experience is commonplace; where feelings and definitions blend and melt, and surreality becomes reality. The word synesthetica is the summation of a pivotal third album that, from the outside, probably seems as effortless as every other Radiation City release. Synesthetica almost killed this band, but instead, it serves as the opening salvo of a monumental second act, and Radiation City is invincible.

The album is due out February 12th 2016, and as the (edited) story above shows it's been some journey arriving at this point. Thankfully 'Juicy' suggests we are in for a treat regarding the forthcoming album. A great song that twists and turns, bring on the album.

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Martha Bean - A Better Man.

Background words - About ‘A Better Man’ - With Martha’s pacific acoustic picking and radiant gliding vocal to the fore, ‘A Better Man’ is an enchanting composition of mellow orchestral folk. Completed by warm components of electric piano, bass, a string section and a rolling yet respectful tom-tom pulse, it conveys both the classic English harmony of retro-roots torchbearers The Unthanks and the ambient indie stylings of This Is The Kit. “What does it take to be a better man?” wonders Martha in a breathy, beautiful hook, reflecting on the contradictory, confusing nature of the information overload surrounding self-improvement, before reaching a sage conclusion in the final chorus:  “A little dignity, and a willing hand/Now that’s the start/Of a better man”.

About Martha Bean - On her acclaimed debut album, ‘When Shadows Return To The Sea’, released earlier this year, Martha Bean not only wrote and bathed all of the tracks in her haunting, ethereal falsetto, she also played guitar, piano, double bass, banjo and clarinet, as well as orchestrating the string arrangements throughout. It’s perhaps not surprising, then, that this Leicester-based polymath – whose aforementioned LP drew her comparisons to the likes of Lisa Hannigan, Fiona Apple and Norah Jones – began her musical education early, at the age of three, when her parents got her started on piano. This immersion into sound led Martha to pick up the guitar as a teenager and then study music composition at Dartington College of Arts in Devon. From this creative resume came a broad church of inspirations, from alt-folk maestroes such as Nick Drake and Fionn Regan to fellow boundary-breakers Radiohead and Claude Debussy. Martha’s sonic template has been further expanded by support slots and festival appearances alongside the likes of Marika Hackman, Seth Lakeman, Bombay Bicycle Club and Bon Iver, while she’s even been heard on primetime TV: her songs have featured on trailers for EastEnders and Midsomer Murders, as well as in several advertising campaigns. It’s indicative of the crossover appeal of Martha Bean, for what’s not to like about intense, sincere songcraft, authoritatively composed and passionately performed? 

See Martha live in November:

Saturday 14: In The Woods, Lage Vuursche, Netherlands
Sunday 15: Het Oude Theater, Oss, Netherlands
Thursday 19: Jam Café, Nottingham
Tuesday 24: The Finsbury, London N4

Wednesday 25: The Musician, Leicester

This is a beautiful song. Vocals are stunning and the music is in perfect harmony. What else can I say, I love it.

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James Clark Hangover - Maria.

A message from James - I've been playing professionally for 35 years.. I started in the bars of the 1980's playing punk rock. Over the last five years I've reevaluated my music, I've relearned guitar and learned piano. And started to concentrate on keeping it simple and delivering the message in the most concise and universal way. 

For instance, for my new song Maria the intro is 5 seconds long, and then quick to the chorus.. Bubblegum! The Ramones are a huge inspiration. It's not easy to "dumb it down" but here's my attempt at it...with Jordon Zadorozny (Blinker The Star/Lindsay Buckingham/Courtney Love/Sam Roberts) singing back-up vocals and producing. The video was filmed in three locations: An old Barber Shop, a garage that looks like it had been hit by a bomb and finally a classic bar. I think it worked out to look like an ad for H&M directed by Herb Ritts. It's a Black & White arty affair. Some pretend singin' and playin' and a vague concept but I think it came together nicely.

The video will be added to our BeeVids page, and the album 'Volume 3' is out November 20th. 'Maria' is a timeless rock piece, no bells or whistles, just straight gutsy 'how it is' music, with well suited and passionate vocals.

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The Pains of Being Pure at Heart - Hell.

The Pains of Being Pure at Heart - Hell.

And Kip and the band tells us - A couple months ago I posted a demo for the song "Hell" and some people said, "why don't you record that for real?" So we went over to my friend Danny's studio (House Under Magic) and recorded the track along with two cover songs - "Ballad of the Band" by Felt and "Laid" by James as a way to mark our forthcoming tour of Japan. 

