Friday, 11 December 2020

Remington Super 60 - Mood Taeg - Ali Horn - Wynnm - Lorna - Casual Fan

We shared an E.P by Remington Super 60 at the beginning of the year and it's good to have them back with today's new single release 'I Won't Change My Mind'. The bands smooth flowing indie music is notably melodic and intimate on this new track. ===== Mood Taeg double A side release is a feast of German musical influences from Kraftwerk to Can indeed the first song 'Corpora' is reminiscent of both bands, whilst 'Konkord' sees the duo put more of their own mark and styling into effect, both songs are wonderful. ===== We have had the pleasure of featuring Ali Horn a couple of times in the past and today's release 'End Credits' is another fine song, with a bright and rhythmic musical backdrop and his distinctive vocals adding plenty of feeling. ===== Wynnm returns for a third time this year with 'Falling From The Stars' a song that sees her attractive vocals upfront above a more restrained yet intricate musical arrangement. ===== Yesterday Lorna released her first E.P 'Who I Really Am' from which we have 'Go On And Breathe' which makes for a good representation of this imaginative singer songwriters four song collection. ===== Earlier in the year we shared two tracks from today's E.P release from Casual Fan entitled 'I've Dreamt About These Days' and I think it's fair to say all eight songs are of a very high standard where alt rock melodic and sweeping vocals and harmonies are everywhere.

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Remington Super 60 - I Won't Change My Mind.

I Won't Change My Mind is the second single from Norwegian band Remington super 60's upcoming EP, due to be released February 2021. The theme of the EP as well as this song is very personal to the band due to the breakup between Remington super 60's producer Christoer and singer Elisabeth. 

They are still good friends and have continued their musical work together Remington super 60 was founded by Christoer Schou in 1999 as a bedroom DIY project, between 1999 and 2007 the band was very active on the indie scene with several albums and EPs released on various small labels around the world. The early music style was very inspired by 60s music such as Beach Boys and Burt Bacharach but with the addition of lots of Casio keyboard blips and beeps.

Christoer has an impressive collection of small Casio and Yamaha keyboards. This resulted in the band being labeled as a Casio pop band. After 2007 the band only gave a few life signs every now and then. But since 2019 they started to produce a lof of new music again that resulted in the EP "New Ep" released January 2019. Musically they have now been labeled more or less a dream pop band by various blogs.

The band is still a DIY project although not based in Christoer's bedroom but in his living room. “Remington super 60 know how to cut a track” - Super world indie tunes “Dreamy sounds from Norway” - Tonspion.de “Remington Super 60, «The highway again». En ekte drømmelåt” - Kultur magasinet PLNTY “what matters most is that they sound just as delightful now as they did back in ’98” - Austin town hall “beautiful dream-pop” Barry Gru Remington super 60 2020 consists of: Christoer Schou, Elisabeth Thorsen and Magnus Abelsen.


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Mood Taeg - Corpora / Konkord.

Mood Taeg (pronounced mood tag) is a Scottish / German musical project located between Düsseldorf and Shanghai. Mood Taeg create music that incorporates the motorik drumming of Klaus Dinger and Jaki Liebezeit; the melodic sensibilities of Neu! and Kraftwerk; and the experimentation of Can, Cluster and Harmonia to produce instrumental compositions that are contemporary and, at the same time, fit exactly within the lineage of their influences.
 

Mood Taeg see their music as uncompromising but totally accessible. They don’t believe the form dictates the art. For them, the art dictates the form. Thus, songs may often be 10 minutes long with motorik grooves punctuated with vocal samples, ethereal synths and angular guitars. On this new single the band add extra elements to their sonic pallet. The A side, ‘Corpora’ has been tightly edited with pulsing electronics at the forefront, creating a soundscape that is as much dreampop as it is krautrock. The AA side Konkord is part of a collaboration with Dundee Poet Andrew French. Its spoken word vocals in a distinctive Scottish twang add an edgy lo-fi indie-rock dimension, akin to that of Glasgow’s Arab Strap.
 

Mood Taeg record all of their music at their home studio, Lowell’s Garden. They are also part of the wider Mood Taeg kollektiv which includes musicians, graffiti artists, DJs, photographers, painters, and video artists.

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Ali Horn - End Credits.

‘End Credits’ is a nihilistic yet optimistic track about slipping into the unknown of the afterlife. Musically joyous, lyrically dower this track perfectly sums up the highs and lows of realising our human condition as we hopelessly and defiantly trudge towards the end.

More dance-y than his previous work and making use of a wider range of interesting instruments, Ali self-produced this track at his home studio in Toxteth, Merseyside in May 2020 collaborating with Ste Cole of What? Studios to add drums and mix the track.

The only thing we know for sure is that we can’t stay here for long. We’re a speck of light reflecting off a fractured fragment of smashing glass in slow motion. There for a second and then gone. But let's have fun while it lasts. You can’t hide for the inevitable.

2019 saw Ali Horn release his debut E.P. ‘It Wears Off’, six songs exploding with hazy pop hooks and sunburst psychedelia, with themes that stray between life, death, love and paranoia.

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Wynnm - Falling From The Stars.

Falling From The Stars is a bold snapshot of Wynnm's music evolution and, with her new EP in the works for 2021, an exciting peek at what’s to come from a multi-talented artist who crafts a new world with every piece of music she makes.

New single Falling From The Stars is a downtempo, electronic, indie song, where she brings together her unique mix of styles. After 2 minutes and 45 seconds you only want to do one more thing and that is press repeat.

Wynnm about her new single: "Falling From The Stars, as a song, asks you to walk the path towards the stream of consciousness. To alter reality, and to not trust what you once trusted. A fusion of nostalgic sounds and forward vocals, winter will be better with this song."

Much acclaimed debut EP Moonwalking, released earlier this year, gave Wynnm the attention she deserved with rave reviews and radio airplay all over the world. Her music can now be heard on radio in the USA, UK, Germany, Netherlands, Belgium, Australia, New Zealand, Canada, France, Russia, Ireland, Mauritius, Switzerland and Austria. Also her singles could be found in the Apple Music iTunes Charts in 44 countries worldwide! Falling From The Stars is released today 11 December 2020.

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Lorna - Go On And Breathe.

Who I Really Am, the first EP of singer-songwriter Lorna’s new Inspiring Conscious Pop project is coming on December 10th. The EP with original songs is the result of the Las Vegas-based singer's deep emotional conversations with followers of her new Facebook page, released right after the pandemic hit, back in May.

