Thursday, 3 December 2015

Rock Of Ages: Oracle North - Plum - The Missendens

Oracle North - Communion.

Background - Having previously collaborated on numerous projects and having released material on labels such as Kitsuné and Palms Out Sounds, Swedish four-piece Oracle North are currently getting ready to release their debut EP. Drawing inspiration from life-embracing warm and ambient soundscapes and colder forms of new-wave and punk; their new EP moves around themes as loss and alienation but never hits a dead end, rather a supposition for rebirth, for becoming your own origin.

As a complete entity ‘Communion’ is both a distinct and consummate release, which when broken down calls to mind the sounds of New Order and the Manchester post-punk scene, whilst seamlessly applying osmotic pressure in the form of darkwave textures and 80’s influenced electronic sections to merge and create an EP full of rich yet dark, atmospheric colours and an orchestrated bohemian individuality.

Talking about their forthcoming EP, the band said, “I think our music is touching on subjects like estrangement and existential anxiety, which is expressed through some sort of yearning for a more primitive experience. Aesthetically, we've been inspired by equal parts Greek mythology; the Dionysian, Apollonian dichotomy and so forth, and the late 70s, early 80s DIY culture. And Can... and Suicide.”

As touched on in the promo, there are some older post punk vibes within 'Communion', however there is far more to the song than that. It has that clean, precise sound of 'older' New Order, but enough of it's own identity and quality to grab my attention. I like it, and surely that's what its all about.

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Plum - Light Years, Dark Years.

Background - Like an old kaleidoscope pointed at the present, Plum is a psychedelic rock outfit that brings the aesthetic of 60's and early 70's music into a modern context. Velvety vocals, hallucinatory harmonies, and prismatic guitars provide soundtracks for daydreams. Formed in late 2014, Plum's members came together with the ambition of filling the void of vocal harmony and vintage guitar driven music in the modern music scene.

The high powered, heavy hitting vibes of this band seem to come almost naturally – and they should. Having formed in late 2014 the band has already had a chance to open for giants like Charles Bradley, Win Butler and The Districts. The point being – Plum are on to something special and any true fan of Chuck Berry's music should be enamored within seconds.

The problem with music like this is that it reminds me of just how old I am. Surely not you say, still it does give me a chance to compare from memory whether it stacks up against their forerunners. For me, some types of music are timeless and Plum have that feeling going for them. So whether there are comparisons with the 60's or early 70's is academic, it's great music, done well, thanks Plum!

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The Missendens - Rolling Start.

Background - The Missendens is that rarest of creatures: a kick ass band of like minded souls who have all earned their stripes the hard way, treading the boards at countless gigs in countless bands, who have come together to bring songs of undeniable importance to all who will listen. 

Like a lot of great music, The Missendens began with a lone songwriter strumming away - forgoing sleep, pouring years of passion, life's lessons, successes and failures into chords, melodies and lyrics with true meaning. Very quickly it became evident that the bagful of songs Craig Hansen had been working on were sonically too big to be done justice by one man.

Friends were called, classified ads were placed, and eventually a band of music obsessed ‘brothers’ who were born to play was formed. Not for lure of money and not to chase some elusive dream, but purely for the love of 'the song' and the thrill of the indescribable, spine tingling power of a band in step with each other.

Recorded at Surry Hills’ Hercules Street Studios and Camperdown's Church Street Studios with former lead guitarist of Thirsty Merc Sean Carey engineering, The Missendens debut album, due for release in March 2016, was recorded in a total of 10 studio days.

'Rolling Start' is one of those songs that just gets on with it. It has the hallmark of musicians who know there stuff and having read their bio above I guess that much is clear. What makes the difference is that, the chemistry evidently exists within the band. Add a good old rock'n'roll song and a love for the music from those performing it, and you arrive at a fine song like this.

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Wednesday, 2 December 2015

Midweek Three: Sinnet - Peppermint Heaven - Justin Sawicki

Sinnet - Houdini Hands.

Background - Aaron Spransy knows a thing or two about Midwest Manners. The Wisconsin native has been settled in Boston for some time now, playing around town as guitarist for indie-pop melody makers The Fatal Flaw, but his own musical vision recently crystallised with Sinnet. His two-mikes-and-a-laptop bedroom project now evolved into a full-fledged band. That fleshing out of sound nicely augments songs like Castlevania, a smooth-as-f66k electronic pop soul-sucker that's the lead single off, an eclectic collection of lush sounds and lively spirits on their e.p. Midwest Manners. - Mike Marotta / Boston Phoenix.

