Wednesday, 9 December 2009

Stray Cats - Live In North America 1982.

Are you ready to rumble? There is nothing like a blast of rockabilly and a blues belter or two, to clear the cobwebs and the Stray Cats certainly know how to liven things up as was the case here back in the early 1980's

Now I am a little confused over the venue or even city that this gig was actually from. The silver disc boot says the band were live in Los Angeles on April 28th 1982. It's just that the song 'Rumble In Brighton' keeps on having the lyrics changed to 'Rumble in Toronto' something the audience seems to appreciate.

That aside this is one rocking concert from the band at the peak of their musical journey. It's not until 'Lonely Summer Nights' that the band slow things down a little, showing how well they could recreate 1950's rock'n'roll in differing styles.

Source:
Soundboard.

Sound Quality: Very good stereo mp3@320kbps.

Genre: Rockabilly.

Set: Full Set.

Set List:

1. Baby Blue Eyes (4:22)
2. Double Talking Woman (3:47)
3. Rumble In Brighton (3:55)
4. Drink That Bottle Down (5:25)
5. Built For Speed (5:57)
6. Foggy Mountain Breakdown (1:42)
7. Jeanie Jeanie Jeanie (3:39)
8. Stray Cat Strut (5:38)
9. Lonely Summer Nights (3:55)
10. Rev It Up (3:08)
11. Come On Everybody (3:46)
12. Runaway Boys (5:09)
13. Oh Boy (2:41)
14. Something Else (4:24)
15. Fishnet Stockings (3:15)
16. Rock This Town (6:45)

Links: Official site HERE.

Comments:

The group, whose style was based upon the sounds of Sun Records artists from the 1950s and heavily influenced by Bill Haley & His Comets, had little initial success in the New York music scene. When Setzer heard that there was a revival of the 1950s Teddy Boy youth subculture in England, the band moved to the UK. The band found themselves in the midst of a nascent rockabilly revival, with youth wearing drape jackets, brothel creepers and updating the 1950s look by using hairspray instead of grease to style their hair and by wearing bright, "loud" colours.

After a gig in London, Stray Cats met producer Dave Edmunds, well known as a roots rock enthusiast for his work with Rockpile and as a solo artist. Edmunds offered to work with the group, and they entered the studio to record their self-titled debut album, Stray Cats, released in England in 1981 on Arista Records. They had three hits that year with "Runaway Boys", "Rock This Town," and "Stray Cat Strut." The UK follow-up to Stray Cats, Gonna Ball, was not as well-received, providing no hits. But the combined sales of their first two albums was enough to convince EMI America to compile the best tracks from the two UK albums and issue an album (Built for Speed) in the U.S. in 1982.

Download links (two) in comments below.

Buy: Mp3's at Amazon.co.uk - Stray Cats

Beehive Recommends - Daisy McCrackin

We are reliably informed that Daisy McCrackin was born in San Francisco and now lives in Los Angeles.

So what else can I add, well having read her bio on MySpace her original move to LA was to develop an acting career, with some notable Hollywood credits to her name including 3000 Miles To Graceland (with Kurt Russell and Kevin Costner.) She also had the honor of being one of Michael Myers teen victims in a Halloween sequel from 2002 (no wonder she switched over to a music career), however clearly her artistic yearnings eventually led her away from LA for a while as she slowly developed her song writing and guitar skills.

Having listened to her debut release 'Rodeo Grounds' I have to say there is something special about Daisy and her music. I would imagine she will appeal to both folk and indie fans alike, the comparisons are there (from Joni Mitchell to Beth Orton) however she has a unique and very intimate style that has a personal and charming edge.

Listen:
'tell her'



Websites: MySpace, Official.
Buy: Daisy McCrackin

Her bio goes on: Back in Los Angeles, Daisy moved to the fabled Rodeo Grounds arts collective in Topanga Canyon, where she bathed in the deep and salty waters of authentic expression daily. Inspired by the eclectic community of artists living by the beach, serving as a muse and creating by the moment, Daisy took up painting, and continued to labor at the guitar. Immersed in a supportive environment that encouraged her artistic exploration, Daisy wrote songs and improvised instant ballads ‘round the famed campfire, holding her fellow creatives captive while dazzling them with hilarious impromptu outpourings of quirky lyrics, sung to sweet, simple melodies. Still too shy to share her “serious” songs, Daisy stuck to modeling by day, and making her cohorts laugh by night. Finally, after an intense song-writing jag Daisy sang a somber, personal song to a close friend who advised her to quit her day job and dedicate herself full-time to music. She played her first live show in 2006, and was dubbed “an instant rock star” in an LA Weekly review, which reported that Daisy “stole the show.”

Tuesday, 8 December 2009

Sandy Denny - Newcastle Guildhall 1972

This is the second in our new occasional series under the banner 'Rarities and Collectors Items' where the audio might not be first class but the interest factor is likely quite high.

It's over thirty years since Sandy Denny passed away, and yet her influence as a folk singer and artist has remained down the years, her ability to interpret anything from traditional folk too folk rock setting the benchmark for those that have followed.

This is a beautiful set recorded by a member of the audience who edited out the gaps and some applause however retained her conversation with the audience along with the songs. Being a small venue and with a respectful audience the intimate nature of the concert can be felt and heard.

Performing on October 12th 1972 at the Guildhall, Newcastle, England this is the much missed Sandy Denny.

Source: Audience recording

Sound Quality: Very good for audience recording and era mp3@320kbps.

Genre: Folk, Electric Folk.

Set: Majority of set.

