The Loons - Malena Zavala - Tenderfoot

The Loons - Blue Ether / Saturday's Son.

Background - In this click bait, flavor of the month, short attention span world, The Loons are an anomaly. Their records and live performances have commanded the attention of a devoted tribe of fans for twenty years and counting. In that time they’ve made four albums, a bunch of singles, and played gigs in more cities around the world than they can keep count of. They’ve collaborated with original ‘60s music icons like Glenn Ross Campbell of the Misunderstood, Dick Taylor of the Pretty Things, Randy Holden of the Sons of Adam and Blue Cheer, and Michael Stuart-Ware of Love. The Loons have grown and evolved but never compromised, remaining fiercely committed to the untamed spirit and creativity of ‘60s garage, freakbeat and psychedelia.

After fifteen years with the same lineup, they have a musical chemistry that is practically telepathic. Mike Stax, who also publishes Ugly Things magazine, is the lead singer.  Anja Stax plays bass and sings backing vocals. Marc Schroeder and Chris Marsteller play guitars. Mike Kamoo is the drummer and producer.

Mike Stax was already a veteran of several other San Diego bands, including the Crawdaddys and the Tell-Tale Hearts, when he first formed the Loons in 1997. Ebbot Lundberg of the Soundtrack of Our Lives produced the group’s debut album, Love’s Dead Leaves, released by Get Hip Records in 1998. Anja joined on bass after relocating to California from London, where she’d been playing with the Diaboliks, and the rest of the lineup clicked into place soon afterwards.

The Paraphernalia album was released in 2004, followed by Red Dissolving Rays of Light in 2010, which included two tracks with Glenn Campbell of the Misunderstood on steel guitar, and Inside Out Your Mind in 2015. All were recorded at Kamoo’s Earthling Studios in El Cajon, which is outfitted with some of the finest vintage analogue recording gear known to man, including the original eight-track machine from Sunset Sound used to record landmark records by Love, the Buffalo Springfield, the Doors, Clear Light, and Captain Beefheart & the Magic Band.

The Loons catalog is anthologized on an exclusive cassette compilation, Diamonds, Garbage & Gold: The Best of the Loons, released on Burger Records in November 2017. Their song As the Raven Flies can be heard in the recent movie Dances With Werewolves, directed by Donald Glut and Dan Golden. They will be touring in Spain and Italy in March and April of 2018.

The Loons new single, Blue Ether b/w Saturday’s Son, is due for release on Dirty Water Records in March 2018.The A-side is a driving, psychedelic-infused number designed, like all Loons songs, to move your mind as well as your feet. The title and lyrics refer to the elusive, mystical realm where all creative inspiration resides, somewhere between the conscious and unconscious mind. “Saturday’s Son,” originally recorded by the Sons of Adam, has been in the Loons’ live set for years, and having reshaped it, they felt it was time to commit it to vinyl. FACEBOOK.

We have both sides of the forthcoming vinyl single to enjoy, 'Blue Ether' and 'Saturday's Son' are psychedelically gorgeous. Timeless, this could be pure sixties psychedelic glory, the quality of production tells us it's more modern, whatever, it's a feast of sonic delight, enjoy!


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Malena Zavala - Could You Stay.

Background - Last year’s singles ‘Should I Try’ and ‘If It Goes’ showcased Malena Zavala’s inventive new sound. Fusing Latin rhythms with her dulcet vocals, they announced a vital new voice unshackled from the conventions of indie rock. The Argentine born London raised artist, producer and filmmaker is now set to release debut album ‘Aliso’ and new cut ‘Could You Stay’ adds new layers to her exuberant artistry which has already been championed by LOBF, Wonderland, Nylon and much more.  

Born into a family of creatives, Malena draws inspiration from the women in her family and small town in the north of Argentina; from the strong Latino character of her Mother honoured in If It Goes, to her maverick Grandmother who in particular encourages a free-thinking approach.

"Every person in my family is truly unique to me and I draw inspiration from different parts of their life and ideology. I'm really lucky to have people around me that let me be me"

Malena was in a band with her brother for five years before he took an opportunity to move to California, a life dream of his. Whilst in the UK, he was a strong musical influence as an older sibling, and would educate her in his music taste, instrumentation technique, songwriting and recording styles. Losing her mentor, although hard at first, was a vital step for her to step out of the shadows. She holed herself up in his house in Aliso Viejo, California and in a surge of energy and desire to prove herself, wrote most of her first LP in a couple of weeks - within 6 months she had recorded, produced, mixed* (with Gareth Jones*), completed all the art, visuals and videos.