Sinnet brings to mind the dusty, stoic Midwest of Steinbeck and the "The Last Picture Show". This Boston group rips its way through a very studious, carefully arranged, and sometimes cathartic slew of inventive indie rock. - Matt Parish / Boston Globe. Sinnet has received airplay on Boston's WFNX and WMBR radio as well as features in the Boston Globe, Boston Phoenix, The Noise and The Weekly Dig! 

'Houdini Hands' is we are told, about indecision and the mysterious magic of love and commitment. Musically it is quite distinctive, the keyboards are a little reminiscent of The Doors, but there comparisons end. The video for this has a 'spooky, tongue in cheek' theme, however I just feel the song on it's own is something quite special.

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Peppermint Heaven - I'll Be There For You.

Background - After cutting their teeth playing the Chicago indie club scene several years back, Peppermint Heaven aka Juno (Vocals, Keyboards) and Spark (Vocals, Bass, Drums) separately made the long trek from Chicago to LA eventually winding up together in the summer of 2011 when they began creating their own tasty brand of 80s-influenced indie pop, replete with heavenly harmonies, Juno’s delicious keyboard hooks and Spark’s inventive bass ‘n’ beats.

Taking their name from an obscure pre-Smiths Morrissey song, Peppermint Heaven found a home at indie band playground The Bedrock in LA’s storied Echo Park area and several months of playing, writing, recording, mixing, and honing their sound followed.  After a wintry trip to London in early 2013, the boys decided that the UK would be the perfect launching pad for the band. This made perfect sense, as many of their influences hail from the UK (Tears For Fears, Pet Shop Boys, Simple Minds, New Order, Howard Jones, Psychedelic Furs to name a few). 

Having unveiled their debut EP, the aptly titled The Delicious EP, last year, the band were thrilled with the loving response the record received, including a Top 10 placing on Music Week’s dance chart. Building on their earlier efforts, the band returned to the studio impassioned by the response.

With echoes of David Bowie, Morrissey, Erasure and Pet Shop Boys, but also boasting a distinctive Peppermint Heaven edge, the duo return with their ambitious debut album Precious Things. Hypnotic album opener Stranger Than Fiction is a clear demonstration of how the boys have raised their game. An intriguing dancefloor filler which sees Duran Duran meeting New Order, Spark and Juno show that they are plenty capable of reaching the arena highs of their musical idols. Journeying through the social comment of tantric The Cage That We Live In through to the uplifting breeze of The Girl I Used To Know and the irrepressible earworm Foreign Feeling (think Heaven 17), Precious Things is an ambitious debut that delivers what the duo have always promised – a big nostalgic 80s driven, contemporary pop record.

Unfortunately I cannot share anything from the forthcoming debut album as yet, however 'I'll Be There For You' is a reasonable introduction, for those new to the duo. What I will say is the album really builds on earlier work, and the comments above are pretty spot on music wise. Due for release on 29th January, I have a feeling they may well be in for a considerable amount of attention.

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Justin Sawicki - Upsala Trees.

Background - Justin Sawicki has been active in the Hamilton Music Scene since 2003. In that time he has shared the stage with such acts as Dave Bidini (Rheostatics), Selina Martin, Tomi Swick, Tom Wilson, Terra Lightfoot, and Max Kerman (Arkells). In 2007 he recorded in Daniel Lanois’ legendary Grant Avenue Studio. In 2009 he won the Committee Award at the Hamilton Film and Music Festival, and in 2011 released his LP. The offering, Nothing For No One, has been described as "a portrait of an artist who loves to explore" and as being "eerily romantic and playful".  In 2012 the recording was nominated for Independent Album of the Year at the Hamilton Music Awards.

In December of 2015, Justin Sawicki, the songwriter's self-titled second album is set to be released. The most recent effort is more honed and mature with a strong focus on traditional roots rhythms and arrangements. This time, Sawicki offers uptempo numbers (Louise, Honey Bee), songs with humorous insight (I've Never Been a Farmer, The Polar Bear Song), and songs referencing obscure Canadian Geography (Upsala Trees). The album will have it's physical release on December 11 at the Artword Artbar in Hamilton, ON.