Set List:

01. Itll Take A Long Time
02. Bushes And Briars
03. Sweet Rosemary
04. It Suits Me Well
05. Late November
06. Quiet Joys Of Brotherhood
07. The Sea Captain
08. The Sea
09. The Lady
10. John The Gun
11. Late November

Comments:

From wikipedia:

Sandy Denny (6 January 1947 – 21 April 1978), born Alexandra Elene Maclean Denny, was an English singer and songwriter who has been described by Allmusic's Richie Unterberger as "the pre-eminent British folk rock singer". She emerged in the mid 1960s while still a teenager, performing on the folk revival scene where she displayed her mastery of traditional singing and interpretation. Her song, "Who Knows Where the Time Goes?", written during these early years, has been covered by numerous artists and is regarded as a classic of its type.

Sandy Denny's renown grew after her death, and her songs have been covered by many other artists. She is considered a founder of the British folk rock movement and perhaps its most important female singer and personality. It has been suggested that her effortless and smooth vocal delivery still sets the standard for many of today's female folk-based singers.

Over a ten year career Sandy Denny left an extensive legacy and remains influential. She is remembered for the crystal-clear purity but also the strength of her voice as well as her pivotal involvement with the British folk rock movement, where, as a member of Fairport Convention, she moved the band away from west coast American cover versions and into performing traditional material and original compositions. She is also noted for her duet with Robert Plant on Led Zeppelin's fourth album in 1971, on the song "The Battle of Evermore", and to date she remains the only guest vocalist on a Led Zeppelin album.

Download link in comments below or click on the picture.

Buy: Mp3's at Amazon.co.uk - Sandy Denny

Beehive Recommends - Julian Shah-Tayler

Julian Shah-Tayler is a solo artist who writes, produces and performs his own music. His EP - "Un Ange Passe" (dedicated to the memory of Christine Shroy-Hull) is released on 1st January, 2010. His debut album, “Coito Ergo Sum” is due for release spring 2010 on Impossible Thing Records.

Julian has played guitar in 'Whitey' co writing the smash hit “Wrap It Up” which has been featured in Whip It, GTA 4, Sopranos, Kyle XY and CSI Miami. He has also played keys & sang with Siobhan Fahey (Shakespear’s Sister), and played keyboards & sang on Joaquin Phoenix’s solo album among others!

Having listened to a number of his his songs, I reckon he could well break through in 2010, which would be deserved as his song writing and performance is quite stunning. The melodies and variety of styles he uses along with first class production have really gained my attention.

Listen:
'Communication'



Websites: MySpace
Buy: Impossible Thing Records

The debut solo EP “Un Ange Passe” in tribute to Christine Shroy-Hull who left us on the 6th September 2009 and features on the cover.

It will be released on iTunes , all download sites and special edition CD mail order via Impossible Things Records on 1st January 2010

Anyone that buys the special edition EP CD from the Impossible Things Records website will also get a new recording for them by Julian. It might be a specially recorded song, a live favourite, a version of a song from the EP or something else, but available to no-one else in the world (unless they upload it themselves.. Ask for something specific, but be careful what you wish for!!

Some reviews so far:

“Wetter is Massive, It will make (Julian) a star” – Alan McGee (Oasis/Primal Scream/My Bloody Valentine)

“Very Impressed” – David J (Bauhaus/Love and Rockets)

“This guy has massive talent” – Boom Boom Chik

“An infectious solo release..steps away from acclaimed success” – Mojophenia

Friday, 4 December 2009

Shirley Bassey - Electric Proms 2009

This is Dame Shirley Veronica Bassey, performing live with the BBC Concert Orchestra at the Electric Proms, Roundhouse London, England on the 23rd October 2009.

One of the aims of Beehive Candy has been to provide variety and diversity in musical styles and genres. This has ensured that those who contribute tend to listen to music they might otherwise just pass by. Shirley Bassey is a superb live performer and this concert both reminds us of some of her wonderful hits across decades and that really good artists can appeal to audiences across different generations.

It was announced in July 2009 that Shirley Bassey was recording a new album, with David Arnold as producer. By September 2009 artists who had written songs for the album included Manic Street Preachers, Gary Barlow, KT Tunstall, Pet Shop Boys, Kaiser Chiefs, John Barry and Don Black. The 11-track album, entitled The Performance, was released on the 9th November 2009.

Shirley Bassey headlined at the BBC Electric Proms in her only full live set of 2009.

Source: FM Radio Broadcast.

Sound Quality: Very good stereo mp3@256kbps.

Genre: Popular Music.

Set: Full Set.

Set List:

01 - Introduction by Paul O'Grady
02 - Diamonds Are Forever
03 - I'm Still Here
04 - Talking With Audience
05 - Apartment
06 - Never Never Never
07 - Kiss Me Honey Honey
08 - Almost There
09 - After The Rain
10 - What Now My Love
11 - Big Spender
12 - Talking With Audience
13 - The Lady Is A Tramp
14 - Talking With Audience
15 - Performance
16 - As Long As He Needs Me
17 - Something
18 - Light My Fire
19 - Talking With Audience
20 - The Girl From Tiger Bay
21 - I Am What I Am
22 - Talking With Audience
23 - Goldfinger

Links: Official site HERE.

Comments:

Quoting from the BBC electric Proms website: "BBC Electric Proms was proud to present a true British legend. Dame Shirley Bassey graced the Roundhouse stage with a unique performance celebrating 50 years at the top of show business. Dame Shirley was joined on stage by the BBC Concert Orchestra conducted by Mike Dixon, performing some of her most famous tracks alongside new songs from her forthcoming album, 'The Performance'. The show will be broadcast live on BBC Radio 2.