With a unique style that combines ambient music, Enya-like hypnotizing beautiful vocals, and emotional pop lyrics, Who I really Am, is a balm for the soul of the listeners, bringing comfort to their hearts and not rarely bringing tears to their eyes. In times when there is plenty of negativity and fear in the world, and when so many are hurting, emotional songs like “Go on and Breathe”, and “You Are Enough” transport the audience to a place of peace, hope, and positivity.

“I started this music Facebook page to create a community of people supporting each other to stay positive and to grow into self-love by developing themselves mentally and spiritually. To spread love and to comfort, but at the same time to empower them to feel strong and worthy, to overcome their challenges and to be happy”.

Soon enough, the engagement rate on Lorna’s page went through the roof, and people started sharing with her how overwhelmed, lonely and hopeless they felt sometimes, especially since the health crises started. That is how the songs of the new EP were born. With the intent of bringing positivity and encouragement.

Nowadays, even with a relatively small community of 15 K followers built in 6 months, Lorna’s Facebook engagement rate climbs up to 201 %, which shows how strongly and deeply she’s connecting with her audience when comparing these statistics to some of the biggest names on social media.*

Lorna is a multicultural influencer. Of English descent (her last name is Earnshaw), she was born and raised in Argentina and lived for years in Brazil before moving to Hollywood to teach vocal technique at a Los Angeles’ music university in 2013. She started building her Youtube channel in 2008, teaching singing lessons in Portuguese and English and helping students to believe in their dreams, with some of her videos reaching 1.2 MM views organically. As a voice coach, she has taught more than 1000 students from 102 countries with her online courses and more than 350 one-on-one students in English, Portuguese and Spanish.

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Casual Fan - I've Dreamt About These Days (E.P).

'I’ve Dreamt About These Days' was written between late 2017 and mid 2019, with most songs written while moving from Newcastle to Sydney in April 2019. Shortly after the move, friendships were made, a band was formed and songs were given shape and structure, going through several iterations before finally being captured during a week recording with Mark Myers at Big Sister Studio in Cairns, Sep 16-21, 2019.

The songs are primarily about movement between places. They were mostly written on acoustic guitar, but playing some sporadic live shows in 2019 allowed the songs to breathe and move beyond the confines of folk chords and simple lyrics.

'I’ve Dreamt About These Days' is a line in the second last song. It’s about growing up and realising that, while things are not what you thought they might be years ago when you were up late thinking about the future on a January school holiday midnight, the life we are given is usually more beautiful and meaningful than we give it credit for. In a sense, that’s what all these songs are about. Ultimately, the best thing about music is the friends we discover through making it or listening to it, and I’m grateful that writing and playing these songs has given me the chance to meet many wonderful people, who I now couldn’t imagine not knowing.

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Wednesday, 9 December 2020

Melby - Classic Water

Melby make their fifth appearance on Beehive Candy with the new song 'Common Sense'. Whether it's indie pop, rock, psych or folk Melby have the knack for creating superbly crafted music the latest single being no exception, it's another beauty from the Stockholm four piece band. ===== Classic Water have released a live version of their song 'Carthage' today. We have including the live and studio original as both versions are beautiful. I guess the easiest description for the song is indie folk however part of me feels it's more than that, whatever the case just enjoy this lovely track.

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Melby - Common Sense.

Stockholm four-piece Melby have constantly been growing since their debut with catchy single 'Human' in 2016. Last year, the band took their biggest step yet with the acclaimed debut record 'None of this makes me worry' which was followed by tour dates all over Europe. The band returned earlier this year with fittingly named single 'Things I Do When I'm Alone' and are now following up with new psychedelic pop single ‘Common Sense’.

The band often gets compared to fellow Swedes Dungen and Amason but Melby’s dynamic sound, with influences from folk, psych, indie and pop, stand out. The quartet's light, semi-psychedelic folk pop is led by Matilda Wiezell’s enchanting voice which fits perfectly with Melby’s unique musical landscape - a sound that's been called "otherworldly, and wholly brilliant" by The Line of Best Fit. The band consists of Wiezell, Are Engen Steinsholm (guitar), David Jehrlander (bass) and Teo Jernkvist (drums) and formed while living together in a Stockholm shared housing.

Common Sense is a new step as well as a development of the sound of Melby's debut, building a dreamy, psych-pop atmosphere and drawing on the more melancholy folk inspired sides that were showcased on None of this makes me worry, without losing the playfulness and sense of melody that always have been a big part of the band's sound.

Melby on the track: “During lockdown we started making music in a new way, recording demos at home and sending them back and forth to each other. Common sense was created like this, and we wanted to keep the strange and messy vibe of the original home recording. We are kind of modest people, so our version of weird and messy might not be the most weird and messy you’ve ever heard, but still. I think it’s got a bit of an edge to it?” 


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Classic Water - Carthage (Live & Studio versions).


Carthage is inspired by the story of the fall of the city of the same name, and by the Roman general who stood weeping outside the city as his soldiers burned it to the ground. He knew that at some point in the future, Rome had to fall as well. The song draws a parallel between the rise and fall of civilizations and the rise and fall of human relationships.

The songs of Classic Water bring to mind driving through dusty back roads of deserted villages, thinking back on what once was but will never be again. The surreal words of singer Tom Gerritsen are guided by stretches of intertwining melodies, alternated with brief bursts of rock and roll. 

In an earlier life, Tom released folk music as The T.S. Eliot Appreciation Society, playing over 180 shows in Europe. Seeing Classic Water perform live is a visceral experience. The debut album Concrete Pleasures was recorded and produced by Stacy Parrish (T Bone Burnett, Alison Krauss & Robert Plant) in a 14th century farmhouse in Sweden.


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Tuesday, 8 December 2020

Royal Horses - Mackenzie Leigh Meyer

Royal Horses shared 'A Modern Man's Way to Improve' a few day's ago and it's a really fine song from the South Mississippi trio. The bands desire to bend genre norms results in some fabulous music, the featured song being no exception as it mixes potent southern rock with impassioned vocals. ===== Mackenzie Leigh Meyer recently released the song 'Before You'. The Canadian multi instrumentalist country-roots singer has already received some well deserved attention and this song helps explain why, as the melodic arrangement, natural and heartfelt vocals collectively ensure the hooks dig in deep.

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Royal Horses - A Modern Man's Way to Improve.