Taken from the new self titled album, the song 'Upsala Trees' really is just a glimpse, of some varied and very pleasing songs. There has been a considerable amount going on in Justin's life of recent times, however as an independent artist, the vast majority of delivering this album has been on his shoulders. That said musically and lyrically this is a mature piece of work, that in my opinion deserves to get noticed. Website here.

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Stella Diana - Shohet. (From The EP Alhena)

Stella Diana - Shohet.

And the promo says - Stella Diana have confirmed details for the international release of their vast, compelling EP ‘Alhena’, which will be available through Italy's Vipchoyo Sound Factory and Britain's Raphalite Records on December 4th. The first single ‘Shohet’ foreshadows a release full of melodic gems. Tracks spirit you into a state of bliss, underpinned with a harmonic complexity that both beguiles and entrances. Welcome to your new favourite Italian band.

Stella Diana are Dario Torre (vocals and guitar), Giacomo Salzano (bass guitar), Raffaele Bocchetti (guitar), and Davide Fusco (drums). This EP was mixed and mastered by Marc Joy of Lights That Change and Alexander Kretov of Ummagma. 

Hailing from a city more known for pizza and opera than shoegaze and new wave addicts, Stella Diana possess not only the spirit of late 80s/early 90s British bands like Catherine Wheel and Ride, but also the dark wave seeds of Joy Division and the stylistic underpinnings of new wave artists like Psychedelic Furs and The Chameleons, all of whom number among the band's influences. Others include Pale Saints, Lush, The Stone Roses, Codeine, Christian Death, and Talk Talk.

Since their inception in 1998, Stella Diana has gradually become recognized by the Italian press as one of the best shoegaze bands in the country with their intricate, brooding and textured mix of shoegaze, post-punk, dreampop and new wave. They have managed to grow a sizeable international following despite singing entirely in Italian – an unprecedented achievement for an Italian indie band in these respective genres.

I am really impressed with Stella Daina's EP 'Alhena'. 'Shohet' is probably the most intense of the five tracks which includes a fascinating cover version of Kula Shaker's 'Govinda'. The band sing in their native tongue, which for me adds to the intrigue, and enables them to perform truly from the heart.
 
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Monday, 30 November 2015

Alternative Take: Thug Entrancer - Liskka - FERDI-F - The Weather

Thug Entrancer - Curaga.

Background - Thug Entrancer, aka Denver-based producer Ryan McRyhew, has announced his sophomore full length Arcology is arriving via Daniel Lopatin's forward-thinking electronic label Software on March 4th. A sonic narrative of an imagined alien colony existing between the fabric of known and unknown worlds, Arcology explores high tech / low life society, mechanical structures, and data-driven humanity in an evocative techno framework. Though conceived in a similar improvisational womb as McRyhew's debut, the new album moves from the free-form foot workouts of Death After Life with an expanded palette vibrating brightly with melodic deployment.

McRyhew did not sculpt Arcology's universe alone. Milton Melvin Croissant III designed the album's artwork, live visuals and forthcoming video pieces, the offspring of an expansive collaboration and a lifelong friendship between the two Coloradans. At the outset of recording, McRyhew and MMCIII spoke at length on the theme of world building: "What interests us the most in science fiction... is the ability to construct a new universe, culture, and environment," notes Croissant III. "World-building is something we strive for individually in each of our creative practises. The ultimate goal of this collaboration is to use the music of Arcology as a framework to create a universe."

"The album title stems from the idea of a structure or object that is entirely self-sufficient and life-generating with little to no outside influence," notes McRyhew. Thug Entrancer's new odyssey expands on DAL's themes of isolation and displacement by envisioning how similar emotions would play out in a fantastical environment. Arcology scores a VR addict's routine or a sleepless night in a still-suit, a suite of anthems for the sci-fi lover and dystopian dreamer.

There is something about 'Curaga' that works for me. The music seemingly snakes and weaves within itself, at times quite intricately. All of this needs the order of the constant dominant beat, the result makes next years album, one to look forward to.

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Liskka - Keep Me Awake.

Words from Liskka - 'Keep Me Awake' is a spooky, dripping wet, autumnal song that utilizes real instrumentation such as Oboe and Trumpet, samples, and alluring vocals to create a gorgeously exciting, and cinematic song.

'Keep Me Awake' takes cues from glitch, electro pop and Modern R'n'B, whilst managing to sound absolutely nothing like any of them. Warm organic sounds of horn and piano litter the track, adding a beautiful respite to a fairly restless scene. Meanwhile, self-referential stop-start samples emphasise the glassy alien tone, all combined, it amounts to an interesting journey.