"It's really satisfying to find a way to express yourself and get things off your chest that have been there for years, I’m really glad I found it and kinda surprised as well. I'm finally at peace." FACEBOOK.

The musical arrangement for 'Could You Stay' is seductive enough and beautifully produced. Marlena's vocals are more than capable of matching and adding to the piece, this is beautiful, simply beautiful.

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Tenderfoot - Break Apart.

Background - Tenderfoot’s gorgeous debut album Break Apart is now out, along with its limited-edition white vinyl courtesy of Seattle’s Porchlight Records. To celebrate its release, the dreamy lo-fi folk quartet released a emotional video for the album’s title track “Break Apart” this week.

Tenderfoot will be celebrating the album’s release in each of their respective hometowns; their native Seattle (where the band was formed and where 3/4 of the band still resides), and Brooklyn, where frontman Adam Kendall Woods recently moved. The Seattle show is happening at the Sunset Tavern on February 8th, with two of their favorite local bands supporting, Cumulus and Whitney Ballen, and the Brooklyn show will be taking place on March 16th at C’mon Everybody.

Tenderfoot started out as a solo project on the highways and back roads of the US, when Woods and his partner lived on the road for a year in a vintage camper trailer towed behind a Volkswagen Rabbit pickup truck. After several months on the road, the two men found themselves feeling stranded, frightened, and falling out of love. Woods ultimately moved on, and began pouring his heart and soul into Tenderfoot’s early recordings. With an unabashedly romantic, experimental approach to songwriting and the lush dynamics of a full band, Break Apart encompasses the loss of loved ones, health scares, and strained relationships. The album is a constellation between these moments of turbulence and heartache, but with the hopeful glow of found family. WEBSITE, FACEBOOK.

The first of eight tracks on the bands debut album 'Break Apart' sets standards high & what follows is more than equal to that benchmark. Musically the band create fabulous textures and do vary the mood, whilst retaining a core vibe that is somewhere around dream pop and folk rock, and all points between.


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Canary Islands - Everett Bird - Bryde

Canary Islands - Glöm Baby Glöm.

Background - Swedish Canary Islands, consisting of members from Animal Five, are now en route to a new album release.

They have previously released music under their own format ”3P”: 3 songs, recorded in 3 days, released as a long triple song.They released 3 of these 3P’s in one year.

”Glöm baby Glöm” is the first single from their upcoming album, and it’s a straight forward and dreamy pop song:

”Glöm baby Glöm' is about a person that breaks up with someone they love above all because they deserve that kind of love.” - Martin von Inghardt. FACEBOOK.

'Glöm Baby Glöm' is a smooth flowing indie pop song that is beautifully crafted. The vocals are natural and pleasing regardless of any language barrier, the music is vibrant and equally charming.

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Everett Bird - Bucket of Dark Meat.

Background from Everett Bird - We’re Everett Bird, a Montreal-based trio who are very stoked to be releasing our debut record, People Person, through Royal Mountain Records on February 23rd. We’re sharing the first song that we wrote for the album “Bucket of Dark Meat.”

“Bucket of Dark Meat” is about that feeling of anxiety that takes over when it seems like everyone is being more productive than you. On the other end,  it’s a song about suppressing that feeling with things that make you happy.

Fueled by Guru Energy Drinks, Pilsners and twenty years of friendship, People Person was written in an old Montreal apartment. Everett drank so much Gru that we actually turned purple. To fill out the line up, we picked up Mikey Arcidiacono. After catching him slappin' and tappin' on the razorback at Guitar World, we knew that he was the missing link. 

The album was recorded at Montreal’s Breakglass Studios with Jace Lasek (Besnard Lakes, SUUNS), where each session wrapped up with celebratory 306’s (Pilsners) and stogies. The album we created meshes rock, jazz, and R&B, with overtones of punk and garage – pairs well with liquor and a bucket of dark meat in the park. FACEBOOK.