“A Modern Man's Way to Improve is a genre bending love letter to the sounds that shaped the new South and us along with it.” - Royal Horses

Forged deep in the Piney Woods of South Mississippi, Royal Horses embodies the very best of what the region has to offer.

Featuring lyric-driven melodies that pay respect to the musical genres that helped shape the New South, including 70's rock, early blues, rockabilly, and folk, Royal Horses has managed to create a name for themselves the old-fashioned way – one high-energy performance at a time. 

The trio often bends genre norms while blazing a new path for themselves in modern music. The result is a gritty, yet powerfully-unique sound built on the strength of an undeniable musical chemistry. The band's debut record, A Modern Man's Way to Improve, was selected as an official release for Record Store Day 2020 and is now streaming on all platforms.


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Mackenzie Leigh Meyer - Before You.

Hailing from Hamilton ON, CA the 26 year old multi-instrumentalist country-roots singer has come a long way from her humble beginnings of community theatre and songwriting on the family piano. Emerging into the country music scene with her May 2018 release of debut EP “Dive Bar Diva”, Meyer is already getting praise for her unique style and enchanting vocals from industry professionals and country music fans alike.

With her song “Your Company” featured on ET Canada and more than 182,000 views on her YouTube, it’s no shocker that renowned producer Ken Scott (David Bowie, Supertramp) exclaimed “ Watch out Carrie Underwood” after working with Meyer on EP country-rock ballad “Should Have Known”.

Produced by Jeff Dalziel (2019 CCMA Producer of the Year) and written by Mackenzie, the heartfelt love ballad was a first-day-add to Spotify’s “Live Country” playlist and currently sits at the #10 position on Amazon’s “Breakthrough Country” playlist.

The track is a showcase of Meyer’s poetic and authentic storytelling paired with her unique sound and enchanting vocals.

“This song is my take on finding your soulmate” Meyer shares, “When you’re with the right person, they make everything better without seemingly doing anything, at least that’s been my experience. It’s not about the grand gestures. Love is in the little things”

“Before You” follows the heat of her debut EP Dive Bar Diva, which landed her a nomination for CMA Ontario “Roots Artist of the Year” in 2019.


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Sunday, 6 December 2020

Departure Lounge - The Ninth Wave - The School Book Depository

Departure Lounge new song 'Mercury In Retrograde' is a melodic affair, the musicianship is glorious and vies for attention with the softly delivered vocals, the only challenge is trying to pin it into any specific genre. ===== Glaswegian band The Ninth Wave new track 'Everything Will Be Fine' is now out. The bands mixture of indie pop and rock is dynamic and powerful, the vocals and harmonies add emotion on what is a hook filled piece. ===== It's been a while since we last featured The School Book Depository they have been consistently impressive and the new song 'Sunny Disposition' sees their gorgeous style of Americana once again impact wonderfully.

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Departure Lounge - Mercury In Retrograde.

"Mercury In Retrograde refers to the phenomenon whereby the planet Mercury appears, for a period of time, to be travelling backwards in the sky in relation to Earth. This happens a few times a year and is, according to astrological lore, responsible for all kinds of chaos, confusion and frustration in our lives here on the blue planet.

So that’s where the song title comes from and the lyrics document a period in a relationship when the protagonist is perhaps feeling the effects of this supposedly illusory occurrence.

Mercury in Retrograde is the only complete song we already had when Departure Lounge reunited recently to make the Transmeridian album. It had been a live staple in our first operative period around the turn of the century, but slipped through the net when it came to recording. At the reunion gigs, several people said it had always been their favourite and it still sounded fresh.

Musically, Mercury In Retrograde is a bit of an oddball, with a slow-picked acoustic guitar reminiscent of ‘Here, There And Everywhere’ offset by a Roni Size-esque drum ‘n bass groove played with brushes and double bass, accompanied by a slightly wonky Casio CZ101 nursery rhyme synth line. I’m making it sound like a car crash, but somehow it works. The way these apparently disparate elements fit together makes for a good analogy of how our band works and its celebratory chorus has proved to be a stubborn earworm."


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The Ninth Wave - Everything Will Be Fine.

Glaswegian band The Ninth Wave just released their new single "Everything Will Be Fine", the first new music to be heard since the band's Faris Badwan (The Horrors)-produced EP ‘Happy Days!’ and their AIM Award and Scottish Album of the Year-nominated debut album Infancy.

"Everything Will Be Fine" is a portent mantra to shout from the rooftops amidst some of the most confusing and unsettling times our generation has faced. Brimming with prudent positivity, the track is a product of the last 6 months the band have spent together in Glasgow.

It's immediately apparent that The Ninth Wave are moving into exciting new territory with "Everything Will Be Fine". An invigorating dose of dark emotive pop; there's a new air of confidence in the music the band are making. Not only is that confidence evident in their songwriting and production (they're currently self-producing much of their new material) – but also in the conviction of their lyrics.

"It’s a song about twisted optimism, self-reassurance and hope," singer Haydn Park-Patterson explains. "The overall message of the song seems fitting for the world that we’ve found ourselves in now. Like many of our songs, it has existed in various different incarnations. I wrote the first version of it in the summer of last year and it was originally intended to be a song for someone else’s comfort and reassurance. It was shelved until earlier this year, when I stripped it down and kept only the name of the song. It then became the twisted optimistic song that it is now after it was brought in, stripped down and rebuilt by us in the studio. It’s the happiest sounding song we’ve recorded."

The new single arrives alongside an almost 10-minute long extended 'Driving Version' of the track, which the band says: "was intended to be listened to when you’re driving alone in your car, imagining yourself in that sad but sweet scene in a movie when you’re the heartbroken but hopeful character driving off into the sunset to find yourself".

The band's new material promises to be more upfront and honest than ever before. Celebrating honesty and real life, The Ninth Wave want their listeners to find comfort in their music. They want their fans to feel safe; to be confident in who they are, and to know they're not alone with their feelings and anxieties.

“It’s a cathartic thing for both us and the listeners; we want to help with normalising being emotional and finding comfort within your sadness", the band went on to say.

With limited resources, isolation and continuing the self production they first began toying with on their 'Happy Days!' EP, "Everything Will Be Fine" is the first taste of the band's second album - due for release in 2021.

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The School Book Depository - Sunny Disposition.

This is a beautiful gem of an Americana-song, both punkish rebellious and bittersweet melancholic in its expression. Helena Lindsten’s fantastic voice effortlessly turns from soft and fragile to explosive with brutally honest and heartfelt passion that brings both Phoebe Bridges and Courtney Love to mind.

