Posts

SHEAL - Sophia Alexa

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SHEAL - Dark. “I think a lot of my writing is me finding my voice. I’ve always been inspired by beauty and beauty in music, and that’s inspired me to create. My challenge was always finding my voice and feeling like I had something worthwhile to say.” explains SHEAL, Toronto-based singer-songwriter and multi-instrumentalist. No doubt has SHEAL found something worth saying with her sophomore LP, Courage Again. Writing the album over the span of several years with the constraints of being a mother and teacher, and recording most of it at eight-and-a-half months pregnant with her second child, Courage Again is deeply reflective of love, fear, and motherhood. Introduced with an aching arrangement of strings and piano on “Gravity,” the LP’s opening line, “We are the same, and we come from the same place, baby,” is a call of gentle empathy and strength; a thread found throughout the album. “Courage Again is about how love makes your inner and outer world expand and how fear makes your inner

Elyza Bleau - KAVYA - Coda Facto

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Elyza Bleau - Apparition. Elyza Bleau's newest single, “Apparition,” is taken from part of her upcoming EP, Haunted. The song is a very personal one for her that will entice you with every listen. Echoing the vibes of U2, but with more edge, her music is about her family’s legacy and more broadly about one’s own legacy not being able to be who you want to be due to your family's expectations or ideas of who you should be. “I was really inspired by this need to trace our heritage in the zeitgeist and the expectations that families and cultures can have around people falling in line with it, even if your path is very different,” says Elyza. It’s about not fitting a mold that fits your ancestry and the hurdles that come with that." Elyza was basically in a personal lockdown before March of 2020. She had moved away from the city into a bungalow on the beach and was working 2 full-time jobs. That fierce independence led Elyza to show up to her guitar every day in January. Afte

Nadia Vaeh - Alicia Stockman

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Nadia Vaeh - Snake Lady. Pop artist Nadia Vaeh has just released her newest single, “Snake Lady,” which tells the story of a femme fatale that influenced and pushed her further in her journey of self-discovery. For the release of the single, Nadia Vaeh teamed up with The Love Yourself Project, a non-profit arts and education organization that provides community programs that promote self-awareness, self-acceptance, self-esteem, and skill-building.  Nadia Vaeh describes the “snake lady,” the antagonist in the single, as “a girl with a darkly magnetic aura. She had a charm to her...a snakey charm and I was instantly enamored and stricken.” Based on a real experience, Vaeh tells the story of her run-in with a temptress. “I was in a very vulnerable place in my life, and she exploited that. Despite all of this, she did give me something in return as I was now able to explore more of my sexuality and was pushed even further and deeper into my journey as an artist and back into my skin.”  As

Tessa Fleur - Julia Logan & Nina Persson - Sam Teskey - Benz

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Tessa Fleur - The Hell of it All. Twirling her way back onto the scene, Brisbane's ethereal singer/songwriter, Tessa Fleur, graces us with her new single ‘The Hell of it All’. With a sound that has freshly floated down from the clouds, Tessa’s brand of fantastical folk provides the perfect escape from the daily mundane. Flourishing with honey-soaked harmonies and sweeping slide guitar, ‘The Hell of it All’ is a melancholy multi-layered masterpiece that encapsulates Tessa’s artful storytelling of self-exploration. Built around a striding beat and bassline, this nostalgic track exudes an essence of Fleetwood Mac that instantly transports you to a place of pure contentment. Accompanying the single release is a mesmerising music video that is nothing short of a visual feast. Tessa’s angelic aesthetic runs wild as she whisks you to another world in a flurry of wind-whipped hair. We meet Tessa amidst an unnerving cult, dancing through fields in a flock of flowing white dresses. The vide

Glass Heart String Choir - Elijah Wolf - T Truman - Karen Myatt

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Glass Heart String Choir - Wounds. Friends-in-arms reveling at the intersection of classical virtuosity, existential poetics, and art-film surrealism, Seattle art-pop duo Glass Heart String Choir weaves golden lyrical threads of haute-art into their achingly beautiful orchestral tapestry. Their latest single and video, Wounds, is a delicate folk-pop offering reminiscent of Sufjan Stevens and My Brightest Diamond. Set within the alluring visuals of Joshua Tree and the Coachella Valley, the video finds the duo’s violinist/composer Katie Mosehauer fighting to escape the cyclic burden of psychic wounds and emotional scars. Directed by Katie, the video finds her attempting to escape the confines of memory, artfully moving through unforgiving landscapes, endlessly looped back to a pool that should be a reprieve from the heat, but is instead a beguiling entrapment. Katie explains, “There are so many emotional spaces that we occupy alone, carrying a burden of psychic wounds and emotional scar

Alice Tambourine Lover - Adam Hattaway and The Haunters - Lara Mrgic - Natalie Jane Hill