The latter has lead vocals by Jen Goma, who sang on our last album and also performs with the excellent pop contortionists, A Sunny Day in Glasgow. The Felt song is really the UR-Felt song, the wry articulation of what Felt is most famous for - not being an eighth as famous as they ought to be. The song "Hell" is about how insufferable performances of sensitivity are when there's a good song playing and someone you want to dance with.

Remaining Tour Dates:

November 28 - Hong Kong - Cockenflap Festival
November 29 - Singapore - Neon Lights Festival

There is something quite raw and genuine about this three track release. 'Hell' has that natural rock feel to it, not to polished, it just lets the bands collective talent do the work, and is pleasingly unpretentious. Having found a link to the cover of 'Laid' I could not resist sharing this as well. I love so much of the music James have released down the years, and this version does the original justice, whilst demonstrating that this band can put their stamp on a whole range of music, in a really good way.

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Frøkedal - Kid

Frøkedal - Kid.

Those promo words - If songs are like children, it’s important to fend off favouritism… but perhaps there is something a little special about Frøkedal’s latest, ‘Kid’. The single is paired with news of Frøkedal’s forthcoming debut album ‘Hold On Dreamer’ – a ten-track offering, slated for release on February 26, 2016 via Propeller Recordings.

“Kid opens with a depiction of a young child who falls asleep under the table during a family party,” explains singer/songwriter Anne Lise Frøkedal. It all seems conventional enough, before the track takes a somewhat poignant turn: “It turns out that this is only a made-up memory because all the photos of the child have disappeared along with the family's recollection of him”.  

“I remember you, kid” forms a fitting refrain, and a comforting assurance that resonates throughout new album ‘Hold On Dreamer’. Lyrically, a theme runs across its ten tracks: “They deal with people whose lives are about to take a turn – for better or worse,” Frøkedal says. “For me, writing about change is much more interesting than exploring situations that already work. Most are real stories, about real people, some influenced by my own life more than others.”

Having fronted successful Norwegian outfits Harrys Gym and Grammy-nominated I Was A King (who count Sufjan Stevens, Robyn Hitchcock and Norman Blake among past collaborators), Frøkedal approached her solo descent differently, almost defiantly. “Almost everything I’d done in the past I tried to avoid,” she says. “Harrys Gym had a huge pop sound with lots of instruments, so the new songs had to be simple. I wanted a stripped-down sound that was still dynamic.

“Because everyone has a computer these days, there’s no limit to how many times you can multi-track. I’m sick of that. Big, busy songs don’t touch me emotionally anymore. I hoped to go the other way – to remove as much as I could and be left with a beating heart.”

'Kid' is such a fine and pleasing song. I was going to take a day off from Beehive Candy today, but having played this a couple of times, I can't 'sit on it', any longer. I'm trying to keep a note of albums on the horizon that I really wan't to have, the list just got longer with the forthcoming debut album 'Hold On Dreamer'.

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Tuesday &: The Wretched Desert - The Aves - Vallee - Eves The Behavior

The Wretched Desert - Dead Reckoning.

Background - Zach Lind of Jimmy Eat World and wife, Holly Lind, dreamt up The Wretched Desert one day when they decided to turn their living room into a music room. When they realised how good the acoustics were in that room, Zach began recording himself playing drums then added more and more instruments while Holly laid down vocals and, alas, their debut EP Street Lights came to fruition.

Following Street Lights, the duo continued to cook up some living room tunes during the off season of Jimmy Eat World’s tour schedule that turned into sophomore EP set to release November 13th. Recently, The Wretched Desert happily offered the EP title track, “Dead Reckoning”, as a taste of what is to come. 

Zach explains, “As we were writing Dead Reckoning, we couldn’t help being reminded of the hockey scene in Strange Brew. This song is our ode to the McKenzie brothers from whom we’ve learned so much about the mysteries and secrets of being human”.

'Dead Reckoning' certainly builds on the 'Street Lights' EP. Keyboards compete with drums and percussion, whilst there is an almost robotic feel to the vocals, which is not a criticism, as they are seem so rightly matched. Looking forward to what follows soon.

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The Aves - Juan Bianco.

