BEEHIVE CANDY

Flightress - The Room. Background - “The Room” is the latest offering from Perth acoustic duo Flightress, and explores the idea of homelessness, and one version of how it could feel to be put in that place personally. Songwriter Minky G says, “I wasn’t trying to make a political statement on being a refugee or losing your home, this is just how it feels to me when something that you thought was solid and immovable is taken from you, and you have to rely on other people to get you out of that place. But sometimes, that’s when you find the best parts of others, because it’s so much easier for them to walk away, and sometimes they don’t”. Recorded by the sea at Driftwood Studios in Trigg, WA, and produced by the talented Rene de Vries, “The Room” takes on a uniquely Australian sound, with the duo including sounds from the garden outside the studio (check out the magpies at the end of the track!) They also enlisted a cello player, who rocked up with a 19th century instrument to inclu

Living Hour - Seagull. Background - Living Hour began in the basements of South Winnipeg, writing dreamy love songs inspired by the cinematic sky of their hometown. Blending bright shimmering guitar pop with thick casio drones and uniquely powerful, smoky vocals, their sound washes over you like  the soundtrack to the best parking lot makeout session of your youth.  Watery echoes of gorgeously sung melodies, psychedelic interlocking guitar, and huge driving crescendos create an enchanting wall of blissful dream pop. Living Hour contributed two songs to Family Portrait II, a vinyl compilation put out by Art is Hard Records (Bristol/London) in April 2015, and released a super limited edition cassette of their debut s/t album with Tree Machine Records (Bloomington) that same month. The band will release their debut album world-wide with Lefse Records (Portland) on February 19, 2016. Tour Dates: March 3    Winnipeg, MB    The Good Will Social Club March 4    Fargo, ND    The Aqua

Human Movement - Robots Have A Voice. Background - Last week Australian duo Human Movement, released the first taste of their upcoming debut EP, "Dancing Room," with a one-two audio-visual punch for the title track. Lead single "Dancing Room" reassured eager fans that the 19 and 21-year-old duo still have a Midas touch when it comes to poignant dance floor hits, while the music video granted them a first time look into the Movement.  Now, after debuts on Anna Lunoe's Apple Music Beats 1 Radio, spins on Triple J Radio, and praise from Insomniac, Stoney Roads, Your EDM, Music Ninja, Next2Shine, and more, Human Movement's Blake Gilray and Edward MacDonald have unveiled their second EP cut, "Robots Have A Voice."  On this track that Nest HQ calls "powerful and dark," Human Movement relish in their trademark sound that fuses menacing rhythms with pulsating kick drums and synth.   Looking forward to the remainder of the EP, fans can anti

Citizen Of The World - Setting Out. Background - Citizen of the World has built on the success of the foot stomping folk-rock genre, popularised by the likes of Mumford & Sons, to carve a new genre described by one competition judge as “epic folk”. The band successfully combines the unique sound of the saxophone with acoustic folk and traditional rock to have you reflecting on the stories that shape your life. Since forming in 2012, the band has played at various venues and band competitions around Sydney, toured India, released their first EP and is now releasing their third music video.  Their new song ‘Setting Out’ fits directly into their signature genre of epic folk, combining contemplative verses with a powerful chorus lifted up by a strong drums and horns section. The song tackles the strong feelings associated with new beginnings, new projects, and new perspectives. The kick carries the song through soft verses and strong choruses, and tries to harness a multitude of em

Daniel Amedee - Everything Will Change. Background -  Daniel Amedee is living proof that a musician can be from New Orleans, but not necessarily be of New Orleans, a distinction that courses through his quirky, eccentric songwriting style, informed by a haunting bluesy vocalese that scratches the soul somewhere between Tom Waits and Captain Beefheart, and certainly belies Daniel’s 28 years. In fact, he’s been at it – writing and producing his own music (and getting by with a little help from his friends) since age 14. Which prompts the question: How and where did this unassuming bundle of talent come to be inhabited by the avant garde spirits of progressive rock and guerrilla classical that suffuse his debut CD, Themes From (ExPat Records, 2011) and it’s follow-up Climbing (Arabella Music, 2013). After the release of Climbing in 2013, Daniel has spent the last two years touring the United States and Canada. He’s performed from LA to New York, from Vancouver to Montreal, and everyw

The Altered Hours - Silver Leather. Background - Following the organic buzz that arose from “Way Of Sorrow”, the Altered Hours are set to make a further mark on the flourishing psych-rock scene with the direct, sultry follow-up “Silver Leather”. The band, whose sound has been continually honed over the last few years, have been building a solid identity that will be truly apparent from their upcoming debut. Already a real prospect live, their shows are known for their intensity and the band's ability to envelope both themselves and the crowd in their sound – but where so many focus on the textures, The Altered Hours set themselves apart with as much a focus on the songs themselves. The group have toured Ireland, the UK and Europe and have won critical acclaim along the way. The group have released another 7'' – Dig Early – on Irish label Art For Blind since and their full length, In Heat Not Sorry, will finally see the light of day this coming January (29th). Part of

No Monster Club - Lemonade. Background/promo - The new album 'I Feel Magic'  from Ireland's No Monster Club - the follow-up to this year's highly acclaimed 'People Are Weird' LP, will be released by Popical Island on February 5th 2016. 'Lemonade' (the first single to be taken from the album), basks in a strange, new found intersection of Future Islands, Talking Heads and early Flaming Lips. Prolific Irishman Bobby Aherne may well be one of the best kept secrets in the world of underground pop music. In addition to a previous life using the moniker 'Dublin Duck Dispensary' (and his work as a member of Grand Pocket Orchestra, Women's Christmas, Paddy Hanna and Ginnels), this album marks the 28 year old's eleventh - and most fully realised - release as No Monster Club. 'I Feel Magic' could be the sound of Neutral Milk Hotel, William Onyeabor and the Beach Boys jamming out a series of lost one-hit-wonders on to a tape deck in t

Strange Faces - Brand New Way. Background - Strange Faces is a four piece rock band from Chicago, IL, originating as the solo project of David Miller in 2013. Delivering lo-fi punk rock with 60s pop hooks, the band now consists of front man David Miller, guitarist Taylor Walters, bassist Phillip Valdez and drummer Ben Leach.  Their debut album "Stonerism" is out this December 11th via Autumn Tone Records.  The album was mixed and mastered by Cadien James of Twin Peaks. 'Brand New Way' is the tenth track on this eleven song album. With opening riffs reminiscent of The Kinks on Waterloo Sunset, the song soon emerges itself into a very different psychedelic atmospheric piece. Only one of two songs I have heard from the album, but based on that, the band sound like they have considerable depth and imagination. -------------------------------------------------------------------------------------------------------------------------- Dead Trains - County Road

Squarehead - Citamenic. Background - After a one and a half year hiatus, Melbourne instrumental electronic outfit Squarehead return to push the boundaries of what music can be with their new single 'Citamenic'. It happens too often. You find a band you love, so you shell out for their live show - only to be bitterly disappointed by the difference between what you heard from your speakers and what you hear at the gig. It’s too stripped back, too rough, too cacophonous… you go home, dejected. Not so with ‘Citamenic’. The track, which premiered recently on Happy, paints a picture of exactly what to expect at a Squarehead gig. The name itself, a mirror of “cinematic”, speaks volumes of the track’s vivid nature; beginning as a low-key wall of sound and building to a bubbling, celestial conclusion.  ‘Citamenic’ marks the imminent arrival of a brand new two-track from Squarehead, produced by Melbourne’s P.T. Parcel, that sees the band sitting squarely in their prime . 'Ci