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Certain Animals - Son Parapluie feat. Isobel Campbell

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Certain Animals - All Is Over Now. 'All Is Over Now' proves that Certain Animals dares to become more and more personal, and is less anxious to show her true colours. What emerges is sometimes soft, sometimes sweet and longing for a recent past. Smooth and polished, like the late seventies period from which the song borrows inspiration, but always with an edge.  With vintage artistry and a Wurlitzer which would have suited a Supertramp record, the band describes the drifting apart of two lovers, without forgetting to shine a positive light on such a situation.  Incredible close-harmony, befitting The Beach Boys or The Beatles, and falsetto choirs echoing the sound of Electric Light Orchestra records, are complemented by an array of musical talent in the form of clarinets, flugel horn and a Hammond organ. All dressing this track up to perfection.  After mourning a loss and nearly drowning in nostalgia, Certain Animals breaks free in the final phrase and closes the song with tas

The Local Honeys - Art Moore - Pitou

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The Local Honeys - Better Than I Deserve. Linda Jean Stokley and Montana Hobbs, better known as the beloved Kentuckian duo, The Local Honeys, have a gifted way with words—particularly the playful colloquialisms and regional idiosyncrasies from their home in the Bluegrass State—that simultaneously connects the past and present, old and new. They bind stories with warm vernacular that makes those in-the-know feel warm and welcome and those not, well, flat out curious to hear more.  The Local Honeys’ newest is “Better Than I Deserve” from their upcoming self-titled album (out July 15th via La Honda Records), of which the title itself was an everyday motto of Hobbs’s Papaw; a positive answer for the oft-asked question, “How are you doing?” A moody two-step, “Better Than I Deserve” tells the story of Montana’s grandfather who was an orphan, a U.S. naval pilot, and a war survivor. “‘Better than I deserve’ was his motto in life and carried him through many hardships,” says Hobbs, who built t

Night Court - Katrina Burgoyne - Bad Pelicans - Nikki Lane

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Night Court - Surfin' Iona. "Surfin' Iona" is the third video from Night Court's second album - "Nervous Birds Too." A tongue-in-cheek, surf-punk ear worm featuring lead vocals by Emilor to make it sound more like the B-52’s. Shot on location in cloudy Richmond, British Columbia! Vancouver power trio Night Court was born during the great lockdown 2020 with lifelong friends Jiffy and Dave emailing each other song ideas. Using Jiffy’s old Tascam 4-track and stolen recording software, they guerilla recorded what would become Night Court’s earworm-riddled debut duology – Nervous Birds! One and Too.  The addition of Emilor on drums perfected the band, and conditions were now optimal for Night Court to release itself upon the world of rock. Drawing from a wide pool of influences – “kind of indie rock-ish at times, catchy yet dripping, with feedback in all the right places.” (Ty Stranglehold, Razorcake) – the band’s only concern is to play delightfully sick mel

Alex Amor - The Hengles - Wy - Carmody

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Photo - Harvey Pearson Alex Amor - Colour Me. Up-and-coming London-based, Glaswegian indie-pop artist Alex Amor releases her new single "Colour Me" on UK Indie label Young Poet. Fresh off the road after supporting Thomas Headon on his recent UK tour, Alex Amor teamed up with Mack Jamieson and Gianluca Buccellati who produced “Colour Me”, the latter known for his work on Arlo Parks' Grammy-nominated album Collapsed In Sunbeams. Glowing with star quality, Alex Amor finds a delicate balance between indie and dreamlike alt-pop as she gracefully describes the arrival of a special person using a lyrical pallet awash with colour: "Pocket full of sunshine / Need shades to see her / Golden in the day time". Speaking on the release of “Colour Me”, Alex Amor said: "When you’re in a dark place, life can seem grey, monotonous and stale. But sometimes, all it takes is for one person to come crashing into your life for the world to come back in blazing colour. Falling in

Tuomo & Markus - Shaye - King Size Dub 25

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Tuomo & Markus - Wishful Information. Following on from the release of their stunning debut album ‘Dead Circles’ in 2018, which helped propel the duo around the world with their rich and breezy aesthetic, Finnish outfit Tuomo & Markus return once again to deliver their newly unveiled offering ‘Wishful Information’. Throughout their tenure, the pair have always looked to bridge the gap between psychedelic and folk-inspired soundscapes, and ‘Wishful Information’ looks to become their most alluring release to date. With a new album set to arrive later this year, their latest gem explores a warm and inviting atmosphere that sees them deliver a truly captivating and spacey delight. Rolling Stone critic David Fricke describes their recent effort as the sound of psychedelic Helsinki blowing through LA’s Laurel Canyon. ‘Wishful Information’ was tracked at Jonathan Wilson’s Fivestar Studios in Los Angeles. The song’s captivating lyrics couldn’t be more topical now, portraying an age of

