Friday, 29 April 2016

Friday &: The Phantom Sound - The Redhill Valleys - Vague - Bencoolen - Manon Meurt

The Phantom Sound - Crushing.

Background promo - The Phantom Sound recall the best of the 70’s & 80’s with contributions from the Punk & New Wave hall of fame in the powerhouse of a single: “Crushing” out May 16th 2016. The band’s powerful sound and brooding vocals of songwriter Marisa Schlussel has seen the likes of BBC and Amazing radio jump on board the good ship Phantom.

“Crushing” the standout track from the band’s special edition release of debut album “The Phantom Sound”, begins with a truly defiant swagger befitting of the punk ethos. With the unstoppable momentum of an out-of-control steam locomotive, the track leads to its iconic chorus that would be at home at both grimy rock clubs and major summer festivals.

Following her dream of working with the very artists that inspire her, Schlussel sought out the legends of the late 70’s and 80’s Punk & New Wave movement, aspiring to make sure that they loved her music. As it turn’s out, they didn’t need much convincing with Ken Stringfellow (The Posies, R.E.M.) on producer duties, legendary drummer Clem Burke (Blondie) picking up the sticks and Pierre DeReeder (Rily Kiley) all keen to contribute to what has fast become an album dripping in era-defining talent, featuring icons from the past and future.

Marisa falls into the future icon bracket, set to follow in the footsteps of Punk Rock royalty. The powerful self-titled album bulges at the seams with huge, power punk rock influenced tunes grabbing the attention of the likes of BBC Introducing London with multiple spins from supporter Gary Crowley and Amazing Radio after winning the top voted song on Charlie Ashcroft’s Audition Show for “Get to Me”. The colossal album has also seen plays on Sirius XM Radio and Genya Ravan's show on Little Steven's Underground Garage Channel.

The strength of their sound has seen the band from London receive plaudits as far as Canada and the U.S. with radio success and an invite to play Canadian Music Week 2016, representing the UK in Toronto citing influences ranging from David Bowie, Roxy Music, Blondie and The Romones.

UK Dates:
19/05         Brighton           The Great Escape
23/06         Maidstone        Earl’s    
25/06         London            The Garage

'Crushing' has all the attitude of a punk laden rock'n'roll song. Vocals have that menacing edge and the band just play guitar driven rock, with the swagger a song like this needs.

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The Redhill Valleys - Wrong Way Turns Out Right.

Background from the band - We formed as The Redhill Valleys in the fall of 2014. Today, we're sharing our single and stream of our debut album. The self titled record is out today!

The three of us had worked and collaborated together in various situations over the years, but when we got together for the first time, it clicked. We found common ground in our writing and playing styles due to our shared love of Rock and Roll, Folk, vintage R&B, and classic Country. Before long we had twelve songs written that were eclectic, but still sounded like they belonged together.  We crafted this record, our debut, for a year in the recording studio. We wanted to straddle the line of getting it just right, but without it sounding stale or mechanical.

Wrong Way Turns Out Right is a special song to us. It's one of the earliest songs that was written for our record, and set the tone for many that followed. More significantly, it's the song that was the initial vehicle for us to find our collective voice. We knew we wanted to write songs with an emphasis on harmonies and this was the first song our voices really melded together - when we felt that we had something special. - Redhill Valleys (Cheslea, Danielle & Tim).

This has been a good week for albums and The Redhill Valleys debut is definitely one of them. That they have spent time on the album is born out by the quality and craft of every song. The mixture of musical styles each member brings to the band, comes together and leaves us with a selection of great music, the featured track being no exception!

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Vague - Vacation.

Background promo - Vienna five-piece, Vague have dropped their first UK single and video Vacation, through Siluh Records.

The five young guys from Austria produce sounds with heavy distortion, reminding of alternative indie scenes of the 80sand 90s on both sides of the Atlantic. They describe their music as often: blurry, melancholic, clever, combining indie ethics with traditional songwriting.

Vacation is a brilliant slice of indie pop, showcasing the band's innate ability to pen a hook, which compliments the voice of the lead singer. Reminiscing of a by gone time, the guitar driven song is moving, nostalgic and effortlessly cool.

Vague have released their first EP titled 'Tempdays' last year and 2016 sees them release their debut full length: 'In The Meantime'. Vacation is the the first release off the album, released via Siluh Records.