Britain's most successful female artist ever, Dame Shirley Bassey is rightly famous for her commanding renditions of classics Big Spender, Light My Fire and Something. Her Bond themes - Goldfinger, Moonraker and Diamonds Are Forever - are perhaps the finest in the series. This evergreen artist continues to influence a new generation of musicians. In 2007, at Glastonbury festival, Arctic Monkeys paid tribute to the Dame performing a version of Diamonds Are Forever. The same song was reworked by Kanye West for his hit Diamonds From Sierra Leone.

At the Roundhouse, Dame Shirley Bassey was joined by Tom Baxter, Richard Hawley and the Manic Street Preachers' James Dean Bradfield. Dame Shirley treated the Roundhouse to numbers from her much-loved songbook whilst premiering new work. Said the artist, "What I'm most looking forward to at the BBC Electric Proms is performing songs from my new album 'The Performance' for the first time - it really will be a special moment for me." It is worth noting that this was Dame Shirley Bassey's only live show this year. BBC Electric Proms is delighted that she chose to celebrate 50 years of song with this very special intimate concert".

Download links (two) in comments below.

Buy: Mp3's at Amazon.co.uk - Shirley Bassey

Tuesday, 1 December 2009

Aerosmith - The End Of The Summer Nights 1988

This is Aerosmith on the final night of their US 1988 tour. The gig took place at the Pacific Amphitheater, Costa Mesa, CA, USA back on the 15th September 1988.

The album 'Permanent Vacation' was released in September 1987, becoming a major hit and the band's bestselling album in over a decade (selling 5 million copies in the U.S.), with all three of its singles 'Dude (Looks Like a Lady)', 'Rag Doll', and 'Angel' reaching the Top 20 of the Billboard Hot 100.

The group went on a subsequent tour with label mates Guns N' Roses who have cited Aerosmith as a major influence. The tour was reportedly 'intense at times' because of Aerosmith's new struggle to stay clean, amidst Guns and Roses well publicized rampant drug use.

Source: Soundboard.

Sound Quality: Very good stereo mp3@192kbps.

Genre: Rock.

Set: Full Set.

Set List:

Disc 1
01 Rats In The Cellar
02 Same Old Song And Dance
03 Heart's Done Time
04 Let The Music Do The Talking
05 Permanent Vacation
06 Lord Of The Thighs
07 Rag Doll
08 My Fist Your Face

Disc 2
01 Come Together
02 Milk Cow Blues
03 Perry Solo
04 Draw The Line
05 Dream On
06 Dude (Looks Like A Lady)
07 Sweet Emotion
08 Mama Kin (with Axl Rose & Slash).

Links: Official site HERE.

Comments:

Circulated as a double 'silver disc' CD, this was the final night of the tour and Axl Rose & Slash guesting on the final number. This version was rather fittingly entitled 'The End Of Summer Nights'.

Reloaded 21/June/2015 link in comments.


Beehive Recommends - City Light

Shamelessly copying and pasting from their MySpace site here's the background on another band to watch out for in 2010.

'City Light was started by Seattle singer songwriter Matt Shaw with long time friend and bay area producer Nick Andre, who's releases have featured Gift Of Gab, Lateef, Lyrics Born and more. As the project progressed they called upon musician and producer Denver Dalley from Desaparecidos, Statistics, and Intramural and Seattle singer songwriter Andy Fitts from Airport Cathedral and Aqueduct. Together the four of them worked to create one record from three corners of the country that mixed genres of indie-pop, rock , and hip hop. The end result is a dark and unique pop record full of catchy tunes, experimental electronica, and driving beats'.

The album 'Burned Out Bright' is due for release on the 26th January 2010, and having just listened through, this one is going on my personal play again list. You can also here more over on their MySpace site. More album release details in due course.

Listen:
'Someday Maybe'



Website: MySpace

Their PR adds 'Blending gritty, earnest vocals (ala Bright Eyes) with sunnier, subdued melodies and driving beats, City Light has struck the perfect balance between tradition and innovation. BURNED OUT BRIGHT is sure to please City Light’s existing fan-base, and will undoubtedly bring the group much deserved attention over the next year'.

“Expect hooks, melodies and reluctant angst of a highly enjoyable nature.” – Noise Pop

“…an album that will knock you on your ass.” --
Exoduster.com

Saturday, 28 November 2009

Warren Zevon - Live in London 1988.

Time flys by and it's is already over six years since the passing of Warren Zevon. There has been some dispute over the source of this broadcast, Warren clearly mentions the venue as London and the BBC did indeed broadcast his London concert in 1988 however the song order slightly differs. As far as I can gather this is a rebroadcast of the London show by a Dutch radio station, who may have edited the original a little.

Leaving the detail aside this is an excellent concert from Warren Zevon accompanied by a superb band. The original performance was on the 25th January 1988 at London's Hammersmith Odeon.

Source: FM Broadcast.

Sound Quality: Very good stereo mp3@256 & 320kbps.

Genre: Singer Songwriter, Rock.

Set: Edited Broadcast Set.

Set List:

1. Lawyers, Guns & Money
2. Detox Mansion
3. Boom Boom Mancini
4. Johnny Strikes Up The Band
5. Roland The Headless Thompson Gunner
6. Reconsider Me
7. Excitable Boy
8. Sentimental Hygiene
9. Accidentally Like A Martyr
10. Werewolves Of London
11. Play It All Night Long
12. Ain't That Pretty At All

Links: Official site HERE. Informative Wikipedia HERE.