Flower Face - The Inflorescence

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Flower Face - The Shark In Your Water (Album). Montreal multi-hyphenate artist Ruby McKinnon aka Flower Face, shares her artfully crafted new album, The Shark In Your Water, via Nettwerk. The ten-song collection is a devastatingly beautiful exploration of when “love becomes an obsession.” McKinnon shares stories of heartbreaking intimacy, working through traumas of love, and the constant struggle of self-identity. After finding a fanbase online through DIY releases Baby Teeth (2018) and Fever Dreams (2017), Flower Face has established herself as an artist to watch, receiving rave reviews from Alt-Press, American Songwriter, Ones to Watch, FLAUNT, Under the Radar, and more. In addition, she performed to captivated crowds on an east coast run supporting SYML as part of his Sacred Spaces Tour. A multi-hyphenate artist, Ruby McKinnon creates melancholic folk music with a bedroom pop heart under the moniker Flower Face. Taking inspiration from her own vertiginous life experiences, alongsid

Rosanne Baker Thornley - Sarah Klang - The Minks - Bealby Point

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Rosanne Baker Thornley - Because Of Me. Based in Toronto, Rosanne Baker Thornley is an internationally recognized, award-winning singer/ songwriter who writes with an impressive and growing number of international emerging and established artists. RBT has been evolving and expanding her relationship with music (and writing) for quite some time. With her new album, Sorry I'm Late, to be released September 2022, she further delves into her craft, cultivating songs from an intensely personal space. Like all the songs on Sorry I'm Late, new single "Because of Me," is inspired by personal experience. This song is about someone who always arrived tangled, who willingly succumbed to a vulnerable version of themselves, and who left less tangled.  It's about changing that someone to their benefit and how those changes in them, while to the betterment of others in their life, challenges those same people. It's about the realization and the risk to the person who is the

Why Bonnie - Bob Marston & the Credible Sources - Pet Deaths

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Why Bonnie - 90 In November. New-York-by-way-of-Texas transplants Why Bonnie announce their debut album 90 in November out August 19th via their new label Keeled Scales, and share the title track and an accompanying video. “90 in November” is a sunny guitar pop song about lead singer and songwriter Blair Howerton’s hometown of Houston, packed full of sparkling snapshots—”a technicolor sun” and “a cardboard cutout cowboy waving me goodbye.” “I wanted to capture the bittersweet feeling of saying goodbye to the landscape that shaped you while still dealing with the anxieties of what lies ahead,” says Howerton.  “Nostalgia always hits with a flash of disjointed memories - like speeding down the highway or sweating in the Texas heat.” The self-directed video captures this feeling. Following their 2020 Voice Box EP, 90 in November crashes into existence with a squeal of feedback and a burst of distorted guitar. Inspired by fellow Texans Townes Van Zandt, Blaze Foley, alt-rock like the Lemon

Lawn - Keep Shelly in Athens - Brooke Annibale - Dubmatix Meets Future Dub Orchestra

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Lawn - Night Life. Last month Lawn announced Bigger Sprout, their new record which is due out July 15th on Born Yesterday, the up and coming Chicago label that is home to bands like Moontype, Cafe Racer and Caution. Written, rehearsed, and recorded under a month-long period, Bigger Sprout explores a feeling of urgency as a theme and a catalyst: urgency to get out of uncomfortable situations, urgency to take relationships more seriously, urgency to work on themselves, urgency to play shows again, urgency to record, urgency to start a family, urgency to make plans and leave old settings behind, urgency to grow up and become more in tune to your surroundings, urgency to quit old habits and pick up new ones. The EP, co-written with former drummer Hunter Keene, is a document that embodies the anxieties of change, for better or worse. Now the band are sharing a second single from the record, a track called "Night Life". Lawn's Mac Folger and Rui DeMagalhaes share lead vocal du

Pale Blue Eyes - Lucigenic

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Pale Blue Eyes - Globe. Pale Blue Eyes’ excelsior modernist pop music is rooted in Devon and Sheffield. The group’s debut album, Souvenirs – out September 2 – brims with the influence of both the Steel City – home of British electronic music – and the psychedelic Southwestern greenery that surrounds the band at their South Devon HQ. The album will be released by the Full Time Hobby label. Souvenirs was recorded in PBE’s own Penquit Mill studio, just south of Dartmoor, the studio having been funded by a bank loan and endless part-time jobs. PBE are the couple Lucy and Matt Board, crucially aided by Motown-mad bassist Aubrey Simpson. Matt (vocals/guitar) and Lucy (drums/electronics) met at Dartington Art College in South Devon, a storied establishment that’s been enlivened over the years by people including Igor Stravinksy, Yul Brynner and John Cage. Lucy’s dissertation was titled “An Investigation into Sheffield's Alternative Music Scene Between 1973 and 1978, with Particular Refer