The press release references the retro feel of the 80/90's indie scene that comes across with the song 'Vacation'. A reasonable point of view, I would add that had it been released way back then, it would have been up with some of the best songs. It's a fine song, one that is as welcome in 2016 as any time past.

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Bencoolen - In Color.

Background promo - After months of rehearsals and shows, Bencoolen is gearing up to release their highly-anticipated new album, In Color, out Summer 2016. The 6-song record will feature the full spectrum of the band’s sound; from a gentle ballad, a reggae rock song, and heavier, “maximalist” rock. Recently the group has just launched the title track from the record, "In Color," which you can listen to and post, above.

Bencoolen was able to raise more than $6000 for the record, and has made a recent push to travel to new cities and universities to share their music. The band's sound, either recorded or live, will definitely touch Bencoolen listeners. Whether you are the lonely bartender on a Wednesday somewhere in New Jersey, or a rowdy fraternity house playing air guitars with us and singing songs you hadn’t yet heard; you have all of our energy. The hours of practice and of travel have garnered accolades from features in USA Today College, to opening for Cold War Kids, and more.

The first single, “In Color,” is simply a story about growing up. We are all born with creativity and color inside us, but as we learn, that beauty gets lost. When the bartender asks him, “What’s your name, what’re you in here for?,” The man simply says, “I’m the wind blowing through and I used to live in color” without identity or purpose for himself. As he drinks he wanders the bar, he looks at the beautiful pictures on the seemingly ordinary bartender’s walls. He then watches him work, content with where he is, and what he has done. That opportunity for self-reflection helps the man find inspiration to live beyond paying bills and doing the “right” thing to essentially find himself again.

Featured song 'In Color' has a distinct reggae feel to it, and some high quality musicianship accompanying the suitably adapted vocals. It's one of those songs that starts out well and just keeps on getting better!


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Manon Meurt - To Forget.

Background promo - Upstart Canadian imprint Label Obscura is proud to announce the vinyl reissue of the debut EP by Czech Republic shoegaze/ noise pop quartet Manon Meurt, making it available in North America for the first time.

These quickly rising shoegaze stars have played alongside The Raveonettes, The Ecstasy of Saint Teresa, LSD and the Search for God, and My Bloody Valentine. During the sound check for the latter, while Kevin Shields was still in the locker room, MBV’s sound engineer actually complained that Manon Meurt were playing too loud.

Manon Meurt is Vojtech Pejša (guitar, vocals), Káta Elznicová (vocals, guitar), Jirí Bendl (drums) and Jana Karlíková (bass guitar, giggler). They hail from the small Czech town of Rakovnik, located just outside of the capital, Prague. Inspired by the British shoegaze movement of the early 90s, bands such as My Bloody Valentine, Lush, Ride and Slowdive have clearly helped shape the band’s sound.

Originally self-released on vinyl in their native country in autumn 2014, this self-titled 6-track 12-inch record sold out shortly after its initial release and now fetches upwards of $50 USD via Discogs. This debut album shows the band in a number of different musical moods, from the rollicking opener “To Forget” to the dreamy atmospherics of both “‘94” and “Until You Can” and the show-stopping B-side closer “Blue Bird”, nicely bringing the album to a close and foreshadowing what lies ahead for this exciting new band.

Label Obscura, as a website and record label, was created with the goal of shining a light on some of their favorite labels, bands, and albums from the past and present, with a focus on indie rock that never got a vinyl release or is currently out of print.  This reissue will be limited to 200 copies on white vinyl in North America, and will be available through the label’s website and via select independent record retailers. All copies come packaged with a high quality plastic inner sleeve and a digital download card. It is also available digitally via the label's Bandcamp.

The song may have been around for a year plus, however the vinyl release should prove popular and remind us of the quality of the bands music. Shoegaze that morphs into dream pop, whatever the genre 'To Forget' captures the more powerful side of the band and makes for a great introduction.


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Suzerain - Identity (New Album - May 27th)

Suzerain - Always (Radio Mix).

Background promo - We live in a world that is rapidly changing around and within us. Each day is a time capsule: a snapshot of who and where we are at that precise moment. Perspective is key, but by nature human consciousness isn’t built to process experiences in such a manner. People can struggle to get a helicopter view when they’re stuck in the eye of the storm that is life. It’s a concept which London noise merchants Suzerain have been exploring with second album 'Identity' – their very own dystopian nightmare born from the winds of change.

