BEEHIVE CANDY

JJ and The Pillars - Howl (Feat. Alyssa Morrissey). Background from JJ and The Pillars - In early 2017, we began recording our second album, Daisy, with producer Kevin Dietz (The Cranberries, The Glorious Sons, Circa Survive.) The resulting effort is the band’s best work to date, full of strong songwriting, energetic performances, and powerful delivery. Our new single, “Howl,” marks a change in my writing style and features the powerful voice of country singer, Alyssa Morrissey. Adding a refined  southern flair counterpoint to our feverish pop sound. “Howl” is about finding someone that makes you feel free, not afraid to be yourself around them. We have always been very comfortable both on/off stage together. Alyssa was always the country girl, while I’m the rock guy. We wanted to write a song about our relationship that was perfect for both of us. Daisy is slated for release this fall and will be performed in its entirety live at Toronto’s Lee’s Palace on October 5th, featuring s

Honey Moon - Mover In The Dark. Background - Jangle-pop four-piece Honey Moon unveil Mover In The Dark, the final aperitif served ahead of their new EP Four More From…, hitting your ears on 21st September, via Manchester boutique label Heist or Hit (Her’s, Pizzagirl). Snare trills, melodic staccato guitars and barber-shop harmonies transport you through the decades, to a summer evening leant on a parked Chevy Bel Air by a dimly lit beach front. Like a hazy memory however, it’s hard to locate exact feelings, and an eerie tone pervades: “Its vulnerability isn't laid quite as bare and its message not quite as obvious as in some of our other stuff. Kinda creepy, kind of 'dark' - for us cheesy boys, anyway” says ringleader Jack Slater Chandler. A continued evolution from the dreamy, floaty Honey Moon sound of old, and a side-step from the more straight-up love tunes that make up the rest of the EP, Mover In The Dark is unique take from the four-piece. Honey Moon’s style is

The Woolly Mammoths - No Confidence Man. Background - No Confidence Man is the funky fresh track from the self-effacing young Bostonites, The Woolly Mammoths. Consummate music nerds The Woolly Mammoths create sly, idiosyncratic dance punk that falls somewhere between Parquet Courts and Animal Collective. Their high energy, cheeky vibe seems to be a direct response to their starchy childhoods on the Seacoast of New Hampshire, where they learned to escape the doldrums by indulging themselves in off-beat esoteric indie rock. Since their inception in 2014, the quintet has cut loose with two LP’s and EP, culminating in 2017’s Resist Consumerism, Buy Our Album which received a positive shout out from Anthony Fantano of The Needle Drop. Their dynamic, collaborative recordings and sweaty live show quickly created a local groundswell, culminating in praise from Greater Boston Music Publications and prodding the band to leave NH behind to pursue music in Boston proper, locking in openin

Curtsy - A Better Pet. Background - “A Better Pet” combines unforgiving rhythmic momentum with captivating melodies to evoke the self-destructive apprehension that too often plagues the insecure romantic. It's about an individual who picks fights in their first relationship because they're more comfortable with chaos than coming to terms with the idea of needing someone. The video concept revolves around freedom from insecurity--allowing yourself to enjoy life with the people you love in a no-rules territory. We want to enjoy life and have fun with no strings attached. Sharing these kinds of moments with the people we love is the greatest feeling in the world. These are nights where we feel free and have more fun than we've had in a long time. Curtsy is an indie-rock five piece consisting of Austin Knecht, Crystal Napoles, Kai Dodson, Tamara Simons, and Jonathan Palmquist. Curtsy was formed when Austin Knecht (vocals, guitar) auditioned as a lap steel player for a

Vulgarians - Dead People Are Easier To Love. Background - Hull’s Vulgarians are now sharing the Radio 1-supported new single, ‘Dead People Are Easier To Love’. Produced by Alex Greaves (Avalanche Party, The Orielles, Bo Ningen) at The Nave, Leeds, this is the first new music from the band since their 2017 EP, ‘Almost-Instinct, Almost True’. A bullish indicator of what's to come from Vulgarians through 2019, the band will support 'Dead People Are Easier To Love' with a string of dates through autumn 2018, including a stop at The Macbeth, London on September 27 - all tour dates below. ‘Dead People Are Easier To Love’ marks an assertive step forward for the group’s sound, turning to 80s synthesisers and the likes of Cold Cave and John Maus for inspiration. Penned just 72 hours before the band were set to record with Greaves, the new single captures a sonic and lyrical urgency that is hard to counterfeit. Speaking about the single, frontman RW Preen says: “After wandering

