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Mara Simpson - The Limiñanas & Laurent Garnier - Skidders - Weak Signal

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Mara Simpson - Serena. Last month, UK multi-instrumentalist and story-teller Mara Simpson announced her new album In This Place will be released on September 24th. A heady blend of alt-folk, analogue synth and classical composition, In This Place is a tale of quiet rebellion and taking back control. Today, she shares new single 'Serena'. The track, named after the apartment building in Brighton where Mara’s daughter was born, is based on the experience of becoming a mother and the responsibility of making important healthcare decisions. “How will I know how to love you” she sings over undulating synths and sparse piano chords. Whilst the struggles of 2020 will go down in history, for Mara it was 2019 that was the tough one.  A year spent consumed by worry, whilst in and out of hospital with her one year old daughter, had left Mara feeling like she was playing a constant game of catch up with a world that wouldn’t slow down. With songs ready to be recorded for her new album, sh

The Felice Brothers - Acoustic Syndicate - Lindsay Jarman

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The Felice Brothers - To-Do List. The Felice Brothers have released “To-Do List,” the final pre-release single from their forthcoming album From Dreams To Dust out on September 17, 2021 via Yep Roc Records. The band also announced that Al Olender and Nik Freitas will support their national tour which kicks off on September 15 at Space Ballroom in Hamden, CT and will make stops in New York City, Los Angeles, Chicago, Washington, D.C. and many more. Tickets are on sale now. Find a full list of tour at TheFeliceBrothers.com. “This song is about taking something so deprived of poetic value like a To-Do list and making it work as a lyric,” explains Ian Felice. “The take we chose was the first time we had ever played the song. It had a very loose and playful quality that we liked. We had just learned the chord progression like five minutes before playing it. We listened back to more takes but this one had the best feeling.” Recently, the band released self-directed music videos for “Jazz On

Ashley Shadow - Aidan & The Wild - Ian Jones

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Ashley Shadow - Grey. The Vancouver, B.C.-based songwriter, Ashley Shadow has shared her new single, "Grey" which follows on the heels of the MOJO-tipped "For Love" and the Stereogum and Brooklyn Vegan-approved "Don't Slow Me Down" (feat. Bonnie "Prince" Billy). "Grey" arrives as another installment of Shadow's forthcoming second album, Only the End which comes mixed by Joshua Wells (Destroyer, Lightning Dust, ex-Black Mountain) and is set for release via Felte on September 24, 2021 (CD/Digital) & October 29, 2021 (Vinyl). The new release follows her eponymous self-titled debut which found critical acclaim at Stereogum, The A.V. Club, KEXP, Brooklyn Vegan, FLOOD, Under the Radar, and more. Ashley Shadow describes the new single as "a gentle moment of existential dread", a notion mirrored in the track's lyrics as she sings, “Grey took over the sky/far too much to think about, don’t try.” However, any temptation

Lily Konigsberg - Idle Dream - Mae Krell - Big Little Lions - Maria Pellicano - Church Girls

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Lily Konigsberg - That's the Way I Like It. Lily Konigsberg, a member of the beloved art rock band Palberta, is announcing her solo debut LP. The album arrives after what has been a busy 18 months for Konigsberg, who released her first solo EP on long-time Palberta label Wharf Cat Records (Water From Your Eyes, Dougie Poole) to an extremely positive reception in March of 2020 (Pitchfork described it as a collection of left-field pop that sits "at the center of a Venn diagram containing haunted dolls, Arthur Russell, and Ariana Grande"), before Palberta released their most critically-acclaimed record to date in January of this year ("a gleefully odd record...perfectly Palberta" according to the New York Times), which was followed by the release of a compilation of her early solo recordings culled mostly from Bandcamp and Soundcloud releases. Her new album is called Lily We Need To Talk Now (out October 29th on Wharf Cat), with the title taken from a text she rec