“We made this album across two years,” reveals singer Thomas Pether. “So it took a while to break into something we wanted it to be. Identity is something that is difficult to grasp on a day-to-day basis, it can change but isn’t always obvious. For us, this album feels like our identity at the moment.”

“We wanted to strip away as much as possible,” continues guitarist Rich Summer. “It sounds like a cliché but the more we removed, the more it sounded like us. We have a tendency to try everything we can and see what sticks, but this time once we found the heart of the music, we stripped everything down to that one little nugget that was the identity of the track, in a way.”

Enlisting the talents of respected producer Steve Lyon (Depeche Mode, The Cure, Siouxsie Sioux), the electro rock outfit strived to create something truly exciting, something brand new, something so very now that its process pushed their artistic vision to its very limits. As the pieces slowly fitted into place, so did the understanding that identity is the invisible carpet beneath our feet: a journey of self-discovery, and how the results of such naked introspection place us in equilibrium with the other forces of life.

“It’s not a concept album by any stretch,” says Thomas. “But it certainly does have elements of that. Our track 'I Know You So Well' came from how we can be seen through our digital footprint in the world, and 'Hide Yourself' is about opening up to other people by not hiding yourself, by just being you. Which to be honest is something we all want to do! So there were many things that crossed over in actually defining ourselves on this record.”

“We recorded so many songs that didn’t make the album,” continues Rich. “We decided that if anything sounded like another band could have done it, we didn’t want to include it. The music had to be something that could only be done by us. And embracing that side of us was both a blessing and a curse! But the result is that anyone listening to this record would have to grab a whole group of genres to figure out where we belong.”

Suzerain release their new album 'Identity' on May 27th. The featured song 'Always' gives a good indication of the brooding sound the band create. They are adventurous and the album does not sit comfortably in any particular genre. As a result we are treated to a mixture of indie rock songs, instrumental tracks, and softer imaginative pieces. It's hard to think of any specific band to reference them against, as they test out so many different ideas. This for me is one really fine album, the band are extremely capable, vocals are seemingly customised to each song, and we have a group of people who are not trying to follow a specific format that stifles their imagination.

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Wednesday, 27 April 2016

Wednesday Rock Blast: The Lost Poets - This Party

The Lost Poets - Insubordia Pt. II.

Background bio - The Lost Poets - a mysterious dark impact from Sweden. Their faces are unknown and covered by a tar like substance. Wearing top hats and suits. Even though strange and dark, the music is full of beautiful melodies, positive elements and unique vocals.

The Lost Poets originates from Stockholm, Sweden. Their only release is an EP from 2014 "Insubordia", and the single "Mouth". Both received raving reviews internationally and in a very short time they have become hugely sought after.They are to be included in Dolph Lundgrens forthcoming feature film "Without YouI'm Nothing" and they opened for "Volto" (Tool drummer Danny Carey's band) at the infamous Viper Room on Sunset Boulevard merely weeks after arriving to Los Angeles. The Lost Poets are also currently working on the short film "Tales from Insubordia" and the children's book (!) "The Lost Poets".

The Lost Poets are a two-man extravaganza who brings the listener to another world. Through their mysterious appearances they express all emotions between everything and nothing. Truly beautiful, gritty raw and immensely powerful.

The ten track album has been out for a couple of months, but only came my way this week and is to good to pass by on. With a distinct & powerful earthy rock sound and a flare for creative songs, The Lost Poets are one potent band. Shades of early Pearl Jam through to even David Bowie, however that said they are more than capable of original pieces. Like the featured track, then you will love the album.


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This Party - Taste.

Background promo - A chance encounter at a Smiths tribute gig in early 2015 led to the formation of Brighton's This Party, a band that fuse sharp bass lines with infectious melodic hooks. Charismatic front man Matt is as well known for his energetic on-stage performances as he is for his strong vocals.

New single 'Taste' is two and half minutes of guitar driven indie rock. A clear statement of intent from a band that have very quickly established themselves as one of the UK's most exciting prospects. The single is the first release to come from the band's own record label Moscow Lets Go.

