Showing posts from January 31, 2016

Saturday Rocks: Elephant Stone - Jay Scott and The Find

Elephant Stone - Where I'm Going. Background promo -  After a wild tour through the west coast of the United States and Canada in November, Elephant Stone are strapping down their sitar and vintage guitar gear, and heading out on at US tour (plus honorary American city, Toronto) which has the band in and out of Austin for SXSW. To coincide with the tour announce, the band are presenting another smash song, "Where I'm Going" which features a newer sound that the band has been absolutely killing it with recently.  Rishi Dhir and company have been busier than ever, working on a new LP for 2016, and recently releasing single, "The Devil's Shelter” and are now following it up this week with "Where I'm Going", another stand alone number that hints at where the new record's sound is headed. Having already spent many years satiating the vintage fetishist psych sound, naturally the band has progressed into influences from 1980s and 90s England

Weekend Warmers: Chambers - A Dead Forest Index - Nations of the Soul

Chambers - Yeagin Shone. Background promo - Forming as a time killer in high school, it was only after graduating that the boys from Chambers (Jim, Jason, Hendo, and Aiden) started taking their music and creativity more seriously. After playing a bunch of shows for two years straight, the months leading up to the end of 2015 saw the band take a bit of a break to recoup, recollect and start working on a brand new set and musical direction. Their new single “Yeagin Shone” encompasses their transition from being young and dumb, to being slightly older and slightly wiser. 2016 has just begun, and Chambers will make it their best one yet. The single was recorded at Tender Trap Studios and was produced and engineered by Greg “Bees Knees” Rietwyk. Mastering was done by Jacob M at Clockwork Mastering. “'Yeagin Shone’ was written about a mate of ours who was going through a mental rough patch, it was one thing seeing him go through it but I wanted to explore it from both the perspec

Thursday Three: Givers - Satchmode - Christine Leakey

Givers - Growls. Background words - Louisiana-based indie poppers Givers have announced their highly anticipated second album 'New Kingdom' will see a UK release of 8th April via Glassnote Records. When Givers formed in 2008 in the sweaty dance halls of Lafayette, Louisiana, they knew right away that they had something special. Crafted from the improvisational and dance-fuelled atmosphere of the area's zydeco, Cajun, and jazz cultures mixed with an affection for new wave, funk, and world music, the infectious results brought a quick rise to the spotlight for the young band. Soon after forming, a fortuitous opportunity to play a string of shows with Dirty Projectors arose, bringing them swiftly to the attention of listeners outside the southwest Louisiana region. Their debut album In Light was released two years later in 2011 on Glassnote Records, backed by extensive touring. During that time, they found themselves bouncing along a global festival circuit, making their

Genre Wander: Freedom Fry - Jonny Avery - The Jade Assembly

Freedom Fry - The Words. Background words - We were messing around in the studio and came up with this hybrid, disco-folk song. It’s written from the perspective of a boyfriend or girlfriend who just needs to hear that they’re still wanted. We really liked that the lyric “Just say the words” kind of also sounds like “Je sais the words.” “Je sais” means “I know” in French. - Bruce & Marie In February 2015, Freedom Fry started the year at #1 on The Hype Machine with their first in a series of new singles, “Shaky Ground (Hey Na Na Na).” Just a few weeks later, Spotify included them in their rankings of “100 Emerging Artists From SXSW,” where they met Belgian sensation Stromae and were asked to support his west coast tour. Freedom Fry ended the tour with the beginning of a weekly May residency in Los Angeles, then took off to well-received shows in London & Paris, and came back to tour the east coast with Communion Presents. The French/American duo, whose stage name is a

The Attics - Not Like

The Attics - Not Like. Background promo - Returning to their roots for their latest release, ‘Not Like’ is quirky pop music, standing on the sidelines of a dancefloor. Sparse verses with minimal beats, choruses that show careful, yet catchy restraint and a twisted psych breakdown with a looping falsetto calling “hometown always is one place; she goes away, but always stays with me”. This is pop songwriting, flirting with deep layers of effected synthetic instruments and wonky bass lines. Past singles ‘We Broke The Sky’ and ‘Ultraviolets’, from their most recent release, received attention from Australian music blogs, and secured high rotation airplay on several public radio stations across Australia, including triple j Unearthed. These tracks and their mesmerising live show have led to comparisons with acts as wide ranging as The Murlocs, Pond, Jagwar Ma and Unknown Mortal Orchestra. The Attics’ hard work and relentless gigging across Melbourne and Victoria has been recognised and

Sunday Double: Highasakite - Loop Line

Highasakite - Someone Who'll Get It. Background promo - Norway’s Highasakite return with perhaps their darkest offering to date, unveiling new single ‘Someone Who’ll Get It’ – the first lifted from the band’s highly-anticipated sophomore LP, slated for release this year. It ricochets; it resonates, with Highasakite’s signature battalion in full force.  The track hints to the brooding premise of Highasakite’s forthcoming album, serving a worthy successor to debut LP ‘Silent Treatment’ – an effort applauded on both sides of the Atlantic and now claiming the record for longest consecutive run in Norwegian chart history, having spent 94 weeks in the Top 40. Championed by the likes of Pitchfork, NME and The Guardian, ‘Silent Treatment’ has achieved international acclaim since its release in February 2014; awarded 2x Norwegian Grammys, an Impala Nomination (European Independent Album of the Year), a Triple J Hottest 100 (AUS) placing with single ‘Since Last Wednesday’ and Album