BEEHIVE CANDY

Gracie Jean - I Don't Wanna Sing The Blues Anymore. Delving deep into a world of intricate storytelling and a heart beautifully aware of the feelings and emotions experienced by the human race, Australia’s up and coming alt-country/folk artist, Gracie Jean debuts her powerful album, ‘Romance Is Bad’, released this week. Compared to artists such as Taylor Swift, Kacey Musgraves, Isobel Knight and Holli Col, Gracie Jean shares raw, honest and melancholic lyrics, fused with uplifting and inspiring melodies and harmonies, to paint a holistic picture of human emotion through her 9 track, ‘sad girl starter kit’ album, ‘Romance Is Bad’. “I really wanted to convey the idea that it’s okay to feel sad, and to voice that sadness. I think often people tend to try and avoid all sad feelings. We put on masks and we ‘switch off’ the sadness when we interact with one another. I just wanted to make an album on songs where I said exactly what was on my mind. I want these songs to inspire vulnerabil

BEEHIVE CANDY ARE TAKING A SHORT BREAK NOW - WE SHOULD BE BACK THIS COMING WEEKEND. In the meantime enjoy today's new round up!  ====================================================================== Skinny Lister - Embers. Before they hit the road this Autumn, Skinny Lister, are releasing a new video for “Embers.” The band who are touring the UK and Europe in support of their acclaimed fifth album ‘A Matter of Life & Love’, invite you to bask in one of its most heart-warming moments. A strident example of the Skinnies’ feel-good, shanty-folk at its very finest, “Embers” also embodies many of the core themes that course through their latest album. As Dan Heptinstall explains: “”Embers” is a song about friendship. The simple joy we feel in the warmth of good company. It also raises a glass, and enjoys a moment of reflection, to those friends we may have lost along the way. A celebration of the here and now but with a healthy dose of nostalgia.” Echoing the sentiments of the so

Photo - Joanna O'Malley Rowlette - Perfect. “Perfect”, Rowlette’s third release of 2022, is a vulnerable and intimate folk-pop track. The song explores the relationship with one’s body and our tendency to chastise it, despite all the amazing things it enables us to do. Nowadays we are bombarded with beauty ideals that are often unattainable. “I find it crazy that the beauty ideals we are being sold can be so contradictory. For example in Ireland and the UK we are sold fake tanning products and sunbeds, yet in parts of Asia they’re being sold skin whitening bleach and they’re covering up on the beach.” said Rowlette. “I think it’s definitely something that most girls have gone through at some point, and presumably most guys too. Phases where you look at food as some kind of enemy, rather than nutrients that fuel your body. Or where you look in the mirror and all you can see are the things you want to change, rather than this incredible vessel that does so much for you.” There’s ple

Photo - Sebastian Buzzalino Elle Celeste - Call On Me. When Elle Celeste started playing music for public consumption in her early twenties, she wanted to make the most amount of noise and be as wild as possible—screaming her head off and slapping audience members in the face as she fronted an acid rock band. She considered it a good gig, as long as she could hold a note long enough that it felt like she was going to pass out. A lot has changed since then for the resident of Calgary, Alberta. In 2014, she and her primary musical collaborator Kirill Telichev formed the band Copperhead, making self-described “21st Century folk music” that blended punk, ambient and electronic sounds with traditional elements. Over the course of making two well-received independent albums, and sharing stages with the likes of Art Bergmann, Elliott Brood, Lindi Ortega, Terra Lightfoot and The Strumbellas, Elle got exposed to the wider music world and where she envisioned her place within it. It’s led to El

Dance Lessons - Wet Batteries / I Like Lies. London-based trio Dance Lessons share double A side single ‘Wet Batteries / ‘I Like Lies’, mixed by Andrew Maury (Lizzo, Shawn Mendes, Kimbra, Lewis Del Mar) in NYC. Dance Lessons are a female fronted and produced band, made up of Ann, Tom and Nat. Blending alternative pop, electronica, disco, soul and jazz, the trio create their own genre that they’ve coined ‘Serrated Pop’. They create music for fans of the likes of Little Dragon, Porij, SAULT, and Jungle, whilst embracing influences from further afar with nods to icons such as Massive Attack, Bjork and Rosin Murphy. Dance Lessons are the product of an actual dance-off between Tom and Ann at a house party back in 2019, after Tom took the crown with a slut drop, the pair got talking and established that they shared a love of disco, soul, jazz, alternative and pop. From this, Tom invited Ann along to the new project he was starting with long-time friend and collaborator, Nat and thus, Dance

Guise - The Boy And The Thief. Following the release of Guise ’s debut album Youngest Daughter earlier this year, the folk fourtet are confirming its long-awaited release on vinyl today Friday (9 September). Commemorating the release, the band are delighted to present a new tour video for Youngest Daughter’s magnificent opening track: ‘The Boy & The Thief’. A song that according to lead vocalist Jessica Guise “appeared like a snowball to the face”, so too does it burst from the blue with a supercharged sense of adventure. With its lyrics delivered at a breathless pace, ‘The Boy & The Thief’ envelops the listener in a tale of love and luck that will resonate with anyone who has ever been waiting for their numbers to finally come up in the lottery that is life. As Jessica explains: “Sometimes writing a song is like carving a sculpture or fishing by the side of a very still lake, but sometimes it’s just like being given a present that you have to unwrap really really quickly befo

Worldcub - Look Through The Keyhole. Worldcub share new single ‘Look Through The Keyhole’ and announce concept album  ‘Back To The Beginning’ & Accompanying EP Worldcub invite you into the time warp of their pulsating new single ‘Look Through The Keyhole’ on the 21st of October, a hypnotic, West Coast tinged, surf inspired jaunt through past lives and memory. The track is part of a concept titled Back To The Beginning, a collection of tracks which has since developed into an album of the same name slated for release in 2023 and a supplement EP titled BTTB Series 1 released on the 4th of November via Ratl Records. Worldcub’s Dion Hamer adds "...’Look Through The Keyhole’ is about a magic door to a time warp where you can step into a past life. It’s all about revisits, we do it all the time, we revisit our passions, memories, old haunts, old Elvis collection, last night’s Pizza, it’s never the same experience. The song in itself is a revisit, the first version of the track was

photograph by Pete Millson The Little Unsaid - Vibrant Life. Fable is the mesmerising and powerful third album from South London based 4-piece The Little Unsaid, introduced via its first single Vibrant Life, an intense stream of consciousness reminding us not to lose momentum, imagination, and curiosity in these dark times. The Little Unsaid have always evaded categorization, blending on the new record an expansive multi-instrumented post-rock approach to song structures; touches of jazz’s improvisation; an earthiness that hints at folk and roots influences: and a dramatic art-rock edge heightened by frontman John Elliott’s intense delivery (with a hint of the dramatic that nods to John’s other works as a composer for stage, with his music featuring in Cruise currently touring the West End). The Little Unsaid’s incredible live energy (with the band having played countless UK/European tours and festival appearances, including a set at Glastonbury 2022), has been harnessed on Fable with