Posts

The Tigerlilies - Tallies - TALMA

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The Tigerlilies - Contact. Background - The style set forth by the Buzzcocks, Cheap Trick and The Ramones is alive and well in the hands of The Tigerlilies - Cincinnati’s sole practitioners of post punk power pop. They have played countless shows around Ohio, serving as support for Violent Femmes, Joan Jett, Paul Weller, Guided By Voices and Superchunk, and attaining a sizable and appreciative following along the way. The past decade has seen the release of many singles and albums on independent Midwestern labels such as Atavistic, Violently Hip and Mono-cat 7, chalking up a total of four full lengths which showcase The Tigerlilies economic blend of punk, 60’s soul and garage rock. Along the way, someone unearthed their debut record, Space Age Love Songs, which was recorded exactly 20 years ago. The LP was a hit at the time, winning album, artist and record of the year at the Cincinnati Music Awards and landing them a showcase at the burgeoning SXSW Festival. But the band had all bu

Sofia Härdig - Once & Future Band - Varvara

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Sofia Härdig - Let Me Fall. Background - Sofia Härdig’s new single “Let Me Fall”, from the upcoming album “Changing The Order” is crafted from new wave, electronica-influenced layered synths, amongst other live instruments, and powerful vocals. Championed by Belle and Sebastian’s Stevie Jackson, Sofia has worked with major Swedish artists including Grammy Award winners The Hellacopters and bob hund. Furthermore, she has collaborated with Yoshimi from Japanese noise-rockers Boredoms and the alternative indie band Free Kitten. Sofia’s experimental nature shines through with her new material that blends new wave and electronic influences. “Let Me Fall” is a thickly textured, four-to-the-floor synth-focused electronica anthem. Sofia repeatedly sings ‘infatuation’ – each syllable on beat, but reverberating around the track, creating sonic space, drawing vocal influence from 90s house music. Deviating heavily from her previous single “Illuminate”, “Let Me Fall” features synth arpeggios

Elisa Kate - 10 O'Clock Chemical

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Elisa Kate - Promise Me. Background - The dreamy pop piano invitations of Elisa Kate captivate you with that skin deep smoky vocal tone. The warmhearted farm girl strips away the clutter, summoning your soul to awaken. Bursting onto the pop scene with a USA tour and a feature on New York radio with her 2015 EP release To The Sky (iTunes), Elisa Kate's new single Promise Me is set to erupt on February 23. Sitting beneath the warm indie pop vibes, the engaging piano melody propels the driving pulse forward, with the strong reassuring movement projecting the unforgettable chorus into your heart. Promise Me delivers an honest reflection on how easily life can accumulate. The song explores an uncanny freedom found in releasing unnecessary things from our lives, returning to whats most important. Elisa Kate contemplates, "We surround ourselves with so many "things", and sometimes it takes losing it all for us to find clarity within. In those sobering moments, I find mys

The Tracys - Alessi’s Ark - Super Hi-Fi

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The Tracys - People Scare Me. Background -  If you're feeling stuck in a repetitive blur of everyday life, NYC old-school punk-rockers The Tracys new single and music video "People Scare Me" will jolt you awake with a blast of sonic power. The single comes with a darkly alluding and paranoiac music video, that will leave you looking over your shoulder when you're next traveling alone. The band utilizes the track to question the current state of the world, with the actions and behaviors of others developing a slow-building anxiety of questioning where society is headed.  The band shared, "'People Scare Me' is a humorous jaunt into the feeling of alienation, derived both by the day to day struggle of living in a city that has largely given away its creative, cultural heritage in favor of impossible real estate values and self important millionaires, and living in a world controlled by social media that celebrates and rewards Tide Pod eaters and elects na

Blue Nation - Blake Brown & The American Dust Choir - Fontaines DC

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Blue Nation - Rich Girl. Background - Blue Nation come confidently striding out on to the streets to deliver you their brand new grooving slice of gritty sing-a-long, fist in the air, authentic rock. ‘Rich Girl’ the new single from midlands very own Blue Nation is released 23rd March. The single is taken from the brand new forthcoming album due for release later this year. The riff-rocking Birmingham trio, pair the unrestrained emotions of music with the capricious nature of life. Front man Neil Murdoch explains; ‘Travelling on a train back from London a girl sat next to me (Neil) and began to sob her heart out. She had just left her fella as she had caught him cheating. During the journey, said cheater rang the heart broken girl and begged her to come back to him, promising to never do it again. It became obvious that the relationship was based on lies and convenience. Said girl then started to negotiate with the cheater about what he would give her to come back to him…a car, a hol