Produced by Junk Scientist (The Rakes, Larrikin Love), This Party's debut single 'Movie Nights' was picked up by BBC Introducing South and featured by BBC 6 Music's Steve Lamacq throughout Autumn 2015. 'Movie Nights' was selected by Gigslutz as their 'Track of the day' and featured by BBC Introducing South's Melita Dennett as a tip for 2016.

'Taste' is a two and a half minute blast, of classic British indie rock. Musically it's as tight as anything and the highly charged vocals add to this mini feast, of guitar driven rock.

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Tuesday, 26 April 2016

Tuesday Mix: Lauren April - The fin. - Wendy James

Lauren April - Picture On The Wall.

Background promo - At the forefront of the bustling Country Music scene in the UK, Lauren April launches herself to the top of the most promising new artist’s lists with the remarkable debut single “Picture On The Wall”, released Monday 16th May 2016.

“Picture On The Wall” comes from a very personal place, showcasing April’s unique ability to connect with audiences through her vivid storytelling and prolific song writing. The debut single resonates with emotive, relatable stories of the lessons learned in love and with tension building musicianship that oozes with modern flair.

Lauren was discovered after astounding audiences with her souring vocals and her ability to connect at open-mic nights in her home town of Nottingham. Word soon spread leading to spins from BBC Introducing, nationwide airplay across all regional BBC Radio stations on Mark Forrest’s evening show and Nottingham Trent University Radio becoming keen supporters of the 20-year-old singer and self-taught guitarist.

Tipped to be the next big name in UK Country Music and her debut EP out later this year, Lauren April takes to the road in May and June supporting The Sons Of Pitches, winners of BBC2 TV’s ‘The Naked Choir’:

11/05 Rhyl, Pavilion Theatre    Supporting The Sons Of Pitches
19/05 Newbury, Arlington Arts Centre    Supporting The Sons Of Pitches
20/05 Brighton, The Great Escape
28/05 Morecambe, The Platform    Supporting The Sons Of Pitches
02/06 Southport , Atkinson Theatre Supporting The Sons Of Pitches
17/06 Deal Astor, Community Theatre Supporting The Sons Of Pitches

Although 'Picture On The Wall' is described as country music, I would suggest it's broader than that, and will appeal to a wider audience beyond pure country fans. However you categorise it, this is a really good song and Lauren's vocals are just right for the part.


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The fin. - Through The Deep.

Background promo - About ‘Through The Deep’ There’s a theme running through the beauteous new EP by The fin. that permeates more than just the song titles. Oceanic imagery features heavily in Yuto Uchino’s lyrics, as references to ship, shore and submersion loom large. The singer articulates these tales of impermanence and transition to a shimmering, sophisticated indie art-pop backing that will be familiar to fin. fans, even though there’s a greater electronic influence to this EP, as synths carry more of the weight, melodically and rhythmically. 

About The fin. “At the end of the day, we just want to be seen as borderless.” Yuto Uchino. Hailing from the vibrant Japanese port city of Kobe, The fin. are a reputed and singular attraction in their homeland due to their stylish Europhile blend of synth-pop, chillwave and dream-pop, complete with English lyrics addressing universal themes of everyday uncertainties. Often referenced alongside the likes of Beach House, Phoenix, Metronomy and M83, the quartet have, since forming in 2012, performed before thousands of rapturous fans at major Japanese festivals including Fuji Rock, Rising Sun and Viva La Rock. Not content with such acclaim in one country alone, Yuto Uchino (vocals and synths), Ryosuke Odagaki (guitar), Takayasu Taguchi (bass) and Kaoru Nakazawa (drums) set their sights worldwide and in 2015 embarked on a major tour of the US, which included a performance at SXSW, before making their first forays into Britain with a handful of dazzling shows in support of their debut UK EP, ‘Night Time’. Their much-anticipated return to these shores this spring comes in the wake of a second British release and a growing recognition that there’s an act of rare, sophisticated beauty creating a big noise in the East. It’s time to turn your gaze to The fin.  

April 27 Tokyo,JP - Studio Coast (The Last Shadow Puppets support)
May 13 London, UK - The Finsbury
14 Southampton, UK - The Alex
15 London, UK - Old Queens Head
19 Reading, UK - The Purple Turtle
21 Brighton, UK - The Great Escape
26 London, UK - Tooting Tram & Social
27 Portsmouth, UK - The Edge of The Wedge

We featured The fin back in November of last year. The new five song EP is so good the least I can do, is mention it. The beautiful title track 'Through The Deep' is incredibly catchy and the understated indie feel and vocal harmonies are pretty special.