With a title like 'Bucket of Dark Meat' your halfway to being featured, just make sure the song is up to scratch! This is a creative and very catchy track, the ideas, the twists and turns make it very addictive, the album is awaited with intrigue & expectation.

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Bryde - To Be Brave.

Background - After setting up her label Seahorse Music to publish records by like-minded women and help make them more visible in a male-dominated industry, Bryde finished up her debut LP Like An Island flitting between London and LA. Exploring themes of independence, liberation, and relationships, her inimitable brand of candid indie rock is realised with mixing help from Catherine Marks (Wolf Alice, PJ Harvey and St Vincent), and mastering by Mandy Parnell.

Lyrically, London based Bryde finds intense internal poetry in everyday adversity. While concentrating thematically on life and human interaction, her songwriting persona wears her bruised yet resolute heart on her sleeve.

For the Wales-born songwriter, it’s not just the technical precision of her lyrics that resonate with a widening fanbase, it’s also her vocal delivery. On her latest song To Be Brave Bryde’s voice carries us beyond the imprecision of words into feelings we all know but can’t delineate.

As she says: “To Be Brave was written as kind of a soft squeeze of the hand to many friends who have, like me, been through many a dark period and put on a brave face and just got on with it. It’s a comment about how we all live out certain episodes of our lives in such a public setting these days that I feel we almost edit them to appear flawless, nothing but smiles.”

To Be Brave is a shock to the system of preconceived notions about the style of artist Bryde is. She’s rock and roll for sure, but protean and poetic, a rocker in the vein of Patti Smith. 'Like An Island' comes out on Bryde's own label Seahorse Music on the 13 of April and will be available to preorder. Support in the form of Women Make Music fund from PRS has been awarded to assist its release. WEBSITE, FACEBOOK.

Time flies, I new we had featured Bryde before, in fact it was back in 2016, still it's good to welcome her back with the new song 'To Be Brave'. The vocals are captivating and just feel so personal, the music gradually builds without dominating, however it does become quite epic, the mood and feeling completes the circle.

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TALMA - Blakk Pearl - Ecstatic Union

TALMA - In Circles.

Background - With its urgent ticking drums and syncopated bass lines, ‘In Circles’ is a canny sleight of hand from London alt-rock band TALMA. Frontman Henry Adams’ vocal line pairs with guitarist James Creed’s lyrics and arrangement to create a tune which effervesces with heady romance and nostalgia. As James explains: "In Circles is about the sense of apathy we can experience when returning to a routine lifestyle after time away from it all - the everyday, the mundane.

Where the loss of rhythm helps us to see what’s before us with renewed perspective, it can ultimately lead us to question it too. We all crave a sense of purpose, but affecting a change towards that offers the unknown. We then have a choice; to resign ourselves to the security of these sleepless cycles or to take a chance, step away from paths well known and chase a new sense of meaning."

The second EP from London based TALMA, Out To Sea sees the alt-rock 5 piece produce some of their most powerful and intricate works to date. Taking inspiration from rock music’s most innovative artists including Nick Cave & The Bad Seeds, The National and Radiohead, the EP is defined by the dexterity of its guitar led arrangements and a poignant lyrical anxiety regarding the modern world. 

Themes of loneliness, isolation and upheaval are explored with a sense of romantic optimism, showcasing a musical offering that proves that TALMA aren’t just another glib or fanciful indie group. Like their heroes, they’re conscious of the power of rock as an art form primed to tackle timeless concepts and get to the heart of what it means to be alive and to be human. WEBSITE, FACEBOOK.

We featured 'Lifeline' by TALMA back in December and are pleased to share another track from their 'Out To Sea' EP entitled 'In Circles'. This is another very fine alt rocker, the band are tight and vibrant, the vocals are distinctive giving the song  further individuality & the EP matches the calibre of the tracks we have shared.

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Blakk Pearl - Cowboy.

Background - London born, France resident singer Blakk Pearl released her debut single 'Cowboy' at the end of last year. Sleek and commodious and driven by a subtle backbeat and a warm marimba sound, the track perfectly showcases Blakk Pearl’s haunting, mellifluent tones floating atop a lush and otherworldly dreamscape.

