Thursdays Treasure: Red Sleeping Beauty - The Regrettes - Mr. Elevator

Red Sleeping Beauty - We Are Magic.

Background - Red Sleeping Beauty formed in Stockholm in 1989 by singer Kristina Borg, singer/guitarist Niklas Angergård (Acid House Kings), guitarist Mikael Matsson (The Shermans), and bassist Carl-Johan Näsström. They made a huge impact on the international indiepop scene with two fantastic albums and a series of singles and EPs. Their first release was in 1992 with EP Pop Sounds (Marsh Marigold), followed by four 7"s all on different pop labels (Somersault, Motorway, Grimsey, and Sunday) before returning to Marsh-Marigold for the first full length Bedroom. They then signed to the legendary Siesta Records to release their fifth single Sick & Tired, their second album Soundtrack, and a compilation of singles.

Album named after the band’s female singer. On the recent album ”Kristina” Red Sleeping Beauty is a duo consisting of vocalist Niklas Angergård and Mikael Matsson with help from Kristina Borg on vocals on four songs. The album title is a tribute to her. - She’s had a tough struggle with cancer but things are looking brighter now. We expect her back as a full time member on the next album, the band states.

First album in 19 years time - ”Kristina” is the band’s first album in 19 year’s time. But that doesn’t mean the members have been disconnected from making music all these years. Niklas has released numerous albums with Acid House Kings on Labrador while Mikael Matsson has released several albums with both The Charade and The Shermans on Skipping Stones Records and Shelflife. Record label here.

'We Are Magic' has rich synthy vibes and beautifully smooth melodic vocals. The song has something of a timeless feel to it, almost as if the band have picked up from where they left off nineteen years previous.

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The Regrettes - A Living Human Girl.

Background - The band is releasing their debut album, Feel Your Feelings, Fool! a month from now. The Regrettes are Lydia Night's latest project with friends Genessa Gariano (guitar), Sage Chavis (bass) and drummer Maxx Morando. The Regrettes have been tearing up the LA club scene playing with Kate Nash, Peaches, Bleached, Deap Vally, PINS, La Luz and Summer Twins leaving L.A.'s jaded rock critics to write such things as "Everybody was floored by The Regrettes—the new poster children for local teen garage rock." and "The Regrettes rocked with a ferocity and penchant for hooks that schools most indie rockers twice their age. They will surely run an empire in ten years tops."

A song by The Regrettes is, essentially, a diary entry into Lydia’s life. “My music is a spectrum of every emotion that I have felt in the last year, and you can hear that when you hear the songs. Everything that is happening in my life influences me. It’s everything from boys, to friends, to being pissed off at people, to being really sad. Just everything.”

The most intoxicating draw of The Regrettes is their bashful, heart-on-your-sleeve temperament - writing urgent and fast-paced pop songs with a punk rock mentality. “The way that we write, it’s all based on honesty,” muses Lydia on the group’s punk aesthetic. “If I finish a song, I’ll just leave it - I won’t really go back to it. I like things to feel in the moment and I don’t want it to be perfect. If I work on something too much I lose it and get bored and I want to do the next one.” Website here and Facebook here.

We first featured The Regrettes in early August, and it's great to be able to share another song, this time from next months album release we have 'A Living Human Girl' the second of fifteen gorgeous, vibrant, punky songs in the collection. Energised and genuine, this is one band to watch out for, come the new year!

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Mr. Elevator - Sunshine Daydream.

Background - Mr. Elevator – formed in Southern California in 2012 by Thomas Dolas and Justin Martinez (and their mutual love of Donovan) – eschews guitars for vintage synthesizers, organs, and electric pianos, distinguishing themselves within the fuzzy, distorted contemporary Psych-Pop scene.

Today on Brooklyn Vegan, Mr. Elevator shares the first track and video "Sunshine Daydream" from their upcoming album.  'When the Morning Greets You,' is scheduled for release in February 10, 2017, on Rad Cat Records.

Under the original name Mr. Elevator and the Brain Hotel, the band began playing shows as a three-piece with bassist Wyatt Blair, and a short-while later, in 2013, relocated to Los Angeles where they released their first album, 'Nico & her Psychedelic Subconscious,' with Burger Records. After a few years of live shows, perfecting their sound alongside acts like Thee Oh Sees, The Fresh & Onlys, The Black Lips, Allah-Las, and more, Mr. Elevator recently completed their second album, 'When the Morning Greets You'.

On 'When the Morning Greets You,' the bands’ love for vintage keyboard sounds, concept albums, and 70s pop remains intact, furnishing an album that entrances listeners and evolves over the course of its run-time into an array of bright, complex patterns and shapes. The upbeat, colorful pop feel of Side A, for example, is slowly engulfed in the lush, synth-heavy soundscape of Side B (pointing in at least two distinct directions in regards to the sound of the next album).

With the addition of a fourth member to the performing band, Mr. Elevator will be supporting the release of 'When the Morning Greets You' with national and international live dates. Facebook here.

If it was not for the more modern production and audio quality 'Sunshine Daydream' could be taken as something from the sixties psychedelic music scene. A little bit quirky and a whole lot gorgeous melodic and catchy, my only complaint is it's over so quickly, still with more on the way who can complain!

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Midweek Muse: Ferlein - Donnie Biggins - The Desert Sea

Ferlein - Forgive Me For Falling.

Background - Forgive Me for Falling is Ferlein’s debut single from her upcoming debut album Poetic Mind.  Ferlein is a singer/songwriter with a gift for poetic storytelling.  Her unique contralto voice with lush velvet tones combined with a mix of delicate and powerful delivery enables her to tell her stories with genuine passion and emotion.

Marcel Yammouni is Ferlein’s music producer and guitarist.  Marcel describes Ferlein's music as fearless and inventive. "Ferlein has a unique sound which I struggle to put in any category all I know is I love it and am thrilled to be working with her".

Ferlein has a very experienced band including Marcel Yammouni, John Salerno, Paul Cecchinelli, Rod Bustos and Phil Turcio.  They have worked with many top Australian artists including Vanessa Amorosi, Kate Ceberano, Olivia Newton John, Guy Sebastian, John Farnham, Jimmy Barnes, Jessica Mauboy, Em Rusciano and Hugh Jackman.  They have also toured and performed with international artists including Suzi Quattro, K.D Lang, Belinda Carlisle, Sting and Richard Marx. Website here, Facebook here.

'Forgive Me For Falling' is something of a classic sounding pop song, with a genuinely timeless feel to it. Musically as you would expect with the calibre of the band, it's one professional piece, which it really needs to be, as Ferlain has such a powerful and melodic voice. With an album to come, if you like your pop in the classical style, this could be something rather special.

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Donnie Biggins - Lula.

Background - Donnie Biggins, founder of Chicago’s The Shams Band and owner/promoter/head of Tonic Room, Harmonica Dunn and the annual Dunn Dunn Fest, dropped his solo debut, Profiles, on Tuesday, Nov 29.

Profiles, which will be available on limited edition vinyl and for digital download, features contributions from Ryan Joseph Anderson, Dan Ingenthron and Jamie Gallagher. All song were written by Biggins, who also handled vocals, guitar and piano. The album was produced by Ryan Joseph Anderson, recorded and mixed by Matt DeWine at Pieholden Suite Sound and mastered by Carl Saff at Saff Masterting.

