Thursday, 27 August 2020

Linaire - Falcon Jane - Peach Kelli Pop


Linaire shares her beautiful new song 'No Part Of Me Ever Dies' where her vocals glisten above a sublime musical arrangement. We have to go back to 2016 when Anna Atkinson last graced our pages, her new manifestation as Linaire leaves me keenly waiting for more.  === Falcon Jane appeared on Beehive Candy a couple of times in 2018 and we are delighted to feature the new song 'The Other Moon' a melodic and dreamy piece. === Peach Kelli Pop have released 'Cut Me Off' and it's a catchy albeit quite short song that nonetheless digs some refreshing musical hooks in deep.
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Linaire - No Part Of Me Ever Dies.

Linaire is an album of ten tracks that luxuriate in the deceleration of time and allow for listeners to embrace complicated and conflicting emotions. It is an invitation to acceptance in an atmosphere created by moments both somber and warm. Anna Atkinson’s self-titled debut as Linaire finds the Montreal-based composer, multi-instrumentalist, and singer in a state of reflection, constructing room for herself and the listener to work through complex feelings surrounding circumstances of love, time, lineage, and loss.

For Atkinson, the adoption of the name Linaire signals a setting forth onto a new path of exploration and self-expression. She builds her musical worlds from layers of airy synthesizers, Omnichord, strings, and drum machines, approaching beauty and discomfort in a manner both direct and honest. Peeking into her soul and pushing her own boundaries, Atkinson uses lyrical repetition to slow down and magnify ephemeral moments, while the album’s thoughtful  instrumentation creates a sense of limitlessness to the atmosphere of each song. Each of these ten succinct and subtely engrossing tracks—none running longer than six-minutes—seems to contain a life beyond its lyrics. This is perhaps best demonstrated on songs like “No Part of Me Ever Dies” or “Best I Can,” which address the complex relationship of the past to the present, without ignoring the future, and all the while focusing less on ideas of resolution than on trying to understand the questions raised—the final line of ”Best I Can” rings through the ambiance like both a mantra and a summation: “wasting nothing.”

The methodical crafting of each sonic gesture on Linaire reflects the patient recording and production of the album by Atkinson and Alexander MacSween (drum machines & additional keyboards) at OBORO in Montreal in the Winter of 2019. From the fluttering electronics of “Snowshoe” to the luminous vocals on “The Inside, The Outside,” the music of Linaire breathes, floats and flowers, offering a space of welcoming and recognition, while enveloping listeners in a transcendent auditory experience, never letting them fall.

Atkinson guides listeners with a soft and gentle hand that soothes and makes a way for an unimpeded journey of emotional confrontation, naturally gliding them toward new possibilites. She weaves soundscapes that focus one’s energy on taking time, “wasting nothing,” allowing those who enter to do the same.

"No Part of Me Ever Dies is about accepting one’s most difficult emotions - the old lonesome ones that feel endless and overwhelming. The song also serves as a reminder that these states eventually pass, and that they pass more easily once they are embraced."

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Falcon Jane - The Other Moon.

Ontario-based project Falcon Jane – the moniker for primary songwriter of the group, Sara May – are to release their soaring new single, ‘The Other Moon’ via Pittsburgh-based label, Darling Recordings on August 26, 2020.

‘The Other Moon’, which is lifted from a larger body of material set to come from Sara May further down the line, finds the artist exploring deeply sentimental and personal themes, from death to memory, and the miscommunication that can take place between generations. May has a penchant for unpacking these emotions in succinct and comprehensible forms, making something so personal and idiosyncratic to her feel so familiar to the rest of us. Much of May’s forthcoming work found its source of inspiration in early 2019 when her songwriting synched up with a string of deaths that occurred in her immediate family; ‘The Other Moon’ pays a touching testament to her Nonna with May lacing the track’s stark honesty with swooning guitar and her enchanting vocal palette, a sound that co-director, van Olm visualized as May’s DIY journey through space.

Speaking about the new track, May says: “‘The Other Moon’ is a letter and tribute to my late Nonna whose death inspired me to start recording this album. Despite being from two completely different generations, and speaking two different languages, my Nonna and I had a very special connection. We understood each other and cared about each other, even if we couldn’t find the words to express it. My Nonna would always cheekily joke about her own death, and through her broken English, she claimed that when she died she’d be going to “The Other Moon”.

“This song is not a story about a happy-go-lucky relationship between grandmother and granddaughter,” May continues. “It accurately depicts the contrasting dynamic of a very loving friendship mixed with a lifelong trauma-ridden miscommunication. The big hole in my heart, the black cloud over our love. This song feels like the message I always wanted to send to her; pushing through the darkness to find the deep love we shared and continue to share now.”

The new single positions itself as a breathtakingly honest release from Falcon Jane, allowing her vulnerability to take center stage. We’ll have more information further new music shortly.

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Peach Kelli Pop - Cut Me Off.

Peach Kelli Pop is a musical project conceived of by songwriter Allie Hanlon, who has unveiled the first single from her upcoming EP.
Peach Kelli Pop has gained notoriety for the band's catchy melodies that bring to mind American female pop music singing groups of the late 50s and early 60s, but peel back a layer of saccharine film from her tunes and there is always a lot more to discover. "Searching for it in myself, this is eating up my mind and health", is the opening line of the single, previewing some of the angst that is floating just below the surface of the twee harmonies.

"This song is about lacking the strength to walk away from a situation you know is harmful to you." says Hanlon of the track. "It's about really wanting a relationship to work (whether it be romantic or a friendship) and hanging on, but knowing deep down that it won't work out."

In 2009, in her hometown of Ottawa, Canada, Hanlon taught herself to play guitar and bass, arrange songs and record them. The band is now based in Southern California, after Hanlon relocated in 2013. Peach Kelli Pop has toured extensively both domestically and internationally, making frequent trips to Japan. With four full-length releases and a handful of singles under her belt, Peach Kelli Pop is back with her Lucky Star EP on October 7th via Lauren Records. The EP features 4 brand new songs, including a cover of "Sing And Pretty" by Tokyo's The Pat Pats.