Blakk Pearl has now shared a video for her debut single, a video she has put together herself: "I love 1930's era cut-out animation, and when I came across this clip of these beautiful trio of fairies trying to help a soldier, who had lost his way in the woods, I knew it was the perfect video for 'Cowboy.' It tells the story of 'Cowboy' so beautifully and delicately, and in such a feminine way".

Blakk Pearl grew up in North London and moved to Devon when she was a young teenager, where she would watch her, by now absent, father on US TV shows and hear of his activities in LA as a manager of NWA.

She now lives in a convent just outside Toulouse in France. Having rebuilt it from a ruin, it serves as her creative hub and sanctuary. Blakk Pearl divides her time between Toulouse, London and Paris. WEBSITE.

Soft melodic and captivating vocals make 'Cowboy' attractive from the opening moments. The musical arrangement is subtle and yet detailed, this is a gorgeous debut song.


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Ecstatic Union - Desert Queen.

Background - Ecstatic Union's sound is like a liquid sun-soaked harmony layered psychedelic dance party. Started in 2012 as a kind of solo-spiritual-folk-rock recording project by frontman Rex Costello, after assembling a few core members (including Oliver Hart & recording partner Paul Olsen) the band took on various forms over the years and primarily played as an acoustic folk act. In 2015, while living in his home town on Catalina Island, Costello recorded what would become Ecstatic Union's second full length album (released 2017 on Lolipop Records).

Over the next year he assembled the band into a complete electrifying 5-piece psychedelic-rock outfit in support of the release. The core members include Rex Costello (Guitar/Vocals), Oliver Hart (2nd Guitar/vocals), Solange Kupersmid (Bass/Vocals), & Bradley Cluff (Organ/Synth/Vocals). The band now primarily resides in Los Angeles, CA where they recently recorded the Neurons EP.

Look out for the Neurons EP, set for release early this summer! BANDCAMP, FACEBOOK.

The music is punchy psych rock, the vocals take the psychedelic vibes even higher and 'Desert Queen' quickly grabbed my attention, this is a band that deliver potent rock & roll.

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Late TV - PBSM - Sofia Härdig

Late TV - Losin’ It.

Background - Amidst the cultural detritus of television’s after hours rises a freaky new street beat played by London’s Late TV. Culling influences from jazz cats and art rockers, B-movies and trash television, via Lynch and Tarantino, Late TV are the moonlighting house band for a surreal all-night dream club where the intangible dance floor shifts and folds to become the set piece of a talk show beamed onto the farthest reaches of your channel selector. Helmed by Luke J Novak, who hails from the slabbed post-industrial backwater of Kidderminster, Late TV originates from a folk noir group formed by Luke and Richard ‘The Showman’ Bowman, a drummer whose restless search for groove quickly outgrew their genre.

Joined by Chicago’s jazz fusion obsessed Ryan Szanyi on bass, Parisian keyboard maestro Martin Coxall, tenor sax player Evesham Nicholas, and Matthew Halsall (whose bionic heart valve’s separate mic-detectable rhythms occasionally cause problems in the studio), their new outfit Late TV harks back to a time when music was all fearless fusion and intractable improvisation. In the postmodern wastelands of pop they’re the high-brow/low-brow mutant junk dwellers, collecting the shards of our fragmented culture and building something both irresistibly dangerous and dangerously irresistible.

"It came together as an abstract meditation on that element of the human condition that’s always searching for something unattainable, possibly because it doesn’t exist. But we are playing a game, and we are destined to lose it.”

After the triumph of last year’s ‘Citizen’ single, Late TV have crafted a thematic companion of sorts in ‘Losin’ It’. The rhythm section’s grooves will seize your jiving body back into their neon dreamworld, a lurid post-pop-culture dystopia where the fundamental human quest for the ineffable is realised in surrealistic paranoiac lyricism and jazz parlour instrumentation. Sonically, ‘Losin’ It’ can best be described, in the words of the late Bowie, as ‘plastic soul’ - the Thin White Duke’s epithet for the kind of jazzy avant-garde funk & roll of Young Americans. As Late TV’s recent output suggests, there’s still a space for organic ensemble songwriting in a growingly disposable sonic landscape. Maybe that’s their grand irony. Named after the most disposable form of entertainment for the pre-internet generation, they’re here to remind us that everything has the potential to live on indefinitely, whether that’s trash TV, or a song you can really lose it to. FACEBOOK.