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Wendy James - Indigent Blues.

Background promo - Originally from London, now a resident of NYC, Wendy James wrote her latest album ’The Price Of The Ticket’ in its entirety, with the exception of two inspired cover choices, 'It's Alright Ma' by Bob Dylan and 'You're So Great' by Fred 'Sonic' Smith. Recorded in her adopted city, 'The Price of the Ticket' is available on vinyl, CD and via digital download. The record reached No.13 in the Official UK Indie album chart and No.15 in the Official UK Vinyl album chart. It is presented with arresting and beautiful artwork by Kym Ellery and Roze Hooij.

From the album comes a double A side single that showcases Wendy's Garage Rock and Roll credentials perfectly. 'Indigent Blues' is an infectiously upbeat song that Wendy wrote to evoke English 60s Pop. She says "I wanted to create a carefree, suburban London sound, a distinctly English feel, inspired by the movie Georgy Girl and it’s theme tune by The Seekers. There was a period in the late fifties to sixties, where theatre, music, playwriting, and politics, all came together. There was a great sense of optimism but also naivety in young English people. I’m not talking about the hipsters on Carnaby Street but slightly more removed, where they were just wearing their mini skirts for the first time. A tremendous sense of optimism."

'Bad Intentions and a Bit of Cruelty' is bursting with New Wave energy, attitude and raw Rock and Roll. The video, filmed in Paris sees Wendy walking through the city as dawn breaks, champagne bottle in hand, the very embodiment of Art Rock.

Wendy James has spent her entire adult life in the public eye, her musical evolution recorded in a huge body of work, both through her first band Transvision Vamp and as a solo artist. An icon born of the late eighties and early nineties pop punk scene, Wendy's talent, style and attitude led Miley Cyrus to proclaim that Wendy was her original pin-up; whilst Wendy's principles as an uncompromising artist, songwriter and musician have led to an alignment with her own musical inspiration Patti Smith. Indeed this album sees her working with Lenny Kaye of The Patti Smith Group together with Glen Matlock of the Sex Pistols and James Sclavunos of Nick Cave and the Bad Seeds. The album's cover versions feature Iggy & The Stooges' James Williamson on guitar/bass and Steve Mackay on Baritone Sax. Wendy James has achieved what few can or have: longevity and a forward motion trajectory in New Wave Garage Rock.

Live Dates:
Thursday 19th May - Brooklyn Bowl, London
Thursday 26th May - The Fleece, Bristol
Friday 27th May - Mello Festival, Throckmorton Airfield,Worcester
Saturday 28th May - Kasbah, Coventry
Sunday 29th May - Darwen Live, Town Hall, Darwen
Wednesday 1st June - The Venue, Derby
Saturday 4th June - Esquires, Bedford

The double A side single is a reminder of just how talented Wendy James remains. The featured song 'Indigent Blues' really does capture a carefree sixties feel, with real pop sensibilities. The other song 'Bad Intentions and a Bit of Cruelty' has Wendy's trademark post punk or new wave credentials. All in all these are two fine songs from a very good album.


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Monday, 25 April 2016

Monday Music: Bonnie Prince Billy - Chief Ghoul - Carly Jamison

Bonnie Prince Billy - Most People.

Background - The first track from the 'Refugee' compilation album has surfaced. 'Most People' is the contribution from Bonnie 'Prince Billy. 

Featuring Richard Dawson, Bonnie ‘Prince’ Billy, Linda Thompson, Alasdair Roberts, Ricky Ross, BMX Bandits and many more, the 'Refugee' album is a united effort from some of folk’s most esteemed and cult figures, who’ve contributed an original or unreleased song each to the ‘Refugee’ project.

‘Refugee’ (out digitally on June 3rd through Brainfog) is a highly significant collaborative recording project which reflects, through song, the issue of the refugee crisis in its many forms, from Syria and beyond. It’s been curated by Scottish folk artist Robin Adams, who called on his close friends and musical colleagues from around the world to contribute to the project.