Donnie Biggins celebrated the release of Profiles with back to back shows at Tonic Room in Chicago, earlier this month. Website here and Facebook here.

The first of eleven tracks on the album is 'Lula'. Oozing laid back charm and original rock'n'roll vibes, it's a good taste of whats to follow on the album. Mixing tempo's, melodies, and rhythm, every piece carries it's weight on this very assessable collection. I'm guessing this must be well worth seeing performed live.

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The Desert Sea - All Mine.

Background - With a reputation for high-energy live performances, The Desert Sea’s unique blend of raw vocal melodies, earthy riffs and chest pounding rhythm’s, serve up a tasty cocktail that’s sure to leave you with a sore head and a vague recollection of what could’ve been the night of your life.

Having built some solid momentum with the release of the EP’s first single ‘Elevator’ earlier in the year, the boys are now ready to drop their follow up single ‘All Mine’; A blues rock thumper with hook laden vocal melodies and a signature guitar riff that’s sure to stick firmly in your brain.

Drawing influences from bands like The White Stripes, Arctic Monkeys, Royal Blood and Led Zeppelin, The Desert Sea have tailored their sound on a fusion of heavy blues and rock. ‘All Mine’ tells a story of personal discovery through observation as the subject struggles to quantify his own worth by society’s measures.

A massive 2015 saw The Desert Sea release their debut Oceanic EP (receiving radio play Australia wide and in the US), score supports with great Aussie acts like Sticky Fingers, The Fumes, Ash Grunwald and Jebediah and leave a trail of sweaty stages and ringing ears in the wake of their biggest tour to date. Finishing off the year at ‘Szyslak Studios’ with Sydney producer Mo Mayhem (Hell City Glamours, The Lockhearts), The Desert Sea knuckled down to record their second EP Steal The Light From The Sun. Look for the whole EP to be released in early 2017. Website here, Facebook here.

Upcoming Shows:
Wednesday, 21st December - The Lass O’Gowrie, Newcastle
Wednesday, 28th December - Frankie’s Pizza, Sydney
Friday, 6th January - The V Room, Noosa
Satuday, 7th January - The Milk Factory, Brisbane
Feb 2017 - Moonshine Manly Residency, every Friday of the month.

'All Mine' has a delightfully wacky storyline video (story might be pushing it a bit), however once the music starts your in for one feisty and potent rock song.

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Quality Not Quantity: Erin Pellnat - The Plastic Attraction - Tallisker

Erin Pellnat - Dream in Color.

Background - Erin Pellnat is currently an unsigned singer-songwriter based in Brooklyn, NY. Her new EP Dream In Color includes songs that range from colorful acoustic, to accordion waltz, to Bossa Nova.

Erin is also a member of Brooklyn band Caretaker, however her solo material takes her in a number of  very different directions.

If you want to play detective then Beehive Candy featured a relative of Erin Pellnat earlier this year, no prizes for guessing, it's a small world. The EP was recorded in the fall of 2016. Bandcamp here.

'Dream in Color' is the title track and the first of four really fine songs in this EP collection. Although the songs take differing directions, Erin's vocals consistently stand out. Musically melodic, there is considerable attention to detail within the soundtrack which adds that little extra and makes this EP pretty special.

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The Plastic Attraction - No Foresight.

Background - The Plastic Attraction is the lovechild of four childhood friends from the southern suburbs of Perth, Western Australia - Liam (vocals), Matt (guitar/vocals), Horna (bass/ vocals) and Chris (drums/vocals). They grew up together on a diet of gratuitous guitar solos, pop anthems and late nights singing harmonies at house parties.

The band released their debut single, ‘Holding You’, in August 2016. The single was met with critical acclaim by radio stations, blogs and the band members’ parents. Sounds of Oz reported that the band had “hit a home run with its debut single” and Eat Sleep Breathe Music similarly praised the band’s release, saying “with its first melodies you are instantly attracted to their 90s vibe”.

‘No Foresight’ is the band's follow-up single to its August debut. And, like the debut, the band was supported in its production by industry heavyweights: recorded by Tristan Sturmer at Sumo Sound Studios (Sparrow, Verge Collection, Make Way For Man); mixing by Andy Lawson at Debaser Studios (Tired Lion, Eskimo Joe); and mastering by the master himself, Leon Zervos at Studios 301 (Boy & Bear, Art vs Science, Last Dinosaurs).

‘No Foresight’ is a mix of frenetic beats and a fuzzy-buzzy meld of guitar and bass. Set against this backdrop, the lyrics spin a story of angsty pain – it’s a melodic push back to the persecutor, the bully, the tormentor – it’s catharsis on the dance floor! In anticipation of the release of No Foresight, The Plastic Attraction will be playing at Four5Nine (North Perth) on Sunday 18 December 2016 (doors at 8:30pm). Facebook here.

'No Foresight' mixes some feisty alt rock sounds with fine vocals and harmonies. Add in the energy and melody and you have one very catchy piece!

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Tallisker - Astraea (Instrumental Edit).

Background - Parisian producer and electronic artist, Tallisker is pleased to share the video for new instrumental track 'Astraea'. This new video follows the story of an androgynous heroine, Astraea, who is stuck in an endless Matrix-esque loop of life and death… Tallisker is the DIY solo project of French artist Eléonore Melisande, 28. A former cellist and guitarist with a classical and folk background, she is now a full-time DJ, producer and performer with electronic, post-folk & rave aesthetics. Winning the Inrocks Lab Award (2014), the Booster Award (2015) and performing every weekend helped her take off pretty quickly and now she's pleased to celebrate the release of her debut EP 'Heliotrop'.

Baroque aesthetics are a major driver to her work: movement, expansion, tumult, ostentation, super-emotion, drama and tension. Her introspective universe often draws comparisons to artists like Björk or Fever Ray while her epic, soaring string sections are reminiscent of post-rock and neo-folk bands like Sigur Ros or Woodkid. The arrangements also feature rough drumkits and nasty sub-bass unveiling a full allegiance to trap & rave culture.

On 'Heliotrop': "Most of the tracks were written in Glasgow, Summer 2015, while listening to a lot of classical Music, mainly Baroque & Romantic-era masterpieces, plus techno and trap music! It was my purpose to explore these extreme genres, from the most traditional to the most recent forms of music to accelerate the genesis of something hybrid and awkward. Heliotrop is also a manifest."

"The artwork reveals this hybridity too. I’m wearing a costume that stands for tradition -religious, aristocratic, sacred. But this costume has been distorted and alienated thanks to contemporary, forward-thinking devices and tricks - Photoshop or other software. So in the end it looks like a ghostly, electronic silhouette full of mystery. You couldn’t say whether the portrait comes from the Tsardom of Russia or from a spaceship. It pictures how you can turn heritage into innovation, and vice versa."

The video storyline for 'Astraea' may be intriguing enough, however for me, it's the sublimely original music that I am fascinated by. With and without the imagery a story unfolds, don't get me wrong the video really is something quite artistic and original, however so is the music. I guess it's a case of having your cake, and eating it (hopefully that old saying crosses borders).

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Monday Double: Expanda Fuzz - Hand Habits

Expanda Fuzz - Flavour : Zombie (Bleuets EP).