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Tuesday, 25 August 2020

Hannah Georgas - Westberg - Dusker

Hannah Georgas makes her fourth appearance here this year with 'Easy' and it's another beautifully crafted song that allows her superb vocals to shine. === Westberg shared 'Simple' with us back in June and return with 'Nostalgia' where the duo are again impressive with this creatively arranged song. === Dusker share 'Quality Papers' ahead of E.P 2' set for release this coming Friday, the song itself is a magnificent mixture of alt rock with more than a little punk feeling.
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Hannah Georgas - Easy.

On September 4th Hannah Georgas who, over the years has been an active touring member of The National and Kathleen Edward's backing band, will release her new LP All That Emotion on Brassland and Arts & Crafts. Produced by Aaron Dessner, founding member of The National and producer of Taylor Swift's latest LP folklore, the album has already attracted an enthusiastic critical response with the mesmeric lead single "Dreams," the calmly enveloping "Just A Phase" and  pre-announce singles "That Emotion" and "Same Mistakes," earning praise from many outlets.

Today, Georgas is sharing her final single from the LP, a slow-burning synth pop gem entitled "Easy." Introduced by pulsing arpeggiators and a subtle blend of electronic drums and organic percussion, the track builds towards a glittering crescendo, with Georgas' weaving in and out of harmonized vocal parts as she chronicles a search for closure at the end of a relationship.

“I was going through a break up around the time that I wrote this song and I felt like I kept searching for some sort of closure or definitive ending to the relationship," says Georgas. "I found myself feeling frustrated that I couldn’t communicate well with this person and whenever I tried to reach out I was left feeling more alone in the end. I was going through this hard time and it felt like they found it easy to let it go.”

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Westberg - Nostalgia.

“Westberg,” the Gen X duo of Ariel Westberg and Scott Bruzenak (aka Noisecastle III) announce the upcoming single, “Nostalgia” due out August 24. The single represents a dusty tale of isolation in the middle of Los Angeles, the backdrop for the midlife crisis that unfolds within the rest of their EP. The EP, Boomer Studies is due for release on September 18.

The duo approaches “Nostalgia” with the stain of cynicism. The lyric, “Nostalgia just ain’t what it use to be” threads a thematic discontent while the appearance of Townes Van Zandt’s well-to-do doppleganger is symbolic of the decay of nostalgia itself.  They say, “We wrote this in his shadow, with nods to the bitter tone and dopamine-starved prose.”

Having met as classical music majors “in the weirdest school in the U.S.,”  Evergreen State College, the two Angelenos had explored Avant-Garde, jazz, rock, electro-folk, chamber pop and trip-hop. But Boomer Studies was a chance to strip it down and reflect. Their 2006 self-titled album received accolades from Nic Harcourt and continues to receive support on KCRW.


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Dusker - Quality Papers.

An emotive, loud-quiet-loud cut from their four-track cassette, “Quality Papers” is Dusker’s magnum opus from their new work. Befitting their forerunners Cap’n Jazz and Rites of Spring, the longest piece of the record is by no means meandering into nowhere – it’s concise, powerful… emotional. Did we mention it’s emotive yet?

“EP 2” has already seen coverage at home and abroad – BBC Radio Nottingham featured first single “Leo” on their Introducing show, along with airplay from freeform radio show Aural Delights.

Japanese blog Warszawa and UK based music website Backseat Mafia have also featured the band, with Craig Young from Backseat Mafia going as far as to say the EP “… take(s) you right back to the late 90s (...) Exceptional punk vocals and drenched in delicious feedback."

“EP 2” is available for pre-order on cassette tape and digitally from MUZAI Records ahead of its official release August 28th 2020.


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Sunday, 23 August 2020

Speaker Face - Anna Krantz - Carley Arrowood - Rachel Angel - 88/89

Speaker Face just released 'Work Friends' and it's a glorious concoction of instruments, electronics and musical styles . === Anna Krantz shares 'We Could Be High' where refined music, deep digging hooks and timeless ballad vibes naturally come together. === From Carley Arrowood we have some imaginative Americana, superb vocals and refined musicianship in the form of 'Goin' Home Comin' On'. === Rachel Angel has just released her new E.P titled 'Highway Songs'. It's a collection of five tracks, broadly described as country folk, the depth and beauty of this E.P cannot be over stated. === From London we have the duo 88/89 with 'Hit Me' a song that mixes classic synth pop and psychedelic trappings together, along with a mass of catchy moments.
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Speaker Face - Work Friends.

Speaker Face is an award winning earthy electronic band that melds the sounds of nature and machines. Combining acoustic instruments, voice and wilderness sounds with computers and synths, Speaker Face creates beats and sonic landscapes that immerse the listener in melody, groove and mood.

The palette of sound created by Trent Freeman’s layers of rhodes and violin, and Eric Wright’s atmospheric production and beats, are topped with the hauntingly honest voice of Ruby Randall.

Whether it’s a star-lit forest dance stage, an acoustically perfect soft seat theatre or the immersion of your headphones, the musical experience of Speaker Face is transportative and fully consuming.

Their latest album, Crescent, is reshaping the notion of genre, and captures the future of indie music within the building blocks of ancient sounds.


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Anna Krantz - We Could Be High.

“Listen to your heart this time, come tomorrow we could be high” Anna Krantz. ‘We Could Be High’ was written on a Zoom call during the recent global lockdown. Anna Krantz, like many writers, had her reservations about collaborating over the internet for the first time, yet when all other options become suddenly stripped away, creatives get creative.

She explains, “I couldn’t write about the experience of being separated from my family and friends, in a city I had only recently moved to and had barely begun to call home when the world shut down. I wasn’t ready to tap into those layered and conflicting emotions. I wanted… no, I needed to write a song which gave me hope. A song which lifted my spirits when I sang it.”

Simon Johnson, who also co-produced the song, was the perfect choice to collaborate with on this rootsy foot tapper. He recorded his guitar parts at his home studio in The New Forest, England. Heavily influenced by her years spent in Nashville, Krantz was keen to capture elements of Americana. Though London born and bred she has a penchant for timeless American melodies and has been compared by old friends like Ed Sheeran as sounding as resplendent on record and live, as artists such as Sheryl Crow, Rickie Lee Jones, Carole King and Sara Bareilles.

