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Coralcrown - The Hold Steady - Manwomanchild

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Coralcrown - Between The Lights. Background - Between the Lights showcases the subtlety and sensitivity in Coralcrown’s body of work. It’s a song about a shy guy fighting his own insecurities to ask a girl to dance. Unbeknownst to him, she’s fighting her own securities too. It’s a clever and poignant meditation on the prison of our internal complexes, made into something aesthetically sublime through Coralcrown’s tactful guitar work and his mastery of vocal layering and harmony. Upon settling in London, Coralcrown auteur Luis Gotor took a hiatus from music, crestfallen that his old band had finished. Eventually, the capital’s vibrant and diverse musical nightlife captivated him, and he decided to return to music as a solo artist on his own terms and with complete creative control. Coralcrown is the result of that. It’s a vital and visionary project, establishing Luis as an ambitious musician with a gifted ear for the kind of restlessly infectious melodies that made popular music f

La Lusid - D.A. Stern - Post Louis

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La Lusid - Empty Bones. Background - La Lusid is back with a new single called "Empty Bones". Warm, melancholic and dynamic, it’s impossible not to get drawn into their dreamy soundscape. With a sound that is reminiscent of what we love most about 60’s and 70’s analogue music, La Lusid presents themselves with high quality songwriting and sublime vocal arrangements. WEBSITE , FACEBOOK . I am afraid we are a bit thin on the ground when it comes to background information regarding La Lusid, the above few words are all we have received and a dig around on their website etc didn't yield much more. Anyhow it's the music that really matters and 'Empty Bones' certainly deserves some attention. An easy going indie song, the vocals come across as personal and are melodic and engaging. The music is delivered to a very high standard, seemingly unassuming and yet you know a considerable amount of  attention has taken place!  ----------------------------------

Curious Grace & Black Rabbit - Gang Of Four - Cicada Rhythm - Jack Ladder & The Dreamlanders - Kip Nelson

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Curious Grace & Black Rabbit - Fat Cats. Background - Chicago-based hard-edged art rock group Curious Grace & Black Rabbit has released the anti-consumerist single “Fat Cats.” Curious Grace & Black Rabbit is an indie art rock band featuring the work of husband-wife songwriting duo Tom and Mary Erangey. The group unites the talents of six performers who draw on everything from 70s/80s Brit rock, jazz, and classical, to Irish traditional music and metal. Tom plays bass and sings. His curious nature comes from growing up as a “ginger” in London, and Galway, Ireland. Mary plays cello, sings, writes lyrics and dreams of glamor. Self-taught guitarist Mike Conley grew up with Rush, the Scorpions, Ozzy and Van Halen. Then he discovered Swedish virtuoso Yngwie Malmsteen and neoclassical metal. He’s been experimenting ever since. Bojan Kolevski is a Macedonian master of keyboards magic. Hippy chick, yogi, teacher-by-day, and USO performer Heidi O’Toole brings serious vocal pipes (

Benjamin Jaffe - Ellie Schmidly - Clever Girls

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Benjamin Jaffe - Susan the Cat. Background - Benjamin Jaffe announced today the release his solo debut album Oh, Wild Ocean of Love on May 11th via Diamond Family Records. Best known as one-half of the acclaimed Americana duo Honeyhoney, Jaffe steps into the spotlight with his debut and reveals his ingenuity as a guitar virtuoso, multi-instrumentalist, writer, composer, and arranger. Along with the announcement, Jaffe released his new song titled "Susan The Cat," a sweeping folk ballad inspired by an odd roommate. Trading the rootsy stomp of Honeyhoney's three albums for an indie-alternative sound, Jaffe widens his approach with Oh, Wild Ocean of Love. These songs make room for a broad range of influences, from the polyphonic rhythms and improvisational freedom of jazz music to the soul and swagger of Motown. There are R&B ballads like "Everlasting Peace," where Jaffe layers his voice into gorgeous stacks of multi-part harmony, and dissonant rockers like