Background - Expanda Fuzz is a caustic homing device for wayward spirit animals. Have you ever had a ripped speaker that sounded so killer you didn't want to fix it? Or how about the excitement of that raw distortion sound that rips through a guitar part like a divining rod and makes your heart skip a beat?

Those are some of the sweet ingredients that inspire Expanda Fuzz to write catchy, trance-inducing, garage pop songs. The songs are a dark cuisine of droney hooks, garage spunk and muddy pop, all crushed with a Velvet Underground spirit, Helium flavour and Suicide daydream.

Find the first sampling of those tracks in the first official release from the band: Bleuets! Now available for download and for record collectors, it is also available on gorgeous black and white splatter vinyl. Limited to 100 copies only, website here, Facebook here.

The first of six tracks on the 'Bleuets' EP is 'Flavour : Zombie' a song that typifies the raw energy that drives this collection of songs. Sometimes some stripped back rock'n'roll is just enough, add in the darker garage edge, and that's enough boxes ticked for me!

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Hand Habits - Flower Glass.

Background - "Meg Duffy, aka Hand Habits, is a singer, songwriter and guitarist from Upstate New York. She has been putting her time in on the road and in the studio over the past two years with  pacific northwest band Mega Bog, and the Kevin Morby Band, making an impression on everyone she comes across with her natural charisma and uncharted talent as a multi-instrumentalist. But let Wildly Idle (Humble Before The Void) be her open invitation to the world to step inside and take a much deeper look into who Duffy actually is. Tracked in an Upstate New York living room, then finished in her current home in Los Angeles - it is appropriate that this album was recorded by Meg herself - for Meg, who has an acute ear for detail, has touched every corner, has seen every vision 'til its end.

Because of this, Wildly Idle feels incredibly intimate, like a secret between her and the listener. It hits soft, like warm water, and before you know it it is all around you - a bath, and Meg's whisper has made its way inside you. Like many bedroom-debuts before it (The Microphones, Jessica Pratt, Little Wings, Grouper)  let this be the first of many to come, for Meg has music in her touch - and this is only the beginning. But let us not look to the future now, but instead stand alongside her, our trust in her will, both humble before the void, with her first chorus as the mission statement; 'hold you like a flower, hold you like an hour glass'."- Kevin Morby. Facebook here.

Live dates:
01/18 Brooklyn, NY - Music Hall of Williamsburg *
02/10 Brooklyn, NY - Baby’s All Right #
02/11 Philadelphia, PA - Everybody Hits #
02/12 Cambridge, MA - Lily Pad #
02/13 Portland, ME - Apohadian Theatre #
02/14 Winooski, VT - The Monkey House #
02/15 Montreal, QC - La Vitrola #
02/16 Albany, NY - House Show #
02/18 Washington DC - Songbyrd DC #
02/19 Asheville, NC - The Mothlight #
02/20 Louisville, KY - Zanzabar #
02/21 Chicago, IL - Schuba’s #
02/22 Columbus, OH - Rumba Cafe #
* = ACLU / PP Benefit show w/ Kevin Morby, Sharon Van Etten, Beirut, Daniel Rossen
# = w/ John Andrews & The Yawns

We featured Hand Habits back in October and 'Flower Glass' is most definitely worth a second share on Beehive Candy! Once again we are treated to some gorgeous dreamy pop music, that just oozes beautiful vibes. Wonderful!

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Genre Wander: Jetty Rae - Lucy and the Rats - Lucidalabrador - Loose Buttons

Jetty Rae - Queen of the Universe.

Background - Jetty Rae is a singer-songwriter based out of Northern Michigan. Jetty has been singing, touring, and recording for the since 2005. Her influences include Jennifer Knapp, Brandi Carlile, Cat Power, Ray Lamontagne, Lauryn Hill, Patty Griffin, and many more. If you’ve been to a Jetty Rae show you can agree to the fact that songwriting is her true forte, but how she marries her words to her voice and melodies is a thing to see. 

She has power, and restraint in her voice—the ability to pull at your heart strings delicately. On the other hand she also possesses the power to awaken a passion, a fight in all of us when she really belts it. Her hopes are to eventually start a label for independent artists like herself—that will empower artists to start where they are. She is hoping to give them the tools, studio time, experience, and resources they need to succeed in making great art. Website here, and Facebook here.

Jetty Rae has both a powerful and melodic voice that's just right for some bluesy folk rock. 'Queen of the Universe' is a really fine song, yes the influences are there, however Jetty carves out her own style, and is a natural, for this kind of song.

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Lucy and the Rats - This Situation.

Background - Lucy and the Rats — Lucy from the Ramones influenced pop punk trio, The Spazzys, is the ‘Lucy.’ The Spazzys have made headlines not only in Australia, where they come from, but across the globe. But she didn’t stop there! She assembles together a bunch of deadbeats and outcasts from the punk rock underworld of London and starts rehearsing. Manu, Mike and Joe, who were together in (the punk band) Michael Jackson become the Rats.

Splitting time between recording their debut album and touring all around Europe, (including a tour last month supporting The Buzzcocks)  it has been a very busy time for Lucy and the Rats but they have still managed to record and release a pair of great singles. Lucy and the Rats sophomore single, "This Situation" b/w "Melody" are two more gorgeous slices of their Powerpop - Girl Group hybrid.

It doesn't take long to find record labels interested. Monster Zero release their first 7", "Girl"; Surfin' Ki the second one, "This Situation" with Dirty Water Records taking on the digital duties for both singles.

When you listen to Lucy and the Rats, the melodies become power pop tunes and after a few rehearsals (if you could call it that) they start recording them. There you go, what you get from that is Lucy and the Rats, a kick ass punk band playing Lucy's catchy melodies. Website here and Facebook here.

With a feisty beat, jangly guitars and Lucy adding some no nonsense vocals 'This Situation' is a sub three minute blast of raw sounding punk rock. With just enough melody to make it standout, the track remains a little rough around the edges, keeping it real and relevant.

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Lucidalabrador - Zelia.

Background - Lucidalabrador is the musical moniker of Pedro Caetano Leite, a new emerging act from the vibrant scene of South-East London, who crafted a sound that pays homage to early 2000’s synthpop-rock.

A recent Goldsmiths University graduate (Blur, James Blake); the Brazilian born composer united forces with a multi-cultured live band that originates from Germany, Italy and Czech Republic. The band now looks forward to releasing their new EP: 'Today Is A Good Day For Friendship' for which they drew influences from classic songwriters such as Grandaddy, Sparklehorse, Jeff Buckley, Tom Waits as well as modern acts such as Father John Misty and Kurt Vile.

Working as an audio engineer across different studios in London, Pedro chose to explore a hybrid between using high budget studio facilities and his bedroom’s 8-track tape cassette recorder. The result is an EP with an intimate bedroom flair, and an incisive precision.

Mastered by Mikko Gordon (Atoms for Peace, Squeeze, Travis), the EP counts collaborations of two other local musicians: Bunki in “Yesterday Was A Good Day For Friendship” and Leiik in “Hurt you”. 'Today Is A Good Day For Friendship' was released on December 5th on Spotify. Facebook here.