Now based in Dublin, the gift of modern technology once again presented itself. Krantz contacted Nashville based drummer, Adam Box (Brothers Osborne) and Nashville based keys player, Dave Cohen (Carrie Underwood, Steven Tyler, Reba McEntire) knowing they both had their own private setups to record in. Keeping everything at an acceptable social distance!

She confides, “It felt fun to set ourselves the challenge of making this recording a global effort during a time when no one could be in the same room.”

Krantz recorded her vocals at her new home studio in Southern Ireland. She painted the artwork on a canvas delivered by Amazon and an easel hand crafted by her boyfriend out of scrap wood from the shed because, there was, of course, no way of going out for art supplies.

Mixed by one of Krantz’s go to sound wizards, Richie Biggs (The Civil Wars, The Lone Bellow) at his studio in LA, ‘We Could Be High’ is a song about taking a leap of faith in the hopes of finding the ultimate high. Be it love for another, love for oneself or simply inner calm and connection. Life favours the brave and this song is a reminder to be the bravest version of ourselves, no matter how high the risk.

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Carley Arrowood - Goin' Home Comin' On.

Carley Arrowood is on a journey. Already, it’s taken her onto the stage of the Grand Ole Opry with an acclaimed touring act and into a new role as a singer, songwriter and fiddler recording for the Mountain Home label. Now, following the release of her self-penned ballad, “Dear Juliana” and a celtic-flavored gospel original, “Ballad of Calvary,” she’s taking a quick side trip for a little reunion and renewal in her third single, “Goin’ Home Comin’ On.”

Penned by a trio of writers that includes Jenee Fleenor — the reigning Country Music Association Musician of the Year (and the first woman to win the award) — alongside veteran songwriter Charley Stefl (“The Fool,” “All Aboard”) and producer-bassist (and award-winning songwriter) Jon Weisberger, the song is a lively portrait of a young woman homeward bound for a weekend visit.  As Carley explains, she connected immediately with its theme when she heard it.

“The feeling of a ‘Goin’ Home Comin’ On’ is one in a million,” she notes. “You start that long drive, with your suitcase in the back seat (and maybe your fiddle too) and you start thinking about everybody you’re gonna see and all the things you’re gonna do. That’s the story this song tells with its rootsy, cheerful, nostalgic vibe. The first time I heard it there were vivid memories that came to mind.”

Arrowood is joined by a stellar band that includes bluegrass power couple Kristin Scott Benson (banjo) and Wayne Benson (mandolin), guitarist and harmony singer Daniel Thrailkill — and, fittingly, her sister Autumn. “When we were little girls,” Carley recalls, “my sister Autumn and I would run to our dad when he got home from work — racing to see who would get the first hug. So when I heard the line about running to daddy, I immediately knew Autumn had to sing harmony with me on it!”

Yet while she’s surrounded by a strong group of players, Arrowood’s confident performance keeps her expressive, empathetic voice and commanding fiddle work at center stage from the song’s explosive start through its energetic closing refrain. And though it’s filled with the virtuosity and down-home sentiments of bluegrass, “Goin’ Home Comin’ On” has a distinct country flavor in its varied rhythms and unfolding arrangement.

In fact, when you get down to it, to say Arrowood is on a journey may actually be a bit of a misdirection — for judging by the mature, fully-realized quality of her music, Carley Arrowood has already arrived at a place that makes her one of the fastest rising and meaningful female roots music artists today.


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Rachel Angel - Highway Songs (E.P).

When Rachel Angel sings “I wanna be a renegade,” she is speaking to the experience of personal transformation and resilience, like putting on a protective coat of armor to meet the world with grace and courage. While the songs on the EP were inspired by the spirit of outlaw country, her sense of the outlaw is metaphorical rather than literal. These songs are about taking the unconventional artists' path and staring in the face of danger, fear, and pain.

On her latest EP Highway Songs, the country-folk troubadour takes the listener on a wild journey—physical, emotional, spiritual, and everywhere in between. These songs were written in the midst of a harrowing time for Angel— she was physically sick with an auto-immune disease, self-quarantined in her Brooklyn apartment, writing at a feverish pace. At the time, She was experiencing a lot of catastrophic anxiety and chronic health problems, feeling both mentally and physically all out of sorts. As she began writing the songs that would become Highway Songs, she embarked on a family trip to Mexico, with the disquieting notion that something bad was going to happen, but couldn’t determine if it was anxiety or a premonition. Within the first week of being there, they experienced a 7.1 earthquake in Mexico City—buildings around them fell, power lines went down, and everything closed. But despite feeling frightened and immediately wanting to leave, Angel decided that pushing through the discomfort would ultimately build strength.

After her harrowing experience in Mexico, Angel spent the remainder of the year touring different cities on the east coast, in the UK, and traveling around for various events and building a new sense of resilience. She was listening to a lot of outlaw country, the spirit of which filled her with a feeling of vibrancy and bravery. She finished writing and recording the content of “Highway Songs” during a breaking point and crisis period in her life, right before making her way to the other side. Angel ultimately left New York City for her hometown of Miami in need of great healing and has since been on a spiritual journey, grounding herself and writing more music to heal and nourish herself and her listeners.


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88/89 - Hit Me.

Hailing from London, Jack (born in 88) and Michael (born in 89) began carving out a space between synth-pop and psychedelic rock creating a sonic landscape with no boundaries.

The duo deliver a nostalgic and psychedelic single capturing the high points of being in love. Vocally the track is evocative of bands like The Temper Trap, while the soundscape of synths and guitars are resonant with 80s neo-psychedelia and modern synth-pop bands like MGMT.

88/89 is a hybrid of synths, guitar riffs and sentimentalism. Formed in London, Jack and Michael are carving out a space between synth-pop and psychedelic rock creating a sonic landscape with no boundaries.

Jack and Michael met when both of them were trying to start again creatively - Jack after leaving Sissy and the Blisters and Michael after putting his acting career behind. Jack played some of his music to Michael in a car and then they only grew from there. They quickly realised that they are like Ginger Rogers & Fred Astaire, yin and yang.

