Friday, 16 February 2018

Abbey Baker - Archie and The Bunkers - Earth Girl Helen Brown - Trevor Hall - Paul Littlewood

Abbey Baker - Tell Me How.

Background - Emerging Sydney songstress, Abbey Baker, is set to confidently stun audiences with her endearing indie-pop records. Poised by a passion and skill for songwriting, Abbey’s artistry is propelled by honest and clever lyricism, and her ability to seamlessly transcend genres of soul, indie-pop, funk and jazz. Abbey’s sound is a gorgeous cocktail of heartfelt vocals and delicate piano driven melodies, perfectly complemented by angelic layers of harmonies, soft pop rhythms, and subtle synth productions.

Recently, the singer-songwriter stepped out onto the music scene with her infectious debut track Tell Me How. “The song is about my experience of being in that early stage of a relationship, where I am all in and the other person isn’t. I explore the feelings of frustration and insecurity that I felt, a situation in which many others may have experienced”, Abbey reveals. The track was recorded at Main Street Studios in Wollongong produced by Xavier Lardner. To coincide with the release of her debut single, Abbey shared the official music video, creatively produced by media artist, Jasmine Lee Ryan.

Tell Me How is an epic first release from the young talent, which sets grand anticipation for Abbey’s upcoming debut EP. Abbey is currently back in the studio writing and recording new material for her forthcoming record, but audiences in the meantime can catch the emerging artist performing live at intimate gigs across Sydney.

Abbey Baker grew up on the beautiful South Coast of NSW before moving to Sydney at age 18 to pursue a career in music. The trained pianist and singer, built upon her skill sets and musical knowledge by attending the Australian Institute of Music, recently graduating from the arts college with a Bachelor of Music (Contemporary Performance).

Now at 22 years of age, Abbey is ready to share her music. The singer-songwriter draws musical inspiration from the likes of Joni Mitchell, Meg Mac, Sarah Blasko, Missy Higgins and Kimbra, producing music that is both raw and poetic, just as it is infectious and charming. FACEBOOK.


Abbey Baker's vocals are melodic and alluring on 'Tell Me How' an indie pop song where the musical arrangement has a few genre twists that give a soulful feel as the piece develops.

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Archie and The Bunkers - The Traveler.

Background - Norton Records is proud to announce the label debut of infamous Cleveland rockers Archie & the Bunkers with the agitated pairing of original songs "The Traveler" and "Looking". A&tB are brothers Cullen and Emmett O'Connor. Cullen plays "hi-fi organ" and Emmett plays drums. Both sing and compose. These teenage siblings have exploded locally and have taken Europe by storm with their wild live festival and club dates. They have recorded for Third Man (USA) and Dirty Water Records (UK) and have now come home to Norton Records with their most captivating sides to date. All of their influences have resulted in these riveting original comps.

Noted filmmaker Reuben Kincaid shot the band video for "The Traveler" out in the wilds and wastelands of Cleveland, showcasing the key vistas of the city. A few of you know the story of how we were struck cold in our tracks at hearing The Traveler being ground out of an antique wooden pump organ at 3 in the morning at Franklin Castle in Cleveland this past October 13th-- by 16 year old Cullen O'Connor-- those who don't, suffice it to say that it jarred us out of the blue and into the black. 


I'm not spreading hype (although I'd love to) in saying this record was meant to be-- and meant to be on Norton. In 1963 Cashbox terms it's a "twin spin destined for chart stardom". In 2018 Norton lingo, it's a "stormy weeper with a will to dominate" b/w a "belligerent teen raver". Music educator Steve Rosen stated that this A&tB release is "teen music at its tormented best"... .we're excited as heck to have a 45 RPM record out there to test everybody's mettle, 'cause this is like Screamin Jay meets the Zombies in a death match. WEBSITE, FACEBOOK.

Archie & the Bunkers first appeared on our radar around a year ago, then promptly disappeared. 'The Traveler' is a very welcome second sitting from this feisty duo, and by this bands standards is almost a ballad, where once again modern meets the past, on this occasion without so much raw rock & roll.


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Earth Girl Helen Brown - Language Of Love.

Background - Empty Cellar Records and the Earth Girl Helen Brown Center for Planetary Intelligence Band (E.G.H.B.C.P.F.I.B.) are pleased to announce the fourth and final installment of the first E.G.H.B.C.P.F.I.B. seasonal series. Venus follows Mercury, Mars and Saturn The season is Winter, the planet is VENUS, the topic is Love. Featuring Heidi Alexander, Tahlia Harbour, Graeme Gibson, James Finch Jr., Jamin Barton, Rusty Miller, Kelley Stoltz, Doug Hilsinger, Ryan Browne, Brigid Dawson, Grace Cooper, Anna Hillburg, Meryl Press, Alicia Vanden Heuvel, Lida Vanden Heuvel, Kearin Harlow and Wilder Harlow. VENUS aspires toward a softer more lustrous operation with hearts and minds in the fold of that ever human emotion.

Available from Empty Cellar Records on limited edition 100% post-consumer recycled cassette tape, all proceeds benefit organizations committed to the expansion of love and empathy as an antidote the absurd and vacuous practice of hate.

In step with the executive format the band is on a four-year trajectory of narrative abstraction, economic entanglement, art, information, administration, music, and hopefully a little policy making. 2018 will focus on administration and narrative expansion with the band forming as a CA 501(c)(3) non-profit organization and initiating their MONEY MONEY commerce and lifestyle blog. Expect four follow-up 7”s from In the Red Records and a vinyl compilation, Four Satellites Vol. I, in the Spring. In 2019 they will return to visit another four solar satellites, then onward and outward. WEBSITE.