But behind this cheerful and sunny title we find an ironical orgy of frustration, boredom, angst and shortcomings that intentionally balances between tragedy and comedy. The narrator stacks low points in li life on top of each other, from job related boredom, rejection, broken collarbone and dishonorable discharge from the military, to being deprived of the fundamental right to dwell in your misfortunes in an imaginary canyon in the company of alcoholic beverages.

”If there was one, I’d be in the canyon, searching for answers in the bottle, if just not so, seems I forgot my opener at home, once again forgot to make a list."

With the album ”No depression”, the band Uncle Tupelo gave name to a new genre called ”No depression-country”. With that in mind, it might be time to add a new genre to the list?

Luckily this song, seen in its entirety, depicts the human ability to see humor in tragedy and the comical irony of life.And that is a cheerful thought is’t it? - Fredrik Solfors


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Saturday, 5 December 2020

Crawford Mack - Oracle Sisters - Owen Meany’s Batting Stance

Crawford Mack has shared a new video for 'Turning' a song that's taken from his recent album '‘Bread & Circuses'. We had the pleasure of featuring three other tracks from this exceptional album and 'Turning' is another example from this talented and highly engaging contemporary artist. ===== Oracle Sisters have shared 'The Dandelion' along with a video for the song. The Parisian trio have something of a timeless feel musically and have developed some atmospheric, melodic and dreamy music with this gorgeous piece. ===== Owen Meany’s Batting Stance was featured a couple of months or so back and his new video for 'Krakow' is a beautiful accompaniment for this moving and sublime song.

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Crawford Mack - Turning.

Glaswegian songwriter Crawford Mack performs with a sense of purpose and ardour in new video ‘Turning’. An ode to the legacy that people leave through their art, the new track is taken from his recently released debut album ‘Bread & Circuses’.

‘Turning’ exhibits Crawford’s diverse pallet, taking influence from his original jazz background, through to rock and classical, which he holds together with his singer-songwriter soul. Crawford comments “I wrote the track initially about being reminded of a former partner every time I hear certain music, so I flipped the roles and wondered aloud whether it was the same for her.

This track is part of my debut album 'Bread & Circuses'. It was initially inspired from messing around in Nick Drake's CGCFCE guitar tuning and trying to fit in a cello and clarinet line I'd picked up from Mozart Requiem. The guest Clarinet and Bass Clarinet feature is from Gustavo Clayton-Marucci.”

Directed and Animated by Alex Uragallo, the new abstract visual opens with a record spinning, which flourishes into everyday objects; a cleverly crafted metaphor capturing the idea that music evokes nostalgic memories. During the instrumentals of the track, colourful textured motifs created by Giulia Carisi encapsulates psychedelic-like sensations.

Of his new video, Crawford says “I got in touch with Alex Uragallo who is an animator I know from my time at college to ask whether he was interested in making a video that could use everyday objects to explore a theme of being reminded of someone every day when a song plays. Alex suggested collaborating with visual artist Giulia Carisi, to create colourful visual motifs that could be attached to the different instrumental lines, the motifs are inspired by her synesthesia when she hears the track.”

Recorded in Antwerp, the Crawford’s debut full-length ‘Bread and Circuses’ consists of ten tracks in which in his words “hopes will illustrate the conviction of an individual confronting their internal struggles, wrestling them to the ground but all the while waving a white flag of surrender.”


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Oracle Sisters - The Dandelion.

Parisian trio Oracle Sisters have shared ‘The Dandelion’, their new single and first taste of upcoming EP ‘Paris II’. The accompanying video, directed by Celia Marie and lead guitarist Lewis Lazar, is shot on double 8mm and takes the viewer through the personification of Paris. With the band as your beatnik tour guides, the video explores the gothic moods and noire spirit of the city.

Over the past twelve months, Oracle Sisters have built up a loyal and global following, blurring the lines between music and visual arts. Support for their music has come from NME, The Line Of Best Fit, W Magazine, Vanity Fair, Beats1, COLORS, BBC 6 Music, and more. This culminated in the critically acclaimed release of Paris I, mid-way through 2020.

Now, Oracle Sisters turn their attention to its sequel, their next EP ‘Paris II’ (due for release Spring 2021) with ‘The Dandelion’ the first taste of this new music. The track continues Oracle Sisters’ journey as musical auteurs that combine elements of rock, psychedelia, soul & disco into a sound that is truly their own. Speaking on the track, the band say, “the song is inspired by Chet Baker’s singing with a sort of disco back beat behind it”. Oracle Sisters’ influences are broad but also unconventional, and it’s this ability to dip into every musical style that sets them apart from their contemporaries.

With members hailing from across Europe, the band are uninhibited in their influences, finding inspiration within the art, cinema, philosophy, and music of the world over; resulting in a sound that is both sonically sophisticated and warmly familiar. Lyrically, they explore timeless narratives of love, mysticism and spirituality, scattered with intriguing insights into their own personal lives and experiences resulting in songs that are cryptic yet paradoxically familiar.

Oracle Sisters have been working hard in Greece currently finishing off their debut album. Along the road, they’ve also played impromptu shows on the island of Hydra with friends from The Murder Capital & Fontaines D.C – capturing the troubadour spirit of the band.

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Owen Meany’s Batting Stance - Krakow.

Operating under the moniker Owen Meany’s Batting Stance, Canadian singer-songwriter Daniel Walker is still exploring the expanses of human emotion following the release of his debut LP, Feather Weights.

For Daniel, creating Feather Weights was a pursuit of catharsis – trying to understand his personal experiences. After delivering his self-titled EP and doing rounds of the live circuit, he collated eight thoughtful, singularly voiced stories, all recorded above a fishmonger’s shop in the Halifax Regional Municipality.

The latest addition to the Feather Weights narrative is a visual aid for the emotionally charged number, Krakow. The track itself is a reflection of loneliness and absence accompanied with lulling guitar and soft vocals. Written during the final days of an overseas tour in Europe, Daniel contemplates spending Thanksgiving alone, being surrounded by unfamiliar faces and missing important life events all whilst fulfilling his life’s passion.

Directed by Nicole Cecile Holland, the video manifests this separation, following a solitary Daniel traipsing desolate, icy wilderness, whilst constantly being haunted by memories of the people he loves despite his attempts to rid himself of them.