Background - Taken from their soon to be announced debut album, Adelaide's favourite garage kids The Aves launched their first single 'Juan Bianco' last Friday (November 6) at the Grace Emily.

Filled with jangly guitars, upbeat rhythms and laconic vocals laced with harmonies, Juan Bianco is a tough as boots slice of garage pop about dreams lost and starry eyed suburban ambition. With three impressive EP's, a Big Day Out slot thanks to triple j and a stack of touring under their belts that includes Canada's NXNE Festival, New York's River Rocks and Brisbane's Bigsound, The Aves have become known for their high energy live shows, infectious pop-smarts and tongue in cheek lyrics.

Initially taking cues from a varied range of the greats like Talking Heads, Elvis Costello, The Kinks and Yeah Yeah Yeahs, The Aves have taken the melting pot of influences and naturally developed their own succinct style.

Bright jangly guitars launch what is a really cool and very catchy song. The melting pot of influences are noted, but who cares, The Aves have a superb sound of their own, and this single sets expectations high. More please.

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Vallee - Jungle.

Background - The biggest driving force for Melbourne band Vallee has been the positive response from strangers from all around the world connecting with their music. The collaborative song writing of guitarist Michael Keirs and bassist Brendan Aked make up the core of the Melbourne indie rockers. 

Influenced by the post punk revival scenes from the late 90’s and the new wave scene that stems from the 80’s, the band cites Bloc Party and The Wombats as an ideal that they strive to achieve. After a steady string of shows across Melbourne in 2014 followed by a working holiday in Europe, and multiple surgeries related to a motorcycle accident, it’s been almost a year since they headlined the Evelyn hotel in Fitzroy. 

The follow up to their first EP Radio sees the band release their new single “Jungle”. The title track off their first EP Radio reached #1 on the Triple J Unearthed charts and subsequent video was featured on mismatch.tv, whilst second single “Cuba” debuted at #9 and received airplay on Unearthed radio. 'Jungle' by Vallee will be released 13th of November 2015.

'Jungle' reminds me somewhat, of the legendary Scottish band 'Big Country', and that is meant as a compliment. The guitar and drum sound has some of those vibes, however this is far more energised and vocally more powerful. Lets be clear this is a great song in it's own right, and one that sinks it's hooks in deep.

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Eves The Behavior - Girl.

Background - Taking a direct look at modern day feminism and the reality of pressures born out of social media, enigmatic young Australian lyricist Eves The Behavior presents her intimate new audio offering 'Girl' (out 13th November). 'Girl' was produced by Eves The Behavior and Christoffer Berg (Fever Ray, The Knife, Depeche Mode), with additional production by Stella Mozgawa and Thomas Rawle.

"There's a sort of unprecedented darkness that's brewing over modern feminism. A new beast that needs tackling. I refuse to believe I'm being old fashioned in saying that it comes out of the widening jaw of social media. Because I don't write this from an arm's length away... most days I feel like I'm being swallowed whole. I am growing up with very confused ideas of how to look and behave as a young woman. I'm terrified of growing up not knowing how to feel good about myself. And I'm terrified that other girls are in the same situation. I am slowly re-defining my perception of where I'm placed in the world and in my relationships."

Eves The Behavior is Hannah Karydas; a twenty-one-year old Brisbane-based singer, songwriter and producer with a unique look on the world. Few young musicians have quite the steady vision and kaleidoscopic ambition in which Eves The Behavior sets her sights on, which is in part due to Hannah's synesthesia; a condition which elicits an experience of mixed senses, in particular elements that trigger and become colours in her mind. This rare sense affects and influences her own music, allowing Hannah to figuratively paint her music, including the shadow and darkness from within. 

'Girl' conveys passion and sincerity, covering a topic that is serious and relevant. Musically the 'marching beat' is just right for the lyrics, whilst Hannah's vocal delivery is spot on. It's a very good song, simple as that really.

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Monday Alternative: Funktionslust - Phedre - WoodzSTHLM

Funktionslust - Unstable (Dro Carey remix).

Background - Funktionslust announce their 'Window' EP will be released 20th November. You can pick up hints of all sorts of diverse sounds in Funktionslust’s music, from technoid rhythms to glacial coldwave-esque atmospheres, but they bring these styles into a hyper-modern sound world that is distinctly their own. 'Window' is the duos tightest, tensest most compulsively listenable offering to date. 