Smooth and flowing vocals are supported by a melodic soundtrack on 'Zelia'. As the song develops the genre becomes even less clear with some alternative and original musicianship, that just adds to the intrigue. Once you think it's settled down the song takes even further twists, wonderful!

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Loose Buttons - Milk & Roses.
    
Background - "Breakups may suck, but they can be songwriting gold. NYC-based band Loose Buttons prove just that with their single “Milk & Roses,” from their upcoming EP Sundays, due in February.

The promising quartet met while playing for different local bands as teens, eventually coming together and releasing their debut EP, Damage Gallery,in 2014. Since then, Loose Buttons have honed in on a blend of new wave and pop that is all their own.

Drawing from the pain of a recent breakup, lead vocalist Eric Nizgretsky channeled it all into Sunday. "Milk & Roses,” the EPs closer, acts as the last step of the foursome’s aim to get you through every stage of a breakup.

“After copious amounts of sushi and ramen with my bandmates, I had the realization that it was time to move on and stop dwelling on my breakup,” said Nizgretsky. “There is a restaurant in Greenpoint called “Milk & Roses” and it was the last spot my ex and I went to before we broke up. It felt like the best lyric to signify moving on.”

As Nizgretsky deftly delivers lyrics like, “So it goes/ As in that book you know/ Our worlds, they will resume,” the beguiling melody carries you along; resolving the chaos of a breakup for you so you can move forward. And with Loose Buttons on the rise, it only makes sense to follow their lead. Facebook here.

Striaght down the line indie rock is taken up a notch or two, with some melodic guitar work and vocals that just draw you in. 'Milk & Roses' is one catchy unpretentious rock'n'roll piece and suggests next February's EP should be a good one.

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More Weekend Wonders: Grammar - Colin Onderdonk - Artificial Pleasure - American Dreamer - The Blinding Lights

Grammar - Michigan.

Background - “Michigan” is the second single from Massachusetts-based Grammar. Barrie Lindsay played and recorded all the parts in her bedroom studio in the summer of 2016. She started writing the song after rewatching the Virgin Suicides, and she was thinking about what the movie would sound and feel like as a song. She wanted to capture the movie’s saturated, dreamy, 1970s-inspired production. After she finished the song and took it to New York to work with the producer Billy Pavone, they ran the tracks.

The track was produced written and recorded by Barrie Lindsay, produced by Billy Pavone (Wet, St. Lucia, Delorean) and Barrie Lindsay, and engineered by Josh Bonati (Mac Demarco, Sufjan Stevens)."

Grammar is an alternative pop group created by multi-instrumentalist Barrie Lindsay of Boston in 2015. The band started as a home recording project of Lindsay, who writes, records, and produces the music.  The band’s first release, the single “Americana”, was featured on Spotify’s New Music Friday playlist in August 2016. Grammar have opened for Rhye, Marian Hill, Beacon, Reptar, and others. Facebook here.

There is a rich synthy feel, and as the band kick in, everything goes up a gear on 'Michigan'. The smooth and dreamy vocals glide above, on what is a fine atmospheric song. Beware the hooks, for they are everywhere...

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Colin Onderdonk - Tidal Bomb.

Background - 18-year-old, Texas-based singer songwriter Colin Onderdonk is not concerned with his music referencing pop culture or appealing to trends. Unlike most of his contemporaries, the subjects he approaches through his deeply introspective songwriting carry immense philosophical weight.

His debut EP, Proximity Effect, references the effect a source of sound has on its receiver; i.e., the closer a vocalist is to a mic, the fuller his or her voice sounds. Colin maintains that this concept can be expanded into a more tangential metaphor, saying “As people get closer to God along their spiritual journeys, the more they feel connected.”

Onderdonk’s distinctive songwriting is influenced by Marcus Mumford and Kendrick Lamar as well as the work of Steinbeck, C.S. Lewis and the Cohen Brothers. His young age betrays his refined taste and tendency to process things in a conceptual manner. Ambitious songs like the EP’s “Prologue” attempt to sonically portray the creation of the world while “Foreign Home” encourages the listener to not settle for ephemeral beauty when there is so much more beyond the earth plane. Proximity Effect is out now. Facebook here, website here.

'Tidal Bomb' has a funky and potent vibe that is there throughout. Colin Onderdonk's vocals are beautifully distinct and the strings add another dimension into this very catchy and original song.

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Artificial Pleasure - I’ll Make It Worth Your While.

Background - London-based trio Artificial Pleasure earned a rush of acclaim for their debut single ‘I’ll Make It Worth Your While’ which inspired comparisons with the likes of David Bowie, Talking Heads and The 1975. They’re now set to add to that initial rush of attention with a strange and compelling new video for the track.

Directed by Dylan Holmes Williams (Huntar, O Chapman) and produced by Ailsa Vanessa Tapping (Sundara Karma, Biffy Clyro), the video for ‘I’ll Make It Worth Your While’ moves in surprising directions with body horror, camp theatricality and vibrant dance moves all contributing to its surreal visuals. Dancer, actor and choreographer Tiago Gambogi stars as a patient who is trapped in a hospital while suffering with a very peculiar ailment.

‘I’ll Make It Worth Your While’ bursts from the blocks with an irrepressible energy powered by riffs that feel like Gang of Four playing disco alongside effervescent flourishes of synths and vocalist/guitarist Phil McDonnell’s persistent and rhythmic cry of ‘Let me out!’. Set to a tightly hypnotic groove, the track recalls elements of Artificial Pleasure’s influences such as Talking Heads, Deutsch Amerikanische Freundschaft, LCD Soundsystem and Atlantic Records’ great soul era.

Friends since childhood, McDonnell and Brennan previously worked together with drummer Lee Jordan in the band Night Engine. Following a split from other band members and a renewed focus on their sound, which evolved into something bolder and brighter, the three redefined themselves with the new moniker Artificial Pleasure.

Artificial Pleasure’s songwriting is always informed by how the material will work in a live setting. As a result, their intense energy means that their songs flow with a rush of adrenaline without the need for any tricks or gimmickry. They recently played their first show at London’s Electrowerkz as guests to German electro duo Lea Porcelain, which they followed with a date as support to The Bay Rays. Website here, Facebook here.

A fabulous song becomes even more spectacular with the new music video for 'I’ll Make It Worth Your While'. It's not often the stuff of nightmares can put a huge smile on my face, wonderful!

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American Dreamer - Words Do The Walking.

Background - American Dreamer, an Austin, TX based orchestral folk ensemble, specializes in approachable, yet sophisticated fretless pop. Their topical and politically driven material is couched in intimate chamber music, sonically falling somewhere between Sufjan Stevens and Yo-Yo Ma, Chris Thile, Edgar Meyer, and Mark O’Connor’s Goat Rodeo Sessions.

Band spearhead Sasha Klare-Ayvazian first got a taste of the lush combination of folk and classical music when his roommate began playing cello along with his songs during his freshman year at Oberlin College outside of Cleveland, OH. Sasha attempted to capture this sound through multi-tracking American Dreamers’ self-titled EP, released in 2014, and continued ruminating on the power of this tradition until he returned to school to get his master’s degree. There he connected with new friends who turned out to be classically trained string players.

