This the The Ukulele Orchestra Of Great Britain in concert at the Glatt & Verkehrt Festival, Winzer Krems, Krems, Austria on the 26th July 2009.
The superb musicianship along with thier unique take on so many famous songs across different genres along with the humour, make this a definate must have for all fans, and a great reminder for anyone who has seen them at festivals or on tour. If The UOOGB are new to you then in my opinion this is one download worth the time checking out.
This recording has had any radio announcements edited out and on occaision this is noticeable between songs however does not distract at all, and the banter from the band remains intact.
Source: FM Stereo Broadcast.
Sound Quality: Very good stereo mp3@256kbps.
Genre: Unique take on rock to pop to country and on...
Set: Full Set.
Set List:
01 Intro
02 Running Wild
03 Born To Be Wild
04 Miserlou
05 Life On Mars - My Way - For Once In My Life - Born Free - Substitute
06 Anarchy In The UK
07 Hot Tamales
08 Theme From Shaft
09 Teenage Dirtbag
10 Yes Sir, I Can Boogie
11 Pinball Wizard
12 The Good, The Bad, The Ugly
13 Rock Around The Clock
14 America
15 Limehouse Blues
16 Orange Blossom Special - In-A-Gadda-Da-Vida
17 Hard To Handle
18 Smells Like Teen Spirit
19 Fly Me To The Moon - (Where Do I Begin) Love Story - Wild World - Killing Me Softly with His Song - Hotel California - I Will Survive
20 Le Freak
In 1938, a group of winegrowers founded the Winzer Krems, Austria’s biggest producer of high-quality wines, situated in Krems. The location offers a gorgeous view over the whole town, the river Danube up to the Göttweig monastery and the Lower Austrian wine growing area at the border to the Wachau. This is the setting for this concert and festival.
The orchestra has had varying line-ups over the past two decades, but is currently performing as an octet, with seven ukulele players and one bassist. The members wear traditional orchestra dress for performances, with the men in black tie and the women in smart evening wear.
It is worth going over the history regarding this Peter Frampton recording.
The show was was performed at San Francisco's Record Plant studios on the 24th March 1975 without any audience which does give a 'session' feel to the material. It was originally broadcast on KSAN-FM's Live From The Record Plant concert series in 1975.
Peter Frampton had little commercial success with his early albums. This changed with Frampton's breakthrough best-selling live album, Frampton Comes Alive!, in 1976. As a result bootleg versions of the KSAN show began to appear.
A limited edition CD release was remastered from the original master tapes by Suha Gur in 2004. Peter Frampton himself was involved in the project and 5000 copies were made. These often change hands for in excess of $100 (USA).
Source: KSAN radio broadcast.
Sound Quality: Very good stereo mp3@192kbps.
Genre: Rock.
Set: Full Set.
Set List:
01 - Introduction 0:21
02 - Wind Of Change 2:59
03 - Baby, I Love Your Way 4:43
04 - Baby (Something's Happening) 4:43
05 - Day's Dawning 3:40
06 - Lines On My Face 6:26
07 - Doobie Wah 4:54
08 - It's A Plain Shame 3:40
09 - I Wanna Go To The Sun 6:34
10 - (I'll Give You) Money 5:21
11 - Do You Feel Like We Do - Outro 12:46
The last round up of new music for March and there is plenty of diverse music, that hopefully will have something that appeals to your ears. I really do intend to fly through this addition so in no order at all here we go...
Starting with the wonderful My Education who have a new album coming out on the 27th April 2010 called 'Sunrise'.
Word is, it is absolutely their best album to date and really shows the band expanding their compositional talents.Well having listened to the track featured below I will personally be after more from them, the musicianship and atmospheric build are spot on for me.
Keepaway are from Brooklyn and signed to Lefse Records and have an EP coming out on the 18th May 2010 entitled 'Baby Style'.
A vibrant sounding indie band that have a stand out sound in the crowded indie market place, There is enough thats unique about their musical styles, and of course there are influences but hey I just love the song featured below.
The Delta Mirror have received some positive attention from the likes of Pitchfork and Stereogum, and for good reason. There is something a little haunting and distant about their sound that strikes a chord for me.
Their debut album 'Machines That Listen' was released a couple of weeks ago. Craig Gordon and David Bolt started out as a hip hop two piece in the late 90's and have been writing music in some form ever since. With the addition of Karrie K on bass, their sound has progressed to an ambient mix of shoegazy guitar and gothic vocals, but their production has held onto the same boom bap button pushing they started with.
Listen: 'He was worse than the needle he gave you'
Whilst on the theme of distant and haunting music Tape Deck Mountain released 'Ghost' back in January of this year.
There is most definately atmosphere and warmth within the sound they create and musically they discribe themselves as a mixture of Indie / Gospel / Acousmatic and Tape music. This is one of those bands that are hard to pidgeon hole in anyone genre, whilst their musical structure is solid and consistent they seem to creep off in different directions within any one song, anyway we say well worth checking out.
The Brazierlights In The Window are a Danish band that for some obscure reason remind me a little of Amon Duul II but dont ask me to explain why.