Funktionslust formed in London, when Sage Redman and Joe Gillick met in their first year of university, bonding immediately over their love of idiosyncratic pop (St. Vincent, Owen Pallet, Tune-Yards, Cocteau Twins etc.) Originally, Sage grew up in Seattle – her parents were “super unmusical”, but her uncle had connections to the grunge scene. Joe, on the other hand, grew up in London, where he was exposed to the music of grime crews like Ruff Sqwad and Roll Deep. 

'Window' is about a disconnection from oneself inside, (inside as in indoors, and inside as in ones self) and from others outside. It explores the dichotomy and beauty of disconnection vs. connection with partners and friends and the parallels between what one thinks of themselves and what one perceives others to think. Every aspect of each song is created with one synthesiser, acting as a temple for all their ideas. Each idea, each strand of inspiration, bounces off the walls of this 'temple', and emerges as one nuanced, unmediated and tangible sonic construction. 

Funktionslust are classicists, writing traditional melodic pop songs, but there’s an experimental bend to their production informed by artists like Four Tet, Mumdance, and Oneohtrix Point Never.

Prior to the EP's release we have a remix of Funktionslust first single 'Unstable'. Australian producer 'of the moment', Dro Carey's remix, stays reasonably close to the original and if anything lightens & thins the sound a little. Both versions make the pending EP release, of real interest.

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Phedre - Tivoli.

Background - Toronto-based experimental pop duo Phèdre return with new single (+video), "Tivoli." 

Melted-pop duo Phèdre make music for escaping. The visually evocative soundscapes emerging on their previous releases take form like a great comic; a concise narrative, bright colors, and psychedelic textures. If comic books had strobe lights Phèdre's certainly would.

As for what they take from the real world, Phèdre's music borrows from hip-hop, psych and high-bpm electronica to make music digestible to internet-induced-ADD-types and also those who can sit through a heavily conceptual full-length. 2016 will see them entering a new cycle, with a couple of new energetic releases.

A looping sound wall comes to life as the bass kicks in, however the vocals are a surprise. Strangely addictive the soundtrack matches the quirky vocal nature and bang! it's finished and time to play again (like I said, addictive).

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WoodzSTHLM - Underwater (feat. Flores & Olle Grafström).

Background - This is the new track from 22-year-old Swedish producer WoodzSTHLM. 

"Underwater" paints a picture, not of drowning, but of human instinct and it's reluctance to give in, even as the surface light becomes further out of reach. 

The single is part of a complex and dark EP, Lighthouse, coming November 20th via WoodzSTHLM's co-founded label, Mångata Records.

Moody and intricate, the song has sultry vocals and a soundtrack heavy on the bass line. Layers of rhythmic percussion sounds, carry the whole piece along. The synth's bring it all together, and as a tease for the EP it really works.


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Straight Shooting Saturday: Lady Low - The By Gods.

Lady Low - Burning Like A Fever.

Background - Released in mid October “Burning Like a Fever,” is the current single from Hollywood’s favourite romance rockers, Lady Low. Described as “where strings and heartstrings collide,” Lady Low is a rock sextet comprised of Jimmy Sweet (vocals, guitar), Eden Lee (vocals, drums), Shanel Chavers (vocals, synth), Kaitlin Wolfberg (violin), Corinne Olsen (violin), and Mia Siler (viola). Sweet had always wanted to start a band that combined love’s passion and old school rock and roll. After returning to L.A. by way of London, he formed Lady Low.

Sweet started out with legendary San Francisco rock band, The Richmond Sluts. He still performs with the Goodtime Boys, a ‘70s cover band, along with members of Hot Hot Heat, Fleet Foxes, The Heavy, and Beachwood Sparks. While studying vocal performance at Ohio University, Eden recorded and performed with The First Street Heat, a nine-piece funk group. She has also been featured in SassafraZ and Tempo Tantrums, a female a cappella group. More information on Lady Low is available on the band’s official website.

Wolfberg writes the string arrangements and also plays viola, keyboards, and violin. She has worked with indie legends The Bats and The DB’s, and has played with heavy hitters such as Dweezil Zappa and Ruthann Friedman.

We featured Lady Low back in early June, however the current single 'Burning Like A Fever' has got under my skin, so why not give the band another share. The whole structure and feel to this song, just ticks a lot of personal 'like' boxes, simple as that.