Over the past year we have featured a song from Mercury, Mars and Saturn, so it's with considerable pleasure that we now arrive in orbit around Venus. 'Language Of Love' continues the impressive collection of music in this series, this time there are hints of soul and blues, and a groove that is hypnotic in the most pleasing of ways.


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Trevor Hall - The Fruitful Darkness part. 3.

Background - Raised on an island in South Carolina, singer/songwriter Trevor Hall realized at a young age that music was more than just a passion - it was, rather, his life’s art. At sixteen, he recorded his first album, soon after which he left South Carolina for Idyllwild Arts Academy in California where he studied classical guitar and was introduced to the practices of yoga and meditation, which would greatly influence his life and his music.

Hall’s music, a blend of roots and folk music, is imbued with a deep love of Eastern Mysticism. This powerful symbiosis fostered a deep connectivity with his growing fan base and Trevor quickly matured into a leader of the burgeoning conscious musical community. Along with numerous pilgrimages to India, he has also completed a series of sold-out tours and collaborations with artists such as Steel Pulse, Ziggy Marley, Jimmy Cliff, Matisyahu, Michael Franti, Xavier Rudd and Nahko & Medicine for the People.

His previous full-length album releases, Chapter of the Forest (2014) and KALA (2015), debuted at #3 and #2 on the iTunes singer/songwriter chart respectively and were supported by extensive tours around the US and Australia. Beyond his intention to spread love and healing through music, Hall also collects donations to support children’s education in India and has continuously donated to charities and relief funds.

The Fruitful Darkness is Trevor’s first independent release supported by his fans known as The Villagers has become the #1 Music campaign of its kind in 2017. “There have been many hurdles and triumphs along the way” Hall reflects, after a decade plus recording for established labels such as Geffen and Vanguard. “This album conveys the deep vulnerability of journeying through the unknown, as opposed to playing it safe.” Besides the change in infrastructure, the album itself explores completely new sonic terrain and is being released unconventionally, in three song installments on specific lunar dates, with the intention to buck the trend of fly-by-night releases and hold the conversation for a whole year. WEBSITE, FACEBOOK.


Five songs to feast upon with the new EP 'The Fruitful Darkness part.3' all of which are there to enjoy just below. The music is a blend of natural roots music with excursions in differing directions held together by Trevor Hall's beguiling vocals and musical themes that are always of a very high standard.

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Paul Littlewood - Today.

Background -  British artist Paul Littlewood has announced his forthcoming double A-side single, comprised of tracks 'Today' and 'Television' and set for release via Anklebreka Records. Hailing from Swinton, South Yorkshire and currently based in Sheffield, Littlewood is a prolific songwriter and music producer.

'Today' soothes the listener with an endearing yet hazy musical familiarity with its swirls and blurred sonic edges, hanging in the air with raw emotion, cocooning the listener. The more upbeat 'Television' ramps up the energy with a very real statement on the situation with modern-day TV. Both tracks present perfect pop viewed through a technicolor prism.

"'Today' was inspired by the discovery of a collection of tape cassettes, when I purchased a second-hand tape recorder for making home demos. Each cassette is an audio letter by a young couple in New York to send home to their parents in the UK in the early 1970’s. I managed to discover one of the couple's names using information disclosed on the tapes (they speak of a move to California and the company he'd be working with). The couple also discloses that they are expecting their first child, and I’ve always felt that it would be fantastic to reunite the tapes with the family. The lines of ‘Today’ are adaptions of the tapes' dialogue, and the single cover is an image of audio from the tape," explains Paul Littlewood.

"After discovering the tapes, suddenly the practice of making records made sense to me. The dialogue was so honest and unfiltered due to the nature of their purpose. From then on I resolved to make music this way.” WEBSITE.


'Today' is one of those songs that feels very personal, whilst letting the listener immerse themselves in and imagining that it's their own. The gorgeous hooks do the rest and repeat play becomes compulsive.

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Thursday, 15 February 2018

Kira May - GRDNS - Kadija Kamara - Band of Gold - Theodore

Kira May - Muscle Memory.

Background from Kira May - I’m an experimental pop artist from Toronto. Back in 2014, I released my debut EP Health, and have since shared stages with the likes of Jean-Michel Blais, Absolutely Free, Diana, Your Boy Tony Braxton, and more. Following Health’s release, I took a step back to focus on treatment for the anxiety and depression that had been holding me back since childhood. During this time I wrote a full-length album as a documentation of that journey. Sense will be released this spring, and I’m thrilled to share the video for its lead single with you today.

“Muscle Memory” explores the ways in which our bodies hold onto our painful histories. This is partially a love song for my body, which continuously strives to protect me and push for my physical and emotional survival, but it is also an exploration of the “letting go” required to move forward. When past traumas are no longer dangerous to us, although well-meaning, our bodies’ attempts to protect us can actually become harmful.

This song looks specifically at the damaging effects of negative interpersonal relationships as a very young person who is still forming. In my case, the response was to retreat so deeply into the safety of my own body that it became difficult to get out. Director Allison Johnston brought the sentiment of the song to life in the video, in which we see past experiences and vulnerabilities emerge from within the body itself. Sense was co-produced, engineered, and mixed by Sandro Perri. FACEBOOK, BANDCAMP.