The newly formed line-up released the live EP, Winding up a Dream, in 2015 and began performing across Central Texas, snagging a Global Music Award along the way. As a band with four fretless instruments, the challenges associated with intonation forced the band members to become highly attuned to each other and after a solid year of writing and performing new material, American Dreamer was beginning to realize the sound Sasha had been envisioning for years.

Earlier this year, American Dreamer entered Austin Signal Studios and, with the help of engineer/producer Andrew Oedel, recorded their first LP Restless Nights. “Calling the record Restless Nights is a reference to our band name” Sasha reflects. “The American Dream doesn’t seem to be doing so well at this time, so we wanted to offer a form of respite and spent a lot of time exploring the space we wanted to create.” Website here, Facebook here.

Another band that sneaked under Beehive Candy's radar earlier this year, and who are so worth a feature are American Dreamer, on this occasion with the song 'Words Do The Walking'. Beautifully creative music, you can hear a whole lot more via the website link above.

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The Blinding Lights - Can't Get Enough.

Background - UK old-school rockers The Blinding Lights are excited to share their debut music video “Can’t Get Enough”. The video gives an intimate glimpse into the bands recording sessions, perfectly capturing the bands unrelenting youthful energy. It also compliments the songs devil may care attitude, which describes a young man’s bedroom adventures with his amorous girlfriend, all to the accompaniment of catchy hooks and electrified piano riffs.

In the band’s own words: "Can't Get Enough was written to give people an escape - it's letting everything else go and just living in that few minutes of rock'n'roll. It may not be about a lot, but what it is about is embracing that feeling of giving yourself over to a particular moment, where all that matters is that moment.'"

Written in early 2016 by bandleader Callum Lury, the track came about as he gorged on the songs of songwriter-producer Jim Steinman (the man behind Bat Out Of Hell and so much more), plus The Wild, The Innocent & The E Street Shuffle-era Springsteen. Playing around with riffs which would not have been out of place in the golden era of Motown, and shaking it up with a top layer of Steinman-style piano lines, he took it to the rest of the band who worked it up into a frantic rumbling rhythm & blues number, given a further flourish with a horn arrangement to drive it along. Together, the band stands as a throwback to the R&B inspired, fast and poppy tunes from a time when rock was still in its youth. Their goal is to rekindle the abilities of the genre’s heroes to excite, to elevate and, even, to anger – but above all, to make you feel alive. Facebook here, website here.

'Can't Get Enough' is one gritty and powerful rock'n'roll song. Stripped back to the basics the band create a classic and timeless sound, and with the roaring sound of horns coming in, it's energy unleashes even further.

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Weekend Wonders: Elouise - The Tiger & Me - Honeymilk - Gutxi Bibang - Eleven North

Elouise - Silent Night.

Background - Fueled by a sordid real-life backdrop of good old fashioned suicides, murders, and alcoholic depravity followed by church on Sunday, Elouise is an eccentric collaboration of Los Angeles-based musicians who came together to create an ominous, raw and cinematic genre of music they identify as Blackgrass.

It is the sound of sin and salvation mixed in a dark cocktail with a taste of Bluegrass, a black symphonic sound and weary emotional vocals that tell original tales of struggle and re-imagine songs from our collective Americana consciousness.

Elouise is back with their menacing Blackgrass rendition of the Holiday classic “Silent Night” and are offering a free download for the month of December. Website here.

Move aside seasonal slush, no room for sentimental songs here today. This is how you do 'Silent Night', followed by a large measure of Bourbon and ice (I'm guessing that's an acceptable brew for alcoholic depravity)...

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The Tiger & Me - Sleep The Night Alone.

Background - In anticipation of their forthcoming third album, Melbourne quartet The Tiger & Me have announced the release of their new single ‘Sleep The Night Alone’ and its accompanying clip.

Intrepid by nature, with three lead singers and a multitude of instruments, The Tiger & Me is a sound that refuses to sit still. Produced by ARIA-nominated Steven Schram (San Cisco, The Cat Empire), ‘Sleep The Night Alone’ is a dance pop track about the corner of the life you abandoned, and how you got there in the first place.

‘Sleep The Night Alone’ is out through ABC Music imprint “Four | Four” (Tim Rogers, Melbourne Ska Orchestra), who also guided the release of the band’s second full-length album, The Drifter’s Dawn, which took out album of the week on PBS and racked up airplay across JJJ, 4ZZZ, Triple R, Edge Radio & RTRFM.

To accompany ‘Sleep The Night Alone’, The Tiger & Me have released a clip for the track as well as b-side ‘When All The World Went Dark’, originally an acoustic folk song written by Tobias Selkirk (vocals & guitars) on a ukulele while travelling through South America. Website here.

'Sleep The Night Alone' mixes really fine vocals and harmonies with a melodic and slightly understated soundtrack, resulting in a likable and danceable indie pop song.

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Honeymilk - The Nothing New.

Background - Sweden's Honeymilk has been around for 4 years but just recently scaled down to a duo (from a previous four piece). We all have our ups and downs and the story of how the two main figures Marcus Admund and Nikki Nyberg hold on to each other since meeting in a scout cabin back in 2009 is one full of fighting spirit and love for the music they're creating.

At the moment they're in studio working on the follow up to critically acclaimed 2013 debut "Lean on The Sun" (and 2014's "Sanguine Skies EP"). Their shoegazy Britpop has gained supporters all over the world - notable ones are KEXP, Q Magazine, Jajaja Music and Music Week.

In June 2016 their latest effort "Time Will Kill You" soon turned into their most succesful single to this date - with playlists adds and media ravings flowing in to the HQ. The band play a sold out show at The Finsbury in London and the single soon hit 140k+ streams on Spotify.

'The Nothing New' could be about finding yourself in an age and situation where the demands that hunts you are increasing; the same that it takes more alcohol to get drunk, it takes greater and greater everyday explosions for the static line that life has gradually turned into to be moved. It could also be a pretentious and unclear salute to both Samuel Beckett's book Murphy or Spacemen 3. Or it could be a very good pop song that means nothing.

With a slick beat and distinctive vocals 'The Nothing New' builds into a fine and refreshing indie piece with enough hooks to guarantee another play for my ears.

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Gutxi Bibang - System of a Gun.

Background - Gutxi Bibang is an unlikely candidate to carry the rock n’ roll torch, a second-generation African from the Basque county of Spain. On the heels of his debut single, Gutxi shares an incredibly powerful video for "System Of A Gun" after his debut U.S. performance last night at Communion NYC.

His family emigrated to the tiny coast town of Algorta outside of Bilbao, but native son Gutxi Bibang has more in common with larger-than-life musical icons than he does his Basque countrymen. Even his unique moniker speaks of his cultural clash heritage – Gutxi, a common nickname in his Basque homeland, and Bibang, from his roots in Africa. 

With his distinctive manner and impeccable style, Gutxi Bibang exudes charisma - not just a reminder of when rock was a socio-cultural force for change in the ‘60s and ‘70s, but a glimpse into the music’s global future.

It's strange how sometimes a music video can add clarity to a song. 'System of a Gun' came my way a couple of weeks back in audio form, and for whatever reason it didn't register with me. Watching the 'live' video made things click, the band are feisty, Gutxi is a natural rock'n'roller, and the songs home is in a hot and packed venue, where the music plays all night long, simple really!

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Eleven North - Words From The Wise.