No stranger to telling stories, he explains the inspiration for Krakow: “It was Canadian thanksgiving but, as the lone Canadian in the hostel, was spent navigating language barriers rather than family chatter over the dinner table... During the course of the tour, I also missed out on major life events friends and family celebrated. The crux of the song is how pursuing what you love can take you from who you love.”

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Friday, 4 December 2020

Natalie Bouloudis - Lauryn Peacock - Red Red (feat) Belle Starr - Safe Upstairs - The Mahones

Natalie Bouloudis returns with her third single 'Coal' taken from her forthcoming E.P. due at the end of January. We have featured Natalie a few times in recent years and have always been impressed with her distinctive and atmospheric music which this time manifests itself in dynamic alt rock form. ===== Today Lauryn Peacock has released 'Coming Over Me Again' and it's a rhythmic indie rock song where the vocals carry the melody on this catchy track. ===== Red Red have shared their new single 'Long Black Train (Feat: Belle Starr)'. Energized blues rock and fabulously natural vocals and harmonies make this a hook filled piece.  ===== Zurich-based, New-York-raised Jonas Blumer aka Safe Upstairs has just released 'Everything Went Away' which is a gritty and addictive song, his vocals and incredible lyrics are highly engaging. ===== The Mahones lates album is self explanatory enough, it's titled 'This Is All We’ve Got To Show For It – The Best of 30 Years'. Lovers of Irish punk and Celtic rock are probably familiar with the band, if not dive in, it's streaming in full below and an absolute joy to listen to.

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Natalie Bouloudis - Coal.

‘I never noticed the stars before, I always thought of them as great big diamonds that belonged to someone. Now they frighten me. They make me feel that it was all a dream... a form of chemical madness.’ - FS Fitzgerald, The Diamond as Big as the Ritz

Gutsy folk-noir singer-songwriter Natalie Bouloudis returns with her evocative new single Coal, musing on the unravelling of a relationship, through the shimmering lyrical metaphor of diamonds and coal, colliding in a stormy soundworld. Emerging from a sea of haunting reverb and fuzzy blues tones, Coal channels Is This Desire? era PJ Harvey, the cinematic punch of Weyes Blood's The Innocents, and the poeticism of Karen Dalton, whilst also offering Bouloudis’ own unique handling of beauty emerging from the darkness.

Bouloudis sings of hard lessons learnt, soaring from vulnerable to vengeful in tone, through a dramatic gale of gritty guitar arpeggios, brooding rhythms and biting violin. “It’s that moment when reverie dissolves into a nightmare and something which once felt so precious becomes painfully worthless,” she says, reminding us diamonds might be forever but you can't expect the same level of permanence when it comes to matters of the heart.

Coal is the third single to be released from the forthcoming EP Devil Is Doubt, due to be released on 29 January 2021.

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Lauryn Peacock - Coming Over Me Again.

Lauryn Peacock announces her first single in five years, “Coming Over Me Again.” Due out December 4, the single elicits phantom memories that resurrect the carefree spirit of youth. The standalone single’s uplifting beat and soaring melodies reintroduce Peacock as an artist ready to fly as she prepares for the release of her upcoming album in 2021.

Peacock wrote the song during the height of quarantine. She says, “All the time alone left me able to think, to really dig into some great memories. At times, they felt embodied, like I was being visited.” An intentional 90s production style captures the hint of nostalgia with vocals tucked into the music in a way that makes you want to turn the song up and up.

The song was recorded in the space where Alabama Shakes created their breakthrough effort.  Peacock enlisted co-producer Andrija Tokic (Alabama Shakes, Josephine Foster) and a backing band to include guitarist John James Tourville of The Deslondes, bassist Jack Lawrence of The Raconteurs and The Dead Weather fame, Molly Parden (Andrew Combs, Faye Webster, Liza Anne), and Meg Coleman, known for her other-worldly drum sound.

Lauryn Peacock rounds out the classical training in piano that reaches back into the beginnings of her childhood with 18 years of ballet and French. She toured the East Coast playing synth and organ for Philadelphia’s mewithoutYou and had the opportunity to play with Wilco’s Jeff Tweedy during two house concerts for charity. On her first records she worked with co-producer Daniel Smith (Sufjan Stevens, Danielson Family) as well as collaborated with Denison Witmer (Asthmatic Kitty Records) and composer Joshua Stamper (Sufjan Stevens collaborator, National Endowment for the Arts, MacDowell Fellow). This all contributes to WXPN proclaiming: “Lauryn Peacock has the range of a musician who’s been playing her whole life.”

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Red Red - Long Black Train (Feat: Belle Starr).

Coming from the crossroads of Europe, Red Red(USA/BE) is an unlikely cross-pollination between psychedelia, 70s guitar rock, blues and hip-hop turntablism. 

Led by an ethnomusicologist and multi-instrumentalist from Ohio, Red Red is formed from the finest musicians from the Belgian roots, blues, and jazz music scenes. 

Turntablist DJ Courtasock fills out the lineup, adding layers of sampled sounds from all over the world. Long Black Train, their first single for the NAKED label, puts all of Red Red’s influences together into a sound that is both completely new but still has something for fans of The Black Keys, Howlin’Wolf, Urban Dance Squad and Led Zeppelin. The B-side, the American roots traditional In The Pines, turns the song on its head with sounds and rhythms from North and West Africa.


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Safe Upstairs - Everything Went Away.

There's an incredible coolness in Safe Upstairs' new single 'Everything Went Away'. 

It's been recorded by Zurich-based, New-York-raised Jonas Blumer: He's the man behind Safe Upstairs. After gaining a lot of attention with his former singles in spring, he now sings about severe topics.

Or to say it in Safe Upstairs's own words: "There are always more than enough reasons to be sad and depressed. Sometimes you just have to be able to press pause end enjoy a couple of minutes without questioning the decisions you made in the past. They were probably all wrong. But that's ok. You will always have your memories of the good old times, as you might call them".

All tracks have been created in Safe Upstairs' own home recording studios.

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The Mahones - This Is All We’ve Got To Show For It – The Best of 30 Years.

The Mahones are a Canadian Irish-punk band, formed in 1990 by Dublin-born Finny McConnell, as a one-off band for a St. Patrick's Day party. Encouraged by a positive reception, McConnell decided to pursue the band full-time. The Mahones have released thirteen albums to date with their most recent, Love, Death, & Redemption, being released in 2018.