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Saturday, 22 August 2020

Xanthe Alexis - Garrett Owen

Xanthe Alexis has released her new album 'The Offering' and we have two more songs from it namely 'Moon' and 'The Heart Needs Time' both of which typify this fabulous album. === Garrett Owen shares 'No One To Save You' following on from 'These Modern Times' which we featured in July and again the Texas singer songwriter delivers another refined slice of Americana.
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Xanthe Alexis -Moon / The Heart Needs Time.

Xanthe Alexis' new album The Offering, out this weekend, is simply stunning, from her goosebump-inducing voice to her personal and vulnerable writing; and from the indie-folk production that encompasses acoustic guitar as much as drum machines to the radical empathy she practices in her life and art.

Like so many of her songwriting sisters and brothers in a year of lockdown, Xanthe Alexis has been awaiting the summer day she can give her second album, The Offering, to a revolutionizing world. The accomplished Colorado musician was just breaking into the national scene as the world shifted under our feet in early 2020. Her experience as both a trauma therapist and a single mother of two allowed her to weather the subsequent storm with unusual grace. Even from lockdown, Alexis has offered friends and fans daily affirmations of power and hope on social media – commodities that are rare in these times of vindictive language.

The passionate and strident tracks on The Offering reflect her wise responses to this new world shorn of pretense and masquerade. Her writing on the album also springs from the aftermath of heartbreak so the music functions both to heal others after hard-won lessons in moving forward herself. She sings, “It’s going to leave you hungry, kisses just like medicine, there and then gone again, here inside The Offering, tell me what you need.”

Alexis has noticed a distinct change in what her fans want from songwriters. In the almost four years since the 2016 election, she witnessed a need for a more authentic voice within the confounding politics and more passion in equal doses. Songs like “Siren” are meant to acknowledge anxiety while bringing a soothing hope for those living in fear. Alexis has found herself reflecting on her own newfound sobriety and writing about her journey towards healing. The songs are personally vulnerable and bring a broader context to living bravely, during fearful times. The recording sessions for The Offering began in 2019 under the tutelage of Conor Bourgal, founder of Colorado Springs group Changing Colors, and a proficient sound engineer. He worked closely with Alexis to accentuate what really mattered in these songs and to develop an indie-folk sound that draws as much from indie rock drum styles as from acoustic guitars, but always hangs back to let her stunning voice take the fore.

Alexis is unmistakable for her powerful voice and enchanting lyrics. The singular aura of magic surrounding her is a reflection, in equal measure, of her birth in the Superstition Mountains in Mesa, Arizona. Her childhood was steeped in the mysticism of blended cultures and gave her a passion and sensitivity for the unseen world of Spirit. She also experienced the effects of being treated as an “other” in America. Finding her own voice in activism, at the peaceful protests for Water Protection at Standing Rock, in her work as a Natural Healer in her community and now, in the ongoing movement for racial justice. Her Mother introduced her to the likes of Linda Ronstadt, Joni Mitchell and Ella Fitzgerald at an early age, and she began writing songs just before her beloved sister died of heart disease. This gave Xanthe an additional window into the depth of pain and the need for a language in which we can speak the expanse of human emotion.


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Garrett Owen - No One To Save You.

We have a fabulous new song from Texas troubadour Garrett Owen that's called "No One To Save You".

The song is about the hardships that result from a life lived on the road, inspired by a breakup he endured while on tour with Parker Millsap. The single is the newest from his forthcoming LP Quiet Lives out September 18th.

Garrett's songwriting comes from a unique viewpoint, and understandably so -- he grew up the son of missionaries in Africa, with the kind of wildlife in his backyard we'd have to pay admission to see here. His adolescence was spent playing music and being grounded in nature.

In his late teens, the family relocated back to Texas, and Garrett struggled to fit into the culture - the pain and despair from which caused him to attempt suicide. From those experiences, Garrett has learned lessons and grown both personally and musically, all on beautiful display in the grooves of Quiet Lives.


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Friday, 21 August 2020

The Hengles - Astrid Cordes - Mines Falls - Charlie Nieland

The Hengles make their fourth appearance here with the new single 'Fire In The Rain' and once again the Amsterdam trio serve up some refined and catchy indie rock. === Astrid Cordes shares her brand new song 'Portrait', the Danish artist moving from sweet indie pop to a more contemporary and imaginative style. === Mines Falls have released 'Red Moon Car Wreck' a track that sees the duo deliver some intricate, personal and beautiful music. === Charlie Nieland is no stranger to Beehive Candy having appeared here as one half of Lusterlit, his track record in the music business is also rather impressive. His new song 'Pawns' is imaginative, the lyrics splendid and as a whole it's pretty hypnotic.
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The Hengles - Fire In The Rain.

The distinguished gentlemen of The Hengles have more than earned their musical spurs in the past. The guys from Amsterdam played in illustrious 80s and 90s bands like Fatal Flowers, Treble Spankers, Supersub and Jack Of Hearts. Since 2015 they represent The Hengles, originally specialized in the better cover stuff and in addition active as backing band both live and in the studio of various artists.

Last year The Hengles have taken the next step: writing their own repertoire making pure melodic jingle-jangle Hengle rock with a twist, taking you on a trip down memory lane of more than 50 years of popular music history and blending this into their own style.

Fire In The Rain is the title of the 8th single of The Hengles. It was originally set to be released this June. However, the COVID-19 restrictions turned all that upside-down.

During the lockdown earlier this year, The Hengles released a ‘home version’ of a future new single on their YouTube-channel (let’s save that story for later!), but they also took the opportunity to strip down, edit, re-record, basically reinvent the song Fire In The Rain, to come up with an even better recording than they already had! We all need that beacon of light to guide us through difficult and sometimes perilous times. Especially now! So, if you ever asked yourself how to start a Fire In The Rain, well here it is!

As said before, 2019 has been very kind to The Hengles: entries on Spotify’s New Music Friday playlist, Apple Music’s New Music Daily playlist, Dutch National Radio NPO 5 playlist and a real Number 1 spot at Dutch IndieXL Indie chart, airplay in Germany, US and The Phillippines, to name but a few!


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Astrid Cordes - Portrait.

Since 2014 Astrid Cordes has been known as one of the two vocals in the Danish duo Shy shy shy. Now she has put the sweet indie pop aside to make room for a new solo release which points in a more gritty and unpolished direction.