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The By Gods - On The Radio.

Bio from the band - Nashville-based band The By Gods — originally George Pauley (vocals, guitar) and Tye Hammonds (drums) — breed hook-laden, roll-your-windows-down rock & roll, respectfully reminiscent of the band’s early to mid-90’s alternative predecessors.

With The By Gods, Hammonds and Pauley are focused on the difficult art of keeping it simple, and making the music they love. "We're really hedonistic when it comes to most things with The By Gods." Hammonds explains, "As long as we're into it, we think that other people will be too."

The band’s new album G​et On Feelings ​is chock-full of rock & roll spark, assembled perfectly with intelligent and, most importantly, intoxicating melodies. With it, the band grows from a duo into a trio, thanks to the addition of bassist Natalie Pauley. Together, The By Gods hit their full-stride from the opening track and, down strokes-be-damned, continue delivering their fuzz-guitar-laden youthful energy in crystal-clear high fidelity on “Miss It” and “On The Radio.” Pauley’s guitar work buzzes with maturity and exploration, from the appropriately off-kilter chorus chords of “My Way,” to the raucous bridge riff in “I Really Don’t Care.”

The new record like it's predecessor was recorded by, Carl Amburn (Riddle Of Steel, Traindodge, Self-Evident, Town Portal), at his Oklahoma barn studio, The Mousetrap. Out of that barn, a most-impressive beast of a full-length has germinated and is ready to devour the planet. You see, eventually The By Gods’ music will help put an end to war and poverty. It will align the planets and bring them into universal harmony. Allowing meaningful contact with all forms of life, from extra terrestrials to common household pets...and, it's excellent for dancing.

From the forthcoming album 'Get On Feelings' (out on January 22nd 2016) 'On The Radio' is their current single, and pretty typical of the power soaked album. It's potent rock'n'roll, reliant on energised and passionate performance, cutting out the nonsense and just playing to please, and pleasing the listener.

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Friday Pairing: The fin. - Cian Nugent

The fin. - Night Time.

Background - About The fin. Hailing from the vibrant Japanese port city of Kobe on Osaka Bay, The fin. have become something of a reputed and singular attraction in their homeland due to their stylish Europhile blend of synth-pop, chillwave and dream-pop, complete with English lyrics addressing universal themes of everyday uncertainties. Often referenced alongside the likes of Beach House, Toro Y Moi, Mew and Washed Out, the quartet have, since forming in 2012, created a sufficient stir to have performed before thousands at major Japanese festivals including Fuji Rock, Rising Sun and Viva La Rock. Not content with such acclaim in one country alone, Yuto Uchino (vocals and synths), Ryosuke Odagaki (guitar), Takayasu Taguchi (bass) and Kaoru Nakazawa (drums), each aged 24, set their sights worldwide and in March this year embarked on a major nine-date tour of the US, which included a blinding performance at SXSW. The UK is next up and what better way to announce their arrival than the four compositions of sophisticated, moreish pop that constitute the ‘Night Time’ EP. Big in Japan? Naturally, but why stop there?

See The fin. live in November
Friday 13: The Finsbury, London N4
Saturday 14: Birthdays, London N16
Sunday 15: The Old Queen’s Head, London N1.

This is a bright indie pop/rock song, simple and catchy hooks and definitely with a hint of the Europhile.

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Cian Nugent - Things Don't Change That Fast.

Background - Night Fiction is Cian Nugent's third album but his first taking on the role of singer-songwriter. Where his previous two albums: 2013's Born With The Caul and 2011's Doubles saw him exploring extended guitar-based instrumentals with his band, The Cosmos, here he has reigned things in and focused his songwriting skills. Guitar fans, do not fear, there is still plenty of soloing and fingerpicking here. With 7 songs both solo and with his band, this album amalgamates everything Cian has done up to this point and reveals a more broad palate of influences, including The Velvet Underground, Richard Thompson, Television, Neil Young, John Lennon, Fred Neil, etc.

Recorded over a week beginning on Valentine's Day 2015, Night Fiction was recorded in Bow Lane Studios in Dublin with Daniel Fox (Girl Band) and mixed by Brendan Jenkinson. The album's seven songs include solo ventures as well as full-band recordings feat. David Lacey on drums, Conor Lumsden on bass, Brendan Jenkinson on organ and piano and Ailbhe Nic Oireachtaigh on viola. The vibe here is familiar yet refreshing and a logical progression for Cian.