Frigga - Flower Flower. Background - Frigga the British-Norwegian artist formerly known as Sasha Siem - returns with her most cosmic and sensual single to date, ‘Flower Flower’. Conceived in her home studio in Brooklyn NYC shortly after giving birth to her son, Dylan. The song was recorded in Queens Park, London with the UK producer Danton Supple.  ‘Flower Flower’ is a bold celebration of desire, the human body and the pure pleasure of being alive. With her wizard-like word-play, Frigga courageously leads us into the darkest and most challenging of truths while at the same time being radically celebratory and empowering.  Using sacred objects - (crystals, runes, tuning forks etc.) - to create unique percussion sounds and beats, the album also marks Frigga’s return to her first instrument - the cello. Recorded at 432 hertz - otherwise known as ‘the Love Frequency’ - the vibrations and sounds of the record are intended to ‘awaken, restore, uplift’. Frigga studied music and poetry at

Joey Sweeney & The Neon Grease - On Monday. Background - The somewhat humourous new video for “On Monday” is one of the stand-out tracks from Joey Sweeney & The Neon Grease’s debut album Catholic School. The album is officially out digitally now through Burnt Toast Vinyl and The Giving Groove, with the vinyl edition to follow in late October/early November. All releases on The Giving Groove include a charitable component, and the release of Catholic School is no exception… half of all profits from album sales, both digital and physical, will go directly to Rock To The Future, a non-profit organization that provides music education for Philadelphia’s underserved youth, at no cost to them or their families. Sweeney & Co will also be celebrating the album’s release tonight in their native Philadelphia with a proper album release show at Everybody Hits. Over the past 25 years, Joey Sweeney has become a staple of Philadelphia’s influential songwriting and literary scene… he

Caz Gardiner & The Badasonics - Out Of Time. Background - The Badasonics mixes soul and funk together with Jamaican riddims and horns with the soulful rock and reggae voice of Caz Gardiner to deliver a pulsating party of soul steady beats. Caz has performed with the BandHouse Gigs, Newmyer Flyer productions and The Beat Hotel. She was the lead singer for The Ambitions, a 60's influenced soul/ rock band which in 2008 was nominated for a Wammie (Washington Area Music Association) in the best new band category; and the rocksteady / reggae band Caz and The Day Laborers. In 2010, she was nominated for a Wammie in the best traditional blues / RnB vocalist category for her work with Caz and The Commotions. The Badasonics, consisting of former members of The Moon Invaders & The Caroloregians, were also known as the busiest backing band for Jamaican artists in Europe and have played with Lee ‘Scratch’ Perry, Ken Boothe, Alton Ellis, Dave & Ansel Collins, Rico Rodriguez, Dore

Lung - Butcher. Background - 'All the King’s Horses' marks a shift from Lung’s first album, Bottom of the Barrel. The content was largely influenced by the band’s experiences from their national tours. “We’re excited that it [the new album] is going to be out of our heads and into the world.” Wakefield explains, “The album reflects what we (Daisy, Rachelle, and me) have experienced as a band touring around this confusing and awesome country. It is a snapshot of what we have seen, lived-through, and what’s been shared with us. The record aims to take you on a journey of personal and shared struggles and goes to some pretty vulnerable places. I hope that people listening to the record get some sort of cathartic release by the end of it.” Sonically the album has a dark, biting edge. Kate Wakefield (vocals, cello) and Daisy Caplan (drums) have developed a powerful, sinister sound created from total immersion into music culture and life on the road. Thematically, the record

The Mutineers - Couldn't Get Over You. Background - Ahead of releasing their new five-track 'Threshold' EP and launching a busy 2018 national tour schedule, The Mutineers present the first single from this EP. 'Couldn't Get Over You',  a pleasantly wistful offering guided by a longing feeling and lulling melodic line. A bit earlier, they unveiled the new video for 'Drug For That', filmed and directed by California-based photographer and visual artist Clovis IV.  The track, previously released on 'Live At B-Side', will be offered as a bonus track on a special Bandcamp edition of the EP. Based in Portland, Oregon, The Mutineers are a rock n roll husband-wife duo with country leanings and punk rock tendencies. With Brian Mathusek on guitar and Merry Young on drums, the couple share vocal duties. Sounding like a cross between Johnny and June with John Doe and Exene, and a bit of Nick Cave and PJ Harvey, their sound esthetic is influenced by such