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Alice Tambourine Lover - Forse Non Sei Tu. Wandering between lazy Mazzy Star/Cowboy Junkies atmospheres and more gritty moments reminiscent of Mark Lanegan, Bologna-based duo Alice Tambourine Lover (Alice Albertazzi and Gianfranco Romanelli) are back with single 'Forse Non Sei Tu', out for heavy psych rock label Go Down Records (IT). For the first time the tracks are sung in Italian, but the music language lingers on their cradling dream-roots idiom - somewhere between Yo La Tengo and Cranes.  Forse Non Sei Tu features lyrics by Ligurian singer-songwriter Vittorio Carniglia, while the B-side is a cover version of 'Vorrei Incontrarti', one of the masterpieces of Alan Sorrenti's progressive production, played with a bluesy feeling that adds flavor to its cold beauty. Alice Tambourine Lover were founded in 2011 as a side-project of psych band Alix, with five albums released among which Ground, recorded by David Lenci and Good One, recorded by Steve Albini. In 2012 the

SUEP - Nisa - Jackson Dyer

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SUEP - Domesticated Dream. The stubbornly high spirited SUEP create oddball music with a touch of theatrical storytelling. Led by SuepLord (Porridge Radio, Garden Centre, The GN Band) and Brain Wastefield (UK top model), SUEP is borne out of a near-decade of wearing silly clothes and deconstructing pop together. After relocating from Brighton to London, the pair added GN (The GN Band, Joanna Gruesome, The Tubs), Freakin' Deacon (PC World, Garden Centre), and T-Mr.9 (Head of Pastoral Care) to the line-up. They take turns writing songs and taking lead vocal duties but manage to create a coherent world of playful collaboration. Their songs take the listener through haunted castles, deprived encounters, days lost to the imagination in bed, and through the integral friendships that give SUEP the energy to keep dancing to their own beat. SUEP’s infectious debut single Domesticated Dream combines a classic 70s Yamaha disco beat, deep bass, nostalgic drum machine sounds, a whole lot of co

Matt Epp and Isaac Murdoch - Selkie - Brei Carter - Sarko Montaug

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Matt Epp and Isaac Murdoch - Everything We Need. Isaac Murdoch (Bomgiizhik) is an Anishinaabe Ojibway artist and community organizer from Serpent River First Nation – a member of the Fish Clan – where he grew up in the traditional setting of hunting and gathering on the land. A world-renowned visual artist, Murdoch is perhaps best known to his tens of thousands of followers as a engaging storyteller – recounting live and online the many tales taught to him by his Elders in an effort to reach the heart of the human spirit so that we may all reconnect with, and be stewards for, the land. He currently lives in the forest at the cultural revitalization camp called Nimkii Aazhibikoong, an Indigenous community that focuses on traditional language, art, and land-based activities. International touring artist and award-winning songwriter Matt Epp is the quintessential troubadour of the Canadian prairies, who has won the admiration of an audience that spans the globe. A stark and confessional

Wendy Rae Fowler - Reb Fountain - Gustaf - Daisy Chute

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Wendy Rae Fowler - Golden Brown. Wendy Rae Fowler has shared a brand new single - her own unique rendition of the Stranglers’ classic, ‘Golden Brown’. Whilst maintaining all the twinkling emotion of the original, Wendy makes the cover completely her own; adding a distinctive whimsical allure, a truly spellbinding rendition, exuding its own haunting grace. You may not think you know Wendy Rae Fowler, but you do. Wendy Rae Fowler penned and performed the theme music to one of your favorite dark-noir thrillers, The Killing (AMC), and her music has been featured on Orange is The New Black (Netflix). Her work has been variously described as “Brutal and Beautiful” by The Sunday Times and “Eerie and unforgettable” by The Guardian. She was a founding member of We Fell To Earth and has collaborated with numerous bands and artists, including vocals on Queens Of The Stone Age’s ‘Feel Good Hit of The Summer’, Mark Lanegan (Bubblegum, Field Songs, Here Comes That Weird Chill), Eagles Of Death Meta

Parliamo - Late July - Lilly Hiatt - BlackieBlueBird

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Parliamo - Echo In My Chamber. Perth, Scotland based 6-piece Parliamo release their new single "Echo In My Chamber",  lifted from the band's upcoming EP 'The Parliamo Manifesto', out October 7th via Modern Sky (The Coral, The Lathums, Abbie Ozard). Drawing from a plethora of influences from The Avalanches and Massive Attack to Super Furry Animals and The Beta Band – Parliamo bring together witty social commentary–styled lyricism with a distinctive songwriting approach very much of their own. New single "Echo In My Chamber" represents the band's most high-reaching moment to date; an armoury of joyous harmonies, crunching indie-rock guitars and a chorus to rival the very best. Speaking on the new track the band said, "Echo In My Chamber is a story of infatuation rather than love, with the lyrics telling of a dichotomy within yourself as you struggle with how you really feel about someone. The chorus is essentially a conversation with oneself, as