Zoë Dellaca - Ganser - The Busy Twist - Angela Soffe

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Zoë Dellaca - Still. Background - Zoë Dellaca writes songs that make you want to cuddle up in front of the fire on a rainy night. Still is the first single from her debut album Sweater Weather. Hailing from Bunbury in WA, Zoë has been making her mark on the local music scene, playing regular shows around the south-west and peel regions since 2016. Still explores the darker side of the indie-folk genre featuring haunting electric guitar swells, moody bass and a raw, vulnerable vocal performance. The track is a soul-exposing song dealing with themes such as heartbreak. Still was recorded and produced in Zoë’s hometown of Bunbury by Nat Marshall at his studio Township Sound. “Still is essentially about being hurt by someone you care about and allowing them to keep on hurting you even though you know you shouldn’t. Writing Still was a long process that happened over several months as I was able to gain some perspective. Completing this song was a very freeing experience for me, helping

Hero Fisher - Let's Mars - Allman Brown - Second Still

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Hero Fisher - Lonely. Background - “Lonely is about self delusion. We all wear blinkers to hard truths in one way or another. A common condition people have is loneliness or feeling secluded. I think it’s a sentiment a lot of people can relate to, if they don’t, then they may have mastered self delusion.” Hero Fisher’s new song ‘Lonely’ is a masterclass in reinvention. Rich in ambience and with a slow crawling beat, Hero’s subtle and tender vocal performance evokes a deep sense of isolation amidst the cluttered mysteries of daily life. Drums, pianos and synths all work in tandem brewing a restless sonic tempest as the song subtly crescendos to its cathartic conclusion. ‘Lonely’ could be the soundtrack to a deeply arresting and sad movie, long expanses of sound create a panorama over which Hero lays some of her deepest and most internal lyricism yet. As her career progresses onwards it’s anyone’s guess where her sound will travel next, but if ‘Lonely’ is any indicator, she’s already

Maff - The Harpoonist & the Axe Murderer

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Maff - Hawaii / Desfile. Background -  Chilean shoegaze quartet Maff will be releasing 'Hawaii', a new powerhouse single off their coming ‘Melaniña’ EP, slated for release in April. This is Maff’s first sonic offering since blazing a remarkable trail through shoegaze, alternative rock, and noise pop territory surrounding their debut album ‘Maff', released in 2015. This follows up the release of ‘Desfile’, their first Spanish-language single, having only released music in English before this. ‘Desfile’ is about feeling trapped in your life and being in a place you do not deserve to be, surrounded with toxic people and feelings. Gomez sings "Soporto un dia mas, con desechos me toca desfilar” (I hold on one more day...I’m in a waste parade”. Formed in 2012 in Santiago, Chile by Ricardo Gomez and Nicolas Colombres, Maff’s music blossomed from a love affair with guitar pedals. Their sound was greatly influenced by The Jesus and Mary Chain, The Pixies, Ride, Sonic Youth,

The Scaners - Falcon Jane - VOWWS - Wild Meadows

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The Scaners - No Place In Space. Background - France’s “alien-gonzo-synth-punk rockers”, The Scaners, are ready to take off with their eponymous debut LP with the first single “No Place In Space” which takes the listener through a darker, slower wave that Louder Than War Magazine describes as “a swirlingly mesmeric menace of guttural growls backing a looming snarl over a dark driving rhythm.” “This song is a special song for us because we wrote and recorded two different versions” says singer and organist Pav Scaner. “On the LP it's the ‘slow’ version. It's a kind of lost but happy drifting and swimming in space. A short pop relaxing interlude before the spacecraft starts roaring again. I've made that cheap video clip late by night. Enjoy your flight!" "The Scaners federation starship superstructure is built on the Ramones and Dickies but draws on fourth-dimensional kindred synth-punk spirits like Devo and Suicide, modern acolytes like The Spits and Useless E

Gitta De Ridder - The Foxfires - Winter Wilson

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Gitta De Ridder - The Wheel. Background - Anglo-Dutch songwriter Gitta De Ridder is excited to release new album For Everything A Season on March 23rd. New single The Wheel encapsulates the natural, almost hypnotic, rhythm of traveling and speaks about how we see all things through our conditioned view. Taking control of the wheel means breaking down what we think we know, to find our own voices and realise what is truly important in life. The songs on For Everything a Season are a journey of experiences through life and relationships; although themes across the album are quite universal, the lyrics also reflect a part of Gitta's personal and relational explorations across the past years. Album opener My Dear, Oh Boy, Oh Man (released in late 2017) epitomises the tone for the record; a song about love and loss, about finding the strength to move on and let bygones be bygones. Recorded in the beautiful Suffolk countryside studio of long-standing friend Stephen Hodd, For Everythin