Swirling synth sounds and a slow beat introduce 'Muscle Memory' a song that mixes Kira May's distinctive & appealing vocals with a remarkable soundtrack that develops layer by layer. The video adds more, making the combination of both a powerful proposition.


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GRDNS - Night Dance.

Background - Neo-psychedelic quartet GRDNS release debut single Night Dance, the first slice of woozy, off-kilter rock taken from their upcoming EP out later this year via Dance To The Radio.

Emerging from the largely forgotten and multi-cultural northern city of Bradford, the desert rockers take the influences of Tame Impala and Humbug-era Arctic Monkeys and create their own blend of psychedelia which has already landed them support slots with acts including Stereo Honey, Sea Girls and The Pale White.

Described by frontman Jacob Lyons as a “tantric tail of a quiet night in with a supernatural poetic cosmic titan of a lover with atomic eyes”, the band (comprised of other two main members Cameron Harrison (bass) and Sam Gledhill (guitar) alongside drummer John Fitzpatrick) support Husky Loops with whenyoung later this month before an April UK tour (TBA) and appearance at Live At Leeds.

Produced by James Kenosha (Pulled Apart By Horses, Dinosaur Pile-Up, Rhodes) GRDNS’ Night Dance is out now and will be available on all platforms. FACEBOOK.


Live Dates:
27 Feb – Chapel, Leeds (w/ Husky Loops & whenyoung)
05 May – Live At Leeds Festival.

From the opening moments of 'Night Dance' there is a delectable psychedelic feel. The music and vocals merge together with more psych vibes flooding through, as the song builds with energy and atmosphere.

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Kadija Kamara - Nothing Left To Lose (EP).

Background - Kadija Kamara takes us into the highways of her expansive imagination on ‘Nothing Left To Lose’, her new EP out now.

Based in London, Kadija Kamara is a singer songwriter who best describes her sound as ‘Alt Soul’. With a love of 60’s and 70’s analogue sounds, Kadija combines her affinity for retro soul music with a host of modern influences. To date, her accomplishments include winning the MTV Iggy Artist Of The Week poll, voted by readers and being awarded funding for her Artist Development Programme by PRS for Music. From collaborations with the likes of Joey Negro, Zeb Bias plus many more, to backing vocals for Zara McFarlane on …Later With Jools Holland.  Kadija has released records under various labels, including Z Records, Defected, and Soul Heaven among others.

Kadija recently curated a night called Lady, which showcases leading female musicians in the underground and commercial music scenes.  She currently holds a residency at the popular Music venue 'The Finsbury', with label/promoters Lost In The Manor.  Its huge running success led to the first Lady Festival at ‘Pop Brixton’ in October last year, marking the first Birthday of LADY & LADY Live Events.

Having had the stunning ‘Eyes On You’ selected by readers for Tom Robinson’s Fresh On The Net’, and with praise from CLASH, The Revue, FAME Magazine, Get In Her Ears, and Hype Machine to name a few, the stage is set for her long-awaited EP Nothing Left To Lose. It’s a diverse set of songs showcasing her broad emotional range and tinderbox potential. Mostly, it’s a clear indicator that Kadija is a free-thinking experimentalist producing work that is totally unique and risque, and that already puts her ahead in the game. FACEBOOK.


Kadija Kamara has delivered a fabulous EP with 'Nothing Left To Lose' a collection of four soulful and creative songs. There is emotion, power, and a gorgeous array of retro meeting today styles, add to this her vocals, which are a perfect match for these genres, and I think we have a winning combination that deserves to heard far and wide.

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Band of Gold - Well Who Am I.

Background - Band Of Gold have premiered the new single 'Well Who Am I' from their forthcoming album 'Where's The Magic'. Nina Mortvedt of Band Of Gold has said "'Well Who Am I' is a quick look at how the brain works when in an obsession, making the smallest of details significant and amazing. It's the yearning and irrational passion that you never get to live out. It makes you numb, feeling like you're in a constant purple sunset. We had such a blast recording this one, and what Nikolai does with his guitar... I'll let that speak for itself."

Band Of Gold are a Norwegian duo consisting of the exceptional songwriter Nina Mortvedt and dynamic musician and producer Nikolai Eilertsen. Eilertsen has been known previously for his stellar bass guitar work with the likes of Todd Terje, Elephant9, and Susanne Sundfør, amongst many others but with the addition of some of Norway’s most creative musicians, they are now crafting their very own brand of skeletal funk, country soul and chamber pop, to create an eclectic, glowing concoction.

The collaboration between Norway’s Nina Mortvedt and Nikolai Hængsle as Band Of Gold, made a splash in 2015 with their self-titled debut being crowned with the Nordic Music Prize against heavy competition such as Bjork and Jenny Hval by the jury of Jeannette Lee (Rough Trade Records), Jude Rogers (The Guardian), Stuart Maconie (BBC) and Jonathan Galkin (DFA Records). This year will see the release of their highly anticipated follow-up album, ‘Where’s The Magic’ on Jansen Records.

Rich bass and drums, silky guitar and dreamy synths courtesy of Hængsle, help guide Mortvedt’s coy vocals, with a twang reminiscent of Natalie Prass, throughout. Hængsle’s tone might be subtle and understated on the latest single from the album ‘I Wanna Dance With You Again’, but her words certainly aren’t. “There’s a hand around my heart and it’s tearing me apart,” she laments. FACEBOOK.