”I was lucky enough to write and put out music with one of my dearest friends through Shy shy shy for a long time, but after shaping everything to fit into that frame I really felt like making something where I could put myself more on the line and be a bit more risky. I've tried to keep a curious approach to my own voice and musicality and have allowed myself to dive into more personal subjects than in the past.”

The songs are still steered by Cordes' charismatic voice and talent for telling stories, but is set in a darker, more guitar driven, mature and uncompromising environment. There is a another depth and a pressing intensity in these new tracks. The lyrics appear honest and direct, revolving around the challenges of an existence overflowing with expectations of what and who we are.

The new music has come to live in close cooperation with producer Morten Søgaard Andersen and was later mixed by Brian Batz and mastered by Brian Mørk during the spring of 2020. The same constellation Astrid Cordes used with Shy shy shy for their last release the EP ”Gloss” from 2019, which was made for the widely acclaimed Danish TV-series ”DOGGYSTYLE”. Before “Gloss” they released the EP ”Love Songs” in 2015 and the album ”Make Up” in 2018.

They had a solid foothold on the indie scene playing several tours in Denmark and festivals like SPOT festival (DK), MS Dockville (DE) and Roskilde festival (DK). The headline of their last review written by the music magazine GAFFA wrote ”Shy shy shy writes their talent and musical capability in neon” and testifies that performing live has always been and will continued to be an essential part of Cordes' career.

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Mines Falls - Red Moon Car Wreck.

We are pleased to share the new track from Mines Falls, a duo of brothers Carson & Erik Lund, based in L.A, who make luxurious and moody pop music. Intricate production, a great synthesis of electronics and songwriting.

Here's a quote about the track from songwriter Carson Lund: I had been traveling quite a bit for my job when I wrote this song, touching on all corners of the country, finding myself in quiet towns I’d never heard of before, and not communicating with family and friends for long stretches.

I crave this isolation and independence, but it also distances me from people, and “Red Moon, Car Wreck” attempts to connect who I’ve become with who I was as a child. Life is a series of comings and goings, but this song is about trying to stay in one place.


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Charlie Nieland - Pawns.

Charlie Nieland's new single and video for the song Pawns, is part response to The Bushwick Book Club's celebration of Jeff VanderMeer's new A Peculiar Peril. Part response to being a captive audient to dissolution, disintegration, confinement, mysticism and megalomania.

Charlie Nieland has evolved a seamless mix of production, songwriting, musicianship and engineering most notably with Lusterlit with Susan Hwang, Soozee Hwang and The Relastics, Ronan Conroy, Her Vanished Grace, Oh Halo, with the film scoring collective Emboznik and with the production team Super Buddha with Barb Morrison.

Charlie has worked with Rachelle Garniez, John S. Hall, Palmyra Delran, Scissor Sisters, Rufus Wainwright, Debbie Harry (on her 2007 album NECESSARY EVIL, which he co wrote and produced), Blondie (co producing and writing three songs for their 2011 release THE PANIC OF GIRLS) and has scored the films THE SAFETY OF OBJECTS (starring Glen Close) and the documentary NY77: THE COOLEST YEAR IN HELL.

Charlie's breadth of skills continues to grow, with mastery of many musical instruments, songwriting, arranging, video directing and all facets of modern recording technology. Most importantly he has the special ability to connect with and motivate the wide variety of artists that he works with. He specializes in bringing out atmosphere and emotion with his production to make musical cinema.

Charlie was awarded a Gold record (UK) for his production work on Blondie's GREATEST HITS SIGHT & SOUND and achieved a Top 10 Billboard Dance Chart Position with Debbie Harry's single "Two Times Blue", which he co-wrote and produced.

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Thursday, 20 August 2020

Luciana Valentina - Juanita Stein

Luciana Valentina new single 'The Murder Of Margaret' is described as a theatrical pop piece and it's all of that, her vocals are resplendent, the arrangement dramatic, put simply, it's a fabulous affair. === Juanita Stein has been featured here a good few times including last month when we shared the title track from the forthcoming album 'Snapshot'. She has followed that up with 'The Mavericks' and it's another gorgeous, atmospheric alt rock song.
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Luciana Valentina - The Murder Of Margaret.

Luciana Valentina is thrilled to announce the release of her latest single and music video, ‘The Murder of Margaret’, available everywhere now.

‘The Murder of Margaret’ is a theatrical-pop piece with a touch of Amy Winehouse-like jazz and reflective yet blunt lyricism which wittily comments on the dark sides of society. Double standards; insecurity; trust issues and dealing with consequences are among some of the themes found in this track.

Ironically, this story is also reflecting the current global crisis – Margaret represents society (doesn’t know whom to trust or listen to) and its theft of choice. Eventually, she is choked by hypocrisy. There's always a price to pay:
The Murder of Margaret.


Luciana Valentina is a 23-year-old singer-songwriter, composer, actress and model who founded her band in 2019. After the successful release of her debut single ‘Wind Up Dolls’, Luciana was on continuous roadshows across renown venues in Sydney after which she was discovered and invited by Grammy-award-winning band ‘Los Amigos Invisibles’ to join their Australian tour.

Now Luciana Valentina is releasing her latest single in preparation to her new album ‘Black or White’ aiming to release November 2020.

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Juanita Stein - The Mavericks.

Juanita Stein has released a new song, ‘The Mavericks’, from her upcoming third album, ‘Snapshot', which is set for release via Nude Records on 2nd October in all formats.

‘The Mavericks’ follows the recent release of the LP’s title track, which picked up early support from the likes of Mojo, Clash and 6 Music for Brighton-based, Australian songwriter, who first became known for her work as singer and guitarist in Howling Bells. The song carries on the theme that runs throughout the album, which was recorded following the sudden loss of Stein’s father in 2019.

As Juanita explains: ’’The Mavericks’ is a song that came together over a few years. The first half I’d already had written, the lyrics came in one blessed burst of lyrical expression, then I stashed it away, not knowing quite what to do with it. I was later able to complete it, whilst writing the songs for ‘Snapshot’. With the razor-edged perspective loss can bring, finding the right words became a lot easier for me. Sonically and lyrically, I wanted the song to rise and fall, swell and intensify, mirroring the cyclical nature of life.”