The Mahones’ music has appeared in several major films. They co-wrote and recorded the title track for the 1996 film Celtic Pride. Their song "100 Bucks" was featured in the 1998 film Dog Park. Their song "Paint The Town Red 2010" was featured in the climactic final fight scene of the 2010 film The Fighter. Their song "A Little Bit of Love" is in the 2011 film Irvine Welsh's Ecstasy.

Heralded as pioneers of the Irish punk scene, beloved six-piece outfit The Mahones, have announced a special 30th Anniversary retrospective, This Is All We’ve Got To Show For It – The Best of 30 Years to be released via True North Records today December 4, 2020.

This comprehensive retrospective captures many special moments with surprise guests on intimate stages over the decades.

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Wednesday, 2 December 2020

Kate Boothman - Sham Chewali - Focus Your Audio - Lorraine Nash

Kate Boothman releases '17' a song that she tells us was pretty much written and fully formed in just twenty minutes. That's impressive considering the depth and beauty of this track, I guess it took a little longer in the studio, either way it was time well spent. ===== Yesterday Sham Chewali released 'Yer Not Wrong' a song that opens with traditional folk sensibilities and gradually develops into a more modern piece, where alt rock is a reasonable reference point. ===== Last week Focus Your Audio shared a video for 'Over There' a song that has already gained plenty of attention for the Vancouver-based duo as their mixture of natural roots and Americana music resonates so well. ===== Lorraine Nash has just released 'Winter Sun' along with a video, we first featured her in October and the new song is another beautiful and creative contemporary folk song.

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Kate Boothman - 17.

Kate has gained a reputation as a solo performer, playing stripped-down acoustic sets as the invited opener for established songwriting talents like Joe Pernice (Pernice Brothers), Hope Sandoval (Mazzy Star), Ana Egge and Robyn Hitchcock.

“17 is one of those songs that emerged fully formed. I wrote it after a particularly heavy day during a particularly heavy time in my life. I was overworked, overwhelmed, under-slept, heartbroken, and generally confused. I got home at around 11 pm after being away for a while. I lay down on the floor for an hour and when I finally got up I wrote the entire song in only 20 minutes or so.

The songs meaning is quite literal. It’s about that confidence and arrogance that comes with being a spicy youth, and then all of a sudden you’re an adult and you realize you knew nothing. You look back and can’t help but examine everything you‘ve learned and lost.”


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Sham Chewali - Yer Not Wrong.

Sham Chewali delivers an enchanting treat with his new single  Yer Not Wrong. The track seamlessly marries elements of  traditional folk and alt rock, creating an experimental and  intriguing sound.

Opening with melodic guitar and smooth harmonies the song builds  energy, culminating in a stunning guitar solo. Yer Not Wrong is  bought to life through the slick production, cementing the  tracks magnificence.

Sham’s music beautifully reflects his roots growing up in Bury  in Lancashire and the many years spent playing the venues of  Manchester. Yer Not Wrong captures the distinct sound that comes  with the territory, reminding us once more the might of the  Northern music scene.

Sham breaks down the barriers of being confined to a single  genre, instead offering a multi-layered and authentic sound  which has been compared to musical geniuses, the likes of Guy  Garvey, Nick Cave and Richard Hawley.

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Focus Your Audio - Over There.

Vancouver-based duo Focus Your Audio's latest single "Over There" has been picked up by radio stations across the country and has received rave reviews from around the world, including here at home by Canadian legend Ron Sexmith. With over 15,000 streams in its first week, it's easy to understand why they've been coined "one of Vancouver's best kept secrets" by legendary Canadian producer, Adam Hurstfield. Their new Roots-infused, Country/Americana track was produced by Canadian music powerhouse Mike Young (bassist - Mother Mother) and engineered by Karl Dicaire (Mother Mother, Iskwe, Big Wreck).

The duo have just released their brand new music video for "Over There", directed by Jonathan Fluevog, music industry leader turned film director and son of iconic Canadian shoe mogul John Fluevog. Filmed in Ladner, BC, the video is a perfect compliment to the lyrics, melody, and overall meaning of the song. Sarah moves through the picturesque forest alone, as she performs the lyrics about a couple having trouble grasping how an argument allowed them to drift apart. With Bobby playing guitar and Sarah meeting him in the clearing amidst the sunset, the video for "Over There" perfectly captures the emotion and meaning of the song.

Comprised of Sarah McArthur and Bobby McAloney, Focus Your Audio is a duo that focuses heavily on the integrity of a song. Often compared to Fleetwood Mac and Lady A, the two musicians have an Americana/Roots/alt-country sound that is hard to define but easy to listen to. Legendary Canadian artist Ron Sexsmith commended their brand new track and commented on the song's "imagined production and nice contemporary vibe".

"Over There" is a song about a disagreement - a truthful peek into the lives of the couple who make music together. A vulnerable, honest, call out to a partner, Focus Your Audio both lyrically and sonically takes the listener through the unsaid aspects of a disagreement with music that matches the emotion of the song. The anthemic chorus, Sarah's undeniable vocal and lyrical talent and Bobby's musicianship all tie harmoniously together. As a quest to figure out how they got into the position they're in and what they can do about it, the tune will resonate with all listeners who have ever had an argument and wondered why they got there and how they can fix it.

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Lorraine Nash - Winter Sun.

Following up the successful release of her debut EP Wildflower and its well-received singles, ‘Wildflower’, ‘Changing Tides’ and ‘River’, multi-instrumentalist songwriter Lorraine Nash releases new single ‘Winter Sun’ November 28, 2020.

As evenings start to draw closer with summer heat long gone ‘Winter Sun’ captures the bright light of romance alongside the chill of disappointment. Lorraine’s song writing is filled with lyrical beauty and her newest single ‘Winter Sun’ is no exception. ‘Winter Sun’ is a brand new song from Lorraine and offers a glimpse of an artist expanding her range and growing into her art.

With the current Covid-19 restrictions in place Lorraine consulted with producer Herring Ahern and drew up a plan to record ‘Winter Sun’ remotely before being sent to studio for finishing touches. It was then mixed and mastered in Clonmoyle East by Herring Ahern with bass and drums from Jason O’Driscoll.