'Well Who Am I' is one very addictive song. The beats and associated music, interact with vocals that just mesmerise and draw the listener in even further.

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Theodore - Towards? (for what is to come).

Background - Multi-instrumentalist and composer Theodore has announced another sterling single ‘Towards? (for what is to come)’ slated for release on 2nd March via United We Fly. The Greek performer has already garnered considerable success with his previous album It Is But Its Not which was co-produced by Clive Martin (Queen, Reef) mixed by Ken Thomas (Sigur Rós, Moby, M83) and performed live at the fabled Studio 2 at Abbey Road Studios. With over 1.7 million Youtube views, he has received radioplay from the likes of BBC Radio 6 Music’s Lauren Laverne and French station RadioKC, as well as support from publications such as Tsugi and Szene. Theodore has graced the stages of Live at Heart Festival and Reeperbahn Festival -where he was named Best Performance Of 2017. He supported Sigur Ros and DIIV at Release Festival (Athens) in 2016, has just performed Eurosonic Noorderslag and looks forward to showcasing his talents at this years SXSW Festival.

Based in Athens, Theodore's schooling in piano and traditional Greek folk music lead to a professional music career in London, where he studied Music Composition in 2011. Theodore has written music for theatrical pieces such as Matina Megla’s Window, Vladan Nikolic’s film Bourek, and was commissioned to write a new score for Buster Keaton’s classic silent comedy of 1928, The Cameraman. Theodore and his band then performed the score live to the film screening, in the unforgettable setting of the Temple of Zeus in Athens, which he describes as “one of the best moments of my life.” Theodore has gained notoriety for his memorable live performances, dazzling audiences with his mesmerizing stage presence.

Fusing classical composition with electronic elements to create beautiful, atmospheric and often cinematic songs, his sound is characterized by contrasting styles. Citing influences such as Sigur Ros, Radiohead, Pink Floyd, Doors, Chatzidakis, Vagelis Papathanasiou, Nils Frahm, The National, Olafur, Arcade Fire, Max Richter, his unique mélange of influences allow a broad scope of movement from ethereal, to melancholic, to classical, to post rock. ‘Towards? (for what is to come)’ is a sonic stream of consciousness, capturing every nuance of Theodore’s technical wizardry. Covering a wide sonic scope, he drowns ethereal melodies in a cauldron of psychedelic sounds.

Speaking of the single Theodore says “Towards? (for what is to come) is going to be the first song of my upcoming album. This is the initial question I will be exploring throughout the album. It is about the two different sides of one’s personality; the conscious and the magical one and inspired by the battle between them.” WEBSITE, FACEBOOK.


'Towards? (for what is to come)' is six minutes of musical creativity. Sometimes haunting, always flowing and richly layered, the song is an epic of sorts, one that builds into a crescendo of flavours and then quickly ebbs away. 

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Wednesday, 14 February 2018

Company of Thieves - Erin Pellnat - Ruby Velle & The Soulphonics - Karrie Hayward - Oh! Gunquit - Danielle Duval

Company of Thieves - Window.

Background - Fresh off their reunion tour and currently on the road with Walk the Moon, indie group Company of Thieves hare their new song, "Window". "Window" is the second release from their forthcoming EP,  Better Together, due February 23rd.

"Great friends can see something in us that we can’t yet see in ourselves- the ability to make it through, the light at the end of the tunnel. This song is about seeing the best in each other and ourselves, finding windows where there were once only walls" says front woman Genevieve Schatz of their new song, "Window".

10 years proceeding the release of their self released album, Ordinary Riches, Company of Thieves made their comeback in the summer of 2017 with "Treasure".

It was fate that brought two rebellious teenagers together on the train platform at Union Station in Chicago over a decade ago, as Company of Thieves’ founding members, Genevieve Schatz and Marc Walloch sat across from one another and became fast friends over a conversation about The Beatles. With two records, countless headlining tours, a late night television appearance, a charting alternative radio single “Oscar Wilde” and a dream-come-true music biz discovery story under their belt, it seems that fate that has brought the cult band back from hiatus. FACEBOOK.

'Window' is a fine rocker that mixes melodic moments with some more feisty rock & roll, the passion thrives throughout, as do the hooks.

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Erin Pellnat - Do It For Dinero.

Background -  "Do it for Dinero," from Erin Pellnat is a new song that has elements of Americana, ragtime, and samba. 

But ultimately, the song is about the voice and the story she's tellin.

The photo is relevant as Erin tells us "I bike to work every day from Brooklyn (where I live) to Manhattan (where I work) - 15 miles a day round-trip!  You might say I "Do it for Dinero". BANDCAMP.


Our third solo feature for Erin Pellnat, an artist that consistently comes up with highly engaging and imaginative music. 'Do It For Dinero' see her taking yet another musical route, mixing genres with ease and once again her vocals add so much more vitality to the song.

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Ruby Velle & The Soulphonics - Call Out My Name.

Background - Atlanta's Ruby Velle and the Soulphonics are the heirs to the throne of the old schools masters.  But they are much more than just a group of revivalists trying to create a period piece.  Powerhouse singer Velle and her band will settle for nothing less than bringing these classic sounds glimmering into the now with a fresh, new contemporary sheen. 

It's this inviting and accessible bravado that has scored the band critical acclaim from outlets such as The New York Daily News, MTV, Paste, and more. In addition to there critical success, at a time when record sales are at an all time industry low, the completely independent, DIY minded Velle and the Soulphonics sold a quarter-million downloads of their single on iTunes, landing them in the top 30 on Billboard's Heatseeker charts and at a stunning #4 on the iTunes R&B charts.

