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Showing posts with the label Basement Revolver

Tastes Like Chicken - A Valley Son - Moses Guest - San Mei - Ian Randall Thornton - Basement Revolver

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Tastes Like Chicken - Bottle In My Hand. Background - With America’s dependency on alcohol and opioids at an alarming all-time high, few artists have dared to address the complicated issue. South Carolina’s Tastes Like Chickenhave bravely attempted to fill that void with the release of their poignant and soulful new single “Bottle in My Hand. Recently voted Best Band in the Pee Dee by the readers of Florence’s The Morning News, “Bottle in My Hand” is proof that Tastes Like Chicken know firsthand the struggles associated with the destructive cycle of dependency. According to songwriter Lance Shirley, “Bottle in My Hand” laments the dependent relationship people often form with alcohol: “The song is about drinking to make your problems go away. Although it may be a temporary fix, it usually ends up compounding the problem or bringing about new problems.” “Bottle in My Hand” is told from the perspective of someone who is going through this vicious cycle. It could be wrecking their

Whitehorse - Basement Revolver - The William Shakes

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Whitehorse - Nighthawks. Background - Retro psychedelic pop bubbles up on “Nighthawks,” a new song out now from Panther In The Dollhouse that questions the constructs of perpetrator and victim on the streets. “Nighthawks” is a companion piece to the slow-burner “Evangelina,” (from the album Leave No Bridge Unburned), in which the namesake character is a sex worker superhero, in celebration of those who challenged Canada’s prostitution laws at the Supreme Court of Canada in 2013. As genre chameleons, Whitehorse's brazen sonic breadth encompasses a driving Americana image with psychedelic surf, arid border rock, lo-fi ingenuity and icy 80's sparseness. Panther In The Dollhouse brings another twist to Whitehorse’s studio approach with the addition of NYC hip-hop production duo Like Minds (Kanye West, Snoop Dogg), as well as the return of Gus Van Go and Werner F as producers/engineers. “Nighthawks” (recently performed live in a 5-star Minneapolis diner of the same name) is o

Weekend Wonders: Vorsen - Transviolet - Maddy O'Neal - Basement Revolver

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Vorsen - Take Your Mark. Background - From elegantly smooth acoustic tones to powerful blues-soaked choruses, its no surprise Vorsen is turning heads across the country with their diverse yet distinguished sound. The Perth four-piece combine warm smokey vocals with organic intimate melodies to create heart-on-your-sleeve tracks to the likening of acts such as Matt Corby, Of Monsters and Men and John Butler. Despite being tucked between a variety of genres, Vorsen’s characteristic blend of blues/rock tied in with their energetic and devoted live performances have given them a bold name in the local music scene. Vorsen’s debut self-titled EP was a stunning insight into the sheer range of the bands sound. Their single “Hurricane” from the album was featured in the Top 5 on the triple j Unearthed roots chart for weeks and was well received both online and by radio across the country. Following the release of their debut self-titled EP comes the lively follow-up track ‘Take Your Mark”. T

Quality Not Quantity: The Gray Havens - Neighbourhood Youth - Basement Revolver

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The Gray Havens - . Ghost Of A King. Background promo - Three words. That’s how it started. Three words that teased the start of a story, a story that became a song and a title track for an album that was originally only supposed to be an EP. Three words that hint at a bit of mystery: “Met a ghost….” There’s already a touch of mystery in the name of Dave and Licia Radford’s band, The Gray Havens. It provides a moment of recognition and camaraderie for Tolkien fans who know the reference to the mythical seaport where ships sail away to a far country. Beyond the reference, the name helps the listener learn what to expect: this is music meant to take us somewhere. The Gray Havens’ third studio release, Ghost of a King, finds the husband-wife duo in fine form, stretching musical boundaries and writing some of their most personal and powerful lyrics yet. Dave notes an important difference this time around: “The last two records both have songs on them I wrote in college, so I feel lik