A funky riff is quickly followed by additional layers of Jazz rich instrumentation. The vocals liven the song up even further and 'Losin’ It' is quickly pummelling hooks galore into my ears, upbeat and gorgeous hooks.


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PBSM - Dance Floor (feat. Adrianne Haslet).

Background - Danish alt-rock duo PBSM recently dropped their second EP 'Dance Floor' - a five track release that has given them a staunch reputation as a contemporary danceable, dark and cold duo offering a perfect soundtrack for going clubbing incognito. PBSM are now ready to reveal the video for the EP’s title track which features TED Talk star and Boston Marathon survivor, the All-American dancer, Adrianne Haslet. Adrianne perfectly complements the theme of the song that revolves around going to your happy place, and portrays her battle in getting back to the dance floor after losing her left leg in the tragic Boston Marathon bombings in 2013.

The song initially took form in a basement in Kreuzberg, Berlin where the duo had arranged for a jam and recording session with British, drummer Joe Dilworth (Stereolab, Cavern of Anti-matter). Upon returning to Copenhagen PBSM finished up the recordings and further assistance on the drums was provided by Lasse Herbst (Fallulah, Spektr, Choir of Young Believers).

The film production company Mellow CPH got involved and the idea of bringing in a dancer as the main character telling the story of the song was born. PBSM explain, “We reached out to American dancer Adrianne Haslet to hear if she by any chance would consider flying out to star in our music video. Which she did. And since being told that there was a one in a million chance of ever dancing again after she lost her leg in 2013 she has been struggling to get back to the dance floor - determined to beat the odds. Which she did.”

In 2015, Adrianne danced the foxtrot on the Boston Marathon finish line, in 2016 she crossed that finish line as a runner, and now she appears in PBSM’s music video for their new single “Dance Floor.” In the video, Adrianne shows off her talent, but doesn’t shy away from the difficult (but necessary) parts of healing. When sharing her story, Adrianne is very open about her struggles with the anger and depression that come along with the grieving process, along with her constant striving for progress. These themes come across clearly and poetically in the video as we see Adrianne’s low points intersperse her beautiful, graceful movements. FACEBOOK.

There is an inspiring story line that accompanies 'Dance Floor,' so much so that, the song and video are intrinsically linked. The music is refined and flowing in it's own right, the vocals add additional feel, collectively this deserves to be seen and heard.


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Sofia Härdig - Illuminate.

Background - Sofia Härdig’s radiant new single, “Illuminate,” is a fitting addition to the 80’s-themed Drive soundtrack.  Deep glowing synths and echoing vocals take the wheel on a late-night cruise. The track builds with subtle guitar rhythms that scream at times like screeching tyres. Lyrically, the song explores loneliness and a seemingly endless search for “another heart”. Driving through the night, she looks skyward to navigate the road to a new love. It’s a contemplative rocktronica song that demonstrates Sofia’s tight control over her craft.

Sofia Härdig lives up to her “rocktronica” reputation with her new single, “Illuminate”. Championed by Belle and Sebastian’s Stevie Jackson, she has worked with major Swedish artists including Grammy Award winners The Hellacopters and bob hund. Furthermore, she has collaborated with Yoshimi from Japanese noise-rockers Boredoms and the alternative indie band Free Kitten. Sofia’s experimental nature shines through with her new material that blends rock and electronic influences.

“I worked with the song Illuminate alone in my studio for many long, lonesome nights. It was just the studio, the stars and I, while I played all the instruments, made the soundscape and recorded the single in solitude. Later, I invited over some friends to improvise over the track. Guitarist John Essing and bass player Mats Hellquist, both from the band ‘bob hund’, but also a classical pianist and cellist respectively, added parts to the soundscape of Illuminate. I brought all the new recordings back into the studio - tore them apart, rebuilt them and made arrangements, as if I was a mad scientist in my lab. I then brought in Jari Haapalainen to produce the songs. The solitary fashion in which Illuminate was crafted reflects the mood of the single.” – Sofia Härdig. FACEBOOK.

We featured Sofia Härdig a couple of times back in 2016 and she makes a welcome return with  'Illuminate'. Powerful synths and a determined beat make a gorgeous backdrop for her intoxicating vocals, as the song merges elements of rock with swathes of electronica.