This is the first single from the new album, 'Night Fiction', due out Jan 2016 on Woodsist. It's a lovely slow song that calmly builds, and it's a wonder why Cian has left it so long, to put vocals over his music, he has a voice just right for this type of song.

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Thursdays Double Up: The Deadline Shakes - Niall James Holohan

The Deadline Shakes - Sweeten the Deal.

Background - Glasgow's The Deadline Shakes are Greg Dingwall (lead vocals, guitars and keys), Iain McKinstry (guitars and vocals), Martin McLeod (bass), Thomas Booth (drums) and Sam Clark (piano), with Michael Muir (violin) and Kiera Pollock (vocals). 

Their debut album 'Zealots', produced by Greg in a tiny room in the east end of Glasgow, is the product of three years of hard work following the band's inception. Greg’s songs are often widescreen in scope, but lucidly lovelorn lyrics give the album a relatably human quality. This is an album recorded on a limited budget that sounds like a large scale, big studio production. 

Each band member is a multi-instrumentalist who has a passion bordering on compulsion to create, a drive which underpins everything they do. Even the band's unique artwork is designed in-house by bass player Martin. Guitarist Iain has edited their music videos.

Radio support for The Deadline Shake's singles leading up to this album release has been extensive coming from the likes of BBC's Vic Galloway, Steve Lamacq and Tom Robinson together with Jim Gellatly (XFM Breakout track), Roddy Hart and and a range of DJs at stations across the world.  The band have also been championed by The List, The Scottish Sun, Daily Record, Louder Than War, God is in the TV, and Artrocker.

From the album 'Zealots' (out on Flowers in the Dustbin Records on the 29 November 2015), 'Sweeten The Deal' is a pacey guitar driven song with stand out vocals and harmonies. Indie pop 'come rock' in nature, it's a definite enticer for their debut album. The album has clearly been a labour of love and has far more depth, than one song can suggest, it's a case of, like the single - love the album.

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Niall James Holohan - New Wave (Is This Rock 'N' Roll?).

And we are told - Reminiscent of Odelay era-Beck and Morning Glory era-Oasis with allusions to 90s hip hop and EDM, 'New Wave' is the ambitious debut single from Irish born and London based solo artist and producer Niall James Holohan; the perfect introduction to an experimental musician with a lot on this mind.

With boundless thumping energy, 'New Wave' is a genre spanning song, that demands to be noticed. It's the mixture of ideas, enthusiasm and refusal to conform to any particular style, that makes this stand out. Having said that it is coherent and clever, and worth a listen at the very least.

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S Is For: Shirley Said - Seth Bogart

Shirley Said - Crash.

About Shirley Said (and we quote) - Shirley Said’s sophisticated, experimental take on alt.digitalism was born in the town of Latina, near Rome, inspired by artists ranging from Bjork to Portishead, Talk Talk to Sonic Youth, as well as auteur's such as David Lynch and Ingmar Bergman. Originally a four-piece, the band performed at a series of prestigious national festivals and live video-based events, which emphasised their dedication to the visual as well as the aural. Subsequently relocating to London, Shirley Said resized to a two-piece, comprising Giulia Scarantino (lead vocal, synth, piano, fx) and Simone Bozzato (backing vocal, guitars, programming, efx). Their sensual, minimalist techno has sound tracked French docu-dramas, Italian TV series and an exclusive fashion film for Vogue. Earlier in 2015, the band’s double-A sided single, ‘Merry-Go-Round’/’Salvation’ firmly established them as one of the English capital’s most coveted electronica acts – the duo’s atmospheric live performances justifying widespread acclaim from keynote reviewers both on line and in print.

Dreamy vocals above a minimalist and cleverly textured soundtrack, that oozes atmosphere. The sort of track that reduces stress levels and puts a smile on your face.

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Seth Bogart - Eating Makeup (featuring Kathleen Hanna).

And the promo succinctly says - Madonna isn't the only master of re-invention - Seth Bogart (Hunx & His Punx, Gravy Train !) has a new album coming early next year on Burger Records and it's a whole new look and sound from him - he's gone "pop".  

The first track "Eating Makeup" features the legendary Kathleen Hanna - album has features from Tavi Gevinson, Clem from Cherry Glazerr, Chela and co-written and produced by Cole MGN (Ariel Pink, Julia Holter, Dam Funk etc).