Background from the band - Words From the Wise is about the roads that life sets before us, and the choices we make to define ourselves. 

As a band we are currently wrapping things up in studio and we are excited to be releasing a full length album in the new year. The single, “Words From The Wise” with the same title was an easy choice for the band with its big sound, explosive energy and a message that reminds us to be more selfless in our choices.

We've been working on creating an unparallelled and highly entertaining live show that we can share with our listeners. This year we have had the privilege of sharing the stage with artists such as: Juno winner Dear Rouge, Australia's The Lazy’s, West Coast Music winner Michael Bernard Fitzgerald, East Coast Music winner Andy Brown, and Edge Next Big Thing winner Ivory Hours.

Overall we have tallied up over one-hundred shows this year from coast to coast and we don't plan on stopping anytime soon! Website here and Facebook here.

'Words From The Wise' is an energised alt rock song (or maybe indie, or whatever, it's hard to pin down). Vocals add depth and the musicianship is tight and funky. Forthcoming album most definitely on my radar now!

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Triple Treasure: Asia i Koty - Every Kid Knows - Circus Devils

Asia i Koty - I'm Gonna Use My Claws.

Background - The second album entitled “Sing” was released on 2 April 2016 on Nasiono Records label that Bielawska has been associated with from the very beginning of her career. As the title indicates, this album is about singing and vocals play a major role in it. Asia i Koty intertwines various musical inspirations here, among which one can sense the spirit of Angel Olsen, Cat Power or Julianna Barwick. The music is based on the sound of an electric guitar but Joanna Bielawska also reaches for an acoustic guitar, piano, loops her instruments or enhances them with a subtle beat. The artist states that this album is about the importance of singing songs in her life and about a constant struggle with herself, about the barriers we create for ourselves:

“Sing” is a chronicle of my battle with depression, pathologically low self-esteem and persisting lack of faith in myself. The songs were written without any prior planning – they are the result of spontaneous home recording sessions which occurred when I had a chance to turn my self-loathing into creative energy. The song “Sing” is about a constant state of self-doubt which paralyses and prevents from doing anything most of the time. “Miracle I Hate” is presenting my fascination with how the state of depression can totally distort the perception of oneself. Because how is it possible to relish the world that surrounds you and at the same time thoroughly hate yourself and your life which after all is a miracle too? “In the Morning” is about the strokes of hope and life energy – and how quickly they tend to slip through your fingers. “All I Ask Take My Hand” is about the things a depressed person expects from their loved ones. Depression destroys not only the person suffering from it but also the loved ones who tend to take responsibility for the illness. Even though they are not to blame in the slightest. In most of the cases, depression has nothing to do with whatever is happening around us. It comes and goes without any notice. In a slip of a second it can take the whole meaning of life away, but not forever. That’s why sometimes it’s enough just to hold each other’s hands and to wait for the meaning to come back. Facebook here.

During December we receive a good number of messages from various agencies and record labels reminding us of their releases for the year. This is where we come across the odd gem that has slipped past us, and 'I'm Gonna Use My Claws' by Asia i Koty, is one such example. This is a gorgeous song from the equally delightful album 'Sing'.

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Every Kid Knows - Dandelions & Valium.

Background - Every Kid Knows are a set of musicians led by band leader JT Johnstone. From the heaven-sent sounds of psychedelia reminiscent of peak Lennon with a twist of Beck you will find a) side ‘Dandelions & Valium’ released at the start of 2017 bringing a message of hope and peace after what was a tumultuous 2016. b) side ‘Runway Song’ is one of those classic B cuts that offer humorous insight into a band of pals bantering around in the studio before breaking into a most delicate lilting lullaby that sustains its title, as you envision the plane you’re on gathering speed along the runway as you peer out the window, contemplative as you take to the sky in pursuit of some newfoundland.

Both tracks take on the twisted acoustics and alien electronics to infiltrate their heady 70s tinged mix, courtesy of classic Roland TB 303s and Korg synths and it’s plain to see some key influences for this record along the totem pole of John Lennon Plastic Ono, Ween, A Guy Called Gerald, New Order/Electronic and John Denver.

Every Kid Knows recently soft launched their debut album ‘Defenders Of The Nish’ on Spotify/iTunes etc. Lead singer Johnstone describes the LP as, “the ‘Bleach’ to Nirvana’s ‘Nevermind’ which is soon to be recorded in 2017 at Sawmills in Cornwall.” This comes across either as the ramblings of an egomaniacal cult curator drawn from the mould of Anton Newsome (Brian Jonestown Massacre) and Ian Brown (Stone Roses) or maybe even the zeitgeist of Kanye West. Arrogant and cocksure or just knowingly brilliant? Time will tell.  Website here and Facebook here.

'Dandelions & Valium' has more than a little psychedelic flavour to it, and the above mentioned influences are clearly there. That said' it's a fine, peaceful and dreamy song, and there is still plenty of room for songs of this calibre.

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Circus Devils - Do The Nixon.

Background - Robert Pollard’s freak-rock trio Circus Devils says farewell with a pair of simultaneous releases for 2017. First is their 14th and final album Laughs Last, along with a best-of, double LP collection titled Laughs Best: The Kids Eat It Up (with DVD included).

On Laughs Last, Pollard and the Tobias brothers take a breathless romp through multiple styles, starting off with the brash hotdogger, ‘Get Out Of My Way When I’m In Town.’  Along the way we’re treated to the R.E.M. inflected ‘I Do the Nixon,’ the organ-fuzz stomper ‘Teenage Rooster,’ and the defiantly conventional ‘Crucified by The British Press.’   Full of high humor and low drama, Laughs Last is the bold exclamation point at the end of Circus Devils’ 16-year run.

Laughs Best (The Kids Eat it Up) – a collection of 30 speedy deliveries from rock and roll’s Twilight Zone – will leave you exhausted, satisfied, and ready for another spin.  Circus Devils’ entire mind-bending catalogue is represented here, including three songs from the brand new album Laughs Last.  While there is an emphasis on friendlier numbers, there is still plenty of the trio’s prog psychedelia on display. Release date for both albums: February 24, 2017.

'Do The Nixon' gives just a little insight into the final Circus Devils album due in February 2017. It's one of seventeen tracks where keeping things under three minutes and two if possible is the norm, and yet each track is packed with enough to keep the listener engaged. A best of album will also be released on the same date. So another band says enough! and as we have noted here already this year, going out on a high, seems the best way to wrap things up, something I feel Robert Pollard's trio have done with ease.

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Midweek Muse: Hana Oceans - Hollow Everdaze - Ministry - Samson's Delilah

Hana Oceans - Invincible Borders.

Background - Hana Oceans has released her first, highly acclaimed single 'Invincible Borders'​ from her forthcoming EP. Hana from Gothenburg, Sweden, started making music after gaining inspiration whilst travelling the world at a young age. Hana is fiercely passionate about art, and committed to inspiring people through her music, Hana began studying at Berklee College of Music in Boston prior to releasing her critically acclaimed debut EP “Dust” in 2015. Hana's incredible voice coupled with her ability to write powerful and melodic songs led to Spotify announcing her as one of their featured artists within their 'Spotlight 2016' campaign. Hana now has a growing international fan base which has contributed to over 2 million digital streams on Spotify ​alone.

