BEEHIVE CANDY

From the Internet Archive this is American Music Club (AMC) Live at Canes, Mission Beach (San Diego), CA, on the 18th November 2005. AMC were opening for Spoon and this was the last show of the tour. As one commentator put it - AMC opening for Spoon? That ain't right. And it sounds like some of those Spooners weren't bothering to hide their disdain, as evidenced by Mr. Eitzel's comment after the first song, "You don't have to like it; I don't care." Despite the audience, this is a great set with lots of stuff from AMC's then new album, including a high-energy performance of "Home." A little about AMC - Their 1985 debut, The Restless Stranger, is widely considered as the first slowcore release, establishing the band as major pioneers of slowcore and an early influence on post-rock. It was later followed by 1987's Engine which saw record producer Tom Mallon as a full-time member. American Music Club earned a solid cult following on th

Twin Haus - I Used To Think. Background words - Recently signed to Brisbane indie label, Bedlam Records, Twin Haus now look to their fourth successful national run this April, bringing an energetic and mesmerising live show to stages around Australia. The band’s diverse brand of psychedelic and ambient rock has recently seen them perform in support of acts such as; Tonstartssbandht (USA), Viet Cong (CAN), Dune Rats, Millions, Gang of Youths, Tijuana Cartel and The Medics, to name a few. 2015 saw them headline Brisbane’s renowned Psych Night, perform at Port Macquarie’s Festival of the Sun, as well their most recent single ‘I Used to Think’ premiered on Rolling Stone Australia which continues to receive attention nation-wide from the likes of Triple J, FBi, Triple R, PBS Melbourne and 4ZZZ. The band’s awaited follow up EP ‘Nothing Lavish' recorded by Steve Kempnich and produced by ARIA award-winning producer Tim G Carr, is scheduled for full release March 2016. One of fou

Joana Serrat - Tug Of War. Background promo - Talking about Tug Of War Serrat says; "Tug of War is a song that talks about the people of my generation that once followed all the paths we were told to walk. We did obey, believing in what we've been told. At the end of this road we were supposed to find the good life and all that we end up seeing is a death land. We are going to be the first generation that won't surpass our parents." Cross The Verge, just as its name promises, shows us another side of Joana Serrat, who so enchanted audiences on her 2014 album Dear Great Canyon. On Cross The Verge, her third album, Joana lays bare all the cracks, inconsistencies and fears that come with life, with the album revealing itself to be an especially beautiful tribute to the acknowledgement of loss and the acceptance of the uncertain. To record this album, Joana Serrat travelled from her home in Vic, near Barcelona, to Montreal, Canada to team up with producer Howard

Step Rockets - West Coast. Background bio - It didn't take long for Step Rockets to take off. Their self-released single “Kisser”found its way to #1 on the Hype Machine charts just two weeks after its release despite virtually no publicity. The track has since garnered over 5.5 million plays on Spotify and catapulted the band onto the international music scene. With appearances at Firefly Festival, Summerfest, SXSW, CMJ, Canadian Music Week and a slew of other festivals and major venues across North America, Step Rockets have developed a reputation as one of the most exciting new live bands on the scene, seamlessly blending wailing guitar solos and anthemic melodies with infectious dance grooves. Step Rockets continue to push the boundaries of indie pop with unique instrumentation and progressive song writing. The band's music has been featured in TV shows and commercials, including placements in Showtime's Shameless and ABC's Cougartown. Their music exemplifies a

Robert Nix - Won't Go With The Flow'. Background promo - Robert Nix is largely recognized as an innovative alternative artist, incorporating alternative, postpunksynth, new wave, pop, classical and progressive rock into his songs and appealing to the 'intelligent alternative music fan'. With his unique songwriting style, musical approach and distinctive haunting voice Nix stands out from the rest of the crowd. "Once in a Blue Moon", Robert's latest release, is his 5th. The album reveals an artist dedicated to recording his own brand of song. Nix handles all aspects of the album's writing, performance and production. OK the album was released back in January, so late to the party again! However it's such a good LP that a quick mention seems only fair. The featured song gives a hint of what's in store, expect a lot more.   -----------------------------------------------------------------------------------------------------------------

Little Coyote - Neverending. Background promo - Emerging from the sands of Sydney’s Northern Beaches, alternative-pop-rockers Little Coyote have been playing venues since their first live show at Upstairs Beresford mid-2014. Combining thumping beats (Anto Dinh, drums) and funky resonance (Gareth Bussey, bass), with a vintage-feel 6-string twanging fluidity (Matt Coates, guitar) and powerful, rich poetics by (Judd English, vocals), Little Coyote has ripened into an ability to create quality alt- rock music with an honest lyrical content. Their debut EP Howl was quoted as having “a healthy dose of rock that has just about the perfect amount of attitude" [Ted Rogan, The Equal Ground]. Neverending will be the lead track on Little Coyote’s second EP scheduled for release in early 2016. Written by Judd English and Anto Dinh. Neverending was recorded and mixed by Wade Keighran at Linear Studios in Leichhardt, Sydney and mastered by Steve Fallon at Sterling Studios in NYC. Their r

Andy Shauf - The Magician. Background promo - On May 20th, Anti- is excited to release an immensely imaginative work from acclaimed young singer-songwriter Andy Shauf called The Party. The Saskatchewan-based Shauf recorded his first album at home and toured Western Canada playing DIY punk venues with an acoustic guitar. In 2015 he gained attention with a an album called The Bearer of Bad News that NPR called one of “2015's most breathtaking albums” and “an appropriately titled collection of mostly grim tales about small town drug addicts, murderous lovers and other weary underachievers.” With The Party, Shauf masterfully creates a cast of memorable and unique characters. They show up “Early to the Party,” reveal secrets (“To You”) or try to reveal nothing (“The Magician.”) In “a city the size of a dinner plate,” everyone knew the guy who keeled over after smoking what he promised would be his last pack of cigarettes (“Alexander All Alone.”) There’s the girl dancing by hersel

Martin Tillman - Notes Towards The Universe. Background words - More than any other form of art, music transports us from the physical plane to a realm of reflection, dreams and excitement. Yet at the same time, we find ourselves swaying to the melody, if not dancing wildly to its rhythms. Such is the power of listening to Martin Tillman’s “Superhuman” a soundtrack for the composer’s upbeat imagination that rocks with his sense of stylistic and technological exploration, while jetting down to the EDM Earth his tunes encourage us to leap from. Mind and body are one as Tillman elevates body and soul in “Superhuman,” lighting a stylistic path with his distinctive fusion of music and movement.    As a world-renowned cellist whose distinctive playing can be heard on such scores as “Black Hawk Down,” “The Ring” and “Batman Trilogy,” Tillman’s equally distinguished career on the concert stage has drawn a number of renowned players to this ambitious project, among them guitarists Michael

Sex on Toast - Doubt. Background promo - Following the cult success of recent single 'Oh Loretta!' & a knockout performance at Bigsound 2015, Melbourne 10-piece Sex On Toast are about to drop their new EP 'Ready', heralded by the release of new single & video for 'Doubt'. They'll also be hitting the road soon, with a Sydney show & NZ dates just announced. There really, really isn't anyone quite like the formidably talented, performatively irrepressible 10-piece that is Sex On Toast. They're fervidly dedicated to their craft. They're unconditionally vivacious. They're virtuosos of the tongue-in-cheek. And they're 'Ready' to unleash the goods once more. It's a rare band that has the savvy to successfully combine retro production, tight 70s/60s inspired instrumentation, and lyrical commentary that bites harder than your Aunt's rabid chihuahua. And you'll want to listen again. But Sex On Toast aren't