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Another Genre Mix: Atlas Lab - Dirty Revival

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Atlas Lab - Wake Up Slow. About the band - Like so many stories, Atlas Lab's biography begins with a chance meeting. Alex and Solei met one chilly morning while street performing in Harvard Square. She had her mic and looper, he had a homemade drumset of pots and pans. Before long, they were playing out together. Around the same time, Solei and John were experimenting with adding vocal loops and electronic textures to folk tunes, and Alex and Samm were living together, making ambient electronic music, and performing with local acts. The four came together in a Brighton apartment one afternoon in the winter of 2015 and felt the undefinable thing called chemistry. Since then, Atlas Lab has toured the Northeast in suppport of an EP of live demos, which have gotten noticed on Bandcamp and several online indie labels/blogs. They will be releasing their first studio EP, "Wake Up Slow," in January 2016. In the fall of 2015, bassist Otto Briner joined the band as it moved to

Upbeat Tuesday: Prickle - The Gromble

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Prickle - Tell Me Why. What we are told - Prickle is 17 y/o independent pop rock artist Emily Wilson from Melbourne, Victoria. After spending a few years honing and developing her sound, in search of her ‘unique voice,’ Emily is ready to share her personal perspective. ‘Tell Me Why,’ is her first single. It is a study of contrasting personalities and the thoughts that follow. The honest vocals engage a story telling voice speaking to the listener in conversational style. Initially sketched out with a laid back acoustic feel, the song has now adopted a garage rock 60’s mood with a strong rhythm section and drive. The song is produced by Rich Bowers and Matt O’Connor, and features Jasper Miles on drums. Jasper has collaborated with Emily on a lot of her material and is also a member Auntie Mag. A lot more to come from Prickle in 2016 following 'Tell Me Why.'' This is a superb song. Vocals are a delight and the music (more rock than pop in my opinion) adds power to th

Alternative Take: Super8 & Tab - Club 8 - Frameworks

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Super8 & Tab - Komorebi. Background - Since their collaboration in 2005, Super8 & Tab have released two Beatport trance number one artist albums, played at major music festivals all over the world, including EDC, Ultra, Tomorrowland and A State of Trance and been nominated ‘Best Breakthrough DJ’ at the Miami WMC IDMA Awards. Most recently, the duo was signed to colossal record company Armada Music and shows no signs of slowing down. Things started happening for the Finnish duo in 2004, when Above & Beyond adopted each of them individually as the first members of the ever-growing Anjunabeats family. Super8 met Tab in 2005 at a recording studio and they soon start working together. Although they have grown with Anjuna and had multiple number one releases on the label, they’ve always put out records on other imprints too; the latest of which is Armada Music. In addition to being signed to two of the biggest labels in trance music, Super8 & Tab’s other achievements inc

Genre Mix: The Monikers - Eternals - Bloodhounds On My Trail

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The Monikers - Friends Like These. Background - The Monikers are a four piece indie rock band based in Adelaide, SA. Forming in early 2013, the guys have come together to create their own unique style of melodic, guitar- driven indie rock. Working hard over the past two years and delivering two EPs in the process, they have steadily built a reputation as one of the most fun live acts in Adelaide. The floor is always packed with people dancing along to their catchy tunes!  ‘Friends Like These’ was recorded and produced in SAE Studios, Adelaide, by Michael Carver. It’s an upbeat-party song with some dark undercurrents. Punchy and guitar- driven, it’s friendly demeanour somewhat conceals the more serious subject matter of the song.  “It’s probably the happiest and saddest song I’ve ever written. Definitely the most personal” - Andy Mackenzie. You can catch The Monikers in Adelaide on 12/12/15 at The Ed Castle and in Melbourne on 8/1/15 at Mr Boogie Man Bar . The Monikers are a go