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Tuesday, 18 August 2020

Vexillary - The Native Sibling

Vexillary shares a video for 'Annihilation' taken from his new E.P 'SurViolence'. The musical styling is consistent on each of the four tracks however they are all  distinctly differing in their characteristics as Rezi Seirafi demonstrates his flair for creative music. === The Native Sibling have just shared 'Growth' where the duo deliver a beautiful indie folk song with mesmerizing dual vocals and a fresh musical backdrop.
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Vexillary - Annihilation (Video) / SurViolence (E.P).

New York-based electronic act VEXILLARY has unleashed an innovative new video for their track, "Annihilation."  The song appears on VEXILLARY's new EP, SurViolence.  Visuals and editing were done by Svitlana Zhytnia and production was done by Reza Seirafi.

About the SurViolence EP: SurViolence adopts the theme of unease in an overly politicized society; using surveillance culture as a metaphor on how technology that was created to serve and protect can serve to exploit. Hence the title, SurViolence. The sub-plot of tension and lack of trust in the decisions that are being made for us fueled the eerie sounds and direction of the record.

Voyeurism has been weaponized to give rise to surveillance. Violence has been digitized to replace intelligence.  This is where evolution has led us. It’s time to take back control. If only we could have our eyes back to see. VEXILLARY is the brainchild of the New York-based producer Reza Seirafi. His diverse work is seeded with a singular undercurrent of gloom and shaped by his unique scientific approach to production.

As a chemist and perfumer, Reza was fascinated by the secret bonds between unrelated chemical ingredients that create well-balanced, other-worldly scents. Reza’s music making process follows the same philosophy, as he magically blends unrelated musical parts to create his own brand of decadent Industrial and techno music.

On his production style, Reza has noted “key changes and odd chords are all over my stuff, connecting seamlessly where they shouldn't. There's some magic to it that can’t be explained.”

 
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The Native Sibling - Growth.

Indie Folk duo, The Native Sibling, have a new singletitled "Growth." The duo shares of the track: "Kaylee initially brought this idea to the table, which evolved in the process between her and Ryan to be a bit more uptempo and playful. Listening to a lot of Feist and springtime bursting were the first influences. The cheap wind chimes on my porch came to life in the imagery of them dancing with the wind in a beautiful and untethered dance (Kaylee). We wanted a song that brought light and noticed the small beautiful - which is something that we hope will resonate with people more than ever in our current world."

"The driving force of the change in seasons is always a reminder of renewal and the small bits of growth each day that accumulate into something beautiful. However, sometimes this growth can seem daunting or unnoticed in the daily. Perhaps the changes are happening whether we feel ready or not. Maybe its more of an unraveling without clear direction? There is faith required from us to believe that the changes which are out of our hands have a purpose to shape us into who we are intended to be."

The Native Sibling is characterized by the strength in both Ryan and Kaylee’s voices. They support one another and lend sensitivity in a way that embodies their sibling connection. Their melodies and lyrics meet at the intersection of hope and sorrow – describing relationships, faith, doubts, and circumstances that we all can relate to.

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Sunday, 16 August 2020

Melic Moon - Mt Doubt - Anya Hinkle - Carmanah - Alex Little and Suspicious Minds

Melic Moon released their album 'Natural Thing' a little while back however it's to good to ignore, as the featured title track I feel confirms. The bands multi genre music is both stylish and in a word - wonderful. === Mt Doubt have just released 'Dark Slopes Away' one of eleven songs on their upcoming album 'Doubtlands' and a fine indicator of what to expect with their creative and darker shade of indie rock. === Anya Hinkle shares her beautiful new Americana track 'Hills of Swannanoa' where Bluegrass and folk come together in a gorgeous way. === As it's our fourth feature for Carmanah this year I reckon that speaks volumes in itself, so check out 'Mountain Woman'. === Alex Little and Suspicious Minds brand of Garage Pop & Rock is on top form with the rather frisky and addictive 'Broken Bones'.
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Melic Moon - Natural Thing.

From the band - We’ve taken timeless, sultry jazz standards and have combined that sweet sound with R&B/Soul, and a twist of pop/rock. We released our debut album Natural Thing late May and the response has been incredible! We have just been nominated for Best New Artist and Female Vocalist of the Year for the 2020 Limelight Music Awards, and we have hit 25K monthly listeners on our Spotify!

We wrote and played every song on the album of course, but we are especially proud because before we did that we built our very own recording studio from the ground up, Underground Recording Co. located in Sagamore Beach. We recorded, produced, mixed, and mastered the entire album ourselves and are just over the moon from everyone’s response so far.

We are in the midst of making a music video with New England Emmy Award winner Darby Lyons expected to release next month, and in October we are releasing the next single off our second album.

We were going to start a East Coast tour back in March starting at Rockwood Music Hall in NYC. That came to a quick halt for obvious reasons. We plan on touring once everyone is safe and healthy. Until then we are going to keep recording, releasing, and be as creative as we can.

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Mt Doubt - Dark Slopes Away.

Dark moody indie rock outfit Mt. Doubt debuts new first single "Dark Slopes Away" off their upcoming LP 'Doubtlands' on Last Night From Glasgow.

Built up around the songwriting and vision of band-leader Leo Bargery, Mt. Doubt has been a shifting mass of musical output since the band’s genesis, which saw the release of their debut album ‘My Past is a Quiet Beast’ in 2015.

Ever-active, Bargery quickly went on to release sophomore record ‘In Awe of Nothing’ in 2016 (on Scottish Fiction Records) before releasing three EPs, ‘The Loneliness of the TV Watchers’, ‘Moon Landings’ and ‘This Must Mean Something Awful’, throughout 2017 and 2018. Taking cues from Bargery’s musical and literary influences, Mt. Doubt deal in the darker side of things, often dipping a limb in the atmospheric while remaining lyrically-driven and unflinchingly personal.

Four years in, and Mt. Doubt have performed across the country: from Inverness to Brighton, from the Isle of Skye to Cardiff, and a whole lot of places in between. Including appearances alongside the likes of Idlewild, White Lies + We Were Promised Jetpacks. In late 2019, the band signed to Last Night From Glasgow in advance of releasing their third album – slotted for September 2020


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Anya Hinkle - Hills of Swannanoa.