Comments:

If you visit Warren Zevon's official site please consider signing the petition for his much overdue induction into the Rock and Roll Hall Of Fame. This particular concert has traded in the past as 'Ain't That Pretty At All'.

Download link in comments below or click on the picture.

Buy: Mp3's at Amazon.co.uk - Warren Zevon

Beehive Recommends - Patrick and Eugene

Now I like quirky and different, and mention the likes of the Bonzo's or Monty Python and my 'musical radar' tends to activate! Patrick and Eugene are yet another reason to keep an eye on whats new in the world of music, especially in these troubled times where record companies are inclined towards nicely packaged conformity or well controlled and marketable rebels.

The UK press has stated "Banjos, bongos and alarm clocks, '20s jazz and '60s pop and sampled insect noises, Patrick & Eugene's irrepressibly eccentric summer romp has got it all." - NME

"Whimsically English songs where Dixieland jazz intermingles with Afro-Cuban rhythms." - Q

The Patrick & Eugene sound is comprised of banjos, ukuleles and sunshine pop vocals combined with whistles, bells and bongos to produce unique but accessible music for post-modern vaudevillians, with nods to Monty Python, Derek & Clive and even Woody Allen. Try to imagine Noel Coward on stage with the Duke Ellington Band at the Monterey Pop Festival and you’re getting close.

The album’s title track is currently being featured in a year-long TV campaign by Payless Shoes, and has been heard over the end credits of ABC’s Weeds and in Grey’s Anatomy. The opening song “The Birds & The Bees” got enormous exposure via a very successful VW Rabbit TV advertising campaign a couple of years back and the YouTube comedy hit “To Do List.” Patrick & Eugene’s songs have also appeared in the Coen Brothers’ Burn After Reading and the Mr. Bean trailer.

Listen:
'A Dogs Tale'



Website: MySpace
Buy: Tummy Touch Records

Their PR adds: Patrick Dawes (who found fame playing percussion for Groove Armada and Richie Havens) & Eugene Bezodis (who is infamous for setting fire to Patrick when one of his on stage magic tricks went horribly wrong) are two talented originals. Combining stellar musical ability, devil-may-care delivery and an innate desire to entertain, the duo's recordings and live performances are delivered with a passionate amateurism that belies their virtuosic talents.

Highlights from the band’s previous releases Postcard From Summerisle, and Everything And Everyone include impious but infectious versions of Beyonce’s “Crazy In Love”, Simon & Grafunkel’s “59th Street Bridge Song” and The Arctic Monkey’s “I Bet You Look Good On The Dancefloor.” Their imaginative reworking of Kylie Minogue’s “Can’t Get You Out Of My Head” is included on Altogether Now (Birds Bees Flowers Trees).

Their last album was picked by Paul Heaton (The Beautiful South & The Housemartins) as his choice for the months 'Buried Treasure' feature in Mojo magazine. He described it as the "wild and comic sound of inner-child music and movement” and admitted that this was The Beautiful South’s favourite album to take the stage to!

Altogether Now (Birds Bees Flowers Trees) is the U.S. debut release from the UK’s Patrick & Eugene. The album was produced by band member Patrick Dawes and it’s being released by the Tummy Touch Music Group, distributed by ADA/WEA.

Tuesday, 24 November 2009

Gods and Monsters - New York 1992

By 1988 Gary Lucas was making a name for himself in New York as a solo artist having left Captain Beefhearts Magic Band some years earlier.

Having written 'Grace' & 'Mojo Pin' with Jeff Buckley in 1991 Jeff began performing with Gary Lucas in his band Gods And Monsters.

As has been mentioned on the previous Jeff Buckley post, days after Gods and Monsters officially debuted in March 1992, Jeff Buckley decided to leave the band.

In October 2002 Gary Lucas released 'Songs To No One' an album of material from studio sessions, home tapes, and club performances over two years of collaboration between himself and Jeff Buckley.

The final track on that album 'Grace' was from a live performance at the Roulette Club in New York. This is the full set recorded live at Club Roulette, New York on the 5th April 1992.

Source: Soundboard.

Sound Quality: Very good stereo mp3@256kbps.

Genre: Alternative Rock.

Set: Full Set.

Set List:

1. Dinks Song
2. Sweet Thing
3. Mojo Pin
4. Hymn To Love
5. Grace
6. Angelina

Links: Official Gary Lucas Site HERE. Jeff Buckley HERE.

Comments:

Gary Lucas remains a highly regarded guitarist and continues to tour with 'Gods and Monsters' playing what they describe as intense psychedelic rock avant rock and art rock.

Download link in comments below or click on the picture.

Buy: Mp3's at Amazon.co.uk - Jeff Buckley - Gary Lucas

Saturday, 21 November 2009

Bruce Hornsby and The Range - New York 1986

This is Bruce Hornsby and The Range recorded from the Midnight show broadcast live by WNEW-FM, New York on the 2nd September 1986.

The band formed in 1984 and were signed to RCA Records in 1985. Bruce Hornsby's recording career started with the biggest hit he has had to date, entitled "The Way It Is". It topped the American music charts in 1986.

With a propulsive yet contemplative piano riff and the refrain, That's just the way it is / Some things will never change / That's just the way it is / But don't you believe them, the song was catchy and described aspects of the American Civil Rights movement and institutional racism.

The song also hit a nerve with the American public, reflecting dissatisfaction with perceived economic decline in the early-to-mid 1980s. In years to come, the song would be sampled by at least six rap artists, including Tupac Shakur, E-40, and Mase.

Source: FM Broadcast.

Sound Quality: Very good stereo mp3@192kbps.

Genre: Contemporary Rock.

Set: Majority of Concert.