OK this can easily be described as quirky, breezy, fun, a little different, you get the picture. My serious head says, it's not quite Beehive Candy material, however my serious head is wrong. It's just got under my skin, I like it, music is surely about connecting with our emotions and for whatever reason this song has.

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Paradise Animals - Monday Morning (from the album Day Bed).

Paradise Animals - Monday Morning.

And the band tell us - Appropriately, we're releasing our new single/video "Monday Morning" today. The single is from our LP "Day Bed" it's our very first full length. The album was recorded and produced by the whole band in both Northern Ontario and Toronto.  

Day Bed is the place we go to rest in the daylight. A place where memories wash over us; a place where we pause and think about life. It's a collection of songs that highlights the warmth and happiness of family and childhood, the heartbreak of relationships, and the randomness of social life in the 21st century (album out November 13th).

I listened to the single and thought to myself, that this was 'an absolute must to feature'. I started putting this together, then upon opening both eyes noticed they had also sent a link for the album. So one album listen later, I reckon I have another contender for my top ten favourites of 2015. Seriously if you like the single, the album is a must have. I try to avoid that cliche as much as I can, but hey when something is 'a must have', it's 'a must have'. Understated, intricate music, supports stunning vocals and harmonies, in a collection of superbly crafted songs.

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Sundays Alternative: Venkman - Eastward - The Beat Corporation

Venkman - Andrew, You're Horizontal Again.

What's the story - Venkman are Kate, James, Tom, Danny & Dave who create off-kilter funk from their hometown of Lichfield, UK, citing influences as diverse as Influenced by Michael Jackson, Kate Bush, Prince and Thomas Dolby.

Having already been featured on 6 Music and BBC Radio in England and Scotland, Venkman were responsible for the most watched BBC Introducing session ever with their cover of Michael Jackson's 'Leave Me Alone'. They were also selected to feature in the Best New Music of 2015 on their local Introducing show.
The band, who have already played with the likes of Carina Round, Outfit, Turbowolf and Coasts, next play live on 11th November with Dutch Uncles at The Hare and Hounds in Birmingham.

The release of their EP 'Kakkorhaphiophobia' follows the success of their debut single 'Martial Law' and epitomises Venkman’s quirky brand of melancholic funk with haunting male/female harmonies.

This is a fabulous EP and the featured track really is, just one dimension of four very enjoyable tracks, from this creative band. They could be referenced as quirky, I think it far better to say imaginative, adventurous and unrestrained. Highly recommended!

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Eastward - Old Green Thumb.

Background - Quickly following his debut single ‘Old Green Thumb’ Melbourne Producer, songwriter and multi-instrumentalist ‘Eastward’ (Eden Altman) continues to intrigue with one of the most thought provoking and captivating music videos of the year. Made by renowned UK director Ian Gamestar (Kodaline and Scouting for Girls) 
  
Using a fascinating concept, the video is an exercise in morphing the sterile computer world with that of nature in all its organic grit and beauty. Inventing a character for this concept video, Eastward uses eclectic imagery to explore zany experiments of the fictional Dr. E. Kollisch of the ‘Eastward Institute’. Colourful and vibrant, it quickly transitions from shot to shot of organic wildlife, conducted experiments and alarming facts. Bluntly challenging his audience Eastward invites anybody to try eating a digital meal, summarising the concept perfectly.

This inventive video and single, with its driving rhythm section and shimmering, synthesized melodies is the first taste of Eastward’s ‘Laurie Came Home’ EP, due for release February 4th 2016.

The video is featured now, over on our BeeVids page. I personally think the music stands up in it's own right, however the video actually does add something to 'the story'. Musically for me, 'Old Green Thumb' is imaginative and very pleasing.


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The Beat Corporation - Slaving For The System (radio edit).

And the promo say's - The Beat Corporation are Manchester duo Jody Spence and Tyler Daly. They came together to create music with no limitations and to share a common goal, to make music with no boundaries. 2014 saw The Beat Corporation have releases on legendary dance label Champion Records (Robin S, Faithless) and they have now teamed up with Supersonic Media to present their “Slaving For The System” EP.