Bumsy and the Moochers - Abby Huston - Paragon Cause

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Bumsy and the Moochers - Living The Nightmare. Chicago, Illinois-based ska sextet Bumsy and the Moochers are set to release their latest single, “Living The Nightmare,” on Friday, August 20. The single is their first in a series of singles releases that will result in a mini-EP release with Sell The Heart Records (Neckscars, Decent Criminal, etc.). The video for "Living The Nightmare" was directed and edited by Katie Makes Films. Although publications like The Washington Post began touting the “ska revival” earlier this year, Bumsy and the Moochers are likely quoting LL Cool J under their breath; they’ve been here for years. Since 2012, Bumsy and the Moochers have been riding a tidal wave sound reminiscent of ’90s pop punk and ska. They deliver melodic vocals, killer horn lines, and steel string shredding hot and fresh to your ears. In 2015, Bumsy and the Moochers debuted their first full length release Bored Up! with the Easily Distracted EP following hot on its heels the f

Montgomery Church - Sue Foley - Dot Allison

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Montgomery Church - The Great Divide. Cielle Montgomery and James Church are Montgomery Church - a blend of acoustic folk, Americana and bluegrass influences, grown and distilled in the Snowy Mountain ranges of country New South Wales. With their organic union of dobro and guitar, harmony vocals and thoughtful songwriting, this captivating duo are enthralling in their dynamic intimacy and offer up some of the sweetest darn sounds being heard around Australia's alt. country scene right now! Since their formation, Montgomery Church have been quietly but quickly gathering a fan base who site their undeniable chemistry as a rare and beautiful thing to see live. "Montgomery Church are like the Australian version of Gillian Welch and Dave Rawlings but if Gillian was the daughter of Allison Krauss...sitting on a porch, with tea not whiskey... I'm a tad obsessed! The most graceful duo literally gracing stages right now!" - Fanny Lumsden “The Great Divide” is written about a

Amanda Anne Platt & The Honeycutters - Heavy Manners - We Were Promised Jetpacks - TeenCanteen - King Park - Jessica Smucker

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Amanda Anne Platt & The Honeycutters - Dallas / Reverie. Since April, Amanda Anne Platt & The Honeycutters have been releasing music from their upcoming collection, The Devil and The Deep Blue Sea, a concept suite built from songs recorded under the straitened circumstances of quarantine and envisioned as a “deconstructed album,” released, not as a package, but in a series of paired singles, with each pair drawing on both of the titular concept’s two sides.  The latest, “Dallas” and “Reverie,” finds the Organic Records artist bearing down on unanswered questions, whether they’re framed in a slowly simmering country-rocker (“Dallas”) or by the more introverted, acoustic treatment of “Reverie.” “‘Dallas’ is kind of a tribute to our old tour van, Toby (no vehicle of mine goes without a name),” Platt notes — though, as is often the case, the ostensive subject barely makes an appearance in the song’s lyric — ”and also to all that went on in the years I spent traveling the country i

Josienne Clarke - Alphanaut - The Hengles - Lia D'Sau - Tacsidermi

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Josienne Clarke - The Collector. “You’re the collector / You’ll keep me forever / A small unknowable thing / With you as preceptor,” Josienne Clarke sings on new single ‘The Collector’, a song inspired by writer John Fowles' novel of the same name. For her new album A Small Unknowable Thing, due out this Friday, Clarke is flying solo. No label, no musical partner, no producer. For the first time since her early beginnings, Clarke is in complete control of her songwriting, arranging, producing, release schedule and musical direction. On 'The Collector', Clarke experimented with unusual sounds, marrying earthy folk with cutting industrial noise. Recording the sound of her phone interface via her Cornell amp, Clarke processed it using some Logic pre-sets to make a sound that eventually resembled an angle-grinder. It’s heavy noise grates and cuts, reflecting the horror of the woman’s treatment.  “Having read [Fowles’] book again, I just identified with some of the themes of it