The Brazierlights In The Window are one of the most interesting bands in the Danish underground scene (I am told), because they do not sound like an ordinary Danish Indie Rock act. One of the most interesting things about TBITW is the age of Anton Rank and Perry MacLeod Jensen which are both just 18 years old. I have to say their music is mature sounding and very creative and I sincerely look forward to hearing more from them.
Playing a sold out show in LA sharing a stage with Memory Tapes is a feat many bands would give anything for. When your band was just formed around the begining of January, this feat is amazing.
This is the beginnings of Dazzle Ships, a duo consisting of Tyler Haran and Hatii De Leon. They wanted to make music that sounded like David Bowie, Brian Eno, and Cocteau Twins among others; they try to make “experimental pop music”.
The young pair have a phobia of doing the same song twice so they try to radically shift roles and techniques while writing a song. More Please!!! (oh and if your still trying to work out where you have heard the name before its OMD).
The Vicious Guns are a Toronto-based electro-rock band that is making waves on an international level with their sleek, edgy sound. The Vicious Guns, featuring Jennie Vicious (formerly of Tuuli and The Von Bondies), Richie Vicious (formerly of The Scourge of the Sea) and new bassist Alana de Vee. They are one to watch this year and have been on the receiving end of some upbeat reviews.
"The Vicious Guns are everything a band should be; cleverly written lyrics, infectious dance beats, cheeky vocals, and an onstage/offstage compatibility that is so charismatic you can't take your eyes (and ears) off of them." – Dead Sexy Magazine
"This duo carves out sleek garage-rock buzz that leans heavily towards The Jesus & Mary Chain, including elements of Joy Division and New Order. Sassy bassist/vocalist Jennifer captures unwavering attention, while Richard is the obvious driving force on guitar, perfectly complimenting her blissed-out vocals. With a dress-code that crosses into BRMC territory, The Vicious Guns rekindles that Creation Records spirit to crisp perfection." – Lonely Vagabond
You may have noticed that Beehive Candy owes something to the B-52's with our picture of Kate Pierson complete with 'Beehive' hairstyle residing alongside our 'music sharing policy'.
Therefore it's about time we gave them some coverage musically and this is a solid performance from the band back in 1982.
The band were taking part in the Jamaica world music festival and this concert was performed at The Bob Marley Performing Arts Centre in Montego Bay on the 25th November 1982.
The recording starts with the first song fading in and I am not sure if this was the first song of the performance, however it is likely as they were one of many acts on that night, and the running time seems about right.
Source: Soundboard.
Sound Quality: Very good stereo mp3@192kbps.
Genre: New Wave, post-punk, pop, surf-pop, dance rock.
Set: Full Set.
Set List:
01 - Party Out of Bounds (2:30)
02 - Give Me Back My Man (5:54)
03 - Planet Claire (3:55)
04 - Throw That Beat In The Garbage Can (3:56)
05 - Lava (4:10)
06 - Mesopotamia (4:18)
07 - 6060-842 (3:34)
08 - 52 Girls (3:11)
09 - Dance This Mess Around (4:18)
10 - Rock Lobster (5:11)
11 - Private Idaho (3:14)
12 - outro goodbye and announcer (1:51)
The band stick close to the studio versions of material in this concert which is quite challenging as the arrangements are quite intricate despite the catchy nature of their music. There is some wonderful passion in 'give me back my man' and and if I am not mistaken they took advantage of a horn section here and there.
New file link in comments below - Re-uploaded 2012 (Stealth project).
This is Billie Holiday live at the Storyville Club, Boston, Massachusetts, USA. The shows were recorded during a residency at the club in 1951 and broadcast the same year.
Despite some research I am still uncertain if the dates cited (29th October to 1st November) refer to the actual show dates or radio broadcast dates.
This is sourced from the more complete original radio tapes. Some of the tracks were digitally remastered and officially released on CD (see Amazon link below).
Songs are repeated as the radio broadcasts most certainly covered different sessions and nights.
Source: Radio Tapes (Pre Broadcast).
Sound Quality: Good mono mp3@160kbps.
Genre: Jazz Vocal, Jazz, Blues.
Set: Selected for Radio from residency at Storyville Club.
Set List:
1. You're Driving Me Crazy
2. Lover Come Back To Me
3. Ain't Nobody's Bizz-ness If I Do
4. He's Funny That Way
5. Billie's Blues
6. Miss Brown To You
7. Detour Ahead
8. Strange Fruit
9. Ain't Nobody's Bizz-ness If I Do
10. All Of Me
11. I Love You, Porgy
12. Miss Brown To You
13. Billie's Blues
14. Lover Man
15. Them There Eyes
16. My Man
17. I Cover The Waterfront
18. Crazy He Calls Me
19. Lover Come Back To Me
Links: The Official site of 'Lady Day'HERE. Wikipedia HERE.
Band Line Up:
Stan Getz (tenor sax) Buster Harding (piano)
John Fields (bass)
Marquis Foster (drums)
Billie Holliday (vocals)
Comments:
Quoting from 'CD Universe' regarding the Storyville gigs 'By the early '50s, Billie Holiday's tone and timbre were already markedly different from her light, sensitive approach of the '40s. Deeper, richer, and more heavily stylized, her delivery here is gorgeously drowsy, an aesthetic heightened by the intimate setting and feel of the live nightclub to the point where both Lady and the combo border on the seductive consistency of molasses'.