Each track is an unreleased original song, with contributions from the likes of the above artists. All proceeds go to the MOAS organisation (Migrant Offshore Aid Station) who’ve saved more than 13,000 lives since 2013 in the Mediterranean Sea. Read more on them at www.moas.eu.

The first song from the 'Refugee' compilation is this superb acoustic piece from Bonnie Prince Billy. Gentle and understated, something this artist excels at, the song 'Most People' is touching and provoking. With this legitimate cause in mind, I'm sure the collection of musicians involved will deliver equally fine songs.


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Chief Ghoul - Let Me In.

Background promo - Blues rock outfit, Chief Ghoul, announces the release of their latest album, Damned, their fourth release to date and Lee Miles’ solo follow up to III. Chief Ghoul is Lee Miles (guitar, vocals, songwriter), Chase Coryell (bass) and Justin Brown (drums). The band started as the brainchild of Miles, who began his career in song writing as a solo artist under the name Chief Ghoul. Seeking to expand the project’s sound, Miles recruited Coryell and Brown.  premiered their latest single for “Roll Baby Roll, Kill Baby Kill” on Diffuser.fm, with Lee Miles saying, “This song is my ode to the exploitation films of the ’60s and ’70s. They were gratuitous and they were awesome. Not too many movies get made like that anymore and I actually think that’s a good thing.” The Revue said, “Whether he’s telling stories about individuals on land or sea, Miles has established himself as a songwriter to watch. For that matter, he’s not just a musician, but a storyteller.”

Hailing from Louisville Kentucky, Lee Miles moved to Chicago at 21. “Chicago is a gritty city and I mixed that sound with Louisville and ended up with a good merge of the two. I wrote about things that I was going through and there has never been a different feeling for me across my albums.” The band is now based back in Miles’ home in Louisville , where Chief Ghoul’s latest installment, Damned, was written - don’t miss it!

'Let Me In' has a haunting feel to it (sorry could not resist). Actually I guess it's a bluesy lament, set just right as a predominately acoustic piece, with Lee Miles vocals so naturally gifted for this type of music.

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Carly Jamison - Dynamo.

Background promo - Anyone who thinks that rock music is dead has not been following the stream of new singles that have been emerging from songwriter and recording artist Carly Jamison over the past 6 months. First there was the "The Devil's Trying To Bring Me Down" which graced Halloween party playlists world-wide. Then there was "Christmas May Have To Be Postponed", a brand new original Christmas song inspired by vintage rock and roll that reached #1 on the Hypem Twitter Music Chart. "100 Goals" ushered in the new year with high intensity blues rock to super-charge New Year's goals and resolutions. Now, just in time for tornado season, she has announced the release of "Dynamo", an exciting brand new rock and roll song.

Carly States - "It's a totally autobiographical song. There are several people in my life who have told me that when I visit it's like a tornado or hurricane hits, so I thought that would be a fun subject for a song! Plus, I just started hearing it playing in my head one day so it really just wanted to write itself."

The single was produced by Tres Sasser who also produced her previous singles. He said, "We were inspired by 80's guitar riffs and mixed them with stacked Prince-like vocals that are instantly memorable. The song moves and hops seamlessly through the 80's, 90's, and 2016 and takes the idea of a sing along solo to a new height. Chris Tench's guitar work really complements the subject matter and seals the deal musically."

It was recorded at The Sound Shelter in Franklin, TN. Players on the track include Chris Tench on guitars, Tres Sasser on bass, Elton Charles on drums, and Mike Webb on keyboards. It was engineered by Brett Ryan Stewart and mixed by Joe Costa (known for his work with Ben Folds, Ke$ha, and Brad Paisley) at The Sound Shelter. It was mastered by Pete Lyman at Infrasonic Mastering (known for his work with Jason Isbell, Courtney Love, Fall Out Boy, Sturgill Simpson, and others.)

There's something of a retro feel to 'Dynamo'. It's pretty much a no nonsense rock'n'roll piece, with Carly's vocals driving the song forward as much as the drums and bass. Add in a little classic rock guitar and you have one fine song.

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Violent Vickie - The Paper Kites - Will Romeo / The 1984 Draft - Mick Clarke - Steel People

Violent Vickie - Open the Door . It's a massive welcome back to Beehive Candy for Violent Vickie who we have had the pleasure of featu...