The group has shared bills with Erykah Badu, the XX, Gary Clark Jr., Animal Collective, Feist, and Kendrick Lamar among others. After an explosive set opening for The Temptations, the band looks towards the release of their new single "Call Out My Name" in winter 2018. WEBSITE, FACEBOOK.


Old school, classic sounding, and plenty of other labels might be applied to 'Call Out My Name', none of which is that important when the music is as gorgeous as this. The production is modern ensuring every part of the arrangement has it's rightful place and the vocals just do the rest, fabulous!

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Karrie Hayward - Going To The Grave.

Background - When you blend the rich, soulful vocal tones with the vibrant, percussive timbre of a guitar, you get Karrie Hayward - a pop infused, indie-edge, kaleidoscope of melodic colours. Going To The Grave is a facetious, tongue-in-cheek song written about the emotional recovery that occurs at the ending of a relationship. The track unravels through a driving percussion line; a guitar riff conversing with an impelling bamboo groove and the build of gated vocals to layers of dense harmonies.

Growing up in the tropical environment of the Whitsunday’s, this songstress spontaneously decided to find the ultimate ratio of adventure and music by moving further down the coast. Karrie travelled solo, playing shows all the way from Mackay to Byron Bay collecting inspiration all around.

After settling down into the hustle and bustle of Brisbane, Karrie set foot in a Gold Coast studio, (Blind Boy Studios) to record some tracks with producer, engineer and session musician, Brad Hosking. This is where the latest single; Going To The Grave was bought to life.

Since the previous release, Gypsies, which landed in the Top 10 on the ITunes Singer-Songwriter chart, Number 3 on the Triple J Unearthed Pop Chart and Number 6 on the overall Triple J Unearthed charts, Karrie has toured along the east coast playing shows all around from Townsville to the Central Coast. With more national touring in sight for 2018, Karrie experiments with the creativity of song craft to define her own unique sound. ‘Going to the Grave’ will be in Digital Stores on the 16th of February. WEBSITE, FACEBOOK.


Modern pop can still be very creative and pleasing, case in point being 'Going To The Grave'. Uncomplicated, fresh, and alive with hooks, Karrie's soulful vocals are resplendent and the urge to play it again sets in well before the end.

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Oh! Gunquit - So Long Sucker.

Background - London garage-freak-a-billy fun gang Oh! Gunquit, release their second video single So Long Sucker from sophomore LP 'Lightning Likes Me' - which combines elements of psychedelic surf punk, sci-fi rockabilly, and future rock n roll. The nucleus of the band started in 2010 after Tina (Vocals/Trumpet) & Simon (Guitar/Vocals) became neighbours and frequenting the same sweaty cellar dance nights around town. They formed the band around the idea of creating a vibrant blend of new-wave vicious psych-surf, garage-punk, exotica & rock n roll.

With tracks produced by Detroit Legend Jim Diamond (the Sonics, Dirtbombs, Detroit Cobras, White Stripes etc) & also at London's Space Eko studio by Alex McGowen (Jim Jones, Son of Dave etc) it's a somewhat denser and more experimental feel than their debut and still packed with killer songs with the same Exotic Wild Vicious RnR Music with which they've become known for. Their near-legendary live shows are now going even further interstellar with new full-time member Chuchi Malpersona (Saxophone) & the continuing super tight rhythm section of VV (Bass) Alex De Renzi (Drums).

The band has recorded two live sessions on London's only Arts Radio Station -Resonance FM. Live shows they have played include many events/festivals all over UK such as Field Day, Trip Out, Offset, Hop Farm, Hipsville, Franklin Fest and Farm Festival. They have also performed shows for festivals & events in Europe including Spain's Bule Bule, Fuzz in the City, Munster Raving Loony Party, & Fuzzville Festivals & tours in Germany, Netherlands, Belgium, France, Portugal & Spain. The band have supported other acts such as Fat White Family, Public Service Broadcasting, King Khan & the Shrines (US), Andrew Weatherall, The Pandoras (US), Kinoco Hotel (Japan) & shows at the Danny Boyle curated Shuffle Film Festivals. FACEBOOK.


'So Long Sucker' is one spectacular and potent bout of pure freak-a-billy to use the bands definition. Rock & Roll with edge, drama and fun all combined together and delivered with character and energy.


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Danielle Duval - Whenever You Want It.

Background from Danielle Duval - Super stoked to share “Whenever You Want It” – the lead single and video off my sophomore album, Lose It, which dropped on January 26th. It’s a song about no fear; being open, ready, and up for anything. The quest to find, cash in, and go for what or who you’re after. It’s a song about the recognition of love when it comes, and to go for it no holds barred, no reservations, no apologies.

Sam Roberts, Toronto’s “Synth Twins” Matt & Mark Thibedeau, and Zeus’ Carlin Nicholson & Mike O’Brien all lent their talent to help make this record what it is.

I co-produced Lose It with the inimitable Gus Van Go & Werner F, who have worked with the likes of Arkells, Whitehorse, and Wintersleep. The three of us shared the same vision – taking influence from the effortlessly cool swagger of LCD Soundsystem and Joan Jett, and mixing it with the sound of new wave classics like Blondie and The Cars. WEBSITE, FACEBOOK.