Those who have spent time in the mountains of southern Appalachia know of their mystical qualities, and if there is an artist who can capture their spirit and embody it in a song, it’s Anya Hinkle. Seasoned by her years in the Bluegrass/folk outfits of Deliah Low and Tellico, her songs reflect the authentic and soulful musical tradition of her western North Carolina home — so much so that one earned her 1st place in the prestigious 2019 Chris Austin Songwriting Contest. For her second single for Organic Records, Hinkle has chosen the darkly powerful “Hills of Swannanoa.” Co-written with noted musician and ceramics artist Akira Satake, it’s based on a true story of an early 20th century flood that took place in the heart of the region.

“‘Hills of Swannanoa’ is the story of the Great Flood of 1916,” the singer-songwriter says. “The unusually heavy mid-summer rains that year, coming in addition to heavy logging in the Carolina mountains, caused severe flooding of the Swannanoa and French Broad Rivers and heavy damage in the Asheville area. My friend, Akira, had written an instrumental tune called ‘Swannanoa’ after moving to nearby Black Mountain almost 20 years ago to start a ceramics studio, and he asked me if I might want to write some lyrics. I let my mind wander to the beautiful Swannanoa Valley, where I spent a lot of time with my daughter when she was very small. There is a mystical feeling there: vibrations from the ancient Cherokee, heavy mists that shroud the hills, generous green that carpets the valleys. It feels sacred, sad and beautiful.”

Inspired by the tune and her own feel for the area, Hinkle wrote a chilling story that weaves tragic vignettes from the flood’s history into a compelling saga built around a father and daughter.

“The modal scale of the tune, somewhere in between a major and minor key, naturally gives the listener a feeling of both beauty and tragedy,” she explains. “I began to read about the flood and let the story develop from there, creating my own song that knits together seamlessly with Akira’s instrumental melody. The story is fictional but based on true events: prisoners really did drown in their cells, all of Asheville’s bridges were washed away, hundreds of houses were destroyed, dozens of people were killed.”


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Carmanah - Mountain Woman.

Like the rain forests from which their name derives, the steady beat of the west coast can be found within the sound of Carmanah. From muddy blues-funk to light soaring melodies, Carmanah creates music that curves and tumbles through valleys and over peaks guiding the listener on a celebratory sonic journey.

Recognizing Carmanah’s passion for their home and the ways it influences their music, renown producer Gus Van Go (The Arkells, Sam Roberts, Wintersleep) coined the term “West Coast Soul” to describe their unique sound. The band’s first album, Speak in Rhythms produced two #1 CBC Music tracks, the effervescent ‘Roots’ and shimmering, brooding ‘Nightmare’, setting the tone for this new west coast sound.

With one album behind them and one ahead, Carmanah is crafting a musical niche of their very own, a vintage blend of the intuitive and the technical; a blend that lies somewhere among roots, rock and blues — all seamlessly woven together by Laura Mina Mitic’s soulfully luminous vocals.

Iris, their forthcoming album is a natural evolution and a moody counterpoint to their debut. Recorded between the wild forests of B.C. and the concrete high rises of Brooklyn, Iris is a heartfelt offering, a tapestry of thoughtful stories for our time. Undulating rhythms and bountiful instrumentation create a rich sonic backdrop for driving melodies and potent lyricism. The first track ‘Mountain Woman’ shows rousing vocals layered atop of propulsive rhythms, a joyful assertion of feminine energy and natural power. Lead single ‘As I See You’ is one of the gentler songs on the album, a sultry composition that speaks of friendship and holding up the people you love while valuing what they love in you. It’s a track that carries a compassionate message; “By embracing those who love us, within ourselves we can find a sense of home and belonging in our own skin”, says Mitic, “By caring for the environment around us, we also care for ourselves.”


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Alex Little and Suspicious Minds - Broken Bones.

“My best songs are written when I’m having the worst time,” says Alex Little with a wry laugh. “There’s no songs about feeling good. It’s about connecting to that deep dark part of myself, which is the reason why I make music.”

This blunt emotional honesty is the driving force behind Vancouver’s Alex Little & the Suspicious Minds, whose scorching garage-pop songs unflinchingly tackle drug addiction, mental health and heartbreak. And yet, despite the heavy subject matter, the group’s soaring choruses and loud guitars mean that the mood is cathartic rather than heavy.

Little previously played in bands as a drummer, and when she picked up a guitar, she reached out to her friend Andy Bishop (White Ash Falls, Twin River) to teach her a few tricks. “She already knew the basic chords, so I just showed her a couple of new things,” remembers Andy. “The next time we jammed, she showed up with a great melody she had been working on.”

Songs began pouring out of them, and drummer Cody Hiles (The Zolas) and bassist Mike Rosen got involved. Together, they honed a sound that blends searing distortion with aching pop hooks and a psychedelic wash of reverb. “It’s got that late 1970s, early 1980s New York kind of vibe,” Andy reflects. “Just stripped-down rock and roll.”

These songs come from a place of darkness, but the lasting impression is one of four friends cranking their amps and moving past the pain through a shared love of music. “The world is crippling and hard,” Alex says frankly. “I feel very lucky that I have this band as an outlet for all the emotions and turmoil.”

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Saturday, 15 August 2020

Oceanator - The Fiddle Revolt - Godcaster - S.K. Wellington - Joe Kenney Feat Joy Ike

Oceanator has released the new single 'Heartbeat' which is a refreshingly feisty indie pop track. === The Fiddle Revolt recently released a self titled album from which we have 'Can I Trust You?' a song that exudes quality and style === Godcaster impressed us last month with 'All the Feral Girls In The Universe' and the new track 'Sassy Stick Boy' continues that momentum. === S.K. Wellington just released the beautiful song 'Like A Ghost' with a crisp musical arrangement and some refined, melodic vocals. === Joe Kenney accompanied by Joy Ike share 'Another Side' a song designed to offer hope for Mental Health Awareness Month, it's also rather wonderful.
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Oceanator - Heartbeat.

