Posts

The U.S. Americans - Leisure Club - Tusk - Cold Reading - Ritual Talk

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The U.S. Americans - Fade Out. Background - NYC-based progressive psychedelic punk-rock band, The U.S. Americans, announce the release of their debut album, Greatest Hits, due out October 27th 2017. Produced by Scott Von Ensign and executive produced by Daniel Deychak, Emerson Williams, Roy Abraham and Jeff Weiss, Greatest Hits, is a collection of the best of progressive, psychedelic punk from the sons of liberty, The U.S. Americans. The group developed as a live act. Highlark Magazine caught a live show and reported, "the Americans had me from the word go as vocalist Jeff Weiss proudly hoisted a United States Championship belt overhead and outward toward the audience." The belt has become a major part of the live show and House of Glory, New York’s largest independent wrestling company, has used their music in their lively wrestling video compilations. Isaac Rodilla from HOG says, "The team here at HOG has dubbed U.S. Americans as the best band in the USA. We gave

Darto - Jennings Couch - Expanda Fuzz - Glances - The Dirty Youth - Jude Shuma

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Darto - No Self. Background - Aagoo Records has just released two packages of goodness simultaneously: The first is ‘Human Giving’, a full length album from Seattle-based four-piece Darto. The second is the 'Follow Up / Hush' 7” featuring Darto and Wand, who wrote and performed these tracks together. They have also released the new creepy video for 'No-Self'. 'Human Giving' was preceded by the single 'I Am', which The Big Takeover Magazine calls "a catchy sultry melancholic downtempo synth-infused psych-trip combining the best of Cate Le Bon, The Velvet Underground, The Brian Jonestown Massacre, and The Black Ryder". The album's mood is immediately clear from the first note of 'GDLS', enveloping the space around the listener. By the time 'I Am' enters, the sound and feeling transitions from lush and inviting, to focused and intentional with the keyboards and strings propelling the movement. The lyrics and accompanying

Tusks - Joana Serrat - Sauropod - Brass Phantoms - Thee Conductor (Feat: Bonnie Prince Billy) - Lisa Anderson

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Tusks - Last. Background - With her debut album Dissolve released 13th October, Tusks (aka Emily Underhill) builds on her towering musical vision. Created alongside longtime co-producer Brett Cox, her rich visual imagination with its cinematic enormity and resplendent detail is the work of a young artist mastering the nuances of her craft, a journey which began in her early teens. On new single ‘Last’, Tusks ups the ante; “it’s the feistiest track on the album. It was a bit of a f you to a person at the time who I'd invested loads of energy and time into who'd messed me around." It’s a track that demonstrates the breath of emotion on the record, that within ‘Dissolve’s’ immersive cinematic artistry and beautiful soundscapes sentiments of a vigorous, vitriolic nature also burn bright. From a young age, her voracious appetite for music has taken in artists as disparate as Bonobo, Explosions in the Sky, and Foals, and the result is a sound that resists pigeon-holing.

Sittin' Pretty - The Loft Club feat. Lisa Loeb - Michael Jablonka - Peter Matthew Bauer - Sarah Hiltz

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Sittin' Pretty - Then You Break. Background - The North West’s very own Sittin Pretty come confidently striding out on to the streets to deliver you their thumping slab of defiance ‘ Then You Break’, the new single to be released on Gas Music 24th November.  This band capture a sound, an attitude, that can only be delivered by an authentic group of musicians embracing their youth and love of life in this modern age of rock, blending classic rock, blues and touches of psychedelia. Front man Conor Wilde explains ‘When Lewis and I first started playing together it was in a bedroom smaller than the average boiler closet in Lewis’s Mother’s 2 up 2 down in Breightmet. I was a pretty angry kid who’d always used lyrics and songs to express myself, and Lewis played some pretty heavy riffs so it immediately worked very well, we didn’t give a fuck about where it was going. It was just for us and just for the absolute love of playing.’ The band is working now on their debut album du

White Room - Ysgol Sul - Death Of Guitar Pop - Trevor Hall - Wild Meadows - ALASKALASKA

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White Room - The Blue / Tomorrow Always Knew. Background - Brighton indie rockers White Room have announced their debut headline UK tour featuring new double EP Eight in its entirety (released on 1st December). Recent signees to the legendary Liverpool label, White Room’s nod to 60s psychedelic rock alongside more contemporary influences (Pond, Temples, Cage The Elephant) is evident throughout their new record Eight, a collection of songs that interlock conceptually, comprising similar themes such as forward thinking, hope, positivity and escape. Inspired by the current social and political climate of the world and the uncertainty we all live with, the synergy between the lyrics and themes signified by 8 – the number of infinity – hints at the real depth within Eight, touching on aspects of joy, strength, balance and power in unity. Discussing the release, the quintet stated: “In Eight we are offering a way to lose yourself; find an escape, and to embrace the intrinsic ability

The She's - The County Liners - Valerie Ghent - Ponytails - The Sound of Ghosts - Winter

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The She's - Heartache. Background - With their respective tongues in their respective cheeks, Sami, Hannah, Eva, and Sinclair of The She’s proudly present to you their second LP - "all female rock and roll quartet". This time The She’s are behind the wheel, self-producing this release with counsel and encouragement from tUne-Yards’ Merrill Garbus. Lyrically, The She’s deliver a more mature, grounded, and self-aware album than ever before. Their storytelling is cathartic and relatable. Across twelve tracks, The She’s examine themes of guilt, heartbreak, disappointment, frustration, yearning, and acceptance. The She’s effortlessly balance lyrical sophistication and bluntness, like in “Death Dreams” when Sami plainly asserts, “hate how you treat the air like you’ll find your breath in it somewhere.” Tonally, "all female rock and roll quartet" strays a bit from earlier releases. Drawing inspiration from Thao & The Get Down Stay Down, Sleater-Kinney, and t