'Whenever You Want It' is a rhythmic rocker, where the guitars and vocals both vie for and grab our attention, all with just a little attitude and a catchy feel.


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Monday, 12 February 2018

Super Hi-Fi - Typhoid Rosie - Nihilist Cheerleader

Super Hi-Fi - Little Black Book.

Background - Leading up to the March 9th release of their fifth studio album Blue and White, Brooklyn's Super Hi-Fi have dropped a quirky video for their first single "Little Black Book". Picking-up where they left off with their 2012 release Dub To The Bone, "Little Black Book" once again showcases the band's dual trombone prowess and penchant for heavy bass lines. However, unlike Dub To The Bone, "Little Black Book" draws influence from west African music and the unmistakable rhythms of Afrobeat. The song is bolstered by drummer Madhu Siddappa's shuffling groove and Jon Lipscomb's hypnotic guitar playing which draws the band away from their traditional, dub-heavy reggae roots and into a west African inspired musical amalgam.

The video was created by musician and visual artist Stefan Zeniuk, whose recent work has been featured in Billboard and NPR Music. Specializing in stop-motion animation, Zeniuk used nearly 2,000 images, with a mix of sculpted clay, broken glass and even tic-tac's to achieve the final result. Having produced videos for bassist and band leader Ezra Gale's side-project The Eargoggle, the collaboration came naturally and Zeniuk's unique, visual interpretation of "Little Black Book" matches the songs rhythmic pace perfectly.

"The rhythm of the fast guitar balanced with the slow and long trombone melodies initially popped into my mind a sense of frenetic and fast moving images, abstract and schizoid, fast enough to actually lull the viewer into a meditative and static state." - Stefan Zeniuk

Gale says that "Little Black Book" is essentially a song about people who work jobs that they're ridiculed or hated for. In this instance the ridicule is aimed at an NYC meter maid who is simply making his rounds with 'his little black book'. Slim Blue which is the name that Zeniuk uses to refer to the clay figure featured in the video, is hated by the people that he issues parking tickets to, yet fulfills his appointed duties and carries on with his life. It's a thankless job but someone has to do it and "Little Black Book" conveys this sense of alienation and misunderstanding both through the music and the accompanying video. Gale says, "I wrote it right after I got a parking ticket and I was really pissed off. I was trying to not be so angry and be more empathetic towards people who have a job that makes them do something everyone else hates, and so makes them hated, which isn't really fair. It worked and I wasn't as angry after writing it...for a little while, anyway!" WEBSITE, FACEBOOK.


Super Hi-Fi have taken compatible genres and skillfully moulded them into 'Little Black Book' a fabulous and in the real sense of the word, eclectic song, that suggests the album due in March is one to watch out for.


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Typhoid Rosie - Sailing On.

Background - Brooklyn's Typhoid Rosie have announced plans to release their third LP, 'This Is Now,' on March 23. Frontwoman Rosie Rebel explains the song's origins: "It was inspired by Homer's The Odyssey," the singer offers. "Odysseus is faced with every obstacle and temptation but fights as hard as he could to get home. Life is like that: sometimes we have to endure incredible turbulence and storms. I thought about how poor Odysseus had to endure the anger of Poseidon, and all he could do was hold on to a rock while he was being pounded by the waves.

He had no shelter to weather the storm, but his memories somehow carried him through those dark times. So when I wrote this song, I thought about life and all the things in it that are worth fighting for. But more than that, the song is about 'us' and how we should fight for it together. When we work together, there's nothing humanity can't accomplish."

Typhoid Rosie delivers punk/indie grit with pop hooks. They've been featured in HuffPost, Paste Magazine, AXS, Buzzfeed, Baeble Music, Pop Dose, She Knows, The Big Takeover and more. The band's upcoming third LP, This Is Now,' is the follow-up to 2013's 'The Music Album' and 2015's 'Hearts Bleed Goodbye.' WEBSITE, FACEBOOK.


It was back in the summer of 2016 that we first featured Typhoid Rosie, it didn't seem that long ago when the new song 'Sailing On' came our way last week. Powerful rock with some punk vibes thrown in, this is catchy and some!


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Nihilist Cheerleader - Drenched In.

Background - Nihilist Cheerleader debut first single "Drenched In" from their upcoming debut album "Riot, Right?".  (Perfect Attendance Records). Nihilist Cheerleader is making a name for themselves in the thriving Athens/ Atlanta music scene with their raw, Riot Grrrl- inspired punk sound. The band formed in 2015 in Athens, Ga, and found early success in a saturated scene with their new take on an established concept of “punk”. The band brings a charged energy to their live and recorded performances that is engaging and refreshing. Nihilist Cheerleader’s sound appropriately reflects the band’s name in it’s duality- both turbulent and controlled, angsty and uplifting, thoughtful and effortless.

What sets them apart from other musicians in their midsts is their story-like songwriting. Like the artists that have inspired them, the band’s music is largely rooted in political and social commentary.  Their lyrics command the listener to take a closer look at social injustices related to gender and power structures, and ones internal dialogue. Rather than aimlessly identify problems they see, the band’s intention is to start a constructive conversation about how we can combat and resolve such issues. Their songs inspire rebellion, self exploration, change, and especially dance.

Following the release of one EP, three singles, and two southeastern tours, the band is releasing  their first full-length album with Perfect Attendance Records spring of 2018, and will be touring the east coast this summer. In the past two years the band has received multiple music awards from a local publication, voted by the public as best startup band, best punk/hard rock band, and best live performance. The members are excited to release their new music, as well as some accompanying music videos, as their project continues to grow and evolve. FACEBOOK.