Set List:

01 Jacob's Ladder
02 The Way It Is
03 The Long Race
04 Mandolin Rain
05 Piano Solo
06 The Red Plains
07 I Know You Rider (small edit due to tape flip).
08 Every Little Kiss
09 The River Runs Low
10 Wild Frontier
11 Western Skyline
12 Till The Dreaming's Done
13 Down the Road Tonight (fade out, last couple minutes missing).

The Band:

Bruce Hornsby - keyboards, vocals
Peter Harris - guitar
George Marinelli - guitar
Joe Puerta - bass
John Molo - drums

Links: Official Site HERE.

Comments:

With the success of the single worldwide, the album The Way It Is went multi-platinum and produced another top five hit with "Mandolin Rain" (co-written, as many of Hornsby's early songs were, with his brother John Hornsby). "Every Little Kiss" also did respectably well. Other tracks on the album helped establish what some labeled the "Virginia sound", a mixture of rock, jazz, and bluegrass with an observational Southern feel. Bruce Hornsby and the Range would go on to win the Grammy Award for Best New Artist in 1987.

Bruce Hornsby and the Range's sound is somewhat distinctive. For one, Bruce Hornsby's consistent use of syncopation in his piano solos was different from other pianists during the 1980s. Bruce Hornsby used a brighter piano sound, which was typical for 1980's Pop Music. There is also extensive use of synthesizers used as background for Bruce Hornsby's solos, most notable on the tracks "The Show Goes On" and "The Road Not Taken". John Molo's drumbeats were often looped throughout the recorded versions of songs. They are typical double-time beats, which allowed Bruce Hornsby and the rest of the band to do more with their solos.

Download links (two) in comments below.

Buy: Mp3's at Amazon.co.uk - Bruce Hornsby and the Range

Friday, 20 November 2009

The Kinks - Live At The Rainbow 1977

This is The Kinks towards the end of their Sleepwalker Tour from 1977. The album Sleepwalker marked a return to straight-ahead, self-contained rock songs after several years of concept orientated albums.

It was the first album in what critics usually call the "arena rock" phase of the group, in which more commercial and mainstream production techniques would be employed. The line up of The Kinks would be trimmed downed significantly in 1977 following the album's release, as the brass section and backup singers were removed and the band returned to a standard rock band outfit. It is however notable in this gig that both brass and backup singers are very much in attendance. This is The Kinks live at The Rainbow Theatre, London on the 24th December 1977.

Source: Soundboard

Sound Quality: Very good stereo mp3@192kbps.

Genre: Rock, Pop.

Set: Majority of Concert

Set List:

01 Sleepwalker
02 Life on the Road
03 Waterloo Sunset
04 All Day And All Of The Night
05 Slum Kids
06 Celluloid Heroes
07 Get Back In Line
08 The Hard Way
09 Lola
10 Alcohol
11 Skin And Bone
12 You Really Got Me
13 Juke Box Music

Links: Official Ray Davies site HERE. Dave Davies HERE.

Comments:

This is a superb concert both in terms of sound quality and a very much 'on form' band with excellent supporting musicians and singers. The Rainbow Theatre was a live rock music venue in north London that opened in September 1971 with a concert by The Who, supported by Quiver and closed for the last time in January 1982. It was one of London's key venues to perform at during it's time with live albums from Bob Marley through to The Ramones being recorded and officially released.

Download link in comments below or click on the picture.

Buy: Mp3's at Amazon.co.uk The Kinks

Beehive Recommends - Kittens Ablaze

Having just listened to their current album 'The Monstrous Vanguard' I have to say Kittens Ablaze deserve all the praise and recognition they have received to date.

OK here's the setting. I have some sort of virus and am running a fever. I am feeling sorry for myself, and am not really in the mood for music. If I want to hear anything it needs to be gentle and soothing, however there is an album in my inbox & I feel obliged to give at least one song a listen. Half an hour later I am still feeling groggy but am aware that some kind of tornado has just ripped through the room thanks to a six-piece indie rock band with cello, violin, guitars, bass, piano, and drumming lead singer. The energy, passion and sheer pace of this band is something else.

So in a couple of days or so from now I am quietly confident this band will be blasting from my car speakers when upbeat & loud music is back on the menu!

Listen:
'Gloom Doom Buttercups'



Website: MySpace. Official.
Buy: (mp3's at amazon uk) Kittens Ablaze or CD's at Insound.


The band was formed in 2007 among six friends from diverse musical backgrounds, spanning classical, folk-punk, indie rock… and metal. The Kittens released their debut album, a five-track EP in the fall of 2007. With help from producer Nic Hard (The Bravery), the band self-released its full-length album, The Monstrous Vanguard, in early 2009. The album has propelled them to be an official showcasing artist at 2009 events such as SXSW, NXNE, CMJ, and L Magazine's Northside music festivals as well as selling out venues around New York and out on tour.

The band has received mention in Vice Magazine, Rolling Stone, New York Magazine, Paste Magazine, Oh My Rockness, Brooklyn Vegan, The Music Slut, Ear Farm, The New York Times (by Mick Jones of The Clash), and numerous other indie music magazines and blogs. They're known for their wild shows and tight sound and have been named Artist of the Month by both mtvU and The Deli Magazine, been on the cover of Starved Magazine, and, with their music video for “Strobelight,” they became one of a few unsigned bands to receive regular rotation on Vice’s internet TV channel, VBS.tv. The Kittens currently live in Brooklyn, New York.