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Tuesday, 1 December 2020

The Last Morrell - Call Me Spinster - Gillian Stone

The Last Morrell first came our way back in March this year and it's good to have him back with the new song release 'Picking at Stitches'. Once again the melodic vocals are just gorgeous and the music arrangement develops into something quite stirring, add in his magnificent video and this truly is a superb and creative piece. ===== It's just over a month since we first featured Call Me Spinster and they return with another beautiful track entitled 'Two Hearts'. The sister trio are once again fabulously timeless with wonderful vocals and harmonies as a dreamy vibe runs throughout this "oh to" short song ===== Gillian Stone has recently released 'Bridges' and despite the fact we are a couple of weeks late to the show, this exquisite and captivating song remains a must share. 

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The Last Morrell - Picking at Stitches.

Not very often do we see an artist create their own music video in quite the way The Last Morrell has done with his animated video for Picking at Stitches, the second single from his debut EP, ‘Sarcasm’. During the first period of lockdown this year The Last Morrell turned a lifelong fascination with animated music videos into a pursuit of his own. 6 months later the artist has built a set, a character and created a series of 5,000 individual photographs that when played together, tell a story of coping with depression as beautifully as one could ever imagine seeing.

The song itself is a tip of the hat to The Last Morrell’s younger self as he explains, “I wanted to address some feelings I’d had as a teenager and even as a young man that I’d never quite been able to process and put into words until recently. Growing up is really hard and school can make or break a person. Picking at Stitches is about opening old wounds and forcing yourself to confront how your worst experiences have shaped you as a person, it’s therapy. And the video accompanies it beautifully I think, most of us can relate to those days where you feel unable to even leave the house. I kind of hope this video will make people cry, sort of.”

The song starts with a lonely piano and The Last Morrell’s unmistakable voice, painting a picture of a teenager alone in his room watching the time fly by. We are led to a chorus with soaring falsetto and a deep rumbling bass, synths murmur underneath whilst The Last Morrell confronts an inability to face the outside world. The middle 8 is where this song really takes off, we climb upwards with The Last Morrell, here a hint of the promised sarcasm pokes through though it doesn’t for a second disturb the grandeur and boldness that the music delivers. It’s a brave piece of music, poignant and visually compelling with all of the usual components The Last Morrell is becoming known for; vintage synthesisers, powerful vocals and piano playing with cinematic arrangements.

And with regards to learning to animate The Last Morrell has this to say; “It takes an excruciating amount of patience to do stop motion animation but I learnt so much from Youtube and I was very lucky to have a friend who could lend me a very expensive camera for the whole process. It’s definitely a labour of love to say the least but I have a profound admiration for anyone who can do this professionally”.

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Call Me Spinster - Two Hearts.

Chattanooga sister-trio Call Me Spinster shares a dreamy new single “Two Hearts” off their self-titled EP, which releases December 11 via Strolling Bones Records. Accompanied by a charming, surreal video shot during quarantine, “Two Hearts” is an optimistic meditation on the ups and downs of relationships, illustrated with the trio’s wistful melodies and reflective, earnest lyrics. It was featured this morning via Magnet, who said "'Two Hearts' epitomizes the album’s fleshed-out version of a timeless sound that hints at the past while steering just clear of preciousness… And the comfy familial vibe is undeniable.”

“‘Two Hearts’ was written after a fight with a loved one, and like many of our songs, in a bathtub. It is about a moment in a relationship when expectations suddenly shift, but faith that the ‘seeds and rinds’ of what was there in the first place will remain through difficult times,” the group explains. “As we worked on the video in the spring of 2020, the song itself took on a new meaning. We, like millions of others, navigated the dreamlike ocean of highs and lows of relationships in quarantine - condensed into a tiny fish tank - finding that the essential components of love and connection can be distilled through stress and hardship rather than broken.”

Featuring three sisters – Amelia, Rachel and Rosalie – Call Me Spinster is an extraordinary example of the transcendent musical bond only siblings can share. With unorthodox instruments and pristine vocal harmonies, the trio blurs old-timey traditions and modernized pop fun with a streak of self-aware humor. Showcasing their quirky, catchy lyrics, Call Me Spinster’s debut single “Here You Are” filters Debbie Harry energy through a 60’s girl group chord progression. MXDWN recently praised the song, calling it “an excellent blend of retro rock that is a perfect pick-me-up during a global pandemic.”

Produced by Drew Vandenberg (of Montreal, Toro y Moi) in Athens, GA, the Call Me Spinster EP transforms the group’s merry-go-round instrumentation with left-of-center arrangements and a full studio band. In the middle of recording, however, the pandemic forced the trio to return to Chattanooga, where they finished vocal tracking, overdubs and even full songs, with the help of video chat tutorials from their producer. They laid down accordion tracks in the bathroom, enlisted boyfriends to help out with handclaps, and had to re-record takes marred by a dog snoring in the background, but the process resulted in a brilliantly unpredictable collection of five eclectic new songs. The Call Me Spinster debut is a welcome introduction to this trio’s wide-reaching yet somehow singular sound, and a testament to a group that never takes the most traveled route.

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Gillian Stone - Bridges.

Gillian Stone is a Toronto-based multi-instrumentalist who aims to reconcile tenderness and dark emotion in her work. Her music is an exploration of inner and outer landscapes, turbulent feelings, recovery, and the juxtaposition of femininity and imperfection. She uses vulnerability to create a safe space to explore the dichotomy of beauty and discomfort.

Stone’s vocals and playing have been featured on projects by Alli Sunshine (FORCES), The Fern Tips (Beams, Ace of Wands), Völur (Blood Ceremony), and Althea Thauberger. She has appeared in music videos for Clear Mortifee, Robert DeLong, Alli Sunshine, and Juno nominee Tara Kannangara.

Her background in jazz and ethnomusicology has heavily influenced her work. She has studied Javanese and Balinese gamelan, performed with Russell Hartenberger and NEXUS (principal percussionists of the Steve Reich ensemble), and performed with Brazilian cavaquinho virtuoso Henrique Cazes. 

Fascinated by her Icelandic heritage, Stone explored the popular music of Iceland and the diaspora in Canada as part of her graduate work in ethnomusicology. Her upbringing on Vancouver Island also led her to Coast Salish hip hop and the soundscape and scene of the Cascadian bioregion. Stone uses an interdisciplinary approach to explore disparate genres in order to produce a singular sonic environment.