'Drenched In' is a vibrant rocker with plenty of melodic hooks, both through the splendid vocals and a band that knock out, some refined rock & roll chords, doing so with class.

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Sunday, 11 February 2018

The Aces - PJ Harvey & Harry Escott - Mary's flower Superhead - The Prids - Flowertruck

The Aces - Volcanic Love.

Background -  Utah quartet The Aces are excited to announce the release of their much anticipated debut album, When My Heart Felt Volcanic on April 6th. Serving as a follow up to 2017’s critically acclaimed I Don’t Like Being Honest EP, the album is a collection of songs that exhibits confidence and polish that bellies their young years. Today fans can pre-order the album and receive an instant download of the track ‘Volcanic Love.’

‘When My Heart Felt Volcanic is so special to us, a collection of songs about our experiences over the past three years growing up and transitioning from adolescence to adulthood. We can’t wait for our fans to get to know us through them,’ says The Aces.

In celebration of the release of When My Heart Felt Volcanic The Aces are currently on the road with COIN for a full US tour wrapping up on March 17th. After a very short break, The Aces will hop across the pond for a run of headline dates throughout the UK and Europe. A full list of dates can be found below. WEBSITE, FACEBOOK.

The Aces On Tour:
2/11 Philadelphia PA @ TLA*
2/12 Brooklyn NY @ Billboard Lounge @ The Barclay Center*
2/13 Boston MA @ Paradise Rock Club*
2/16 Toronto Canada @ The Mod Club*
2/17 Detroit MI @ St. Andrews Hall*
2/18 Cleveland OH @ House of Blues*
2/20 Knoxville TN @ The Concourse at The International*
2/22 Columbus OH @ Newport Music Hall*
2/23 Louisvilly KY @ The Mercury Ballroom*
2/24 Chicago IL @ House of Blues*
2/25 Minneapolis MN @ Fine Line Music Café*
2/27 St. Louis MO @ Delmar Hall*
2/28 Kansas City MO @ Truman*
3/02 Dallas TX @ Granada Theatre*
3/03 Houston TX @ White Oak Downstairs*
3/04 Austin TX @ Scoot Inn*
3/06 Phoenix AZ @ The Van Buren*
3/07 La Jolla CA @ The Loft @ UCSD*
3/09 Los Angeles CA @ The Fonda*
3/10 San Francisco CA @ The Fillmore*
3/12 Portland OR @ Wonder Ballroom*
3/13 Vancouver Canada @ Biltmore Cabaret*
3/14 Seattle WA @ Showbox*
3/16 Salt Lake City UT @ The Depot*
3/17 Denver CO @ Gothic*
3/26 Paris France @ Le Pop-Up du Label
3/27 London UK @ Thousand Island
3/29 Berlin Germany @ Musik & Frieden
* w/ COIN


'Volcanic Love' is a melodic indie rocker, that has energy, passion and plenty of emotion. My first listen to the band, this is impressive, and word has it, that this is a band worth catching live.


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 PJ Harvey & Harry Escott - An Acre Of Land.

Background - British composer Harry Escott and artist PJ Harvey have collaborated on An Acre of Land, a new recording that is the theme to Dark River, the latest film by Director Clio Barnard. The entire film is also scored by Escott, who says: ‘recording PJ Harvey’s vocal on “An Acre of Land”, a song we arranged together for Dark River, was a spine-tingling experience.’

An Acre of Land was released on Friday, via independent label Cognitive Shift Recordings - a collaborative label between One Little Indian Records and Manners McDade Publishing.

PJ Harvey is an English composer and artist, the recipient of both the 2001 and 2011 Mercury Prizes, as well as a 2013 MBE for services to music. She has contributed original music to the soundtrack for Mark Cousins’ film, ‘What’s This Film Called Love?’, BBC television series ‘Peaky Blinders’ starring Cillian Murphy, and BBC Radio 4 Drama productions Eurydice and Orpheus by Simon Armitage and Orpheus and Eurydice by Linda Marshall Griffiths, and Nadia Molinari’s On Kosovo Field. 


Theatre score collaborations with director Ian Rickson include, The Goat, or Who is Sylvia? (Theatre Royal Haymarket, London), The Nest (Young Vic, London), and Electra (Old Vic, London), Harvey’s latest album The Hope Six Demolition Project, reached #1 in the UK charts and was nominated for a Grammy.

Harry Escott first came to prominence in 2005 with his score to the influential psychological horror film Hard Candy, directed by David Slade. Since then, Harry has worked with such stellar directorial talents as Eran Creevy on both Shifty and Welcome To The Punch; Michael Winterbottom on A Mighty Heart, The Road To Guantanamo, and Face Of An Angel; Clio Barnard on the multi award-winning The Arbor; and The Selfish Giant, a contemporary adaptation of Oscar Wilde’s short story; as well as Nick Broomfield on Ghosts; and perhaps most prominently, on Steve McQueen’s seminal debut film Shame.

Escott describes Dark River as ‘a film that leaves me wanting to take more care of those around me, which is a good thing for a film to leave you with!’ LABEL.


OK I am a massive fan of PJ Harvey's music, an artist that just seems to keep improving and impressing even more, as time goes by. With Harry Escott the pair have created a fabulous song, 'An Acre Of Land' exudes emotion and drama, Polly's vocals are beautiful, and the musical arrangement gentle, layered and a perfect match.