Tuesday, 17 November 2009

Colosseum II - Germany 1977

We have decided to introduce a new occasional series under the banner 'Rarities and Collectors Items' where the audio might not be first class but the interest factor is likely quite high. There are many live recordings and demos to be found in varying degrees of quality and probable interest. These are just some that we are delighted to share.

Several years after the dissolution of Colosseum, Jon Hiseman recruited Gary Moore and Don Airey to form Colosseum II. The mandate this time, however, was not the jazz and blues inflected rock of the original band, but a full-tilt journey into hyperkinetic jazz fusion that stretched the players about as far as they could go.

This is the band live on WDR Radio Nachtmusik, Cologne, Germany from the 29th October 1977.

Source: FM Broadcast

Sound Quality: Good stereo mp3@128kbps some tape hiss between numbers.

Genre: Jazz Rock, Fusion.

Set: Edited set.

Set List:

01. Wardance
02. The Inquisition
03. Trilogy: Star Maiden - Mysterioso - Quasar
04. Lament
05. Desperado
06. Drum Solo
07. Fighting Talk

Comments:

Colosseum II
were a British band formed by the former Colosseum drummer and leader, Jon Hiseman, following the 1974 demise of his band Tempest.

Hiseman announced his plan to form the band eventually named Colosseum II in November 1974, but only Gary Moore was named. Rehearsals were due to begin on January 1, 1975, but a permanent unit was not finalised until May 1975. Among musicians who almost made the group were Graham Bell, Duncan MacKay and Mark Clarke. The line-up was completed by Don Airey, Neil Murray and Mike Starrs.

The sound was oriented toward Jazz fusion, much of which was based around the guitar work of Moore, leading to a much heavier sound than the original Colosseum band. After disappointing sales of the first album, Murray and Starrs were unceremoniously sacked by the bands record label (Bronze) in July 1976.

The band continued with a new record label and a new bass player (John Mole), and recorded two further largely instrumental (and still commercially unsuccessful) albums. They also performed on Variations with Andrew Lloyd Webber, which also featured Julian Lloyd Webber on cello, Rod Argent on keyboards and Hiseman's wife, Barbara Thompson, on flute and sax. This album reached number 2 on the UK charts.

In August 1978, Moore left to rejoin Thin Lizzy for a fourth spell, and Airey's brother Keith Airey replaced him on guitar. Sadly plans for a fourth album fell through when Don Airey decided to join Rainbow in December 1978.

Download link in comments below or click on the picture..

Buy: Mp3's at Amazon.co.uk - Colosseum II

Sunday, 15 November 2009

Television - Double Exposure

This is two demo recording sessions from Television in 1974 & 1975. The bands highly acclaimed debut album 'Marquee Moon' was released in 1977 (Elektra Records) and was very successful in Europe however failed to enter the Billboard 200 in the USA.

Both sessions were included on the bootleg 'Double Exposure' which surfaced in Italy (No Label No. DE-92-SC), and was first released in 1992. The original bootleg included three live tracks from CBGB's in 1975, that are missing from this version.

The Television 1974 demos were recorded at Good Vibrations Studios in NYC with Richard Hell on bass, and produced by Brian Eno and Richard Williams of Island Records.

The August 1975 demos were recorded with Fred Smith on bass and were part of the session for Terry Ork of Ork Records which produced Television's first single "Little Johnny Jewel" (Ork, 1975, included on expanded re-issue of Marquee Moon).

It is fascinating listening to the early versions of these songs that eventually appeared on 'Marquee Moon'. Each session and versions are distinctly different the second having a 'harder edge' to them and closer to the final released editions.

Source: Studio Demos

Sound Quality: Very good stereo mp3@256 & 320kbps

Genre: Punk rock, post punk, new wave, art punk.

Set: Two studio sessions.

Track List:

1974 - Demo's

1. Prove It
2. Friction
3. Venus De Milo
4. Double Exposure
5. Marquee Moon

1975 Demo's

1. Hard On Love
2. Friction
3. Careful
4. Prove It
5. Fire Engine
6. Little Johnny Jewel (vinyl rip of Ork single)

Comments:

From wikipedia regarding the formation and early day's of Television.
Television's roots can be traced to the teenage friendship between Richard Hell and Tom Verlaine. The duo met at Sanford School in Hockessin, Delaware, from which they ran away. Later the two would move separately to New York in the early 1970s aspiring to be poets.
Their first group together was the Neon Boys, consisting of Verlaine on guitar and vocals, Hell on bass and vocals, and Billy Ficca on drums. The group lasted from late 1972 to early 1973. A posthumous 7-inch record featuring "That's All I Know (Right Now)" and "Love Comes in Spurts" was released in 1980.
In late 1973 the trio reformed, calling themselves Television and soon recruiting Richard Lloyd as a second guitarist. They persuaded CBGB's owner Hilly Kristal to give the band a regular gig at his club which had just opened on the Bowery in New York. Television was the first rock group to perform at the club, which was to become, along with Max's Kansas City, the center of the burgeoning punk scene. The members of Television reportedly constructed the first stage at CBGB's, where they quickly established a significant cult following.
Initially, songwriting was split almost evenly between Hell and Verlaine (with Lloyd being an infrequent contributor as well). However, friction began to develop as Verlaine, Lloyd and Ficca became increasingly confident and adept with both instruments and composition, while Hell remained defiantly untrained in his approach. Verlaine, feeling that Hell's frantic onstage demeanor was upstaging his songs, reportedly told him to "stop jumping around" and ultimately refused to play Hell's songs (such as "Blank Generation") in concert. This and probably the failure of a Brian Eno-produced demo to be picked up by Island Records led Hell to leave the group and take his songs with him, forming The Heartbreakers in 1975 with former members of the New York Dolls, and later forming Richard Hell and the Voidoids. Fred Smith, briefly of Blondie, replaced Hell as Television's bassist.
The 1974 demos were also released on two other bootlegs called Television with Bryan Eno and Fairland (Microphone Records (Italy) No. MPH CD 017 released 1994), which are of much lower quality than Double Exposure, being from a higher generation tape without the speed irregularities.