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Sunday, 29 November 2020

Rosie Carney - Anna Krantz - Grace Gillespie

Rosie Carney version of Radiohead's classic 'The Bends' album is shaping up to be a very special collection as the new single 'Bullet Proof ... I Wish I Was' clearly demonstrates. Her beautiful interpretation of the songs shared so far, has been quite stunning and we only have a couple of weeks until the full album is released. ===== Our third feature for Anna Krantz this year comes in the form of her new single 'The Trouble With Suzie' and her knack for creating melodic, addictive and catchy songs is once again clearly evident.  ===== Another artist who has been a regular here in 2020 is Grace Gillespie who has just released 'For Nick Drake'. This is a really fine lyrical homage to an artist who influenced so many others after his sadly short life, with Grace's creative skills notable again on this gentle folk piece.

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Rosie Carney - Bullet Proof ... I Wish I Was.

Rosie Carney shares two final singles ahead of releasing her ambitious quarantine project covering Radiohead's seminal mental health album The Bends in its entirety on the 11th of December.

“Bullet Proof … I Wish I Was” & “Sulk” follow previous singles "Black Star", "Bones" and “Just” which found strong support at Stereogum, SPIN, The Line of Best Fit, NME, Consequence of Sound, BPM and much more.

“The whole record is very relatable to me, but Bulletproof in particular really captured how lost I was feeling basically throughout the whole year. So many moments were spent wishing I was mentally stronger and wishing someone could just tell me what to do with my time every day.”

Like "Bones" and "Black Star", “Bullet Proof … I Wish I Was” also comes with a home-made video, the song and visual Carney claims as perhaps her most challenging on the album. “I’ve spent a good solid chunk of this year being afraid of literally myself” she says as she looks to capture the dynamic of her internal love/hate relationship.

“Nothing screams anxiety like really fast flashing lights, being half naked and staring down a camera lens at yourself for hours on end. I was completely alone (apart from my sisters hands in one of the shots) on my bedroom floor, which in itself comes with a vulnerability I usually wouldn’t share with the world. It was a weirdly safe but uncomfortable experience”

Tackling a ground-breaking stretch of pop history requires tact and dedication to make it your own. Rosie Carney’s personal connection to the music brings to bear her stunning take of The Bends. Co-produced by Rosie and JMAC (Luz, Haux), the project is a poetic example of things coming full circle - it’s not the first time Carney’s battles have dovetailed with her love of Radiohead. She recalls going to see them as a teenager and having an anxiety attack in the arena. She blacked out and woke up in the first aid room and covering the band has acted a a form of therapy, as, like so many others this year, her original career plans and mental health were derailed by the pandemic.

Rosie Carney’s version of The Bends is due for release on December 11th via Color Study and “Bullet Proof … I Wish I Was” and “Sulk” are out now. 

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Anna Krantz - The Trouble With Suzie.

“The trouble with Suzie, she likes the trouble, picks it up like a bottle, pours a double on the rocks…” - Anna Krantz

Anna Krantz’s third single in her latest bewitching series ‘new moon, new tune’ ‘The Trouble With Suzie’ takes a look at the destructive behaviours we all experience in some shape or form. Suzie represents those ill-advised choices we can all make, which don’t support our ultimate happiness and well-being but feel so damn good in the moment! So we choose them over and over again, and that’s the trouble with Suzie...

Written on Zoom with friend and co producer Simon Johnson, the character Suzie was born after a long and amusing conversation between Krantz and Johnson about theirs and their friends vices.

“It was initially written as a country song to be pitched for a country artist. Once it was finished though, I couldn’t get it out of my head. So we found a way to produce the track in a style which felt fun for me to sing. I’m so pleased we did! I love singing this song!”

Names such as Suzanne Vega, Fleetwood Mac and Phill Collins where thrown around for production references. Johnson quickly put down an inspired electric guitar part at his home studio in the south of England and sent it to Krantz in Dublin.

“His guitar part took me back to the 90’s when I was listening to bands like The Sunday’s and Alecia’s Attic. Layering my vocal felt like the perfect complement to Simon’s atmospheric tone. I used to track my vocals a lot as a teenager experimenting with Logic audio for the first time. Recording these vocals felt very reminiscent of that time. It was a proper nostalgia fest!”

Johnson wanted the drums to sound dry and edgy. Adam Box (Brother’s Osborne) was the perfect choice for such a sound. Once Box recoded his drum in Nashville Krantz sent the song to friend, songwriter and producer, Jon Green, who recently had a #1 hit with Lady A.

“I sent the song to Jon asking him simply for a bass player recommendation, as my go to bass player had injured her arm and couldn’t play. Wonderfully and unexpectedly, Jon offered to give the bass part a go himself. In his usual humble manner, he said something along the lines of “this might be shit, but see what you think.”” What he sent back was genius and really tied the whole track together.”


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Grace Gillespie - For Nick Drake.


Grace Gillespie didn’t plan on writing the EP’s latest single, “For Nick Drake,” for the late songwriter himself – the words came out very quickly to craft an homage for a beautiful man who was too delicate, too quiet, too aware for this loud and uncaring world.

Grace is a London-based artist and producer originally from Devon, who spent much of 2017 touring as part of the live line-up for 4AD’s Pixx. In 2019 Grace received PRS’s WMM funding and consequently released her debut EP ‘Pretending,’ which garnered support from the likes of The Line of Best Fit, Clash and Earmilk. This year she has received support from the ‘Help Musicians’ ‘Do it Differently’ award, and is using this to release an EP in the autumn. Some of her notable live shows include supporting James Morrison at Dingwalls, Camden and headlining the folk stage at Tipping Point festival in Newcastle. 

Her first two singles found their way onto Spotify’s ‘Fresh Folk’ playlist and received extensive support from Apple Music, appearing on their ‘A-List’ and ‘Best of the Week’ playlists, as well as backing from NME, Crack In The Road and The Wild Honey Pie. Her most recent singles have been playlisted on Spotify’s ‘Fresh Folk’,‘Garden Indie’ & ‘The Lovely Little Playlist’. 

She has received radio plays from BBC 6 music as well as being a featured artist on BBC Introducing London. Her early demo of ‘Restoration’ saw her tipped to Q Magazine by Newton Faulkner and brought her to the attention of Kaleidoscope, who worked with her to produce her first solo releases in 2018. Her sound takes influences from the folk, alternative and dream-pop traditions, providing a backdrop to her intriguing vocal melodies, shifting harmonies and introspective lyricism.

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Penny & The Pits - Electric Litany - Lydia Luce - Ketch Secor - The Happy Fits

Photo - Nicole Cecile Holland Penny & The Pits - Headcrusher. Penny & The Pits have just shared "Headcrusher" along with ...