Up until the day that Hana started making music she had felt lost at sea with all of her ideas, emotions and creativity. On finding her calling Hana has developed a strong commitment to raising awareness of environmental and social issues through her music. Hana takes in inspiration from pop, cinematic music and electro with influence from ranging from artists Ane Brun, Highasakite and Florence and The Machine.
 
‘Invincible Borders’​ showcases Hana​'s enchanting vocals as she turns the attention of her lyrics in a more sinister direction than on the critically acclaimed 'Dust EP'. 'Invincible Borders' ​tackles the Immigration crisis that Europe is still struggling to come to terms with. 

Hana says: “I can't be happy in a world where people have to risk dying at sea for the hope of a better life, only to be blocked by borders if they are lucky enough to reach dry land. It upsets me that over 60 million citizens of the earth are fleeing from conflicts. Nobody should have to live in fear and the more that people start to organise the more chance we have of affecting the politics that have led to so many people facing uncertainty every day. However, I want people to know 'Invincible Borders' is not about all of the negativity surrounding this political crisis. This song is a reminder that there is hope in the world, and that hope is represented by unity only.” Facebook here.

I think the expression atmospheric pretty well summarises the opening part of 'Invincible Borders'. A song with a message, the video brings this further to life, and Hana Ocean's vocals are so well suited for the piece. A juxtaposition between negativity and hope it may well be, sometimes music is a good place to challenge our thinking, whatever the issue, and a song as good as this really helps engage the heart and the brain...

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Hollow Everdaze - Still Ticking.

Background - Australian band Hollow Everdaze have shared their new video for "Still Ticking". The band explains that the song has "themes of brutal honesty, romance and patience." It's off their upcoming debut album 'Cartoons', out early next year.

Drenched in reverbed lushness, Hollow Everdaze have been reimagining psychedelic pop since they began in 2007 by lead vocalist, Dan Baulch and bassist, Jackson Kay in their small town hometown of Bacchus Marsh in Western Victoria.

Having spent the last year working on the release of their debut full-length album, recorded by rising Melbourne producer, John Lee (known for his work with Beaches, Lost Animal, The Ocean Party), mastered by David Walker (NUN, Beaches, GOAT, Jen Cloher) at Stepford Audio, and with video and art collaborations from James Thomson, Niv Bavarsky and Micheal Olivo, the band are set to unveil their newest work to the world.

Debut single and title-track, "Still Ticking" is soaked in woozy twang and Myles Anderson’s signature swooning violin. It perfectly captures the Australian indie rock ensemble’s delicate melodic layering, while it reintroduces frontman Daniel Baulch’s raspy romanticism and Sixties-style craftsmanship.

Hollow Everdaze capture the urgency of a band who –after settling into their current five-piece line-up – have traced their own weird, divergent path through the haunted backwoods of song-writing. It shows through in their stunning debut EP, released in 2013 which received rave reviews from Australia’s most highly respected journalists and earned them support spots for international artists including The War On Drugs (US), Unknown Mortal Orchestra (NZ) and Wavves (US), plus saw them join American Football (US) on their East Coast tour of Australia in 2015. Facebook here.

With a light and refreshing acoustic start the song 'Still Ticking' soon develops into a very fine track, where vocals and violin dance around each other and the psychedelic vibes are never far off.

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Ministry - I See Red.

Background - Cleopatra Records will be releasing the long-awaited 'Trax! Rarities' double album by industrial-alternative rock legends Ministry, led by the outspoken super talented Al Jourgensen. This is a special limited edition double LP collection of early rare tracks and versions from Wax Trax!-era Ministry, as well as several previously unreleased gems from Al Jourgensen-related side projects - namely Revolting Cocks, PTP, Pailhead and 1000 Homo DJs. 

Scheduled for release on December 9th, this new Ministry collection will be pressed on clear vinyl with a printed inner sleeve.  Super fans will also be pleased to learn that this double LP includes the very rare Revolting Cocks track 'Drums Along The Carbide!' For over 30 years, Al Jourgensen has proven himself to be the undisputed king of industrial music, godfathering a genre that millions have grown to love. He is the only original member of Ministry remaining since the band’s formation in 1981.

Originally a new wave synthpop band with melodic and stylized output compared to to the more aggressive music for which they would eventually become known, as embodied in such tracks as ‘The Game Is Over’, ‘Let’s Be Happy’ and ‘Same Old Madness’. Ministry ultimately changed their style, resulting in them becoming an industrial metal pioneer in the mid-1980s. This 'Trax! Rarities' release celebrates hidden gem from their early days.

Ministry inspired numerous groups, including Nine Inch Nails, Marilyn Manson and KMFDM. Jourgensen continues to influence and morph, both in his style and music. While the latter is deeply rooted in Industrial, he is still creating new forms as most recently can be heard in his latest project SMM (Surgical Meth Machine). A multi Gold and Platinum selling artist, his drive to entertain has seen him play the part of producer, musician, author and composer. Website here, Facebook here.

'I See Red' is but a toe in the water, regarding the 'Trax! Rarities' collection, now being released as a limited edition vinyl double LP. Still it's a massive excuse to share a song, on this occasion that's enough!

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Samson's Delilah - Mr. Gorey.

Background - There is a fierceness, an intensity here woven through the soundscape that is Samson's Delilah, that pulls you in to the depths of your soul and that resonates long after the last note has been delivered. Utterly captivating, Samson’s Delilah is heavily influenced by Latin guitar, reggae, rock opera and other world music and driven with thought provoking songwriting. The thread of the "guroove" runs deep, and you will not be disappointed by the fusion and spell that they weave.

Seth Macdonald and Shara Gustafson, are well known on the Northern Alberta and B.C. festival scene having made their mark in the funk/rock/reggae/world groove high energy dance band "Mamaguroove”.   With Samson’s Delilah, Seth & Shara have ventured into new musical territory.

The dream team band behind and beside them is Dan Barton (every single band in Red Deer, Alberta) on drums, Tim Bennett of Adelaide, Australia ( Aurora Jane &  Formidable Vegetable Sound System, Digging Roots) on bass and third part harmony vocals as well as sought after "beast of the fiddle" from Calgary, Scott Duncan on violin.

They have opened for Alex Cuba, Matt Andersen, Sultans of String and Oscar Lopez. They have shared the stage and performed with Rachelle Van Zanten, Linda McRae, Digging Roots, Jack Garton, Pharis Romero, Don Alder, Delhi To Dublin, Adrian Glynn, Maria in the Shower, Lester Quitzau and more.

In their "spare" time, they are the organizers of the annual Robson Valley Music Festival. Shara and Seth are actors & musicians in the Robson Valley Theatre Collective & Wishbone Theatre productions that produces a show every Fall.  They are also bio diesel producers and forestry contractors, music makers, and gardeners living in the rural hamlet of Dunster B.C. The band's full length album. "Unfinished Humans" was released in June 2016. They will be performing at the Cold Snap and Tongue On The Post Winter Music Festivals this coming January ’17 and February ’17 as well as a few smatterings of shows in Alberta, B.C. and Saskatchewan.

'Mr Gorey' is the eleventh and final track on the album 'Unfinished Humans' an album that somehow passed us by in the summer. Still better late than never, I would suggest that liking the featured song, equals check out the whole album.