The EP kicks off with the title track “Slaving For The System”, a melodic house meets electro funk tune with a bass cab-busting groove that you want to hear over and over again. This is followed by the piano meets tech house banger “Got That Thing” which is sure to mashup dancefloors globally and is already receiving great early support from the guys at Kiss. “No Pressure” is the third track on the EP and is a soulful tech house tune with a fat techno bassline. “DJ Dealer” rounds up the package with its driving electro/bass that evokes thoughts of Green Velvet producing Mutant Disco.

I have to say there is something quite addictive, regarding the title track on this EP. So much so, that I only listened to the whole EP when I decided to feature it. As their promo states there is plenty of variety in this collection, I'm just struggling to get past the hooks of the first song. The release date is 15th December 2015.

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Saturday Pairing: Beliefs - Georgi Kay

Beliefs - Leaper.

What we are told - Toronto shoegaze band Beliefs are set to release their sophomore album 'Leaper' on November 13 via Hand Drawn Dracula. 

Beliefs started abruptly when Josh Korody and Jesse Crowe met at good friend and former Bassist, Patrick McCormack's birthday party and couldn't stop talking about the music of the 90's. Through the love of My Bloody Valentine and Sonic Youth, the memory of reverb and fuzz was revisited and Beliefs was formed.

Since their formation in 2010, Beliefs have released a two song single and b-side (Untitled, 2012 HDD) as well as a full length record (self titled, 2013 HDD, Manimal, No Pain In Pop) and are currently set to release their follow up, Leaper via HDD on November 13. Beliefs have been lucky enough to share the stage with fantastic artists such as; A Place to Bury Strangers, Disappears, The Breeders, Toy, Algiers, Moon Duo, Beach Fossils, and Suuns.

Beliefs are prolific artists and musicians in the Toronto music scene, with Crowe recording in projects Praises and Rolemodel, and Korody as a founding member of Wish and Nailbiter as well as producing countless projects at his Candle Recordings studio. Beliefs are now set to present Leaper at shows and to festivals such as Supercrawl, Pop Montreal, and New York's CMJ along side the Hand Drawn Dracula family.

Straight into a fuzz laden wall of sound, 'Leaper' gradually mellows into a cleaner piece with vocals lifting in the mix. Every part is cleverly layered and the music is at times quite dominant, but very assessable. Shoegaze fans should adore this song.

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Georgi Kay - God Of A Girl.

Background words - Perth’s Georgi Kay is a musical chameleon. You may know her dark and brooding song ‘Ipswich’. You may know her from past tours with Alpine, Clubfeet and Ed Sheeran. How about her performance as troubled musician Melissa in Jane Campion’s multi award-winning BBC drama ‘Top of the Lake’? Or maybe you’ve heard her haunting theme for the Netflix series ‘Residue’? Or perhaps you know her from her collaborations with French-noir DJ Brodinski, rapper Bloody Jay or her co-writes with M-Phazes, Mag and Nash Overstreet? Oh, and there’s ‘In My Mind’ - the platinum-selling, ARIA-winning, Grammy-nominated dancefloor anthem recorded with Ivan Gough/Feenixpawl, remixed by Swedish House Mafia’s Axwell.

Whichever version of Georgi Kay brought you to this point, her new EP Origins, due for release in early 2016 brings the strands of her past together, showing a mature artist with a strong commitment to songwriting and a strong sense of her own muse. With her unique and distinctive voice and sound - part Sia, part Massive Attack, part Lorde - Georgi Kay is creating some of the most interesting and intelligent pop music in Australia. 

The first taste of her EP comes in the form of ‘God of a Girl’. The inspiration for the song came from the film adaptation of Stephen King’s ‘Carrie’, exploring reality and fantasy within the psyche of an abuse victim and the mental results of being pushed to breaking point. Released globally on Monoki through Parlophone Records, the track is available for free download for fans from Georgi’s website (HERE). 

“I’ve been working hard, experimenting and collaborating with some talented people who have helped influence and inspire me to create a body of work that best represents me as an artist. I can’t wait to hear what everyone thinks of the EP,” said Georgi. “It’s also really important for me to share ‘God of A Girl’ - a song that represents me in my purest form, with all the fans and supporters who have been with me on my journey over the past few years. It’s the shape of things to come.”

The deep synth sound and slow beat that introduces this song, have a strong hypnotic feel. Then add Georgi Kay's vocals and the song really does move up to something quite special. Music and vocals are perfect for each other in what is a powerful and intriguing song.

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