Reloaded - 29/May/2015 - download link in comments. 

Buy: Mp3's at Amazon.co.uk - Television

Saturday, 14 November 2009

The Cure - Vancouver Canada 1996

This is The Cure live at the Queen Elizabeth Theatre Vancouver, B.C. Canada on Thursday, August 1st, 1996.

This is from a 'Kiss The Stone' (KTS618) silver disc that was curiously entitled 'Queen Elisabeth Parade', and although it's very good quality recording and apart from the typo's only tracks 1 - 12 are from the gig, and as the concert lasted for over two hours this is clearly only part of the show. Three 'bonus' tracks from a December 1995 London gig are included. All of which suggests that KTS were unable to get hold of the full Vancouver show, which incidentally was superb.

One review of the concert stated 'Robed in the away jersey of our beloved Vancouver Canucks (though I doubt he's a fan -- he wore Canadiens and Maple Leafs jerseys in Montreal and Toronto, respectively), Robert Smith and associates opened the show in fine form with "Want" and "Club America" off their latest effort, Wild Mood Swings. Amidst a stage set up to look like a post apocalypse circus tent and a light show that would make the Northern Lights Perry Bamonte seem like a Grade 2 science project, the Cure moved the crowd into a stage of spiritual ecstasy that Oral Roberts himself would be jealous of'.

Source: Soundboard

Sound Quality: Very good stereo mp3@320kbps.

Genre: Alternative rock, gothic rock, new wave, post-punk.

Set: Edited set.

Set List:

Queen Elizabeth Theatre:

1. Want (4:54)
2. Club America (5:07)
3. Lullaby (4:35)
4. Round & Round & Round (2:35)
5. Just Like Heaven (3:41)
6. Strange Attraction (4:16)
7. Return (3:40)
8. Trap (3:46)
9. Prayers For Rain (5:09)
10. In Between Days (3:18)
11. From The Edge Of The Deep Green Sea (7:51)
12. Disintegration (8:48)

London December 1995 'Bonus Tracks':

13. Friday I'm In Love (3:39)
14. Mint Car (3:02)
15. Just Like Heaven (3:43)

Band Line Up:

Robert Smith, Simon Gallup, Jason Cooper, Perry Bamonte, Roger O'Donnell.

Links: Official site HERE.

Comments:

Kiss The Stone Records was a bootleg recording company that released many famous bootlegs by bands such as The Waterboys, Van Morrison and Pearl Jam. The company was based in San Marino, where the law allowed the company to market bootlegs as long as it placed royalties for the artists in an escrow account. Most artists wouldn't bother collecting, either because they didn't want to legitimize the bootlegs or because tracking down escrow accounts in a foreign country was more trouble than it was worth. The label is now defunct.

Reloaded 2015 - see comments.

Beehive Recommends - Pixie Carnation

I have a lot of respect for Seattle's excellent radio station KEXP and so any artist who achieves 'song of the day' recognition is for me, worthy of a listen at the very least.

The fact that the promotion that dropped in my inbox a couple of days a go also mentioned the band are from Sweden was an added bonus !

Pixie Carnation are the band and I think they are pretty special. To quote KEXP a little further ...you don’t get any indication that the band is from anywhere but the U.S. as the vocal stylings come through entirely American in a way that even some U.S. bands somehow don’t seem to be able to achieve. Simply structured yet toe-tappingly catchy, “When Did The Lights Go Out” is the kind of rock song that gets its vocal melody stuck inside of your brain but you’re okay with it." -Brian Connolly, (song selected by Morning Show host John Richards), KEXP.org. Their debut EP 'Fresh Poems' is available now.

Listen:
'When Did The Lights Go Out'



Website: MySpace.
Buy: HERE.

There promo states quite accurately 'The product of two years of musical experimentation has culminated in what is now Pixie Carnation, a Swedish based, and yet very American sounding band. From the time that childhood friends Ola Pålsson and Tobias Hellkvist reconnected a few years ago there was an instant artistic connection, and it was only a matter of time before their sound and the band’s lineup became what it is today.

Despite it taking about a year and a half for Pålsson and Hellkvist to find like-minded musicians, Pixie Carnation has now evolved into a seven-member band and made their first recording, Fresh Poems EP.

A classic rock influenced, Americana infused, musical tapestry with orchestral elements, Fresh Poems is already resounding in the ears of American music aficionados, as evidenced by their song “When the Lights Go Out” being named KEXP’s song a the day on November 2nd. Drawing comparisons to Bruce Springsteen, KEXP proclaims that when the music begins, “Immediately you start to think that maybe The Boss has entered the room.”

And as Pixie Carnation’s music reaches the ears of North America this Swedish rock group is bound to find welcome listeners and loyal fans'.

Thursday, 12 November 2009

Lyle Lovett - Live In London,1992

This is Lyle Lovett performing at one of my favorite music venues from the days when it was still known as the Hammersmith Odeon (West London).

This is predominately from a BBC Radio 2 FM broadcast back on June 12th 1992, however some additional tracks came with this collection and are included.

While typically associated with the country genre, Lyle Lovett's compositions often incorporate folk, swing, blues, jazz and gospel music as well as more traditional country material. This concert really does demonstrate these diverse styles as he performs along side some excellent singers and musicians.