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Mary's flower Superhead - The Fall.

Background - Thessaloniki based post-punk trio Mary's flower Superhead are set to release their full-length fourth album Wealth on February 12th via Inner Ear Records. They dropped the lead single "Tonight We Sail" last Saturday, and almost immediately they share the followup "The Fall". Almost six years after their latest release, Mary's flower Superhead return with their new album titled Wealth.

A six-year period in which they were not idle, but constantly experimented with their sound at Polytropon studio in Thessaloniki, where the band was born and matured. Having rejected much of the material they recorded during this time, they decided to create a record based on the older sounds that brought them together 15 years ago and made them play music in the first place.

After the opening track "Everything Descends", a sample of MfS's previous experiments with synths and psychedelic sound, the nine tracks that follow musically they express the richness of simplicity and raw sound and at the same time lyrically the fragility of human nature and introversion.

Remaining always honest with their audience, MfS present Wealth, an energy-packed album that they will enjoy playing live and that justifies the characterisation power trio group, which was attributed to them from their very first concert in September 2003 and has been following them since. Mary's flower Superhead are Elias Smilios (vocals, guitar), Thanos Kazantzis (drums) and Nick Dimakidis (synths, bass). WEBSITE, FACEBOOK.


As post punk bands go 'The Fall' suggests the band are ready and able to expand their sound. Smooth understated vocals and a restrained rock arrangement gives the band some room for melody and hooks of which there are plenty.


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The Prids - Lie Here.

Background - Portland, OR-based, noise pop band, The Prids, share their new video for "Lie Here" off their recently released record. PunkNews exclusively premiered the video, praising it, stating, "In the video for "Lie Here" the band takes a massive, shoegaze base and applies the synth-trappings along the lines of early Cure and Joy Division tunes." Their new LP, Do I Look Like I'm In Love? is out now via This-a-Way Records. The album was recorded and co-produced by Sean Flora (The Shins, The Black Keys, Stephen Malkmus & The Jicks) at Rock 'n' Roll B&B on Sauvie Island, 15 miles north of Portland.

Having spearheaded the Pacific Northwest DIY scene, bassist and vocalist Mistina La Fave, vocalist and guitarist David Frederickson, drummer Gordon Nickel and keyboardist and bassist Tim Yates, The Prids's career has spanned over 20 years. The band has toured alongside Built to Spill, among other notable acts, and Henry Rollins is a long time fan. Having faced a life altering brain hemorrhage in Spring 2015, La Fave and the rest of the band are set to pick up where they left off with this forthcoming release. The album is out on the band's own DIY label, This-a-Way Records, which has been instrumental in the band's culture for the past 20 years.

Do I Look Like I’m In Love? illustrates the Portland dark pop band’s mettle through keen lyrical observations, but also in its attention to sonic detail and song craft—this record couldn’t have been made by any other band at any other time. “Do I Look Like I’m In Love?” and “The Shape” both swirl and build like dreams filled with grey skies and the flickering faces of past friends and lovers. These songs nudge up against the air-brushed punk of “Lie Here” and the bass-driven “Colliding,” which recalls the dazed jangle of early R.E.M. More than two decades in, The Prids have made the best and most cohesive album of their career. FACEBOOK.

The Prids have consistently impressed me and the song 'Lie Here' and the accompanying video ensures that trend continues. It's another gorgeous noise pop song where the energy and pace is notable and the catchy musical nature of the band is ever present. 


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Flowertruck - Enough For Now.

Background - Without dipping a toe in trepidation, but rather jumping headfirst into the deep end, Flowertruck splash around in the nostalgic, technicolour, sonic joy in single 'Enough For Now' alongside the announcement of their debut LP Mostly Sunny, and an April headline tour.

Known for their upbeat melodies decorated with hooky guitar runs and vocalist Charles Rushforth's quintessential Aussie twang, new single 'Enough For Now' is everything fans have come to love from Sydney's Inner West sweethearts. The single is a a sun drenched, summer slow burner - swirling synth and melancholy lyrics are complimented perfectly by fuzzy, early 90's inspired visuals. Showcasing an array of inconveniences only mild enough to induce an eye roll (burning the toast, a broken thong and rickety chairs) the four piece tackle the everyday annoyances with charm and ingenuity, like a team of super heroes in socks and sandals.  

Recorded at The Grove with Richard Belkner (PVT, Bertie Blackman, Brendan Maclean), mixed by Matt Voigt (Big Scary, Twerps, Cat Power) and mastered by John Lee (Lost Animal, Emma Russack, Totally Mild, Ocean Party). The new album anecdotally examines the unease and hesitation of growing up, falling in love and in its most universal sense, change.

A linear continuation from their EP, and born of living in each other's pockets, Hamish Dobinson (Guitar) explains the new record Mostly Sunny as "kind of our coming of age as a band and signals a new era in Flowertruck. Our EP was our adolescence not only as a band but also as musicians. Flowertruck's debut LP Mostly Sunny out on Spunk Records on Friday March 16. Album PRE-ORDER, FACEBOOK.


The video is smile inducing and musically 'Enough For Now' is one lovable festival are melodic hooks, wonderful vocals, that collectively should brighten up any ones day.


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Sam Paige - Tinlicker - Tsunami Bombs - Hammerbombs

Photography by Fischy Media Sam Paige - SKIN . Sam Paige begins a powerful new chapter with her beautifully vulnerable single, “SKIN.” Comb...