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Genre Wander: Tammy - Seldom Few - James Sayer - Ivey - Linnea Olsson

Tammy - Doing Something Right.

Background - Indie-folk duo Tammy share their newest tune, "Doing Something Right". The irresistible track is off Tammy's upcoming LP titled This set for release December 16, 2016.

"We had grown accustomed to writing songs about breakups and unrequited love and after a while, realized that we should write about the other side of love, the good side of it I guess...it's a song about appreciating a new love and that feeling of trusting that it's gonna last. We went a little further in the country direction than we usually do with this one. That vibe seemed to suit the lyrics. We recorded it with Andrew Oedel at Connecticut College where we held the sessions for the whole record. They had an upright bass and this song is the only one we did with that bass," says Tammy of "Doing Something Right".

2016 has been an exciting year for Tammy. "Hated It (With You)", the lead single off This was given high praise from notable music site, Consequence of Sound: "Vocalist Brooke's smoky voice plays off her bandmate Aaron's arpeggiated chords to form a seductive one-two punch that plenty of listeners will be powerless to resist." Their follow-up single titled "Away For The Weekend" exclusively premiered with Pancakes & Whiskey who wrote, "This gorgeous song premiere by TAMMY immediately entrances us with hushed guitar and the line -'Traveled on horseback to get, under your skin.' That line, while striking, is just the beginning of a four-minute adventure of love, loss and the need to get away from it all. The lyrics that are sung beautifully, wash over us like a warm blanket on a stormy night while the soothing guitar and minimal percussion is like a big inviting mug of Hot Toddy."

Tammy has announced a New York City show date on December 7th, 2016 at hotspot Berlin. Tammy's This LP will be available to stream and download on December 16, 2016. Website here, Facebook here.

Third time around on Beehive Candy this year for Tammy and this time with 'Doing Something Right'. Once again the gentle acoustic back drop makes a splendid foundation for the vocals and consistently pleasing melodies and harmonies. There are some more goodies on the forthcoming album!

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Seldom Few - Barely A Moon.

Background from one of the band (and a short and sweet one at that) - My name is Ali Murray. I am a songwriter/musician from the isle of Lewis in Scotland.

I currently play in a band called Seldom Few. We are an atmospheric rock trio from the western isles of Scotland. We just recently released our self-titled debut album. 

Musically it's kind of a mix of post-hardcore, dreampop, gothic post-punk and shoegaze. We just called it atmospheric rock to keeps things simple, and because I hate describing my own sound haha. Facebook here.

Well I guess one effect of receiving a minimalist email is I get straight on the listening! 'Barely A Moon' is the first of eight tracks on the bands debut album, and highlights the meaty, expansive sound the trio produce. They comfortably drift between genres, however Seldom Few retain a consistent sound throughout and it's perhaps the change in tempo's rather than a wholesale change of direction between songs, that makes the album really work.

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James Sayer - Sweet Baby Jane.

Background - James Sayer is a singer-songwriter, known throughout London for his session work & shows at the capital’s swankiest piano bars.

Hailing from Birmingham, James’ fascination and love of music began at a very young age when he learnt all things Rock n Roll through artists such as Jerry Lee Lewis, Elton John and Billy Joel. James moved to London in 2012 where he became a gigging musician, performing almost every night in piano bars, clubs and pubs. Eventually James met American producer, Alan Glass (Mis-Teeq, Kenny G), and they began working on James’ debut material. By early 2015, James had recorded an album's worth of demo recordings, and they were passed on to five time Grammy winner and former member of The Doobie Brothers, Michael McDonald.

Blown away by his music, Michael then contacted James with the opportunity for a U.S. tour with BBC Radio 1 breakthrough act Ruen Brothers. During which time they supported George Ezra, played Coachella, and even snagged a live recording session with legendary producer Rick Rubin.

Later that year, James finished his first piece of solo work - ‘Taking Back My Love’. A pure representation of what James’ sound embodies - musicianship, passion & a bit of danceability! The Follow-Up Sweet Baby Jane, see’s James at his vintage best. Influences range from the big band sound, to jazz & all out feel-good pop. The stand-out feature is James’ musical flair & love of songwriting. It’s a track that will leave the listener with a smile, as well as appealing to an audience of elitist music fans. Facebook here.

Live London Dates:
The Savoy, Beaufort Bar - 9th, 15th, 16th, 22nd, 30th December
Charing Cross Theatre, Players Bar - 3rd, 10th, 17th Decenber
The Ritz - New Year's Day.

'Sweet Baby Jane' is a vibrant, punchy song, with piano, rhythm and horns providing a potent backdrop for James Sayer's superb vocals. Add in the background harmonies, and this is one floor filling danceable upbeat and fun fuelled song!

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Ivey - Last Week.

Background - Simultaneously hitting the books, either at high school or university, and playing packed-out shows to adoring fans, Ivey craft indie-pop that's primed for dance floor shenanigans. Tightening the screws since appearing on the scene in 2013, the Gold Coast quartet exude boundless charisma and magnetism with their music.

Premiered by Music Feeds, Ivey are brimming with delight to today release their new single into the world. After ceaselessly kicking goals with their previous single, 'All Things Good', new track, 'Last Week', is out today via Gd Frnds.

Unabashedly fronted by Millie, (16) Lachlan (19) and backed by Matthew (17) and Dante (20) filling out the rhythm, Ivey hit home with their passionate pursuit for danceable indie tunes. The young purveyors of songwriting craft sounds that far exceeds their aptitude and 'Last Week' is no different.

Highly infectious and executed so effortlessly, 'Last Week' is a massive, mature leap in terms of resonance for the group. Once again produced by George Carpenter (Waxhead, Jimmy the Saint & the Sinners, Karl S. Williams), acts as a quip to anyone who's fallen in love in mere hours. Shimmering guitars, hooks-a-plenty and the distinctive duo harmonies of Millie and Lachlan power this song through its breezy four minutes.

Ivey are not only maturing as musicians, but are doing it with style and ease. Continuing to further their gleaming, indie-pop sound that fans have come to adore just reaffirms the group's much deserved, unremitting success. Facebook here.

Back in July when we featured the band for the first time we said "Ivey runs the risk of too many age related comments, because it's such an excellent and well developed song". Well they clearly have the knack for doing so over and over as new song 'Last Week' well demonstrates. Less beach pop and more indie rock, the band have clearly an ear for hooks and a talent for developing really fine songs.

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Linnea Olsson - Weekend.

Background - The fantasy pop cellist Linnea Olsson drops her new single 'Weekend'.
   
Having worked with the likes of Peter Gabriel, Sting, Ane Brun and Maia Hirasawa, Linnea leaves no doubt regarding the high level of her talent and musicianship.

Being supported by The New York Times, Linnea's sonic journey within the "cello driven fantasy pop" continues. The beautiful, soft and enchanting new single "Weekend" is out now!

Website here and Facebook here.

OK, so not much is being given away regarding Linnea Olsson except as far as I can establish the words above. Well I guess when a song is as good as 'Weekend' teasing those in the dark might as well be accepted, let the music do the talking and so forth. In fairness it does more than talk, it's a beautiful piece where vocals and cello merge in wonderful harmony. Superb!

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