There’s a line on Oceanator’s debut full-length when Elise Okusami belts, “I think I think too much.” It’s a plainspoken yet resounding thesis for an album called Things I Never Said, which sees the NYC multi-instrumentalist hyperbolically equating early adulthood malaise with apocalyptic destruction. The type of anxieties that form when thoughts bottle up and stress gets the best of you. This week she announced signing to UK label Big Scary Monsters, and releases a new single from the record 'Heartbeat'.

Throughout the record, allusions to intrusive thoughts and depression-induced stasis are weaved in between references to falling skies, rolling fires, and the possibility of the world literally falling apart. However, while her emotional and physical solitude makes for a resilient foe, Things I Never Said is ultimately a record about finding comfort in the face of destruction. Whether it be through appreciating the little things, like “hot tea on a cold fall day / and dressing up for Halloween,” or forming a bond with someone you can mutually confide in about mental afflictions (“I told you I could never be enough / you took me by the hand / and told me you understand”).

'Heartbeat' is a racing power-pop cut with a joyously shreddy guitar arpeggio that perfectly translates the chest-thumping rush of being near your loved one into song.

Talking about the track, Elise said: “This song is loosely about having a crush, and both the grounding feeling and the anxiety that feeling brings.  We recorded it all together like a live performance, and then I went back and added the lead guitars and the vocals. Guitar and vocals by me, bass Eva Lawitts (they), drums Aaron Silberstein (he).”

There’s no concrete resolution to the album, but rather a vital reminder that love and friendship, both with others and herself, will always reign victorious in our darkest moments.


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The Fiddle Revolt - Can I Trust You?

The Fiddle Revolt was formed in Akron, OH, with the intent of doing something different. The members of the band got tired of the same old "one front man, one genre" format and decided to branch out a bit; swapping lead lines, harmonies everywhere, and the occasional instrument/member rotation. The music spans the full spectrum of rock and doesn't stop there. Funk, soul, blues, R&B, pop, reggae, and more, all play an influencing role.

The Fiddle Revolt is an Akron, OH based alternative rock band with a wide range of sounds. The band is comprised of five members: Alex Beck (fiddle/guitar/vocals), Anthony "Twan" Haddad (bass/vocals), Ian Harlow (drums/keys/vocals), Stephen Mason (drums/keys/vocals), and Nigel Pinnell (guitar/vocals). The band's influences span genres and decades; from Led Zeppelin and The Beatles to Daft Punk and Radiohead, David Bowie and Queen to The Black Keys and Muse, Bob Marley and Stevie Wonder to John Mayer and Fitz and the Tantrums. This variety of influences allows TFR to write songs that can be accessible to almost any listener.

The members first started playing together as the backing band for a country artist. The band grew tired of being stuck in one genre with one front man. Unable to convince the lead man to allow for more experimental use of their talents, and with their creativity being stifled, the five members decided to leave and form The Fiddle Revolt. With no front man and no set instrumental roles, the band creates an incredibly exciting live performance. Every member sings lead lines and harmonies, making each song different than the last. Some songs feature the fiddle, while others have swapping lead guitars and no fiddle. To keep things even more enticing, the role of drummer and keyboardist are shared between two members, who switch back and forth, depending on what the song needs.

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Godcaster - Sassy Stick Boy.

Spit and jitter in a revelatory stance. Profundicate your masticators and whisper "so longs" into the deepest dearths. Out of the spout, out of the flash, out of the gnash and fleeting cry comes Godcaster with Long Haired Locusts.Rising from the underground river of primordial goo that runs between New York City and Philadelphia and ascending toward some unknown ethereal plane beyond our comprehension, comes to us the revelatory debut of music and mythos from Godcaster, Long Haired Locusts.

The venerated and shining troupe of David McFaul (keys), Von Lee (flute, vox), Lindsay Dobbs (trombone, vox), Bruce Ebersole (bass guitar), Sam Pickard (drums), and Judson Kolk (vox, guitar) transmit a brand of devout, sassy rock and pop that thrashes through stages of blissful, comforting highs and devastating lows, preaching the convergence of the holy and the heretical. This is best displayed on songs like “Apparation of Mother Mary in My Neighborhood,” where the anxious exertion of sharp, jittery guitars and cutting drums follow the increasingly quickening pace of Kolk’s narrative of trepidation before the tension grows too tight and snaps into violent, cathartic outbursts.

Similar nerves are addressed and released throughout Long Haired Locusts—the navigation of celestial beauty and corporeal rot is omnipresent and important. “Serpentine Carcus Crux Birth” and “Christ in Capsule Form” are both bouncing and vibrant, while “Blister Intercom” is lush with rejoicing choruses that accompany the marching guitars and drums, and songs like “All the Feral Girls in the Universe” naturally builds upon an undeniably danceable composition until it reaches, like the album as a whole reaches, a phenomenally euphoric peak.

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S.K. Wellington - Like A Ghost.

"Like a Ghost" came to me following the loss of a significant relationship.

It would have made for an epic country song (they took the dog and all!) but I decided to go in a different direction. I was so broken that all of my inhibitions and fears about music, arranging, and producing, went right out the window. I needed to pursue this radically different process and new sound for my own healing and passion.

I've realized that a relationship ending in a tough way doesn't always have to result in anger and resentment. You can allow that powerless feeling, the intense hurt and the grief, to soften you. I found a lot of compassion for both myself and the other, as I fell apart and then started to build my life back up again. There can be a balance while adjusting to a new normal.


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Joe Kenney - Another Side (Feat Joy Ike).

Joy Ike teams up with Philly pianist Joe Kenney to offer hope for Mental Health Awareness Month in “Another Side”

'Another Side' is emotive but also spiritually uplifting, as it makes you look at your own life with fresh eyes. The lyrics shine through the musical styles, which are seamlessly stitched together. - Neon Music (United Kingdom): Premiere of "Another Side"

Joe Kenney is a recording artist, songwriter, and pianist from Philadelphia. The music on Kenney's four albums and various collaborations span multiple genres, and are reflective of a cohesive blending of classical music theory, jazz fusion, rock, soul, and hip-hop idioms. Joe has garnered praise for both his original compositions and cover arrangements.

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Dance Lessons - Worn Through - MK Naomi

Dance Lessons - Hurricane. London’s jazz-pop futurists Dance Lessons have announced the release of their hotly anticipated debut album Begi...