The Ocean Blue - First Three Albums Reissued

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The Ocean Blue - City Traffic. And the facts - The Ocean Blue reissued its first three albums on vinyl yesterday (Nov. 20th) via Shelflife Records / Korda Records - this includes The Ocean Blue (1989), Cerulean (1991) and Beneath The Rhythm and Sound (1993). Cerulean and Beneath are being issued on vinyl for the first time ever. The band will also perform their S/T debut and Cerulean in full on fall tour (final dates below).   The Ocean Blue's debut record on the famed Sire Records label in 1989 achieved widespread acclaim and radio & MTV airplay. The band of four high schoolers from Hershey, Pennsylvania went on to do two more well-received records for Sire, the atmospheric Cerulean and alt-pop Beneath the Rhythm and Sound, and a fourth record for Mercury/PolyGram, See The Ocean Blue, before leaving the majors in the late 90s. The band did several independent releases in the 2000s, including Davy Jones Locker and Waterworks, and in 2013 released their first full length r

Friday With: Barons Of Hiddenhausen - Renders

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Barons Of Hiddenhausen - Realm Of The Edge (V.2). Background - Barons Of Hiddenhausen is based out of Vienna, and is an experimental "one man duo" founded in 2012.. I grew up near the "Waterwoods", an isolated place in the upper Austrian outskirts. I was handed a guitar pick by BB King when I was 11 years old for being the youngest person at the show. A year later I begged my father to buy me an electric guitar.  After being in several bands I decided to move to Vienna and locked myself up in a small flat for two years to start writing my first debut album. I recorded and mixed it entirely alone on just one macbook and decided to self release it by late 2012. It was around the very same time when an opportunity came along to collaborate on Digital Noise Academy in Los Angeles with one of my childhood hero's, Ken Andrews (Failure, M83, A.P.C.) . From a five track EP 'Realm Of The Edge (V.2)' has a chunky, deep and at times quite edgy vibe flowing th

Thursday Three: Krista Polvere - Gillbanks - PJKTS

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Krista Polvere - Shut Up & Ride. And those fine background promo words - Melbourne based alt-country siren Krista Polvere returns from an international hiatus with the release of her new single Shut Up and Ride on November 27. The single is the first taste of Polvere’s new self-titled album due for release early in 2016. Both single and album were recorded in Virginia, USA, and produced by producer/artist Brian Elijah Smith. The recordings were made over an intense period in a basement studio fuelled by an intense relationship between the pair resulting in an album of rare emotional vulnerability and fire. “There is a story within it all that makes this album even more intense and special. You may hear it all coming through the songs, through my voice. The producer and instrumentalist on the album was my lover at the time. When I listen to the record now I can hear the ghosts of our love and the listener may too”. Shut Up and Ride is a powerful first single from the album –

Mother Hips - Live at Belly Up 2006 (IA)

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From the Internet Archive (IA) this is  Mother Hips Live at Belly Up, Solana Beach, California, back on the 10th March, 2006. The band performed Neil Young's album 'Everybody Knows This Is Nowhere' in its entirety on the first set. For those unfamiliar with Mother Hips, the following is part of their (Wiki) history - Tim Bluhm (vocals/guitar), Greg Loiacono (guitar/vocals), Isaac Parsons (bass) and Mike Wofchuck (drums) met in 1990 while attending California State University-Chico, living off campus in Bradley Hall. They jammed and played some original songs at a few parties (once billed as Pippi Longstocking and the Trunk-of-Funk), but soon Isaac and Mike were lured away by the prospect of playing Led Zeppelin and Jane's Addiction covers at big parties as the rhythm section of the Keystones. Meanwhile Tim and Greg played acoustic guitars and sang harmonies to songstress Ali Weiss in the mellow trio Ali and the Cats. These bands played throughout 1990, but in ear

Tuesday Rocks: Hound - Andrew Johnston

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Hound - Driveway. Background - Brisbane goth cricket enthusiasts Hound return with an infectious garage-door banger ‘Driveway’ following on from their album single ‘God is Calling’ - which turned up on a fair few radios and televisions across the great southern land. Born out of a combined love for 80’s post punk and 90’s alt rock, ‘Driveway’ is equal parts fresh and throwback. Singer Chris Cox’s lyrics and vocal delivery evoke strong images of booze soaked balconies basking in the afternoon sun. Hungover thoughts of being caught in the same environment without a means of escape, sending ones ambitions into the indifferent vacuum of outer space echoing the lyric “I guess we’re back to the same old driveway”.  Driveway’ is the first single taken from Hound’s forthcoming  EP to be released early 2016 . Whether it's post punk or goth rock is academic, 'Driveway' is a refreshing blast of high energy, fast paced, good old rock'n'roll music. Best served with plenty