The Noise Figures - Leitvox - Josh Rouse - Steph Fischer-Ivancsy - Guts Club

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The Noise Figures - Lethargy / Telepath/Hypnotized. Background - Two and a half years after Aphelion, the Athens-based drums-guitar duo of George Nikas (vocals, drums) and Stamos Bamparis (guitar) return more frenetic than ever with their third full-length studio work entitled Telepath. It's set to arrive on March 2nd via Inner Ear Records. Check out the first two singles and the entire album below. Inspired by the theory of spiritualism and influenced by personal experiences, Telepath is an intoxicated concept album, with intensively sobering attention to detail in every single track, revealing a different side of the band's personality and crossing all the paths the duet from Greece has traveled so far, from heavy blues to psych garage to a fuzz vertigo. With its swinging moods of bright to dark undertones, the album sounds sharper than ever, with more energy, intensity and tuneful sensibility, capturing the band's hundreds of live performances and touring thrust. Wi

Spielbergs - Esbie Fonte - Parker - MaidaVale - Deanna Petcoff

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Spielbergs - We Are All Going To Die. Background - Oslo power-trio Spielbergs are sharing the hugely immediate first track from their forthcoming debut EP “Distant Star.” “We Are All Going To Die” comes as the band prepare for two live shows at Norway’s by:Larm festival this weekend. On a track that lashes out against the world, but at the same time begs for its help, vocalist Mads Baklien issues a rallying cry in this urgent and insistent examination of mortality, his anthemic vocal set to a swathe of thick, warm guitars and punctuated by Christian Løvhaug’s unrelenting drumming. The band have garnered considerable interest in a short career that has only recently seen them reach double figures in terms of live performances. “Daisy! It’s The New Me” featured at no.27 in Norwegian daily GAFFA’s Songs Of The Year (between James Blake and Chance The Rapper, no less) and they have made the viral 50 chart on Spotify. They have now signed a worldwide deal with new British label By The Ti

The Tigerlilies - Tallies - TALMA

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The Tigerlilies - Contact. Background - The style set forth by the Buzzcocks, Cheap Trick and The Ramones is alive and well in the hands of The Tigerlilies - Cincinnati’s sole practitioners of post punk power pop. They have played countless shows around Ohio, serving as support for Violent Femmes, Joan Jett, Paul Weller, Guided By Voices and Superchunk, and attaining a sizable and appreciative following along the way. The past decade has seen the release of many singles and albums on independent Midwestern labels such as Atavistic, Violently Hip and Mono-cat 7, chalking up a total of four full lengths which showcase The Tigerlilies economic blend of punk, 60’s soul and garage rock. Along the way, someone unearthed their debut record, Space Age Love Songs, which was recorded exactly 20 years ago. The LP was a hit at the time, winning album, artist and record of the year at the Cincinnati Music Awards and landing them a showcase at the burgeoning SXSW Festival. But the band had all bu

Sofia Härdig - Once & Future Band - Varvara

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Sofia Härdig - Let Me Fall. Background - Sofia Härdig’s new single “Let Me Fall”, from the upcoming album “Changing The Order” is crafted from new wave, electronica-influenced layered synths, amongst other live instruments, and powerful vocals. Championed by Belle and Sebastian’s Stevie Jackson, Sofia has worked with major Swedish artists including Grammy Award winners The Hellacopters and bob hund. Furthermore, she has collaborated with Yoshimi from Japanese noise-rockers Boredoms and the alternative indie band Free Kitten. Sofia’s experimental nature shines through with her new material that blends new wave and electronic influences. “Let Me Fall” is a thickly textured, four-to-the-floor synth-focused electronica anthem. Sofia repeatedly sings ‘infatuation’ – each syllable on beat, but reverberating around the track, creating sonic space, drawing vocal influence from 90s house music. Deviating heavily from her previous single “Illuminate”, “Let Me Fall” features synth arpeggios