Source: FM Broadcast.

Sound Quality: Very good stereo mp3@192kbps.

Genre: Country, Alt Country.

Set: Full broadcast set & extras.

Set List:

01 She's No Lady
02 Church
03 She's Leaving Me Because She Really Wants To
04 You've Been So Good Up To Now
05 All My Love Is Gone
06 North Dakota
07 Flyswatter/Ice Water Blues
08 Since The Last Time
09 L.A. County
10 What Do You Do/Glory Of Love
11 Cowboy Man
12 She's Hot To Go

Woburn Abbey, England June 20th 1992 (FM Broadcast)
13 She's Already Made Up Her Mind
14 If I Had A Boat

Live On Tom Jones' - "The Right Time" (TV Nicam Stereo)
15 Flying Shoes

Links: Official site HERE.

Comments:

Lyle Lovett has just released a new studio album called 'Natural Forces' on Lost Highway Records. As regards this boot recording the actual mp3's are tagged Paul Masson Winery for some unapparent reason. Sound quality is exceptional, as is the performance.

Download link in comments below or click on the picture.

Buy: Mp3's at Amazon.co.uk - Lyle Lovett

Tuesday, 10 November 2009

Curved Air - Live At The BBC - 1975 & 76.

This is Curved Air recorded live for BBC Radio One. Both performances were recorded at the Paris Theatre in London.

The 1975 session was recorded on the 31st January and the BBC transcription disc also includes a version of 'Stark Naked' however that track is missing from this boot collection, it does feature in the second live session.

The second live performance was recorded on the 21st February 1976. Some of the second sessions tracks were also included on an officially released album 'Live At The BBC', however the boot edition was lifted from one of the transcription discs which were circulated in three differing versions.

Source: Soundboard - BBC transcription discs.

Sound Quality: Very good stereo mp3@320kbps.

Genre: Prog Rock, Folk Rock.

Set: Two BBC concert Sessions

Set List:

1. Marie Antoinette
2. The Fool
3. Midnight Wire
4. Women On A One Night Stand

5. Stark Naked
6. Women On A One Night Stand
7. Young Mother
8. Kids To Blame
9. Hot and Bothered
10. The Fool

Links: Official site HERE.

Comments:

Curved Air evolved out of the band Sisyphus and was named after the piece "A Rainbow in Curved Air" by contemporary composer Terry Riley.

The musicians came from quite different artistic backgrounds, classic, folk, and electronic sound, which resulted in a mixture of progressive rock, folk rock, and fusion with classical elements. Along with High Tide, It's A Beautiful Day and East of Eden, Curved Air were one of the first rock bands to feature a violin.

The officially released 'Live At The BBC' album is not widely circulated and used versions are changing hands for £50 ($60 US) plus on Amazon.

Reloaded - 29/May/2015 - download link in comments. 

Buy: Mp3's at Amazon.co.uk - Curved Air

Sunday, 8 November 2009

Gong - Great American Music Hall, 2000

Currently touring in Europe with the original line up, Gong continue to amaze audiences with their musical tales of Pot Head Pixies, Gnomes, Zero The Hero and more.

Going back to the beginning of the 'noughties' decade and Gong were continuing to tour worldwide on a regular basis.

This recording is from the 9th September 2000 at the Great American Music Hall, San Francisco, California.

This is a full concert and features quite a lot of material from the 1970's era of the band. Gongs latest album '2032' was released in September this year.

Source: Soundboard

Sound Quality: Very good stereo mp3@320kbps

Genre: Progressive rock, psychedelic rock, space rock, jazz fusion.

Set: Full set.

Set List:

01. Planet Gong intro - Zeroid
02. Radio Gnome Invisible
03. Yoni on Mars
04. Bodilingus
05. Zero The Hero and the Witch's Spell -Witch's Song/I'm your Pussy
06. Magdalene
07. Infinitea - Mad Monk
08. You Can't Kill Me
09. Flute Salad
10. Oily Way
11. Outer Temple
12. Inner Temple
13. Get It Inner
14. Master Builder
15. Tropical Fish
16. The Invisible Temple
17. Selene

Band Line Up:

Daevid Allen - guitars and vocals
Gilli Smyth - vocals and space whispers
Mike Howlett - bass
Theo Travis - sax and flute
Chris Taylor - drums
Gwyo ZePix - Keyboards, Synths

Links: Official Site HERE.

Comments:

After spending most of the Eighties in his native Australia, Daevid Allen returned to the UK in 1988 with a new project, the Invisible Opera Company of Tibet, whose revolving cast included the likes of Harry Williamson, violinist Graham Clark and Didier Malherbe. This morphed into GongMaison and by 1992, the name Gong was again in use, by which time early drummer Pip Pyle had also rejoined. The band released the album Shapeshifter (subsequently dubbed Radio Gnome part 4), followed by extensive touring. In 1994, Gong celebrated its 25th birthday in London, including a performance by most of the 'classic' line-up, including the returning Gilli Smyth and Mike Howlett. This formed the basic of the "Classic Gong" band which toured worldwide from 1996 to 2001 and released Zero to Infinity in 2000 (by Allen, Smyth, Howlett and Malherbe plus new recruits Theo Travis and Chris Taylor).

Download links (three) in comments below (track four replacement link in separate comment).

Buy: MP3's at Amazon.co.uk - Gong

Penny & The Pits - Electric Litany - Lydia Luce - Ketch Secor - The Happy Fits

Photo - Nicole Cecile Holland Penny & The Pits - Headcrusher. Penny & The Pits have just shared "Headcrusher" along with ...