BEEHIVE CANDY

The Guess Who are a Canadian rock band from Winnipeg, Manitoba. Initially gaining recognition in Canada, they also found international success from the late 1960s through the mid-1970s with numerous hit singles, including "American Woman", "These Eyes" and "Share the Land". This concert  performed at The Ambassador Theatre, in St Louis, MO, on the 6th May 1974 was one of the last show before guitarists Kurt Winter and Donnie McDougall left the group and is considered by a good number of fans as the overall best line up. Broadcast live on FM by radio station KSHE (the source of this recording), the concert is both fascinating and a testimony to the band getting on with the job when the bass amp fails and a probable electrical outage left the band with no option early on but to do a couple of unplanned acoustic numbers "Artificial Flowers" and "Sour Suite" both of which actually add to the gig and are well received by the audience.

Background: The elusive and talented man behind a long list of film scores and musical projects, Ben Lovett , is unveiling a new opus that spans the country and includes an all-star carnival of contributing musicians, film directors, kids, choirs, and painters. The Lovett collective are releasing Highway Collection, available March 15th, 2011. Through a nomadic and exploratory lifestyle, Ben Lovett has created an album of compelling variety, captured in motion, each song brilliantly crafted ‘from a different part of another life’, into a diverse philosophy of sound deep enough to sink a ship. On Highway Collection you find a driving pulse and child-like innocence akin to The Shins, layered with zany and dreamy backing vocals a la The Flaming Lips, floating above the rolling drumbeats of a modernized Strawberry Fields-era Beatles, all led by a constantly evolving voice with an eloquent message of mature and heartfelt universality. Lovett's eclectic cast of contributing mu

These days they are known as The Unthanks and for good reason as Rachel Unthank explained - It makes me very happy and proud to be changing our name to The Unthanks, and relieved too, as my sister Becky has shared lead vocals with me from the start. Back then when she was just 17, about to start university and unsure about committing indefinitely to our partnership, we chose a name that gave her the freedom that was perhaps key to us still being together now. Back in 2008 they were still Rachel Unthank and The Winterset , and this short session is from December 2008. It makes a fine introduction to the band who are an English folk group from Northumberland. They made their debut performance at Towersey Village Festival in August 2004 and in May 2005, launched their debut album, Cruel Sister at Holmfirth Folk Festival. Cruel Sister received support from a number of DJs on BBC Radio 2 and was subsequently awarded Folk Album of the Year by Mojo magazine. Their 2007 follow-up album, Th

You may have noticed a considerable amount of excitement in the mainstream media including The Word Magazine, Rolling Stone, NPR (American public radio) and the Los Angeles Times in the latter part of December along with a good number of fellow music fan sites regarding the 'release' of a double album vinyl bootleg called The Smiths - Unreleased Demos and Instrumentals. Indeed such was the quality of this material, my first reaction when listening to it initially, was to check out if this was an official compilation and someone was having me on, regarding the material being a bootleg 'release'. As a result of searching around online I have picked up a fair amount of additional information and my thanks go out to the many fans of The Smiths who have researched this (and whom I am unashamedly copying from in the details section below). The original vinyl rip was in mono and this is a vastly cleaned up version that improves the quality considerably. The 'informed

The Bath Festival of Blues and Progressive Music took place at the Bath and West Showground in Shepton Mallet, England over the weekend of 27th and 28th June 1970. The line up included a good number of major American acts (inc Jefferson Airplane, Frank Zappa, Steppenwolf) and from the UK the likes of Led Zeppelin and Pink Floyd. The festival suffered from some appalling weather at times and also from traffic jams getting to the venue which affected some acts. The original schedule of artists times for appearing went disastrously wrong and delays eventually meant acts appeared through both nights and into Monday morning. The Byrds appeared on stage, in the early hours of Monday 29th June and the following from the festival archives site takes up the story - It was really late, something like 2 am . We were down the front, as the hordes of Zep fans had gone home. It was wet windy and cold, the Airplane had left the stage because of shocks from the mic's. But the Byrds were ma

2011Candy takes up from where 2010FM left off, however this year we hope to expand the feature along with Beehive Candy in general. In the meantime the new music just keeps on coming and we are delighted to start of the new year with some fascinating artists and music from a variety of genres. Background: Michael Lee’s debut EP Hold On Till Heaven is Lee’s first foray into original music, and he has a great supporting cast: John “Rabbit” Bundrick on keyboards (The Who, Pete Townsend, Roger Waters, Mick Jagger, The Rocky Horror Picture Show); Steve Bundrick handled production and added drum tracks and producer/engineer Kirt Shearer (Cake) handled the mastering. Lee plays guitar, bass and sings on the album, while exploring issues such as faith (“Believe”), vampires (“Lost In A Touch”) and the evil stench of Paparazzi (“Mind Your Own Business”) in wonderfully post-pop rock arrangements. Hold On Till Heaven is just an appetizer for what’s to come however, as the project took on a life

This is The Black Crowes during the making of their second album 'The Southern Harmony and Musical Companion' with some of the tracks close to the final album release versions and a few at an earlier stage. The Black Crowes remain one of my all time favorite live bands and their studio offerings have never disappointed.On three of these songs I had to go back to the official release to check for any differences, there are, but not that much. The Southern Harmony and Musical Companion is the second album by the The Black Crowes, released on May 12th, 1992. It was the first record by the band to feature Marc Ford on lead guitar, replacing Jeff Cease, who left the year before. It features four hit singles; "Remedy" ( number 1 on the Album Rock Tracks chart for 11 weeks), "Thorn in My Pride" (number 1 on the Album Rock Tracks chart for four weeks), "Sting Me" (number 1 on the Album Rock Tracks chart for two weeks), and "Hotel Illness"

Lets start 2011 with some Madness , as the reality of the year ahead ain't necessarily gonna be so much fun if the doom and gloom from our illustrious politicians (here in the UK) is anything to go by. This is a wonderful concert recording from the Pinkpop festival held at Landgraaf, The Netherlands, this actual performance was on 31st May 2009, and broadcast on FM. The then new album, entitled The Liberty of Norton Folgate was released just a week or so earlier, on 18th May 2009. It charted at Number 5 in the UK album charts. The band went on to play various festivals, including Pinkpop and Glastonbury. On 27th September 2009, the band also played a free concert on a closed-off Regent Street in association with Absolute Radio. The band have continued to both record new material and tour in recent times, and a new album is due later on this year, which following the critical acclaim of the last one and the sheer pleasure of listening or seeing them live, gives many of us some