After toying with several demos, we decided to quietly release a 5-track EP to help define our sound. A clear winner was the combination of electronic glitch and organic instrumentation. 
Following that EP is 'Keep Me Awake' which we think is both a continuation and the beginning.

Now I really do like this song. Each layer fits beautifully together, the music is a concoction of ideas and instruments, that playfully work wonders, supporting the vocals that take it all even further.

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FERDI-F - Headbang (original Mix).

Background - FERDI-F is a a session drummer, recording engineer and producer with a unique approach to his blend of EDM. 

Boasting over twenty albums (involved as an engineer) and ten single releases of his own material, FERDI-F set out to develop a sound that is all about connecting with listeners through high-energy release, uplifting melodies, and a floor-shattering beats not unlike influential performers such as Hardwell, Tiesto or Steve Aoki, just to mention a few.

This has been around for a few weeks, however it's to good to ignore. As you might imagine the drums are clearly a key component of the music, but by no means the dominant part. This is more stripped down than a lot of house music and as a result the tiny and detailed parts stand out more, much to my ears delight.

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The Weather - Too Late.

Background - After ten long years in the desert, Isaac James is back with a new electronic project, The Weather. Shaking of previous vocal house roots, The Weather has emerged with a TB-303 Bassline synth and cut up sample attitudes to produce uplifting debut "Too Late" Releasing a string of house hits in the 2000??s through Sony Music, Central Station and Vicious Vinyl, Isaac is no stranger to the scene, responsible for the 'Dirty South remixed "Just Can't Handle this" and single ??Baby Likes It? which charted at number 4 on the UK dance charts and gained global TV and radio play.

Under a new moniker and with a fresh new direction, The Weather now makes a new home in the world of uplifting electronica; carefully melding samples, analogue synths and vocal drops in this refreshing sonic reinvention.

'Too Late' just puts me in a good mood. The vocal lines are a delight and the chunky bassline synth just punches (and punches) the beat out. Clearly a lot has gone into this, the result is something quite uplifting.

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Saturday, 28 November 2015

My Morning Jacket - Bonnaroo, 2008.

From the Internet Archive (IA) this is My Morning Jacket live on the Which Stage at Bonnaroo, USA, back on the 13th June 2008. The Which Stage is basically the second stage and generally features the last performance before that of the headlining act each night. After the headlining act performs, a late-night show often follows here.

As was the case on this occasion. The band toured in support of their then new album Evil Urges that summer, which included a storied appearance at Bonnaroo Music Festival in Manchester, Tennessee. The band, beginning at midnight, performed for four hours in the rain. Unfazed by a torrential downpour for much of its first half, the band's set went on to feature thirty five songs, including all but two tracks from Evil Urges and numerous covers, and featured guest appearances from Kirk Hammett of Metallica. The set has commonly been regarded as among the band's personal best and in the history of that festival; Rolling Stone called it "career-defining."

Recording Details: Source Neumann ak40 > lc3 > ka100 > km100 (FOB, 5' LOC, 7.5' up, NOS,) > Lunatec V3 > MTII (24/48), Lineage Microtrack II > PC > Wavelab 5 (Fades, 48k>44k, MBIT+ Dither) > CD Wave > FLAC.

Sound Quality: Good to very good (widely regarded as one of Bonnaroo as well as the bands best concerts, the audio quality holds up for the whole four hour duration, for what is something of a legendary performance).

Set List:

Set 1:
Evil Urges
Off the Record
Gideon
Hot Fun (Sly & the Family Stone)
Highly Suspicious
What a Wonderful Man
I'm Amazed
Thank You Too!
Touch Me I'm Going To Scream Pt.1
Sec Walkin
Golden
Two Halves
Lay Low
Hit It And Quit It
Tyrone
Steam Engine
Anytime
Aluminum Park
Easy Morning Rebel
Dancefloors
One Big Holiday

Set 2:
Cold Sweat
Get Down On It
Across 110th Street
Wordless Chorus
Phone Went West
Mahgeetah
Oh Sweet Nuthin
Librarian
Bermuda Highway
Dondante
Run Thru
Smokin from Shootin
Touch Me I'm Going To Scream Pt.2
Encore: Home Sweet Home

Website: Official Here.

Comments: There are FLAC, Ogg Vorbis and mp3 download files, along with the streaming material over at the Internet Archive (here).

Stream Below:


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