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The Golgis - Sol Heilo

The Golgis - Mr Fisher.

Background - The Golgis, an Alternative Folk band from the Worthing/Brighton area of the south of England, release their debut single 'Mr Fisher' on 9th March 2018. This debut single from the band is a quintessentially English slice of quirky Jazz Folk replete with saxophone solo and melody horn parts. The song is an infectious and accessible introduction to the band's sound ahead of the release of their album, which is slated for release in early summer.

Mr Fisher was written by The Golgis' Tony Whiting about a work colleague. Whiting cites The Beatles as the reason he first picked up a guitar and began to write songs. "Lindisfarne, Caravan, Syd Barrett and the Barrettless Pink Floyd had a lot to do with it as well" he explains.

Ade Fettucini also writes songs for The Golgis, characterised by weird time signatures and unlikely key changes. "I always think he is the Lennon to my McCartney" says Whiting. "We help each other out with harmony vocals on each others songs. He can play a lot more instruments than me, such as flute, bagpipes, recorders, and teapot, all of which we experiment with. He can also juggle while riding a unicycle. I think musically we are quite different, which is probably why it works so well."

Saxophonist Richard Mullin hails from Yorkshire. Classically trained and a jazz lover, the band say Richard is the most naturally gifted saxophone player any of them have seen. Richard has been known to sing and is normally seen with two saxophones and a melodica around his neck when The Golgis play live.

The line up is completed by Wolf Stanley, the newest member of The Golgis. He came in to play some bass guitar and percussion, of which he has a large collection of unusual items. He has been known to perform vocals, and sounds very much like Lee Marvin singing Wandering Star. Idiosyncratic time signatures and key changes, quirky Jazz Folk and a band unafraid to celebrate the eccentric aspects of everyday life. 2018 is the year of The Golgis! FACEBOOK.

Alt Folk or Jazz Folk I will leave that to the genre purists, wherever 'Mr Fisher' lands it's a intrinsically English affair. Echoes of the past are brought right up to date in a lovable and slightly eccentric manner, this is just fabulous.

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Sol Heilo - London Is Trouble.

Background - Following a successful career in Norwegian folk-tet Katzenjammer, today sees Sol Heilo announce her new single 'London Is Trouble - lifted from her debut LP ‘Skinhorse Playground’ – out now via Propeller Recordings. ‘London Is Trouble’ trails the downside of life on the road. It took shape at London’s iconic, but now defunct, 12 Bar Club, following a bout of retail therapy on Denmark Street. “I remember I was in the bar and had just bought myself a new guitar – a 1961 Gibson LG-0 – almost to fill my soul with something,” she says. “It’s about how grey and dull London can be when you have no joy in your heart, and the ever-fleeting glow of late nights and early mornings."

Showcasing her illustrative talents, the video was created, cut and directed by Sol Heilo herself, providing a wonderfully accurate representation of Sol's DIY-approach to her creative craft. On both 'London Is Trouble' and her acclaimed debut album 'Skinhorse Playground' Sol is writing and performing with no boundaries, no expectations - and she sounds more liberated than ever. Grandiose strings swirl around the folk-tinged pop instrumentation, sprinkled with delicate piano turns, with Sol’s hushed Norwegian tone tip-toeing between the breaks.

‘Skinhorse Playground’, produced by Hasse Rosbach, was penned during a time of personal unrest that, rather ironically, paralleled the peak of Katzenjammer’s career – a twelve-year pursuit culminating in three albums, multi-million streams, tours spanning Austin to Australia, and praise from the likes of The Guardian, The Quietus and BBC Radio 6Music, alongside personal plaudits from David Byrne and Steve Lamacq. The band earned bonafide export status, with an enamoured international fanbase driving sales in excess of 500,000 and hitting Certified Gold status in Germany with sophomore release ‘A Kiss Before You Go’.

“In the beginning, there are no consequences. You’re unaware of the boundaries, and you have nothing to lose” Sol muses. In many ways, Skinhorse Playground is a chance at just that – a new start, and a renaissance made all the richer for the experiences that shaped a brighter, braver Sol Heilo. WEBSITE, FACEBOOK.

'London Is Trouble' is gorgeous. A gentle acoustic and string lead backdrop is the perfect canvas for some personal, melodic and captivating vocals with this timeless, beautiful song. 


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